Tuesday, October 4, 2011

Best Ghost Story 15 from 1800-1849 is "The Collier's Family" by Friedrich Motte Fouque

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It's October and the perfect month to finish my countdown of the Top 40 ghost stories for the first half of the nineteenth century. So let's get on with it.

The 15th best ghost story is The Collier's Family by Baron Friedrich Heinrich Karl de la Motte Fouque (1777-1843), who just happens to have the scariest name in the countdown. This horror gem was first published in English in "Popular Tales and Romances of the Northern Nations," which was published in 1823. This three volume collection of tales by mostly German authors also contained "Wake Not the Dead." This is the third vampire short story we have on record and many attribute it to Ludwig Tieck, though this has not been proven as the story was never found among his papers.

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Fouque is best known today for his novel "Undine" where a water spirit marries a knight in shining armor. In 1814 ETA Hoffmann, who appeared at spot 17 with "Mines of Falun" and whose horror story "The Deserted House" appears in The Best Horror Short Stories for this same period, translated "Undine" into an opera. But it is "The  Collier's Family" that is the focus here, which includes a scary phantom brownie creature that haunts the collier's family. Collier is antiquated term for a coal miner and this story tops the other miner ghost story on the countdown, which is the previously mentioned "Mines of Falun," if for nothing else than originality.

In my short story collection Mailboxes - Mansions - Memphistopheles there is "The Brownie of the Alabaster Mansion" if you want to read a modern take on this creature that you are sure to find interesting! Tomorrow I will post a link to ghost story 14, so read quickly.  

Wednesday, September 28, 2011

Best Ghost Story 16 from 1800-1849 Lady Eleanor's Mantle by Nathaniel Hawthorne

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Nathaniel Hawthorne (1804-1864) was no stranger when it came to telling a scary ghost story. His "Legends of the Province House" was mentioned as being exemplary by H.P. Lovecraft and his 1835 story titled "Graves and Goblins" is quite good. But this post is about Lady Eleanor's Mantle, which floats in at the 16th spot in my countdown of the scary ghost stories for the first half of the nineteenth century.

Nathaniel Hawthorne

"Lady Eleanor's Mantle" is a ghostly tale of pestilence and because of that it draws certain parallels to Edgar Allan Poe's "Mask of the Red Death," which is included in my recently published book: The Best Ghost Stories 1800-1849: A Classic Ghost Anthology. Without giving away too much, the horror story contains an insane person and is well worth a read on a moonlit night. Enjoy.  

Tuesday, September 20, 2011

Best Ghost Story 17 from 1800-1849 is "The Mines of Falun" by Ernst Hoffmann



Ernst T.A. Hoffmann (1776-1822), one of the earliest progenitors of supernatural stories, wrote the excellent The Mines of Falun. I pegged it as #17 in the greatest ghost stories for the first half of the nineteenth century. It was first published in 1819 and is set in the storied mines of Falun, Sweden. Many scary stories link the mines to the supernatural and a rumored tunnel to the center of the earth.

While in my estimation this is Hoffmann's greatest ghost tale, it is not his most original. He admits in Die Serapion Bretheren, Vol. 1, of 1819, that it involves a "well-known thema of a miner at Falun." Regardless, it is the first ghost story I have found in a mine and is well written right to its horrific ending.

What ghost storied did I like better than The Mines of Falun? Read The Best Ghost Stories 1800-1849 and find out.


#MinesofFalun #BestGhostStories #GhostStories #MineGhostStories #ClassicGhostStories #ETAHoffmann

Tuesday, September 13, 2011

Best Ghost Story 18 from 1800-1849 is "Monos and Daimonos"

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Edward Bulwer-Lytton (1803-1873) is known in supernatural circles for penning one of the greatest ghost stories of the nineteenth century: "The Haunted and Haunters." This scary story is not in consideration for this countdown of the best ghost short stories from 1800-1849, however, as it was published in 1857. H.P. Lovecraft called it "one of the best short haunted house tales ever." But enough about "The Haunted and Haunters."

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Bulwer-Lytton's second best ghost story is Monos and Daimonos, which floats in at 18 on the countdown. It was published in 1830. The horror story involves a shipwreck, a murder and . . . well . . . a relentless ghost set out for revenge. I hope you enjoy it!

Read my new book: The Best Ghost Stories 18800-1849: A Classic Ghost Anthology  

Wednesday, September 7, 2011

Best Ghost Story 19 from 1800-1849 is Albert Werdendorff; or, The Midnight Embrace by Sarah Wilkinson

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Although Albert Werdendorff; or, The Midnight Embrace is not the most artful name in this countdown of the Top 40 best ghost stories for the first half of the nineteenth century, but the story itself is little diminished by it. Penned by Sarah Wilkinson over 200 years ago in 1808, this scary story makes a person think twice about being hugged at midnight. Wilkinson was a early author of the Gothic school along with other stars like Mathew Gregory "Monk" Lewis and Horace Walpole and Ann Radcliffe. I hope you enjoy it.

  

Friday, September 2, 2011

Best Ghost Stories Anthology for $.99

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Want to be frightened over the weekend? For a limited time the Kindle version of The Best Ghost Stories 1800-1849: A Classic Ghost Anthology has been dropped to $.99. Read it tonight for a buck. And for those of you in the United States--have a great long weekend!

Wednesday, August 31, 2011

Best Ghost Story 20 from 1800-1849 is "The Ghost with the Golden Casket" by Allan Cunningham

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This is an exciting time because we have reached in the countdown the Top 20 ghost stories for the first half of the nineteenth century. This first scary story does not disappoint as it comes from Allan Cunningham (1784-1842) who was right at home in telling a supernatural yarn.

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Cunningham is less than popular today, but in the early nineteenth century he was a popular author and poet. He kept company with Sir Walter Scott and James Hogg (the "Ettrick Sheppard) who appeared at spot 29 in the ghost short story countdown with "Mary Burnet". Each of these Scottish authors forged new ground when telling supernatural tales. It is Allan Cunningham, however, who penned one of the best ghost stories apart from Scott's "The Tapestried Chamber," which I included in The Best Ghost Stories 1800-1849: A Classic Ghost Anthology.

In The Ghost with the Golden Casket readers are immediately transported into Scotland of old where they can visualize, through Cunningham's fine prose, Caerlaverock Castle, smell the conifers and greensward, feel rocky hillocks underfoot, and hear the crash of the green ocean waves. But let's be honest, the thick accents of the peasant speakers are challenging in modern times. Still, I am hard pressed to find a true to life Scottish ghost story for the first half of the nineteenth century than this. Get ready to be scared after you are transported to Scotland from your favorite reading chair!       

Wednesday, August 24, 2011

Best Ghost Story 21 from 1800-1849 is The Haunted Manor-House of Paddington by Charles Ollier

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Ghost story 21 of the Top 40 from 1800-1849 is The Haunted Manor-House of Paddington by Charles Ollier (1788-1859). "The Haunted Manor-House of Paddington: A Tale for November" was published in Bentley's Miscellany during 1841 at a time when Ollier was associated with the literary magazine. The haunted manor, which has fallen into "gloomy ruin" in the scary story, is based on an actual house in the Paddington borough of Westminster, England where Ollier lived. The house was ideally situated next to a cemetery and was demolished nearly 200 years ago, as a footnote in the story admits. The story's building terror and heard but not seen ghost nearly place it in the Top 20 ghost stories for the first half of the nineteenth century. But I believe there is much more to this horror tale than meets the eye.  

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For my observant followers of this countdown you have already noticed that the photo provided is of Charles Dickens (1812-1870). This is not a mistake of the Charles. One reason is because there are no known photos/illustrations of Charles Ollier. More importantly, is what I believe is a link from this scary ghost story to Boz; or more specifically to his famous novella: A Christmas Carol. This most famous ghost story of our modern age was published on December 17, 1843. This was a mere two years after Ollier published "The Haunted Manor-House of Paddington." This is unremarkable in itself, except that the later ghost story contains a ghost or spirit that warns of the future visit of a more horrid ghost. Dickens was clearly familiar with the magazine. He was its first editor from 1836-1839. During this same period Charles Ollier was employed by Richad Bentley, founder of the magazine. It is very likely that Dickens read Ollier's ghost story and the rest, as they say, is history.

Tuesday, August 16, 2011

Best Ghost Story 22 from 1800-1849 is "Allan M'Tavish" by Caroline Norton

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One of the first and few scary ghost stories by a female author takes spot 22 in my countdown of the Top 40 ghost short stories for the first half of the nineteenth century. The story is Allan M'Tavish and it is set in Ireland. It is a ghost story of the sea and includes the appearance of a waith or warning ghost, without giving too much of the story away. The horror tale was published in 1833 by Caroline Norton (1808-1877) whose full name was Caroline Elizabeth Sarah (Sheridan) Norton. She was an accomplished poet and novelist. Her portrait below gives her an uncanny resemblance to Virginia Poe, Edgar Allan Poe's only wife.

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If you would like to skip ahead in the countdown, the top 10 scary ghost stories from this period are laid out with story backgrounds in my newly edited book: The Best Ghost Stories 1800-1849: A Classic Ghost Anthology ----> AndrewBarger.com/BestGhostStories1800.html

Monday, August 8, 2011

Best Ghost Story 23 from 1800-1849

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Horace Smith (1779-1849) was an English stockbroker, poet and novelist. When he became independently wealthy trading stocks, he turned to writing full time. One can also add to his resume: ghost short story writer.

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Floating in at spot 23 in my countdown of the Top 40 ghost stories for the first half of the nineteenth century is Horace Smith's Sir Guy Eveling's Dream. This scary story first appeared in The New Monthly Magazine of 1823. Smith later collected it in his compilation of short stories and essays titled Gaieties and Gravities in 1826. Nine years later Washington Irving would publish his much anthologized "Adventure of the German Student," which has a similar construct as "Sir Guy Eveling's Dream." I won't give away anymore than that!

The Best Ghost Stories 1800-1849: A Classic Ghost Anthology is now available on Kindle, Nook or through the iBookstore.

Tuesday, August 2, 2011

Best Ghost Story 24 from 1800-1849 is "The Water Spirit"

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Joseph Snowe's ghost story "All Soul's Eve" appeared at spot 30 in my countdown of the Top 40 ghost stories from 1800-1849. His next appearance on the countdown is at spot 24 with The Water Spirit. This scary story about a mid-wife who is summoned by the spirit world is very well written. It first appeared in Vol 1 of the 1839 collection of short stories titled The Rhine, Legends, Traditions, History from Cologne to Mainze by Snowe. Long before the movie Jaws, this ghost story taps into our hidden fears about what lurks beneath the water. I hope you enjoy it. 

Monday, July 25, 2011

Best Ghost Story 25 from 1800-1849

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Coming in at spot 25 in my countdown of the Top 40 ghost stories published in the  English language for the first half of the nineteenth century is The Sexton of Cologne by George Soane (1789-1860). It was first published in 1826 and was still being published as late as 1871. The scary ghost story is based upon old legend and George Soane was the first to codify it into the English language. Given its high level of writing, compelling characters and shocking ending, it is one of the best ghost stories for this period.

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This is the only known picture of George Soane, the son and rebel family member of the famous architect, John Soane. From my research, I peg him as one of the most underrated authors of the supernatural from 1800-1849. I selected his horror story "The Lighthouse" to be included in The Best Horror Short Stories 1800-1849. "The Sexton of Cologne" is his best ghost story and I hope you enjoy it. 

Friday, July 22, 2011

Best Ghost Stories 1800-1849: A Classic Ghost Anthology Published!

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In my last post I promised exciting news. Well, here it is. The Best Ghost Stories 1800-1849: A Classic Ghost Anthology is published and available on Kindle. In the coming weeks I'll let you know when it is available at the iBookstore, Barnes & Noble, Kobo, etc. The physical book is still at the designer's and I hope to have it published in time for the Halloween season. Next week I'll also post the stories and authors in the book. Believe me, I have picked the most well-written scariest ghost stories for the first half of the nineteenth century. It's reasonably priced at $2.99 and also available for Kindle UK and Germany. Enjoy!

Thursday, July 7, 2011

Best Ghost Story 26 from 1800-1849: "The Story of the Goblins Who Stole a Sexton" by Charles Dickens

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The 26th best ghost story of the fifty year period in review comes to us by the venerable Charles "Boz" Dickens (1812-1870). The scary story was first published in 1836 and later appeared as Chapter 29 in The Pickwick Papers. The ghost story is both funny and horrific in parts, reminiscent of A Christmas Carol in this regard.

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The name of the story is The Goblins Who Stole a Sexton and it is one of Dickens's best ghost stories. The protagonist is one Gabriel Grub, a "sexton and grave-digger" who is going about his business on Christmas Eve when horror strikes among the gravestones. I will let you read it for yourself.

In closing, be ready for an exciting announcement in my next post that you will not want to miss! 

Wednesday, June 29, 2011

Best Ghost Story 27 from 1800-1849: The Chase

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In October of 1833 a scary ghost story was published in The Western Monthly Magazine, a publication that was unafraid to publish supernatural stories. The story was simply titled The Chase and beneath it, it claims to be from "the log book of Richard Mizen, Q. S." I have been unable to find a "Richard Mizen" listed elsewhere in the literature and this captain is likely a fiction. Regardless, "The Chase" is one of the best ship battle stories for the first half of the nineteenth century. The writing is at a high level. The dialogue snaps and feels real. The drama builds to a climatic end and it is one of the best anonymous ghost stories in the countdown of the Top 40 ghost stories from 1800-1849. I hope you enjoy it.

Wednesday, June 22, 2011

Best Ghost Stories 1800-1849: Story 28 is Solange by Alexander Dumas

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The 28th best ghost story for the first half of the nineteenth century is Solange by the esteemed Alexander Dumas (1802-1870). This is the best ghost story by Dumas given its plot, style and characters. It is also his scariest ghost story with the plot building to its climatic end, which I won't give away here. The full title of the tale is "Solange: Dr. Ledu's Story of the Reign of Terror" and it was published in 1849. Most of the Top 40 ghost stories I have picked for this countdown have a ghostly presence throughout. In Solange, however, the ghost appears near the end, but it's effect is horrific just the same.

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The portly Alexander Dumas is best known for creating such memorable characters as the Three Musketeers and Quasimodo. He is not considered a player in the realm of supernatural tales. None of his stories made my list of the Top 40 horror stories for the period in review and, obviously, none of them reached the level of the dozen picked for The Best Horror Stories 1800-1849 that I edited. He did pen "The Vampire of the Carpathian Mountains," which is thought to be the first vampire story set in the ominous mountain range of Europe. He also wrote a werewolf story by the title of "The Wolf Leader" in 1857.  

Tuesday, June 14, 2011

Best Ghost Stories 1800-1849; Mary Burnet by James Hogg

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It's been awhile since I last posted scary ghost story 30, maybe too long. Without further delay I pick James Hogg's (1770-1835) Mary Burnet as the 29th best ghost story for the first half of the nineteenth century. The scary story is the classic case of an "innocent maiden" who is wronged and, well . . . I'll let you read for yourself what happens. 

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James Hogg, commonly known by his penname "The Ettrick Shepard," was self-educated. He eventually made his way out of the rustic life of country living in Scotland. He began writing short stories and articles for Blackwood's Edinburgh Magazine and befriended Sir Walter Scott. While Hogg's novels did not leave a deep mark on literature, his short stories were penned at a very high level. In my estimation he is greatly overlooked as a writer of horror and ghost stories in this important half century. Two of his stories made my list of the Top 40 horror short stories for the period in review, but none rose to the level of the top dozen that I include in The Best Horror Short Stories 1800-1849, which recently won a literary award. Hogg has a way with dialogue that takes one back to the old Scottish brogue and in the scary story of "Mary Burnet" he does not disappoint in this regard. 

Thursday, June 2, 2011

"Best Horror Short Stories 1800-1849" Finalist Award Winner in the Next Generation Indie Book Awards

Those of you who read my blog on a regular basis know that I recently published The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. The book was well received by the horror community and the reviews were favorable (some are posted below); so I entered it in a book contest to see how it would do against the big publisher and best selling authors.

I am pleased to let you know that the book was just selected as a finalist awards winner in the anthology category for the Next Generation Indie Book Awards. The physical book is annotated and sells for $12.99 at major online book retailers. The ebook is not annotated and can be had for $2.99, the price of a cup of coffee and it will entertain for hours. Even cheaper still, Amazon has just selected it as one of its best selling Kindle books and discounted it to only $.99 only as part of its "sunshine sale." Of course, there's not a lot of sunshine in this classic scary story horror book!

The Best Horror Short Stories 1800-1849 is a book for anyone who loves a classic horror story.

Thanks to Edgar Allan Poe, Honoré de Balzac, Nathaniel Hawthorne and others, the first half of the nineteenth century is the cradle of all modern horror short stories. I read over 300 horror short stories and compiled the dozen best. A few have never been republished since they were first published in leading periodicals of the day such as Blackwood’s and Atkinson’s Casket.

At the back of the book I include a list of all short stories I considered along with their dates of publication and the author, when available. I even include background for each of the stories, author photos and annotations for difficult terminology.

 

‘The Best Horror Short Stories 1800-1849’ will likely become a best seller . . .What makes this collection (of truly terrifying tales!) so satisfying is the presence of a brief introduction before each story, sharing some comments about the writer and elements of the tale. Barger has once again whetted our appetites for fright, spent countless hours making these twelve stories accessible and available, and has provided in one book the best of the best of horror short stories. It is a winner.

GRADY HARP - AMAZON TOP TEN REVIEWER

 

Through his introduction and footnotes, Barger aims for readers both scholarly and casual, ensuring that the authors get their due while making the work accessible overall to the mainstream.

BOOKGASM

 

[a] top to bottom pick for anyone who appreciates where the best of horror came from.

MIDWEST BOOK REVIEW

Monday, May 23, 2011

Best Ghost Stories 1800-1849 Scary Story 30 is All Souls Eve by Joseph Stowe

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When researching scary stories for any fifty year period of the modern age, Halloween has to figure into the equation at some point. This is one of them. To fully understand the title of the ghost story I picked for spot 30 of the Top 40 for the first half of the nineteenth century, a background in how the Halloween name was derived is helpful.

It all starts with All Souls' Day, this is the traditional day when the living remember and pray for the souls of the dead. The day is still celebrated in parts of Europe and Mexico (Day of the Dead). Often food is left for the dead and candles lit in the windows so the ghosts can find their way. All Souls' Day is one of love and remembrance. Easy enough.

But then All Souls' Eve began to come into pagan fashion. On this night before All Souls' Day the evil dead return to earth. These ghosts are not out for a good meal, but to exact revenge. All Souls' Eve was also called Hallow Evening and eventually the words were put together to form Hallow'en. In one part of the legend, any person who came in contact with ghosts on Halloween, and left a piece of their clothing behind, would be sure to die.



That brings us to scary story 30, which is All Souls' Eve. Published in 1839 by Joseph Stowe in his collection titled The Rhine, Legends, Traditions, History from Cologne to Mainz. The ghost story is derived from German legend, and it is the first in the English language to address the clothing issue described above. Enjoy this congregation of the dead!


#allsoulseve #halloweenstories #vintagehalloweenstories #classichalloweentales #bestghoststories
        

Thursday, May 19, 2011

Best Ghost Stories 1800-1849 - Scary Story 31 is An Adventure Near Granville

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An Adventure Near Granville is one of the best ghost stories you have never read and it weighs in at spot 31 in my countdown of the Top 40 scary ghost stories for the 50 year period in review. It was published in George Soane's (1789-1860) collection of short stories "The Last Ball and Other Stories" in 1843. "An Adventure Near Granville" (more aptly titled "A Horror Near Granville") is a warning for anyone moving into a foreign old house. I hope you enjoy it.

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When considering scary ghost stories, I am convinced that George Soane is one of the most underrated ghost writers for the first half of the nineteenth century. Who on earth is George Soane? He was the son of the famous English architect, John Soane (1753-1837). George was the black sheep of the family. Much like Edgar Allan Poe, he shunned business and followed the arts. His family disowned him as a result. Yet George turned out to be an excellent short story writer. I picked his "Lucy Ellis" (also called "The Lighthouse") as one of the top dozen horror stories in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Any of his stories in "The Last Ball"' are worth your time.   

Friday, May 6, 2011

Best Scary Ghost Story 33 from 1800-1849 Posted

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The next tale in my countdown of the Top 40 ghost stories for the first half of the nineteenth century is an anonymous story titled The Legend of Marseilles. This scary ghost story was first published in 1826 and was subsequently reprinted in a number of ghost anthologies. Without giving away too much, let's suffice it say that it proves not knowing when you are going to die is best.

Tuesday, May 3, 2011

Best Werewolf Stories 1800-1849 Book eBook Price Drop

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I've been feeling beastly as of late and as a result I've decided to drop the price of The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology to $.99. Buy this transformation of the werewolf book for a buck while you can. I hope you enjoy it!

Saturday, April 30, 2011

Best Ghost Stories 1800-1849, 33rd Best Scary Story

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I place The Death's Head in spot 33 of my countdown of the Top 40 ghost stories for the first half of the nineteenth century. Published anonymously in 1827, "The Death's Head"--this particular "species of phantasmagoria"--is perhaps the first short story that contains a talking skull. It also the only scary story in this countdown that involves ventriloquy. The scene where spirits are conjured is heart pounding horrific. I hope you enjoy it.   

Best Horror Stories 1800-1849 ebook Price Dropped to $.99 for a Limited Time

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I am in a horrific mood of late and as a result have just dropped the price of The Best Horror Short Stories 1800-1849: A Classic Horror Anthology to $.99 on: Best Horror Stories on Kindle Enjoy!

Best Ghost Stories 1800-1850 Scary Story 34 of the Countdown

It's time to get back to my countdown of the Top 40 scary ghost stories from 1800-1849. Some of you may be wondering when Edgar Allan Poe will make in appearance in the countdown. Well, you do not have to wait any longer. At spot 34 in the countdown is Poe's best ghost story--Ligeia. The tale was first published in the September 1838 issue of the American MuseumIn two volumes of the Broadway Journal that Poe gave to Sarah Helen Whitman, one of his fiancés, he noted a reference to “Ligeia” and “To Helen”: The poem which I sent you contained all the events of a dream which occurred to me soon after I knew you. Ligeia was also suggest by a dream. Observe the eyes in both tale & poem.

Poe gained ownership of the Broadway Journal for a three-month period (Oct. 25, 1845 – Jan. 3, 1846). It closed given financial troubles. As Poe proved time and time again throughout his life, he was a great literary artist and poor businessman. “Ligeia” is Poe at the height of his gothic powers. The narrator indulges in opium, the beautiful Ligeia dabbles in alchemy and her room is shaped like a pentagon. Best of all for our countdown, this tale ends in ghostly twist. Poe thought highly of it. You will be surprised to hear me say that (omitting one or two of my first efforts) I do not consider any one of my stories better than another. There is a vast variety of kinds and, in degree of value, these kinds vary–but each tale is equally good of its kind. The loftiest kind is that of the highest imagination– and, for this reason only, “Ligeia” may be called my best tale. In my view it was Edgar Allan Poe's best ghost story and perhaps his only ghost story. I argue that "Morella" is not a ghost story and neither is the creature in "The Masque of the Red Death," but rather a monster foretelling doom.
  

Best Ghost Stories 1800-1849 Countdown - Scary Story 35 Link

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As the author of the fictional Edgar Allan Poe biography Coffee with Poe and editor of Edgar Allan Poe Annotated Short Stories and Poems, I am sometimes asked if Poe had a favorite ghost story. Truth be told, Poe was quiet clear on his favorite ghost story--or at least his favorite by an American, which I believe is a dig at Charles Dickens and his bias toward British literature. It is by William Gilmore Simms and is titled: Murder Will Out. I don't, however, agree with Poe since I have placed it in spot 35 in my Top 40 countdown of the scariest ghost stories from 1800-1849. This is what Poe had to say about it in his review (published posthumously in 1850) of Simm's collection of short stories: "The Wigwam and the Cabin."


     All the tales in this collection have merit, and the first has merit of a very peculiar kind. “Grayling, or Murder will Out,” is the title. The story was well received in England, but on this fact no opinion can be safely based. “The Athenæum,” we believe, or some other of the London weekly critical journals, having its attention called (no doubt through personal influence) to Carey & Hart’s beautiful annual “The Gift,” found it convenient, in the course of its notice, to speak at length of some one particular article, and “Murder Will Out” probably arrested the attention of the sub-editor who was employed in so trivial a task as the patting on the head an American book — arrested his attention first from its title, (murder being a taking theme with a cockney,) and secondly, from its details of southern forest scenery. Large quotations were made, as a matter of course, and very ample commendation bestowed — the whole criticism proving nothing, in our opinion, but that the critic had not read a single syllable of the story. The critique, however, had at least the good effect of calling American attention to the fact that an American might possibly do a decent thing, (provided the possibility were first admitted by the British sub-editors,) and the result was first, that many persons read, and secondly, that all persons admired the “excellent story in ‘The Gift’ that had actually been called ‘readable’ by one of the English newspapers.”

Now had “Murder Will Out” been a much worse story than was ever written by Professor Ingraham, still, under the circumstances, we patriotic and independent Americans would have declared it inimitable; but, by some species of odd accident, it happened to deserve all that the British sub-sub had condescended to say of it, on the strength of a guess as to what it was all about. It is really an admirable tale, nobly conceived and skilfully carried into execution — the best ghost-story ever written by an American — for we presume that this is the ultimate extent of commendation to which we, as an humble American, dare go.

The other stories of the volume do credit to the author’s abilities, and display their peculiarities in a strong light, but there is no one of them so good as “Murder Will Out.”

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William Gilmore Simms - Author of the 35th Best Ghost Story 1800-1849

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William Gilmore Simms (1806-1870) is little read today, but was known in the first half of the nineteenth century as the leading novelist of the Southern United States. His novels include the all but forgotten "The Vision of Cortez" (1829), "The Tricolor" (1830), and "Atlantis, a Story of the Sea" (1852). But he penned an excellent ghost story that Edgar Allan Poe called "the best ghost story ever written by an American. . . ." Tomorrow I will post a link to it as I continue counting down the Top 40 scary ghost stories from 1800-1849.

The 36th Best Ghost Story 1800-1849 Posted

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Some of the scariest ghost stories are found at sea and the 36th best ghost story of 1800-1849 is no different. The Strange Sail is its title and it is very strange indeed. In the first paragraph readers are greeted with a wave crashing over the deck of the ship and it only gets scarier from there. When a white sail is seen during the storm, the sailors witness something supernatural that they will never forget. "The Strange Sail" was published anonymously in Atkinson's Casket of1839. It is one of best ghost stories of the sea during the first half of the nineteenth century. I hope you enjoy it along with the rest of my countdown of the Top 40 ghost stories from 1800-1849.

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Edgar Allan Poe Biography Novel "Coffee with Poe" Interview by Author Andrew Barger

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The kindle price on my novel Coffee with Poe: A Novel of Edgar Allan Poe's Life has just been dropped to $2.99. It recently placed as a finalist in the USA Best Book Awards Historical Biography Category. To celebrate, I am republishing an interview I did on the fictional Poe biography. I hope you enjoy it! Andrew Barger
 
Interview
 
Q1: Let’s start with the title. Why Coffee with Poe: A Novel of Edgar Allan Poe's Life?
A1: There’s a funny story behind that because I don’t drink coffee, but I love the smell.  My wife, who did the great cover photography for the novel, tells me that doesn’t count. She has an entire kitchen cabinet devoted to her coffee paraphernalia. I’m banned from looking inside because of my jokes about all the sifters, grinders, roasters, and foamers.  Anyway, I could think of no better coupling than books and coffee … well, actually I can.  In truth, the title is derived from a letter that Sarah Helen Whitman (one of Poe's fiancées) wrote to John Ingram on December 13, 1874, which speaks of Poe's penchant for coffee: "Mr. Bartlett has never seen him inspired by any more dangerous stimulant than strong coffee, of which he was very fond & of which [he] drank freely. MacIntosh says that the measure of a man’s brain is the amount of coffee he can drink with impunity."

Q2: Coffee with Poe is one of the only--if not the only--novel about Edgar Allan Poe’s life viewed from his own eyes. What made you write Coffee with Poe from Poe’s first person perspective?
A2: I wanted readers to get inside the head (however frightening that may be) of one of America’s best-loved and most mysterious writers. I wanted readers to live Poe’s life instead of learn about it. That’s the only way you can truly understand his horror stories and where he’s coming from. There are so many boring biographies out there.

Q3: And what an interesting and tragic life it was. You use a number of actual letters to and from Poe, including letters from Nathaniel Hawthorne and Washington Irving. How did this come about?
A3: In researching Coffee with Poe I was surprised to learn that there were so many conflicting accounts of his life, so I went straight to the letters and used these as a framework to construct the novel. I was able to incorporate many of the people mentioned in the letters as characters. The novel to me is more compelling when you read Poe’s letters from his pen after experiencing the events that prompted the letter.

Q4: The letters of his three fiancées are especially interesting.
A4: Poe got around!

Q5: In one chapter Poe meets Charles Dickens. Was that hard to write?
A5: It was difficult to capture the personalities of both of these great writers as they would have interacted at this point in their careers, but it was a lot of fun to try. When they met in Philadelphia, Dickens was finishing a trip to the U.S. He was as popular across The Pond as he was in England. Poe, on the other hand, had yet to write The Raven and was not nearly as well known. Poe solicited Dickens at this time to get his works published in England but it never panned out. Poe thought any author as popular as Dickens could easily get him published in Europe. Poe thought Dickens never really tried and Poe held a grudge against Dickens until his death. Poe lampooned Dickens in his short story Thou Art the Man.
 
Q6: Where did Poe get his idea for The Raven?
A6: Many think it was from Dickens’s use of a talking raven in Barnaby Rudge. Poe felt the bird should have had a much larger role and I imagined Poe gently telling him such in Philadelphia. Dickens’s in turn based the raven in Barnaby Rudge off his own pet raven named Grip. There is a hilarious account of Grip’s death that Dickens gave in a letter to a friend and I included that statement as he retells it to Poe.

Q7: Was Poe strung out on drugs when he did most of his writing?
A7: It’s doubtful. Even Poe’s bitter literary enemies—and he had quiet a few—never accused him of taking drugs. Many of these enemies were also medical doctors, so they would have detected this state. I believe people over the years have confused narrators in Poe’s tales, many of whom are crazed or tripping on drugs, to be Poe himself. What these people are doing is taking credit away from a highly talented author and assuming he could only have experienced these states to write about them. Poe also wrote about being buried alive, but that never happened either!

Q8: What about drinking?
A8: Poe most certainly drank, but a medical condition caused him to have a sensitivity to alcohol. One or two drinks a day in our society, which is acceptable in certain circles and even claimed as good for the heart by the medical community, would have branded Poe as being prone to excess over a hundred and fifty years ago. As you know, I have my own theory regarding Poe’s drinking problem in Coffee with Poe and how this sensitivity came about.

Q9: Why did Poe write horror short stories?
A9: Because he could and because he was the best. I recently edited The Best Horror Short Stories 1800-1849 and Poe wrote one third of them. It is amazing at how Poe towered above all other writers in this genre for those fifty years. There is a fine art to scaring people to death and Poe took it to levels unseen. The time was ripe for his tales. Snake oil salesmen roamed the country. Prominent doctors of the day routinely practiced bloodletting and people were buried alive because their faint pulse could not be detected. Then you have everyone frightened of reanimation by galvanic batteries thanks to Mary Shelley. Poe thoroughly enjoyed getting a rise out of people. This was evidenced by his many pranks as a child, his biting reviews of the "Literati of New York," and, of course, his horror tales. Poe had a very humorous side despite his circumstances and many people don’t realize this.

Q10: A few more questions?
A10: Okay, but I’m about to turn into a pumpkin and orange is not my color.

Q11: Speaking of horror, who do you think are the Big Three?
A11: In order of appearance: Edgar Allan Poe. H. P. Lovecraft. Stephen King. The problem is that the first two died in abject poverty and Stephen King has made slightly less money than God. Not that I’m taking anything away from King, but the other two should also have been rewarded handsomely for their work. Poe only made $15 off the entire publication history of The Raven. There are injustices in this world, and then there are outright tragedies.

Q12: Going back to your comment on Poe using deductive reasoning to craft some of his stories, he obviously used this in his mystery novels.
A12: Poe is actually the inventor of the mystery genre, or at least the closed room murder mysteries. Many people overlook this and focus only on his horror. His fmystery stories were The Murders in the Rue Morgue, The Purloined Letter, and The mystery of Marie Roget. Sir Conan Doyle got his idea for Sherlock Holmes based partly off Poe’s mysteries. Thou Art the Man is another fine mystery of his and the only one where he satired another writer (see the previous Dickens discussion).

Q13: What were Edgar Allan Poe's favorite things?
A13: Color-Black; Drink-Strong coffee; Song-"Come Rest in this Bosom"; Animal-Cat (Poe had one named Catterina with his wife Virginia and also had a black cat that he wrote about); Poem-He had many. Orion by Richard Horne was his favorite epic poem. A few years ago I edited a new edition since is had been out of print for 80 years. In it I included Poe's fine review of Orion; Place-the South in general.

Q14: Final question: Did Edgar Allan Poe father a child with Frances Osgood?
A15: That is some last question. I believe that he did. In the Kindle edition of Coffee with Poe I added a number of sections that include their relationship. There are simply too many references in Poe's Ulalume and the poetry of Frances Osgood to not believe that Fanny Fay Osgood, Fances's third child, was fathered by Edgar Allan Poe. In Edgar Allan Poe  Annotated and Illustrated Entire Stories and Poems I included, in chronological order, all of the poems with a lot of background information.

Author of the 37th Best Ghost Story 1800-1849

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Just like a number of early stories in my countdown of the Top 40 ghost stories from 1800-1849, the 37th best ghost story in the list was published anonymously. To whet your appetite, here is the illustration that was included with the story. It is one of the oldest pickax murder stories I have found in my research. Tomorrow I will provide a free link to it. 

Edgar Allan Poe Biography - "Coffee with Poe" by Andrew Barger - Receives USA Best Book Awards Historical Biography Finalist Award

Coffee_with_poe_cover

I interrupt my countdown of the best ghost stories 1800-1849 to let everyone know that my most recent historical novel: Coffee with Poe was selected as a Finalist in the USA Best Books Awards Historical Biography Category. Edgar Allan Poe was the early king of scary short stories and the story about his life is no less frightening. "Coffee with Poe" is an Edgar Allan Poe biography that brings Poe to life within its pages as never before. "To give us a historical fiction look at Edgar Allan Poe is great. The start where we are at his mom's funeral gives a little insight into why he may write the way he does. It is very interesting the ideas the author has put into the story about Poe. I like the idea of detailing the life of Edgar Allan Poe into a historical fiction novel. . . . A great idea to give us some insight into why Poe may be the way he is." AMAZON BREAKTHROUGH NOVEL AWARD EXPERT REVIEWER

Orphaned at the age of two, Poe is raised by John Allan—his abusive foster father—who refuses to adopt him until he becomes straight-laced and businesslike. Poe, however, fancies poetry and young women. The contentious relationship culminates in a violent altercation, which causes Poe to leave his wealthy foster father’s home to make it as a writer. Poe tries desperately to get established as a writer but is ridiculed by the “Literati of New York.” The Raven subsequently gains Poe renown in America yet he slips deeper into poverty, only making $15 off the poem’s entire publication history. Desperate for a motherly figure in his life, Poe marries his first cousin who is only thirteen. Poe lives his last years in abject poverty while suffering through the deaths of his foster mother, grandmother, and young wife. In a cemetery he becomes engaged to Helen Whitman, a dark poet who is addicted to ether, wears a small coffin about her neck, and conducts séances in her home. The engagement is soon broken off because of Poe’s drinking. In his final months his health is in a downward spiral. Poe disappears on a trip and is later found delirious and wearing another person’s clothes. He dies a few days later, whispering his final words: “God help my poor soul.” 

Coffee with Poe is available in print or as en ebook at major online retailers. Buy this Edgar Allan Poe biography today and relive Poe's life from his perspective.

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The 38th Best Ghost Story 1800-1849

38

Let's get on with my countdown of the Top 40 best ghost stories published in the English language from 1800-1849. I am still early in the countdown, but some solid ghost stories have already made the list. The classic ghost story filling slot 38 is no exception. As you know from my last post it was published anonymously. If you like ghost stories on the sea, this is the ghost tale for you. Without giving any too much of the story, it centers around The Flying Dutchman--the infamous ghost ship that is doomed to continually round the Cape of Good Hope in a storm with Vanderdecken as its captain. I found the story in the May 1821 issue of Blackwood's. The awkward title of the story (Vanderdecken's Message Home; or, the Tenacity of Natural Affection) does not diminish the strong storyline and "creep factor." It is perhaps the first ghost story that focuses on the futility of the dead when trying to contact the living and deserves to be remembered. As late as 1860 horror author brothers, William and Robert Chambers, included this story in their collection titled: Shipwrecks and Tales of the Sea. Enjoy!

Author for the 38th Best Ghost Story 1800-1849

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We are told that all cats are grey and I am convinced that all ghosts are grey, too . . . even ghosts on the sea. The author for the 38th best ghost story 1800-1849 is anonymous. Tomorrow I will post a link to the story online. If my hint about ghosts on the sea was not enough, this illustration from the nineteenth century should give you a clue as to what the next story in the countdown is about.

Wednesday, March 2, 2011

The 39th Best Ghost Story 1800-1849

39

"In a lonely part of the bleak and rocky coast of Scotland, there dwelt a being who was designated by the few who knew and feared him, the Warlock Fisher." That is the tantalizing first sentence of The Phantom Hand that I have selected as the 39th best ghost story for the first half of the nineteenth century. It was first published anonymously in 1823 in The Citizen magazine. It enjoyed a six year publication history in various UK rags. Yes, my countdown of the best ghost stories from 1800-1849 is just starting. But all the ghost stories (even this early in the countdown) are solid and scary. Enjoy.

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Tuesday, March 1, 2011

Author of the 39th Best Ghost Story 1800-1849

Just like the like the author for the 40th best ghost story of 1800-1849, the next author is anonymous. I found a number of these stories in various magazines and periodicals of the day. This one comes from the Literary Magnet and I will post a free link to it in my next post. For now, enjoy the creepy illustration I found from the same time period.

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Thursday, February 24, 2011

The 40th Best Ghost Story 1800-1849

Welcome to my countdown of the Top 40 ghost stories from 1800-1849. These are not just any ghost stories, mind you. They are the scariest ghost stories, ones that will keep you up at night. So let's get started. The first story was published anonymously. Little happens in the first ten pages, but then it gets wild (and a bit gruesome if you are squeamish). It is a ghost story set on the sea, as a lot of them were during this nautical period. It is called The Bloody Bread Bag. The ghost story is chapter VIII of "The-Man-of-War's-Man" published in Blackwood's during 1823. Enjoy.

 

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Monday, February 21, 2011

First Post in My Countdown of the Best Ghost Stories 1800-1849

In 2010 I counted down the Top 40 horror stories from 1800-1849 and published The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. A lot of people were interested in the countdown so I've decided to countdown the best ghost stories for this time period in 2011. There will be a few surprises along the way, too. So sit back, relax, and get ready to experience some scary ghost stories.

Normally I would post background about the author (when available) and in a subsequent post provide a link to the ghost story. But for this first post, the author is anonymous so I don't have that luxury. Tomorrow I will post the 40th best ghost story from 1800-1849.

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Saturday, February 12, 2011

Tuesday, January 11, 2011

Werewolf and Horror Anthology Smackdown

For those of you who track this blog, you know that in 2010 I edited two anthologies while working on a few short stories of my own. The first I started working on was The Best Horror Short Stories 1800-1849. Right in the middle of editing it I published The Best Werewolf Short Stories 1800-1849 from the tales I had read for the horror anthology (300+ found in the literary magazines of the day). I expected the werewolf book to attract a small, but specialized audience. The horror anthology I expected to reach a wider audience and sell more copies. I could not have been more wrong. Sales of the werewolf anthology quadrupled sales of the horror anthology in 2010. Yes, the horror book costs 20% more than the werewolf anthology: $12.98 to $10.98, respectively, as a result of the horror anthology containing over twice as many stories. This is because there were only a handful of werewolf short stories published in this time period, not for lack of quality, mind you. The horror anthology even has photos of the authors, unlike the werewolf anthology since photos for half the authors were unavailable. Despite all this, I was dead wrong on which would be the most popular. Quadrupled? Jeez. So much for an author trying to forecast book sales.

P.s. In the month of January anyone who likes my Facebook page (Andrew Barger's Official Facebook Page) will be included in a random drawing to win an autographed copy of The Best Werewolf Short Stories 1800-1849. Good luck!

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Saturday, January 1, 2011

Werewolves for the New Year

To get 2011 kicked off in a shapeshifting way, I'm offering a free signed copy of The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology. I will randomly pick one winner from anyone who "Likes" my Facebook page (Andrew Barger's Official Facebook Page) during the month of January 2011. Happy New Year, Andrew.

Website: www.AndrewBarger.com

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