Best Ghost Story 1800-1849 is "The Legend of Sleepy Hollow" by Washington Irving

Number 1 on my countdown of the best ghost stories for the first half of the nineteenth century is finally here. It may not come as a big surprise as I choose "The Legend of Sleepy Hollow" by Washington Irving. Yes, it is scary in parts, but some ghost stories on the countdown are scarier. It is also well-written, but there are others that give it a run for its money. Still, no other ghost story from this fifty year period has reached wider fame or acclaim. That is why I have picked it.

Best Ghost Story 25 from 1800-1849

Coming in at spot 25 in my countdown of the Top 40 ghost stories published in the  English language for the first half of the nineteenth century is The Sexton of Cologne by George Soane (1789-1860). It was first published in 1826 and was still being published as late as 1871. The scary ghost story is based upon old legend and George Soane was the first to codify it into the English language. Given its high level of writing, compelling characters and shocking ending, it is one of the best ghost stories for this period.

This is the only known picture of George Soane, the son and rebel family member of the famous architect, John Soane. From my research, I peg him as one of the most underrated authors of the supernatural from 1800-1849. I selected his horror story "The Lighthouse" to be included in The Best Horror Short Stories 1800-1849. "The Sexton of Cologne" is his best ghost story and I hope you enjoy it. 

Best Ghost Stories 1800-1850 Scary Story 34 of the Countdown

It's time to get back to my countdown of the Top 40 scary ghost stories from 1800-1849. Some of you may be wondering when Edgar Allan Poe will make in appearance in the countdown. Well, you do not have to wait any longer. At spot 34 in the countdown is Poe's best ghost story--Ligeia. The tale was first published in the September 1838 issue of the American Museum. In two volumes of the Broadway Journal that Poe gave to Sarah Helen Whitman, one of his fiancés, he noted a reference to “Ligeia” and “To Helen”: The poem which I sent you contained all the events of a dream which occurred to me soon after I knew you. Ligeia was also suggest by a dream. Observe the eyes in both tale & poem.

Poe gained ownership of the Broadway Journal for a three-month period (Oct. 25, 1845 – Jan. 3, 1846). It closed given financial troubles. As Poe proved time and time again throughout his life, he was a great literary artist and poor businessman. “Ligeia” is Poe at the height of his gothic powers. The narrator indulges in opium, the beautiful Ligeia dabbles in alchemy and her room is shaped like a pentagon. Best of all for our countdown, this tale ends in ghostly twist. Poe thought highly of it. You will be surprised to hear me say that (omitting one or two of my first efforts) I do not consider any one of my stories better than another. There is a vast variety of kinds and, in degree of value, these kinds vary–but each tale is equally good of its kind. The loftiest kind is that of the highest imagination– and, for this reason only, “Ligeia” may be called my best tale. In my view it was Edgar Allan Poe's best ghost story and perhaps his only ghost story. I argue that "Morella" is not a ghost story and neither is the creature in "The Masque of the Red Death," but rather a monster foretelling doom.

  

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The 38th Best Ghost Story 1800-1849

Let's get on with my countdown of the Top 40 best ghost stories published in the English language from 1800-1849. I am still early in the countdown, but some solid ghost stories have already made the list. The classic ghost story filling slot 38 is no exception. As you know from my last post it was published anonymously. If you like ghost stories on the sea, this is the ghost tale for you. Without giving any too much of the story, it centers around The Flying Dutchman--the infamous ghost ship that is doomed to continually round the Cape of Good Hope in a storm with Vanderdecken as its captain. I found the story in the May 1821 issue of Blackwood's. The awkward title of the story (Vanderdecken's Message Home; or, the Tenacity of Natural Affection) does not diminish the strong storyline and "creep factor." It is perhaps the first ghost story that focuses on the futility of the dead when trying to contact the living and deserves to be remembered. As late as 1860 horror author brothers, William and Robert Chambers, included this story in their collection titled: Shipwrecks and Tales of the Sea. Enjoy!

Website: AndrewBarger.com

Author for the 38th Best Ghost Story 1800-1849

We are told that all cats are grey and I am convinced that all ghosts are grey, too . . . even ghosts on the sea. The author for the 38th best ghost story 1800-1849 is anonymous. Tomorrow I will post a link to the story online. If my hint about ghosts on the sea was not enough, this illustration from the nineteenth century should give you a clue as to what the next story in the countdown is about.

The 40th Best Ghost Story 1800-1849

Welcome to my countdown of the Top 40 ghost stories from 1800-1849. These are not just any ghost stories, mind you. They are the scariest ghost stories, ones that will keep you up at night. So let's get started. The first story was published anonymously. Little happens in the first ten pages, but then it gets wild (and a bit gruesome if you are squeamish). It is a ghost story set on the sea, as a lot of them were during this nautical period. It is called The Bloody Bread Bag. The ghost story is chapter VIII of "The-Man-of-War's-Man" published in Blackwood's during 1823. Enjoy.

Website: AndrewBarger.com

 

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