tag:blogger.com,1999:blog-34931078936045228232024-03-15T17:45:38.489-04:00Scary Short Stories Blog by Author Andrew BargerThe Scary Short Stories Blog by award-winning author Andrew Barger where I discuss the scariest stories in the various supernatural genres. I emphasize classic scary short stories and provide insight into the origins of the stories and the authors behind them. Visit AndrewBarger.com to check out my books and to be scared.Unknownnoreply@blogger.comBlogger335125tag:blogger.com,1999:blog-3493107893604522823.post-90067522733005889992024-03-15T17:44:00.004-04:002024-03-15T17:44:38.931-04:00Robert Barr's Scary Horror Story - A Game of Chess 1893<p> <b style="text-align: center;">A Game of Chess</b></p><div style="text-align: center;"><b>by</b></div><div style="text-align: center;"><b>Robert Barr</b></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFSAuCKv3jcBCfQCNKUmEM-6P4QVi2pb6eaIPTK_DdXDTX28zF9PklSqCpHZcugAcAWnpAl6KM3vCZmsWVxw5sbZSPXt2BxMhKUtylvgNK4w2Zuvub641IaalVVmJazVhyl6wWCvPfIHQ/s1600/Robert_Barr_and_Arthur_Conan_Doyle.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFSAuCKv3jcBCfQCNKUmEM-6P4QVi2pb6eaIPTK_DdXDTX28zF9PklSqCpHZcugAcAWnpAl6KM3vCZmsWVxw5sbZSPXt2BxMhKUtylvgNK4w2Zuvub641IaalVVmJazVhyl6wWCvPfIHQ/s320/Robert_Barr_and_Arthur_Conan_Doyle.jpg" width="320" /></a></div><div style="text-align: center;"><b>Robert Barr (left with goatee) with Sir Arthur Conan Doyle (middle)</b></div><div style="text-align: center;"><b>Circa 1907</b></div><br /><div style="text-align: justify;">Robert Barr was a Scottish author. When a child, Barr’s parents moved him to Canada and one of his first professional jobs was as a teacher at Central School of Windsor, Ontario. There, he worked his way up to headmaster. Upon crossing the border into Michigan, he later was appointed the news editor of the <i>Detroit Free Press </i>newspaper, which is still in operation today.</div><br /><div style="text-align: justify;">Later in life, he moved to London where he befriended the likes of Jerome K. Jerome and Sir Arthur Conan Doyle. Barr penned one of the first Sherlock Holmes parodies “The Adventures of Sherlaw Kombs.” Doyle would later describe his personality as having “a violent manner, a wealth of strong adjectives, and one of the kindest natures underneath it all.”</div><br /><div style="text-align: justify;">What about Barr's literary endeavors? Welp, he wrote a selection of forgotten novels, some of which dabble in the horror genre. What outshines them all is his scary horror story “A Game of Chess,” published in 1893. </div><br /><div style="text-align: justify;">Barr's "violent manner" shown through in "A Game of Chess." While William Mudford used a mechanical device in <a href="https://books.google.com/books?id=ycGsAAAAQBAJ&pg=PA227&dq=The+Iron+Shroud&hl=en&sa=X&ved=0ahUKEwjFh-v864zOAhVCpB4KHcEGApMQ6AEIPTAF#v=onepage&q=The%20Iron%20Shroud&f=false" target="_blank">The Iron Shroud</a> (1830) and Edgar Allan Poe used a swinging blade on the end of a pendulum in <a href="https://books.google.com/books?id=5xi9ehwMlDgC&pg=PA431&dq=The+Pit+and+the+Pendulum+barger&hl=en&sa=X&ved=0ahUKEwjR7-Cl7IzOAhVDJh4KHa27DUgQ6AEIIjAB#v=onepage&q=The%20Pit%20and%20the%20Pendulum%20barger&f=false" target="_blank">The Pit and the Pendulum</a> (1843), neither used electricity. It was Mary Shelley who first used electricity to twitch a muscle, (galvanism) including the heart, to bring Frankenstein’s monster to life. Certainly early forms of electrical mechanisms were known after Shelley’s popular novel <i>Frankenstein, Or the Modern Prometheus</i> was published much earlier in 1818, but neither Mudford nor Poe used it as a plot device.</div><br /><div style="text-align: justify;">Robert Barr, however, is perhaps the first to use electricity in a horror short story to inflict torture and he builds terror with deft precision in “A Game of Chess” and employs his penchant for using "a wealth of strong adjectives."</div><br /><br /><div style="text-align: center;"><b>A Game of Chess</b></div><div style="text-align: center;"><b>1893</b></div><div style="text-align: center;"><b>by</b></div><div style="text-align: center;"><b>Robert Barr</b></div><br /><br />HERE FOLLOWS A rough translation of the letter which Henri Drumont wrote in Boukrah, two days before his death, to his uncle, Count Ferrand, in Paris. It explains the incidents which led up to the situation hereinafter to be described:—<br /><br />My Dear Uncle,<br /><br />You will have gathered from former letters of mine, that, when one gets east of Buda Pest, official corruption becomes rampant to an extent hardly believable in the west. Goodness knows, things are bad enough in Paris, but Paris official life is comparatively clean when brought into contrast with Boukrah. I was well aware before I left France that much money would have to be secretly spent if we were to secure the concession for lighting Boukrah with electricity, but I was unprepared for the exactions that were actually levied upon me. It must be admitted that the officials are rapacious enough, but once bought, they remain bought, or, at least, such has been my experience of them.<div><br />There are, however, a horde of hangers-on, who seem even more insatiable than the governing body of the town, and the worst of these is one Schwikoff, editor of the leading paper here, the Boukrah Gazette, which is merely a daily blackmailing sheet. He has every qualification needed by an editor of a paper in Eastern Europe, which may be summed up by saying that he is demoniacally expert with the rapier, and a dead shot with a pistol. He has said time and again that his scurrilous paper could wreck our scheme, and I believe there is some truth in his assertion Be that as it may, I have paid him at different times large sums of money, but each payment seems but the precursor of a more o’trageous demand. At last I was compelled to refuse further contributions to his banking account, and the young man smiled, saying he hoped my decision was not final, for, if it was, I should regret it. Although Schwikoff did not know it, I had the concession signed and completed at that moment, which document I sent to you yesterday morning. I expected Schwikoff would be very angry when he learned of this, but such did not appear to be the case.<br /><br />He met me last night in the smoking-room of the Imperial Club, and shook hands with great apparent cordiality, laughing over his discomfiture, and assuring me that I was one of the shrewdest business men he had ever met. I was glad to see him take it in this way, and later in the evening when he asked me to have a game of chess with him, I accepted his invitation, thinking it better for the Company that he should be a friend, if he were so disposed.<br /><br />We had not progressed far with the game, when he suddenly accused me of making a move I had no right to make. I endeavored to explain, but he sprang up in an assumed rage and dashed a glass of wine in my face. The room was crowded with officers and gentlemen. I know you may think me foolish for having sent my seconds to such a man as Schwikoff, who is a well-known blackmailer, but, nevertheless, he comes of a good family, and I, who have served in the French Army Co., and am of your blood, could not accept tamely such an insult.<br /><br />If what I hear of his skill as a swordsman is true, I enter the contest well aware that I am outclassed, for I fear I have neglected the training of my right arm in my recent pursuit of scientific knowledge. Whatever may be the outcome, I have the satisfaction of knowing that the task given me has been accomplished. Our Company has now the right to establish its plant and lay its wires in Boukrah, and the people here have such an Eastern delight in all that is brilliant and glittering, that I feel certain our project will be a financial success.<br /><br />Schwikoff and I will meet about the time you receive this letter, or, perhaps, a little earlier, for we fight at daybreak, with rapiers, in the large room of the Fencing School of Arms in this place.<br />Accept, my dear uncle, the assurance of my most affectionate consideration.<br /><br />—Your unworthy nephew,<br /><i>Henki</i>.<br /><br />The old man’s hand trembled as he laid down the letter after reading it and glanced up at the clock. It was the morning of the duel, and daylight came earlier at Boukrah than at Paris.<br /><br />Count Ferrand was a member of an old French family that had been impoverished by the Revolution. [French Revolution 1789-1799] Since then, the Ferrand family had lived poorly enough until the Count, as a young man, had turned his attention towards science, and now, in his old age, he was supposed to possess fabulous wealth, and was known to be the head of one of the largest electric manufacturing companies in the environs of Paris.<br /><br />No one at the works was aware that the young man, Henri Drumont, who was given employ in the manufactory after he had served his time in the army, was the nephew of the old Count, for the head of the company believed that the young man would come to a more accurate knowledge of the business if he had to take the rough with the smooth, and learn his trade from the bottom upwards.<br /><br />The glance at the clock told the old Count that the duel, whatever its result, had taken place. So there was nothing to be done but await tidings. It was the manager of the works who brought them in.<br />“I am sorry to inform you, sir,” he said, “that the young man, Henri Drumont, whom we sent to Boukrah, was killed this morning in a duel. His assistant telegraphs for instructions. The young man has no relatives here that I know of, so I suppose it would be as well to have him buried where he died.”<br /><br />The manager had no suspicion that he was telling his Chief of the death of his heir.<br /><br />“The body is to be brought back to France,” said the Count quietly.<br /><br />And it was done. Later, when the question arose of the action to be taken regarding the concession received from Boukrah, the Count astonished the directors by announcing that, as the concession was an important one, he himself would take the journey to Boukrah, and remain there until the electric plant, already forwarded, was in position, and a suitable local manager found,<br /><br />The Count took the Orient Express from Paris, and, arriving In Boukrah, applied himself with an energy hardly to be expected from one of his years, to the completion of the work which was to supply the city with electricity.<br /><br />Count Ferrand refused himself to all callers until the electric plant was in operation, and the interior of the building he had bought, completed to his satisfaction. Then, practically the first man admitted to his private office was Schwikoff, editor of the Boukrah Gazette. He had sent in his card with a request, written in passable French, for information regarding the electrical installation, which would be of interest, he said, to the readers of the “Gazette.”<br /><br />Thus Schwikoff was admitted to the presence of Count Ferrand, whose nephew he had killed, but the journalist, of course, knew nothing of the relationship between the two men, and thought, perhaps, he had done the courteous old gentleman a favor, in removing from the path of his advancement the young man who had been in the position now held by this grey-haired veteran.<br /><br />The ancient noble received his visitor with scrupulous courtesy, and the blackmailer, glancing at his hard, inscrutable face, lined with experience, thought that here, perhaps, he had a more difficult victim to bleed than the free-handed young fellow whom he had so deferentially removed from existence, adhering strictly to the rules of the game, himself acquitted of all guilt by the law of his country, and the custom of his city, passing unscathed into his customary walk of life, free to rapier the next man who offended him. Count Ferrand said politely that he was ready to impart all the information in his possession for the purposes of publication. The young man smiled and shrugged his shoulders slightly.<br /><br />“To tell you the truth, sir, at once and bluntly, I do not come so much for the purpose of questioning you regarding your business, as with the object of making some arrangement concerning the Press, with which I have the great honor to be connected. You may be aware, sir, that much of the success of your company will depend on the attitude of the Press towards you. I thought, perhaps, you might be able to suggest some method by which all difficulties would be smoothed away; a method that would result in our mutual advantage.”<br /><br />“I shall not pretend to misunderstand you,” replied the Count, “but I was led to believe that large sums had already been disbursed, and that the difficulties, as you term them, had already been removed.”<br /><br />“So far as I am concerned,” returned the blackmailer, “the sums paid to me were comparatively trivial, and I was led to hope that when the company came into active operation, as, thanks to your energy, is now the case, it would deal more liberally with me.”<br /><br />The Count in silence glanced at some papers he took from a pigeonhole, then made a few notes on the pad before him. At last he spoke.<br /><br />“Am I right in stating that an amount exceeding ten thousand francs was paid to you by my predecessor, in order that the influence of your paper might be assured?”<br />Schwikoff again shrugged his shoulders.<br /><br />“It may have been something like that,” he said carelessly. “I do not keep any account of these matters.”<br /><br />“It is a large sum,” persisted Ferrand.<br /><br />“Oh! a respectable sum; but still you must remember what you got for it. You have the right to bleed forever all the inhabitants of Boukrah.”<br /><br />“And that gives you the right to bleed us?”<br /><br />“Oh! if you like to put it that way, yes. We give you quid pro quo [This for taht] by standing up for you when complaints of your exactions are made.”<br /><br />“Precisely. But I am a business man, and would like to see where I am going. You would oblige me, then, by stating a definite sum, which would be received by you in satisfaction of all demands.”<br /><br />“Well, in that case, I think twenty thousand francs would be a moderate amount.”<br /><br />“I cannot say that moderation is the most striking feature of your proposal,’’ said the Count drily, “still we shall not trouble about that, if you will be reasonable in the matter of payment. I propose to pay you in instalments of a thousand francs a month.”<br /><br />“That would take nearly two years,” objected Schwikoff. “Life is uncertain. Heaven only knows where we shall be two years from now.”<br /><br />“Most true; or even a day hence. Still, we have spent a great deal of money on this establishment, and our income has not yet begun; therefore, on behalf of the company, I must insist on easy payments. I am willing, however, to make it two thousand francs a month, but beyond that I should not care to go without communicating with Paris.”<br /><br />“Oh, well,” swaggered Schwikoff, with the air of a man making great concessions, “I suppose we may call that satisfactory, if you make the first payment now.”<br /><br />“I do not keep such a sum in my office, and, besides, I wish to impose further terms. It is not my intention to make an arrangement with any but the leading paper of this place, which I understand the Gazette to be.”<br /><br />“A laudable intention. The Gazette is the only paper that has any influence in Boukrah.”<br /><br />“Very well; then I must ask you, for your own sake as for mine, to keep this matter a strict secret; even to deny that you receive a subsidy, if the question should come up.”<br /><br />“Oh, certainly, certainly.”<br /><br />“You will come for payment, which will be in gold, after office hours, on the first of each month. I shall be here alone to receive you. I should prefer that you came in by the back way, where your entrance will be unseen, and so we shall avoid comment, because, when I refuse the others, I should not care for them to know that one of their fellows has had an advantage over them. I shall take the money from the bank before it closes. What hour, therefore, after six o’clock will be most convenient to you?”<br /><br />“That is immaterial—seven, eight, or nine, or even later, if you like.”<br /><br />“Eight o’clock will do; by that time everyone will have left the building but myself. I do not care for late hours, even if they occur but once a month. At eight o’clock precisely you will find the door at the back ajar. Come in without announcement, so that we may not be taken by surprise. The door is self-locking, and you will find me here with the money. Now, that I may be able to obtain the gold in time, I must bid you adieu.”<br /><br />At eight o’clock precisely Count Ferrand, standing in the passage, saw the backdoor shoved open and Schwikoff enter, closing it behind him.<br /><br />“I hope I have not kept you waiting,” said Schwikoff.<br /><br />“Your promptitude is exceptional,” said the other politely. “As a businessman. I must confess I like punctuality. I have left the money in the upper room. Will you have the goodness to follow me?”<br /><br />They mounted four pairs of stairs, all lighted by incandescent lamps. Entering a passageway on the upper floor, the Count closed the big door behind him; then opening another door, they came to a large oblong room, occupying nearly the whole of the top story, brilliantly lighted by an electric luster depending from the ceiling.<br /><br />“This is my experimenting laboratory,” said the old man as he closed the second door behind him.<br /><br />It was certainly a remarkable room, entirely without windows. On the wall, at the right hand near the entrance, were numerous switches in shining brass and copper and steel.<br />From the door onward were perhaps ten feet of ordinary flooring, then across the whole width of the room extended a gigantic chess board, the squares yellow and grey, made alternately of copper and steel; beyond that again was another ten feet of plain flooring, which supported a desk and some chairs.<br /><br />Schwikoff’s eyes glittered as he saw a pile of gold on the desk. Near the desk was a huge open fireplace, constructed like no fireplace Schwikoff had ever seen before. The center, where the grate should have been, was occupied by what looked like a great earthenware bath tub, some six or seven feet long.<br /><br />“That,” said the electrician, noticing the other’s glance at it, “is an electric furnace of my own invention, probably the largest electric furnace in the world. I am convinced there is a great future before carbide of calcium, [Calcium carbide is a chemical compound used to make acetylene gas for lights or chemical fertilizers] and I am carrying on some experiments drifting towards the perfection of the electric crucible.’’ [Use of electricity to melt items in a container]<br /><br />“Carbide of calcium?” echoed Schwikoff. “I never heard of it.”<br /><br />“Perhaps it would not interest you, but it is curious from the fact that it is a rival of the electric light, and yet only through the aid of electricity is carbide of calcium made commercially possible.”<br /><br />“Electricity creates its own rival, you mean; most interesting I am sure. And is this a chessboard let into the floor?”<br /><br />“Yes, another of my inventions. I am a devotee of chess.”<br /><br />“So am I.”<br /><br />“Then we shall have to have a game together. You don’t object to high stakes I hope?”<br /><br />“Oh, no, if I have the money.”<br /><br />“Ah, well, we must have a game with stakes high enough to make the contest interesting.”<br /><br />“Where are your chessmen? They must be huge.”<br /><br />“Yes, this board was arranged so that living chessmen might play on it. You see, the alternate squares are of copper, the others of steel. That black line which surrounds each square is hard rubber, which does not allow the electricity to pass from one square to another.”<br /><br />“You use electricity, then, in playing.”<br /><br />“Oh, electricity is the motive power of the game; I will explain it all to you presently; meanwhile, would you oblige me by counting the gold on the desk? I think you will find there exactly two thousand francs.”<br /><br />The old man led the way across the metal chessboard. He proffered a chair to Schwikoff, who sat down before the desk.<br /><br />Count Ferrand took the remaining chair, carried it over the metal platform, and sat down near the switch, having thus the huge chessboard between him and his guest. He turned a lever from one polished knob to another, the transit causing a wicked, vivid flash to illuminate the room with the venomous glitter of blue lightning. Schwikoff gave a momentary start at the crackle and the blinding light. Then he continued his counting in silence. At last he looked up and said: “This amount is quite correct.”<br /><br />“Please do not move from your chair,” commanded the Count. “I warn you that the chessboard is now a broad belt of death between you and me. On every disc the current is turned, and a man stepping anywhere on the board will receive into his body two thousand volts, killing him instantly as with a stroke of lightning, which, indeed, it is.”<br /><br />“Is this a practical joke?” asked Schwikoff, turning a little pale about the lips, sitting still, as he had been ordered to do.<br /><br />“It is practical enough, and no joke, as you will learn when you know more about it. You see this circle of twenty-four knobs at my hand, with each knob of which, alternately, this lever communicates when I turn it.”<br /><br />As the Count spoke he moved the lever, which went crackling past a semicircle of knobs, emitting savage gleams of steel-like fire as it touched each metal projection.<br /><br />“From each of these knobs,” explained the Count, as if he were giving a scientific lecture, “electricity is turned on to a certain combination of squares before you. When I began speaking, the whole board was electrified; now, a man might walk across that board, and his chances of reaching this side alive would be as three to one.”<br /><br />Schwikoff sprang suddenly to his feet, terror in his face, and seemed about to make a dash for it. The old man pushed the lever back into its former position.<br /><br />“I want you to understand,” said the Count suavely, “that, upon any movement on your part, I shall instantly electrify the whole board. And please remember that, although I can make the chessboard as safe as the floor, a push on this lever and the metal becomes a belt of destruction. You must keep a cool head on your shoulders, Mr. Schwikoff, otherwise you have no chance for your life.”<br />Schwikoff, standing there, stealthily drew a revolver from his hip pocket. The Count continued in even tones:<br /><br />“I see you are armed, and I know you are an accurate marksman. You may easily shoot me dead as I sit here. I have thought that all out in the moments I have given to the consideration of this business. On my desk downstairs is a letter to the manager, saying that I am called suddenly to Paris, and that I shall not return for a month. I ask him to go on with the work, and tell him on no account to allow anyone to enter this room. You might shout till you were hoarse, but none outside would hear you. The walls and ceiling and floor have been deadened so effectively that we are practically in a silent, closed box. There is no exit except up through the chimney, but if you look at the crucible to which I called your attention you will see that it is now white hot, so there is no escape that way. You will, therefore, be imprisoned here until you starve to death, or until despair causes you to commit suicide by stepping on the electrified floor.”<br /><br />“I can shatter your switchboard from here with bullets.”<br /><br />“Try it,” said the old man calmly. “The destruction of the switchboard merely means that the electricity comes permanently on the floor. If you shatter the switchboard, it will then be out of my power to release you, even if I wished to do so, without going down stairs and turning off the electricity at the main. I assure you that all these things have had my most earnest consideration, and while it is possible that something may have been overlooked, it is hardly probable that you, in your now excited state of mind, will chance upon that omission.”<br /><br />Schwikoff sank back in his chair.<br /><br />“Why do you wish to murder me?” he asked. “You may retain your money, if that is what you want, and I shall keep quiet about you in the paper.”<br /><br />“Oh, I care nothing for the money nor the paper.”<br /><br />“Is it because I killed your predecessor?”<br /><br />“My predecessor was my nephew and my heir. Through his duel with you, I am now a childless old man, whose riches are but an encumbrance to him, and yet those riches would buy me freedom were I to assassinate you in broad daylight on the street. Are you willing now to listen to the terms I propose to you?”<br /><br />“Yes.”<br /><br />“Very good. Throw your pistol into the corner of the room beside me; its possession will do you no good.”<br /><br />After a moment’s hesitation, Schwikoff flung his pistol across the metal floor into the corner. The old man turned the lever to still another knob.<br /><br />“Now,” he said, “you have a chance of life again; thirty-two of the squares are electrified, and thirty-two are harmless. Stand, I beg of you, on the square which belongs to the Black King.”<br /><br />“And meet my death.”<br /><br />“Not on that square, I assure you. It is perfectly safe.”<br /><br />But the young man made no movement to comply.<br /><br />“I ask you to explain your intention,” he said.<br /><br />“You shall play the most sinister game of chess you have ever engaged in; Death will be your opponent. You shall have the right to the movements of the King—one square in any direction that you choose. You will never be in a position in which you have not the choice of at least two squares upon which you can step with impunity; in fact, you shall have at each move the choice of eight squares on which to set your foot, and as a general thing, four of those will mean safety, and the other four death, although sometimes the odds will be more heavily against you, and sometimes more strongly in your favor. If you reach this side unscathed, you are then at liberty to go, while if you touch one of the electric squares, your death will be instantaneous. Then I shall turn off the current, place your body in that electrical furnace, turn on the current again, with the result that for a few moments there will be thick, black smoke from the chimney, and a handful of white ashes in the crucible.”<br /><br />“And you run no danger.”<br /><br />“No more than you did when you stood up against my nephew, having previously unjustly insulted him.”<br /><br />“The duel was carried out according to the laws of the code.”<br /><br />“The laws of my code are more generous. You have a chance for your life. My nephew had no such favor shown to him; he was doomed from the beginning, and you knew it.”<br /><br />“He had been an officer in the French Army.”<br /><br />“He allowed his sword arm to get out of practice, which was wrong, of course, and he suffered for it.<br /><br />However, we are not discussing him; it is your fate that is in question. I give you now two minutes in which to take your stand on the King’s square.”<br /><br />“And if I refuse?”<br /><br />“If you refuse, I turn the electricity on the whole board, and then I leave you. I will tear up the letter which is on my desk below, return here in the morning, give the alarm, say you broke in to rob me of the gold which is beside you on the desk, and give you in charge of the authorities, a disgraced man.”<br /><br />“But what if I tell the truth?”<br /><br />“You would not be believed, and I have pleasure in knowing that I have money enough to place you in prison for the rest of your life. The chances are, however, that, with the electricity fully turned on, this building will be burned down before morning. I fear my insulation is not perfect enough to withstand so strong a current. In fact, now that the thought has suggested itself to me, tire seems a good solution of the difficulty. I shall arrange the wires on leaving so that a conflagration will break out within an hour after my departure, and, I can assure you, you will not be rescued by the firemen when they understand their danger from live wires in a building from which, I will tell them, it is impossible to cut off the electricity. Now, sir, you have two minutes.”<br /><br />Schwikoff stood still while Ferrand counted the seconds left to him; finally, as the time was about to expire, he stepped on the King’s square, and stood there, swaying slightly, drops of perspiration gathering on his brow.<br /><br />“Brava!” cried the Count, “you see, as I told you, it is perfectly safe. I give you two minutes to make your next move.”<br /><br />Schwikoff, with white lips, stepped diagonally to the square of the Queen’s Pawn, and stood there, breathing hard, but unharmed.<br /><br />“Two minutes to make the next move,” said the old man, in the unimpassioned tones of a judge.<br /><br />“No, no!” shouted Schwikoff excitedly, “I made my last move at once; I have nearly four minutes. I am not to be hurried; I must keep my head cool. I have, as you see, superb control over myself.”<br /><br />His voice had now risen to a scream, and his open hand drew the perspiration down from his brow over his face, streaking it grimly.<br /><br />“I am calm!” he shrieked, his knees knocking together, “but this is no game of chess; it is murder. In a game of chess I could take all the time I wanted in considering a move.”<br /><br />“True, true!” said the old man suavely, leaning back in his chair, although his hand never left the black handle of the lever. “You are in the right. I apologize for my infringement of the laws of chess; take all the time you wish, we have the night before us.”<br /><br />Schwikoff stood there long in the ominous silence, a silence interrupted now and then by a startling crackle from the direction of the glowing electric furnace. The air seemed charged with electricity and almost unbreathable. The time given him. so far from being an advantage, disintegrated his nerve, and as he looked fearfully over the metal chessboard the copper squares seemed to be glowing red hot, and the dangerous illusion that the steel squares were cool and safe became uppermost in his mind.<br /><br />He drew back his foot quickly with a yell of terror.<br /><br />He curbed with difficulty his desire to plunge, and stood balancing himself on his left foot, cautiously approaching the steel square with his right toe. As the boot scared the steel square, Schwikoff felt a strange thrill pass through his body. He drew back his foot quickly with a yell of terror, and stood, his body inclining now to the right, now to the left, like a tall tree hesitating before its fall. To save himself he crouched.<br /><br />“Mercy! Mercy!” he cried. “I have been punished enough. I killed the man, but his death was sudden, and not fiendish torture like this. I have been punished enough.”<br /><br />“Not so,” said the old man. “An eye for an eye.”<br /><br />All self-control abandoned the victim. From his crouching position he sprang like a tiger. Almost before his outstretched hands touched the polished metal his body straightened and stiffened with a jerk, and as he fell, with a hissing sound, dead on the chessboard, the old man turned the lever free from the fatal knob. There was no compassion in his hard face for the executed man, but instead his eyes glittered with the scientific fervor of research. He rose, turned the body over with his foot, drew off one of the boots, and tore from the inside a thin sole of cork.<br /><br />“Just as I thought,” he murmured. “Oh, the irony of ignorance! There existed, after all, the one condition I had not provided for. I knew he was protected the moment he stepped upon the second square, and, if his courage had not deserted him, he could have walked unharmed across the board, as the just, in mediaeval times, passed through the ordeal of the red-hot ploughshares.” [In the Middle Ages a suspected criminal was subjected to Trial by Ordeal where they must survive a dangerous experience to prove their innocence and one example was requiring the suspect to walk over the hot steel of a long ploughshare that was attached to the base of a tilling instrument].<br /><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmt0n0-7U69Lx9wWlicl3th_nJP24KS0j42IBYJ1lTzcEdqdwfQKCq5zs2wLkHwx9FpY3HqDeTr6r9zUpi65eULU2etZbjcjNwsTNk7MYa1x-YASeUob1Pjc9cjIV5iChdnBYPl9NG4ok/s1600/BestHorror1850ebookfrontcover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmt0n0-7U69Lx9wWlicl3th_nJP24KS0j42IBYJ1lTzcEdqdwfQKCq5zs2wLkHwx9FpY3HqDeTr6r9zUpi65eULU2etZbjcjNwsTNk7MYa1x-YASeUob1Pjc9cjIV5iChdnBYPl9NG4ok/s320/BestHorror1850ebookfrontcover.jpg" width="213" /></a></div><br /><div style="text-align: center;">Order the <a href="http://andrewbarger.com/besthorrorshortstories1850.html" target="_blank">Best Horror Short Stories 1850-1899</a> tonight!</div><div><br /></div>#RobertBarr #ClassicHorror #BarrGameofChess #VintageHorror<br /><span class="_5u8n" data-offset-key="f3kod-0-0" face="helvetica, arial, sans-serif" spellcheck="false" style="background-color: rgba(88, 144, 255, 0.15); border-bottom-color: rgba(88, 144, 255, 0.298039); border-bottom-style: solid; border-bottom-width: 1px; border-bottom: 1px solid rgba(88, 144, 255, 0.298); color: #1d2129; font-size: 14px; line-height: 18px; white-space-collapse: preserve;"><span data-offset-key="f3kod-0-0">#GameofChess</span></span><span data-offset-key="f3kod-1-0" face="helvetica, arial, sans-serif" style="background-color: white; color: #1d2129; font-size: 14px; line-height: 18px; white-space-collapse: preserve;"><span data-text="true"> </span></span><span class="_5u8n" data-offset-key="f3kod-2-0" face="helvetica, arial, sans-serif" spellcheck="false" style="background-color: rgba(88, 144, 255, 0.15); border-bottom-color: rgba(88, 144, 255, 0.298039); border-bottom-style: solid; border-bottom-width: 1px; border-bottom: 1px solid rgba(88, 144, 255, 0.298); color: #1d2129; font-size: 14px; line-height: 18px; white-space-collapse: preserve;"><span data-offset-key="f3kod-2-0">#BestHorrorShortStories</span></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-91934551993382479592024-03-08T12:11:00.006-05:002024-03-08T12:11:58.395-05:00The Divine Dantes Trilogy of Rock Novels by Andrew Barger are now Available as Audiobooks<p> </p><h2 style="text-align: center;"><b>The Divine Dantes Trilogy</b></h2><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLUnRUpZCUYKfAejtFroS1Fr43XwVk6-N7AqYNCMN2nDkzZjruexd6hYUaFkjsgfe4PzutiblxK1I-9TGv4-j2H-UtFPkprVgQrvJhAy411foSXwqUa2qRl0MuFQyqDhNJ5EbmIYWu-Uc/s1600/9781933747422_Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLUnRUpZCUYKfAejtFroS1Fr43XwVk6-N7AqYNCMN2nDkzZjruexd6hYUaFkjsgfe4PzutiblxK1I-9TGv4-j2H-UtFPkprVgQrvJhAy411foSXwqUa2qRl0MuFQyqDhNJ5EbmIYWu-Uc/s200/9781933747422_Cover.jpg" width="133" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxd9vhk8ZAD1DoAx157fesYXQmxa8oJcCD37n0GiTJK0TIEhdw4VYgGB2iA0uZpqmrGCkHDkF185nacs9HisTp6rHwueYdg0gq3eWETO5uJI2Puupz0YKOOCVzirdWgmC35EgGPKxBzko/s1600/Paella_hi-res+Ebook+Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxd9vhk8ZAD1DoAx157fesYXQmxa8oJcCD37n0GiTJK0TIEhdw4VYgGB2iA0uZpqmrGCkHDkF185nacs9HisTp6rHwueYdg0gq3eWETO5uJI2Puupz0YKOOCVzirdWgmC35EgGPKxBzko/s200/Paella_hi-res+Ebook+Cover.jpg" width="133" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinWphuJhAozNtFUdVckELeHB567Obm1WxmKGGf6CNE4x_WyspqmZMBVJLeW3J3qiS_AB2CDACSdvyns4lwFxrnPAEk0b2i_2W_3VrZ8YRplWODSLYV3nzlUvKeMOFgiFPyAVk8DRXYu-g/s1600/CruisingParadise_hi-res+ebook+front+cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinWphuJhAozNtFUdVckELeHB567Obm1WxmKGGf6CNE4x_WyspqmZMBVJLeW3J3qiS_AB2CDACSdvyns4lwFxrnPAEk0b2i_2W_3VrZ8YRplWODSLYV3nzlUvKeMOFgiFPyAVk8DRXYu-g/s200/CruisingParadise_hi-res+ebook+front+cover.jpg" width="133" /></a></div><br />Audio books are now available on Amazon for the Divine Dantes Trilogy. Start with the Prologue here: <a href="https://amzn.to/4a23DwF">https://amzn.to/4a23DwF</a> <br /><div><br /></div><div>What is the Divine Dantes Trilogy? It's three rock novels wrapped in a compelling love story; each paralleling Dante Alighieri's classic poem, <i>The Divine Comedy</i> in a messed up modern world.<br /><br />The first book in the trilogy was a finalist in the Best Second Novel of the Indie Book Awards, <i><a href="https://amzn.to/2BW2sAq" target="_blank">The Divine Dantes: Squirt Guns in Hades</a></i>. In it the characters of <i>The Inferno</i> are encountered in modern times with surprising results.<br /><br />At the center is Eddie, a young rocker who is heartbroken after his girlfriend, Beatrice, leaves for Venice. This not only ends their relationship, but also the world's greatest two-person rock band. At Beatrice's request, Virgil-their erstwhile manager-cum-travel-agent guides Eddie to Europe to meet her without Eddie being in on the secret. Will Eddie want to see Beatrice? Will the band get back together? And if it does, can Eddie settle on a name for it? Scary!<br /><br /><i>The Divine Comedy</i> has influenced the modern music industry, too. Consider these tunes inspired by the classic poem . . . and rock on!<br /><br />“Angel (Lust)”<span style="white-space: pre;"> </span>Joe Jackson<span style="white-space: pre;"> </span>Heaven and Hell<span style="white-space: pre;"> </span>1997<br />“The Bridge (Envy)”<span style="white-space: pre;"> </span>Joe Jackson<span style="white-space: pre;"> </span>Heaven and Hell<span style="white-space: pre;"> </span>1997<br />"Dante's Inferno"<span style="white-space: pre;"> </span>Iced Earth<br />“Dante’s Prayer”<span style="white-space: pre;"> </span>L. McKennitt<span style="white-space: pre;"> </span>The Book of Secrets1997<br />"Highway to Hell"<span style="white-space: pre;"> </span>ACDC<span style="white-space: pre;"> </span>Highway to Hell<span style="white-space: pre;"> </span>1979<br />“Tangled Up in Blue”<span style="white-space: pre;"> </span>Bob Dylan<span style="white-space: pre;"> </span>Blood on the Tracks1975<br />“Tuzla (Avarice)”<span style="white-space: pre;"> </span>Joe Jackson<span style="white-space: pre;"> </span>Heaven and Hell<span style="white-space: pre;"> </span>1997<br /><br /><a href="http://andrewbarger.com/divinedanteshades.html" target="_blank">The Divine Dantes Trilogy</a>. Read this literary, rock, love story today!<br /><br />#DivineDantes #RockNovels #DivineComedy #HighwaytoHell #TangledUpinBlue #ComedicNovels #AndrewBarger #RockTrilogy #musicnovel #musictrilogy<br /><br /><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-71570991064167777222024-02-27T16:04:00.002-05:002024-02-29T10:16:17.643-05:00Scary Ghost Short Story - Murder Will Out by William Gilmore Simms 1840<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT-Bz6yKIRUwDgmQr8FQbPp-7-HMEW1c6drmLISa3kek5u-xpIah2hdu0ZQqBuwAjXkzm9hNFjgJn-osv7SsLWIjwdObacR4Avw_yYT-_JGJuMchzMiOUfa-cXIZjnwbohu-IQUWwC1Y_jsVJlbBVMON3X-qXU9Q7t7Im6DbL4CzbuacSfWvM7lvQrNqA/s431/William_Gilmore_Simms.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="431" data-original-width="330" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT-Bz6yKIRUwDgmQr8FQbPp-7-HMEW1c6drmLISa3kek5u-xpIah2hdu0ZQqBuwAjXkzm9hNFjgJn-osv7SsLWIjwdObacR4Avw_yYT-_JGJuMchzMiOUfa-cXIZjnwbohu-IQUWwC1Y_jsVJlbBVMON3X-qXU9Q7t7Im6DbL4CzbuacSfWvM7lvQrNqA/w168-h219/William_Gilmore_Simms.jpg" width="168" /></a></p><p></p><div style="text-align: center;"><b>William Gilmore Simms</b></div><p></p><p>William Gilmore Simms (April 17, 1806 – June 11, 1870) was a novelist, politician, historian from South Carolina and like to sport a triangle beard in his old age. His works embodied the New Southern American writing of the first half of the 19th century and was very popular as a result. Edgar Allan Poe, who critiqued his peers with an iron pen, pronounced Simms the best novelist America had ever produced on September 20, 1845 in the <i>Broadway Journal</i>. Both men were pushing the envelope of what fiction would become in the new country; with Poe focusing more as a critic, master of the short story, and inventor of genres.</p><p>Yet, Poe did not stop at just calling Simms America's best novelist. A ghost story by Simms caught Poe's attention. The original title was "'Murder Will Out': A Genuine Ghost Story of the Old School." It first appeared in <i>The Gift</i> for 1842. Poe also published his tale "Eleonora" in the same book. Simms changed the title to "Grayling; or, 'Murder will Out.'" in his 1845 short story collection THE WIGWAM AND THE CABIN. In the January 1846 issue of <i>Godey's Lady's Book</i>, Poe remarked "It is really an admirable tale, nobly conceived and skilfully [sic] carried into execution — the <a href="https://amzn.to/3STI6Q2">best ghost story</a> ever written <i>by an American</i> — for we presume that this is the ultimate extent of commendation to which we, as an humble American, dare go." </p><p><br /></p><p style="text-align: center;"><b>THE WIGWAM AND THE CABIN.</b></p><p style="text-align: center;"><b>GRAYLING; OR, "MURDER WILL OUT"</b></p><p style="text-align: center;"><b>1842</b></p><p><br /></p><p style="text-align: center;">CHAPTER I.</p><p style="text-align: justify;">THE world has become monstrous, matter-of-fact, in latter days. We can no longer get a ghost story, either for love or money. The materialists have it all their own way; and even the little urchin, eight years old, instead of deferring with decent reverence to the opinions of his grandmamma, now stands up stoutly for his own. He believes in every "ology" but pneumatology. "Faust" and the "Old Woman of Berkeley" move his derision only, and he would laugh incredulously, if he dared, at the Witch of Endor. The whole armoury of modern reasoning is on his side; and, however he may admit at seasons that belief can scarcely be counted a matter of will, he yet puts his veto on all sorts of credulity. That cold-blooded demon called Science has taken the place of all the other demons. He has certainly cast out innumerable devils, however he may still spare the principal. Whether we are the better for his intervention is another question. There is reason to apprehend that in disturbing our human faith in shadows, we have lost some of those wholesome moral restraints which might have kept many of us virtuous, where the laws could not.</p><p style="text-align: justify;">The effect, however, is much the more seriously evil in all that concerns the romantic. Our story-tellers are so resolute to deal in the real, the actual only, that they venture on no subjects the details of which are not equally vulgar and susceptible of proof. With this end in view, indeed, they too commonly choose their subjects among convicted felons, in order that they may avail themselves of the evidence which led to their conviction; and, to prove more conclusively their devoted adherence to nature and the truth, they depict the former not only in her condition of nakedness, but long before she has found out the springs of running water. It is to be feared that some of the coarseness of modern taste arises from the too great lack of that veneration which belonged to, and elevated to dignity, even the errors of preceding ages. A love of the marvellous belongs, it appears to me, to all those who love and cultivate either of the fine arts. I very much doubt whether the poet, the painter, the sculptor, or the romancer, ever yet lived, who had not some strong bias—a leaning, at least,— to a belief in the wonders of the invisible world. Certainly, the higher orders of poets and painters, those who create and invent, must have a strong taint of the superstitious in their composition. But this is digressive, and leads us from our purpose.</p><p style="text-align: justify;">It is so long since we have been suffered to see or hear of a ghost, that a visitation at this time may have the effect of novelty, and I propose to narrate a story which I heard more than once in my boyhood, from the lips of an aged relative, who succeeded, at the time, in making me believe every word of it; perhaps, for the simple reason that she convinced me she believed every word of it herself. My grandmother was an old lady who had been a resident of the seat of most frequent war in Carolina during the Revolution. She had fortunately survived the numberless atrocities which she was yet compelled to witness; and, a keen observer, with a strong memory, she had in store a thousand legends of that stirring period, which served to beguile me from sleep many and many a long winter night. The story which I propose to tell was one of these; and when I say that she not only devoutly believed it herself, but that it was believed by sundry of her contemporaries, who were themselves privy to such of the circumstances as could be known to third parties, the gravity with which I repeat the legend will not be considered very astonishing.</p><p style="text-align: justify;">The revolutionary war had but a little while been concluded. The British had left the country; but peace did not imply repose. The community was still in that state of ferment which was natural enough to passions, not yet at rest, which had been brought into exercise and action during the protracted seven years' struggle through which the nation had just passed. The state was overrun by idlers, adventurers, profligates, and criminals. Disbanded soldiers, half-starved and reckless, occupied the highways, -outlaws, emerging from their hiding-places, skulked about the settlements with an equal sentiment of hate and fear in their hearts;--patriots were clamouring for justice upon the tories, and sometimes anticipating its course by judgments of their own; while the tories, those against whom the proofs were too strong for denial or evasion, buckled on their armour for a renewal of the struggle. Such being the condition of the country, it may easily be supposed that life and property lacked many of their necessary securities. Men generally travelled with weapons which were displayed on the smallest provocation: and few who could provide themselves with an escort ventured to travel any distance without one.</p><p style="text-align: justify;">There was, about this time, said my grandmother, and while such was the condition of the country, a family of the name of Grayling, that lived somewhere upon the skirts of "Ninety-six" district. Old Grayling, the head of the family, was dead. was killed in Buford's massacre. His wife was a fine woman, not so very old, who had an only son named James, and a little girl, only five years of age, named Lucy. James was but fourteen when his father was killed, and that event made a man of him. He went out with his rifle in company with Joel Sparkman, who was his mother's brother, and joined himself to Pickens's Brigade. Here he made as good a soldier as the best. He had no sort of fear. He was always the first to go forward; and his rifle was always good for his enemy's button at a long hundred yards. He was in several fights both with the British and tories; and just before the war was ended he had a famous brush with the Cherokees, when Pickens took their country from them. But though he had no fear, and never knew when to stop killing while the fight was going on, he was the most bashful of boys that I ever knew; and so kind-hearted that it was almost impossible to believe all we heard of his fierce doings when he was in battle. But they were nevertheless quite true for all his bashfulness.</p><p style="text-align: justify;">Well, when the war was over, Joel Sparkman, who lived with his sister, Grayling, persuaded her that it would be better to move down into the low country. I don't know what reason he had for it, or what they proposed to do there. They had very little property, but Sparkman was a knowing man, who could turn his hand to a hundred things; and as he was a bachelor, and loved his sister and her children just as if they had been his own, it was natural that she should go with him wherever he wished. James, too, who was restless by nature-and the taste he had enjoyed of the wars had made him more so-he was full of it; and so, one sunny morning in April, their wagon started for the city. The wagon was only a small one, with two horses, scarcely larger than those that are employed to carry chickens and fruit to the market from the Wassamaws and thereabouts. It was driven by a negro fellow named Clytus, and carried Mrs. Grayling and Lucy. James and his uncle loved the saddle too well to shut themselves up in such a vehicle; and both of them were mounted on fine horses which they had won from the enemy. The saddle that James rode on,--and he was very proud of it,—was one that he had taken at the battle of Cowpens from one of Tarleton's own dragoons, after he had tumbled the owner. The roads at that season were excessively bad, for the rains of March had been frequent and heavy, the track was very much cut up, and the red clay gullies of the hills of "Ninety-six" were so washed that it required all shoulders, twenty times a day, to get the wagon-wheels out of the bog. This made them travel very slowly, --perhaps, not more than fifteen miles a day. Another cause for slow travelling was, the necessity of great caution, and a constant look-out for enemies both up and down the road. James and his uncle took it by turns to ride a-head, precisely as they did when scouting in war, but one of them always kept along with the wagon. They had gone on this way for two days, and saw nothing to trouble and alarm them. There were few persons on the high-road, and these seemed to the full as shy of them as they probably were of strangers. But just as they were about to camp, the evening of the second day, while they were splitting light-wood, and getting out the kettles and the frying-pan, a person rode up and joined them without much ceremony. He was a short thick-set man, somewhere between forty and fifty: had on very coarse and common garments, though he rode a fine black horse of remarkable strength and vigour. He was very civil of speech, though he had but little to say, and that little showed him to be a person without much education and with no refinement. He begged permission to make one of the encampment, and his manner was very respectful and even humble; but there was something dark and sullen in his face-his eyes, which were of a light gray colour, were very restless, and his nose turned up sharply, and was very red. His forehead was excessively broad, and his eyebrows thick and shaggy-white hairs being freely mingled with the dark, both in them and upon his head. Mrs. Grayling did not like this man's looks, and whispered her dislike to her son; but James, who felt himself equal to any man, said, promptly--</p><p style="text-align: justify;">"What of that, mother! we can't turn the stranger off and say 'no;' and if he means any mischief, there's two of us, you know."</p><p style="text-align: justify;">The man had no weapons-none, at least, which were then visible; and deported himself in so humble a manner, that the prejudice which the party had formed against him when he first appeared, if it was not dissipated while he remained, at least failed to gain any increase. He was very quiet, did not mention an unnecessary word, and seldom permitted his eyes to rest upon those of any of the party, the females not excepted. This, perhaps, was the only circumstance, that, in the mind of Mrs. Grayling, tended to confirm the hostile impression which his coming had originally occasioned. In a little while the temporary encampment was put in a state equally social and warlike. The wagon was wheeled a little way into the woods, and off the road; the horses fastened behind it in such a manner that any attempt to steal them would be difficult of success, even were the watch neglectful which was yet to be maintained upon them. Extra guns, concealed in the straw at the bottom of the wagon, were kept well loaded. In the foreground, and between the wagon and the highway, a fire was soon blazing with a wild but cheerful gleam; and the worthy dame, Mrs. Grayling, assisted by the little girl, Lucy, lost no time in setting on the frying-pan, and cutting into slices the haunch of bacon, which they had provided at leaving home. James Grayling patrolled the woods, meanwhile for a mile or two round the encampment, while his uncle, Joel Spark. man, foot to foot with the stranger, seemed-if the absence of all care constitutes the supreme of human felicity-to realize the most perfect conception of mortal happiness. But Joel, was very far from being the careless person that he seemed. Like an old soldier, he simply hung out false colours, and concealed his real timidity by an extra show of confidence and courage. He did not relish the stranger from the first, any more than his sister; and having subjected him to a searching examination, such as was considered, in those days of peril and suspicion, by no means inconsistent with becoming courtesy, he came rapidly to the conclusion that he was no better than he should be.</p><p style="text-align: justify;">"You are a Scotchman, stranger," said Joel, suddenly drawing up his feet, and bending forward to the other with an eye like that of a hawk stooping over a covey of partridges. It was a wonder that he had not made the discovery before. The broad dialect of the stranger was not to be subdued; but Joel made slow stages and short progress in his mental journeyings. The answer was given with evident hesitation, but it was affirmative.</p><p style="text-align: justify;">"Well, now, it's mighty strange that you should ha' fou't with us and not agin us," responded Joel Sparkman. "There was a precious few of the Scotch, and none that I knows on, saving yourself, perhaps,—that didn't go dead agin us, and for the tories, through thick and thin. That Cross Creek settlement' was a mighty ugly thorn in the sides of us whigs. It turned out a raal bad stock of varmints. I hope,-I reckon, stranger,—you aint from that part."</p><p style="text-align: justify;">"No," said the other; "oh no! I'm from over the other quarter. I'm from the Duncan settlement above."</p><p style="text-align: justify;">"I've hearn tell of that other settlement, but I never know'd as any of the men fou't with us. What gineral did you fight under? What Carolina gineral?"</p><p style="text-align: justify;">"I was at Gum Swamp when General Gates was defeated;" was the still hesitating reply of the other.</p><p style="text-align: justify;">"Well, I thank God, <i>I</i> warn't there, though I reckon things wouldn't ha' turned out quite so bad, if there had been a leetle sprinkling of Sumter's, or Pickens's, or Marion's men, among them two-legged critters that run that day. They did tell that some of the regiments went off without ever once emptying their rifles. Now, stranger, I hope you warn't among them fellows."</p><p style="text-align: justify;">"I was not," said the other with something more of promptness.</p><p style="text-align: justify;">"I don't blame a chap for dodging a bullet if he can, or being too quick for a bagnet, because, I'm thinking, a live man is always a better man than a dead one, or he can become so; but to run without taking a single crack at the inimy, is downright cowardice. There's no two ways about it, stranger."</p><p style="text-align: justify;">This opinion, delivered with considerable emphasis, met with the ready assent of the Scotchman, but Joel Sparkman was not to be diverted, even by his own eloquence, from the object of his inquiry.</p><p style="text-align: justify;">"But you ain't said," he continued, "who was your Carolina gineral. Gates was from Virginny, and he stayed a mighty short time when he come. You didn't run far at Camden, I reckon, and you joined the army ag'in, and come in with Greene? Was that the how?"</p><p style="text-align: justify;">To this the stranger assented, though with evident disinclination.</p><p style="text-align: justify;">"Then, mou'tbe, we sometimes went into the same scratch together? I was at Cowpens and Ninety-Six, and seen sarvice at other odds and eends, where there was more fighting than fun. I reckon you must have been at Ninety-Six,'--perhaps at Cowpens, too, if you went with Morgan?"</p><p style="text-align: justify;">The unwillingness of the stranger to respond to these questions appeared to increase. He admitted, however, that he had been at "Ninety-Six," though, as Sparkman afterwards remembered, in this case, as in that of the defeat of Gates at Gum Swamp, he had not said on which side he had fought. Joel, as he discovered the reluctance of his guest to answer his questions, and perceived his growing doggedness, forbore to annoy him, but mentally resolved to keep a sharper look-out than ever upon his motions. His examination concluded with an inquiry, which, in the plaindealing regions of the south and south-west, is not unfrequently put first.</p><p style="text-align: justify;">"And what mout be your name, stranger?"</p><p style="text-align: justify;">"Macnab," was the ready response, "Sandy Macnab."</p><p style="text-align: justify;">"Well, Mr. Macnab, I see that my sister's got supper ready for us; so we mou't as well fall to upon the hoecake and bacon.” Sparkman rose while speaking, and led the way to the spot, near the wagon, where Mrs. Grayling had spread the feast. "We're pretty nigh on to the main road, here, but I reckon there's no great danger now. Besides, Jim Grayling keeps watch for us, and he's got two as good eyes in his head as any scout in the country, and a rifle that, after you once know how it shoots, 'twould do your heart good to hear its crack, if so be that twa'n't your heart that he drawed sight on. He's a perdigious fine shot, and as ready to shoot and fight as if he had a nateral calling that way."</p><p style="text-align: justify;">“Shall we wait for him before we eat?" demanded Macnab, anxiously.</p><p style="text-align: justify;">"By no sort o' reason, stranger," answered Sparkman. "He'll watch for us while we're eating, and after that I'll change shoes with him. So fall to, and don't mind what's a coming."</p><p style="text-align: justify;">Sparkman had just broken the hoecake, when a distant whistle was heard.</p><p style="text-align: justify;">"Ha! That's the lad now!" he exclaimed, rising to his feet. "He's on trail. He's got a sight of an inimy's fire, I reckon. 'Twon't be onreasonable, friend Macnab, to get our we'pons in readiness;" and, so speaking, Sparkman bid his sister get into the wagon, where the little Lucy had already placed herself, while he threw open the pan of his rifle, and turned the priming over with his finger. Macnab, meanwhile, had taken from his holsters, which he had before been sitting upon, a pair of horseman's pistols, richly mounted with figures in silver. These were large and long, and had evidently seen service. Unlike his companion, his proceedings occasioned no comment. What he did seemed a matter of habit, of which he himself was scarcely conscious. Having looked at his priming, he laid the instruments beside him without a word, and resumed the bit of hoecake which he had just before received from Sparkman. Meanwhile, the signal whistle, supposed to come from James Grayling, was repeated. Silence ensued then for a brief space, which Sparkman employed in perambulating the grounds immediately contiguous. At length, just as he had returned to the fire, the sound of a horse's feet was heard, and a sharp quick halloo from Grayling informed his uncle that all was right. The youth made his appearance a moment after accompanied by a stranger on horseback; a tall, fine-looking young man, with a keen flashing eye, and a voice whose lively clear tones, as he was heard approaching, sounded cheerily like those of a trumpet after victory. James Grayling kept along on foot beside the new-comer; and his hearty laugh, and free, glib, garrulous tones, betrayed to his uncle, long ere he -drew nigh enough to declare the fact, that he had met unexpectedly with a friend, or, at least, an old acquaintance.</p><p style="text-align: justify;">Why, who have you got there, James?" was the demand of Sparkman, as he dropped the butt of his rifle upon the ground. "Why, who do you think, uncle? Who but Major Spencerour own major?"</p><p style="text-align: justify;">"You don't say so!-what!—well! Li'nel Spencer, for sartin! Lord bless you, major, who'd ha' thought to see you in these parts; and jest mounted too, for all natur, as if the war was to be fou't over ag'in. Well, I'm raal glad to see you. I am, that's sartin!"</p><p style="text-align: justify;">"And I'm very glad to see you, Sparkman," said the other, as he alighted from his steed, and yielded his hand to the cordial grasp of the other.</p><p style="text-align: justify;">"Well, I knows that, major, without you saying it. But you've jest come in the right time. The bacon's frying, and here's the bread;--let's down upon our haunches, in right good airnest, camp fashion, and make the most of what God gives us in the way of blessings. I reckon you don't mean to ride any further to-night, major?”</p><p style="text-align: justify;">"No," said the person addressed, "not if you'll let me lay my heels at your fire. But who's in your wagon? My old friend, Mrs. Grayling, I suppose?"</p><p style="text-align: justify;">"That's a true word, major," said the lady herself, making her way out of the vehicle with good-humoured agility, and coming forward with extended hand.</p><p style="text-align: justify;">"Really, Mrs. Grayling, I'm very glad to see you." And the stranger, with the blandness of a gentleman and the hearty warmth of an old neighbour, expressed his satisfaction at once more finding himself in the company of an old acquaintance. Their greetings once over, Major Spencer readily joined the group about the fire, while James Grayling-though with some reluctance disappeared to resume his toils of the scout while the supper proceeded.</p><p style="text-align: justify;">"And who have you here?" demanded Spencer, as his eye rested on the dark, hard features of the Scotchman. Sparkman told him all that he himself had learned of the name and character of the stranger, in a brief whisper, and in a moment after, formally introduced the parties in this fashion--</p><p style="text-align: justify;">"Mr. Macnab, Major Spencer. Mr. Macnab says he's true blue, major, and fou't at Camden, when General Gates run so hard to bring the d-d militia back.' He also fou't at NinetySix, and Cowpens--so I reckon we had as good as count him one of us."</p><p style="text-align: justify;">Major Spencer scrutinized the Scotchman keenly--a scrutiny which the latter seemed very ill to relish. He put a few questions to him on the subject of the war, and some of the actions in which he allowed himself to have been concerned; but his evident reluctance to unfold himself--a reluctance so unnatural to the brave soldier who has gone through his toils honourably--had the natural effect of discouraging the young officer, whose sense of delicacy had not been materially impaired amid the rude jostlings of military life. But, though he forbore to propose any other questions to Macnab, his eyes continued to survey the features of his sullen countenance with curiosity and a strangely increasing interest. This he subsequently explained to Sparkman, when, at the close of supper, James Grayling came in, and the former assumed the duties of the scout.</p><p style="text-align: justify;">"I have seen that Scotchman's face somewhere, Sparkman, and I'm convinced at some interesting moment; but where, when, or how, I cannot call to mind. The sight of it is even associated in my mind with something painful and unpleasant; where could I have seen him?"</p><p style="text-align: justify;">"I don't somehow like his looks myself," said Sparkman, "and I mislists he's been either more of a tory than a whig; but that's nothing to the purpose now; and he's at our fire, and we've broken hoecake together; so we cannot rake up the old ashes to make a dust with."</p><p style="text-align: justify;">"No, surely not," was the reply of Spencer. "Even though we knew him to be a tory, that cause of former quarrel should occasion none now. But it should produce watchfulness and caution. I'm glad to see that you have not forgot your old business of scouting in the swamp."</p><p style="text-align: justify;">"Kin I forget it, major?" demanded Sparkman, in tones which, though whispered, were full of emphasis, as he laid his ear to the earth to listen.</p><p style="text-align: justify;">"James has finished supper, major--that's his whistle to tell me so; and I'll jest step back to make it cl'ar to him how we're to keep up the watch to-night."</p><p style="text-align: justify;">"Count me in your arrangements, Sparkman, as I am one of you for the night," said the major.</p><p style="text-align: justify;">"By no sort of means," was the reply. "The night must be shared between James and myself. Ef so be you wants to keep company with one or t'other of us, why, that's another thing, and, of course, you can do as you please."</p><p style="text-align: justify;">"We'll have no quarrel on the subject, Joel," said the officer, good-naturedly, as they returned to the camp together.</p><p style="text-align: justify;"><br /></p><p style="text-align: center;">CHAPTER II.</p><p style="text-align: justify;">THE arrangements of the party were soon made. Spencer renewed his offer at the fire to take his part in the watch; and the Scotchman, Macnab, volunteered his services also; but the offer of the latter was another reason why that of the former should be declined. Sparkman was resolute to have everything his own way; and while James Grayling went out upon his lonely rounds, he busied himself in cutting bushes and making a sort of tent for the use of his late commander. Mrs. Grayling and Lucy slept in a wagon. The Scotchman stretched himself with little effort before the fire; while Joel Sparkman, wrapping himself up in his cloak, crouched under the wagon body, with his back resting partly against one of the wheels. From time to time he rose and thrust additional brands into the fire, looked up at the night, and round upon the little encampment, then sunk back to his perch and stole a few moments, at intervals, of uneasy sleep. The first two hours of the watch were over, and James Grayling was relieved. The youth, however, felt in no mood for sleep, and taking his seat by the fire, he drew from his pocket a little volume of Easy Reading Lessons, and by the fitful flame of the resinous light-wood, he prepared, in this rude manner, to make up for the precious time which his youth had lost of its legitimate employments, in the stirring events of the preceding seven years consumed in war. He was surprised at this employment by his late commander, who, himself sleepless, now emerged from the bushes and joined Grayling at the fire. The youth had been rather a favourite with Spencer. They had both been reared in the same neighbourhood, and the first military achievements of James had taken place under the eye, and had met the approbation of his officer. The difference of their ages was just such as to permit of the warm attachment of the lad without diminishing any of the reverence which should be felt by the inferior. Grayling was not more than seventeen, and Spencer was perhaps thirty four-the very prime of manhood. They sat by the fire and talked of old times and told old stories with the hearty glee and good-nature of the young. Their mutual inquiries led to the revelation of their several objects in pursuing the present journey. Those of James Grayling were scarcely, indeed, to be considered his own. They were plans and purposes of his uncle, and it does not concern this narrative that we should know more of their nature than has already been revealed. But, whatever they were, they were as freely unfolded to his hearer as if the parties had been brothers, and Spencer was quite as frank in his revelations as his companion. He, too, was on his way to Charleston, from whence he was to take passage for England.</p><p style="text-align: justify;">“I am rather in a hurry to reach town," he said, "as I learn that the Falmouth packet is preparing to sail for England in a few days, and I must go in her."</p><p style="text-align: justify;">"For England, major!" exclaimed the youth with unaffected astonishment.</p><p style="text-align: justify;">"Yes, James, for England. But why-what astonishes you?"</p><p style="text-align: justify;">"Why, lord!" exclaimed the simple youth, "if they only knew there, as I do, what a cutting and slashing you did use to make among their red coats, I reckon they'd hang you to the first hickory."</p><p style="text-align: justify;">"Oh, no! scarcely," said the other, with a smile.</p><p style="text-align: justify;">"But I reckon you'll change your name, major?" continued the youth.</p><p style="text-align: justify;">"No," responded Spencer, "if I did that, I should lose the object of my voyage. You must know, James, that an old relative has left me a good deal of money in England, and I can only get it by proving that I am Lionel Spencer; so you see I must carry my own name, whatever may be the risk."</p><p style="text-align: justify;">"Well, major, you know best; but I do think if they could only have a guess of what you did among their sodgers at Hobkirk's and Cowpens, and Eutaw, and a dozen other places, they'd find some means of hanging you up, peace or no peace. But I don't see what occasion you have to be going cl'ar away to England for money, when you've got a sight of your own already."</p><p style="text-align: justify;">"Not so much as you think for," replied the major, giving an involuntary and uneasy glance at the Scotchman, who was seemingly sound asleep on the opposite side of the fire. </p><p style="text-align: justify;">“There is, you know, but little money in the country at any time, and I must get what I want for my expenses when I reach Charleston. I have just enough to carry me there."</p><p style="text-align: justify;">"Well, now, major, that's mighty strange. I always thought that you was about the best off of any man in our parts; but if you're strained so close, I'm thinking, major,-if so be you wouldn't think me too presumptuous,—you'd better let me lend you a guinea or so that I've got to spare, and you can pay me back when you get the English money."</p><p style="text-align: justify;">And the youth fumbled in his bosom for a little cotton wallet, which, with its limited contents, was displayed in another instant to the eyes of the officer.</p><p style="text-align: justify;">No, no, James," said the other, putting back the generous tribute; "I have quite enough to carry me to Charleston, and when there I can easily get a supply from the merchants. But I thank you, my good fellow, for your offer. You are a good fellow, James, and I will remember you."</p><p style="text-align: justify;">It is needless to pursue the conversation farther. The night passed away without any alarms, and at dawn of the next day the whole party was engaged in making preparation for a start. Mrs. Grayling was soon busy in getting breakfast in readiness. Major Spencer consented to remain with them until it was over; but the Scotchman, after returning thanks very civilly for his accommodation of the night, at once resumed his journey. His course seemed, like their own, to lie below; but he neither declared his route nor betrayed the least desire to know that of Spencer. The latter had no disposition to renew those inquiries from which the stranger seemed to shrink the night before, and he accordingly suffered him to depart with a quiet farewell, and the utterance of a good-natured wish, in which all the parties joined, that he might have a pleasant journey. When he was fairly out of sight, Spencer said to Sparkman,</p><p style="text-align: justify;">"Had I liked that fellow's looks, nay, had I not positively disliked them, I should have gone with him. As it is, I will remain and share your breakfast."</p><p style="text-align: justify;">The repast being over, all parties set forward; but Spencer, after keeping along with them for a mile, took his leave also.</p><p style="text-align: justify;">The slow wagon-pace at which the family travelled, did not suit the high-spirited cavalier; and it was necessary, as he assured them, that he should reach the city in two nights more. They parted with many regrets, as truly felt as they were warmly expressed; and James Grayling never felt the tedium of wagon travelling to be so severe as throughout the whole of that day when he separated from his favourite captain. But he was too stout-hearted a lad to make any complaint; and his dissatisfaction only showed itself in his unwonted silence, and an over-anxiety, which his steed seemed to feel in common with himself, to go rapidly ahead. Thus the day passed, and the wayfarers at its close had made a progress of some twenty miles from sun to sun. The same precautions marked their encampment this night as the last, and they rose in better spirits with the next morning, the dawn of which was very bright and pleasant, and encouraging. A similar journey of twenty miles brought them to the place of bivouac as the sun went down; and they prepared as usual for their securities and supper. They found themselves on the edge of a very dense forest of pines and scrubby oaks, a portion of which was swallowed up in a deep bay-so called in the dialect of the country-a swamp-bottom, the growth of which consisted of mingled cypresses and bay-trees, with tupola, gum, and dense thickets of low stunted shrubbery, cane grass, and dwarf willows, which filled up every interval between the trees, and to the eye most effectually barred out every human intruder. This bay was chosen as the background for the camping party. Their wagon was wheeled into an area on a gently rising ground in front, under a pleasant shade of oaks and hickories, with a lonely pine rising loftily in occasional spots among them. Here the horses were taken out, and James Grayling prepared to kindle up a fire; but, looking for his axe, it was unaccountably missing, and after a fruitless search of half an hour, the party came to the conclusion that it had been left on the spot where they had slept last night. This was a disaster, and, while they meditated in what manner to repair it, a negro boy appeared in sight, passing along the road at their feet, and driving before him a small herd of cattle. From him they learned that they were only a mile or two from a farmstead where an axe might be borrowed; and James, leaping on his horse, rode forward in the hope to obtain one. He found no difficulty in his quest; and, having obtained it from the farmer, who was also a tavern-keeper, he casually asked if Major Spencer had not stayed with him the night before. He was somewhat surprised when told that he had not.</p><p style="text-align: justify;">"There was one man stayed with me last night," said the farmer, "but he didn't call himself a major, and didn't much look like one."</p><p style="text-align: justify;">"He rode a fine sorrel horse,--tall, bright colour, with white fore foot, didn't he?" asked James.</p><p style="text-align: justify;">"No, that he didn't! He rode a powerful black, coal black, and not a bit of white about him."</p><p style="text-align: justify;">"That was the Scotchman! But I wonder the major didn't stop with you. He must have rode on. Isn't there another house near you, below?"</p><p style="text-align: justify;">"Not one. There's ne'er a house either above or below for a matter of fifteen miles. I'm the only man in all that distance that's living on this road; and I don't think your friend could have gone below, as I should have seen him pass. I've been all day out there in that field before your eyes, clearing up the brush."</p><p style="text-align: justify;"><br /></p><p style="text-align: center;">CHAPTER III.</p><p style="text-align: justify;">SOMEWHAT Wondering that the major should have turned aside from the track, though without attaching to it any importance at that particular moment, James Grayling took up the borrowed axe and hurried back to the encampment, where the toil of cutting an extra supply of light-wood to meet the exigencies of the ensuing night, sufficiently exercised his mind as well as his body, to prevent him from meditating upon the seeming strangeness of the circumstance. But when he sat down to his supper over the fire that he had kindled, his fancies crowded thickly upon him, and he felt a confused doubt and suspicion that something was to happen, he knew not what. His conjectures and apprehensions were without form, though not altogether void; and he felt a strange sickness and a sinking at the heart which was very unusual with him. He had, in short, that lowness of spirits, that cloudy apprehensiveness of soul which takes the form of presentiment, and makes us look out for danger even when the skies are without a cloud, and the breeze is laden, equally and only, with balm and music. His moodiness found no sympathy among his companions. Joel Sparkman was in the best of humours, and his mother was so cheery and happy, that when the thoughtful boy went off into the woods to watch, he could hear her at every moment breaking out into little catches of a country ditty, which the gloomy events of the late war had not yet obliterated from her memory.</p><p style="text-align: justify;">"It's very strange!" soliloquized the youth, as he wandered along the edges of the dense bay or swamp-bottom, which we have passingly referred to,--"it's very strange what troubles me so! I feel almost frightened, and yet I know I'm not to be frightened easily, and I don't see anything in the woods to frighten me. It's strange the major didn't come along this road! Maybe he took another higher up that leads by a different settlement. I I wish I had asked the man at the house if there's such another road. I reckon there must be, however, for where could the major have gone?"</p><p style="text-align: justify;">The unphilosophical mind of James Grayling did not, in his farther meditations, carry him much beyond this starting point; and with its continual recurrence in soliloquy, he proceeded to traverse the margin of the bay, until he came to its junction with, and termination at, the high-road. The youth turned into this, ard, involuntarily departing from it a moment after, soon found himself on the opposite side of the bay thicket. He wandered on and on, as he himself described it, without any power to restrain himself. He knew not how far he went; but, instead of maintaining his watch for two hours only, he was gone more than four; and, at length, a sense of weariness which overpowered him all of a sudden, caused him to seat himself at the foot of a tree, and snatch a few moments of rest. He denied that he slept in this time. He insisted to the last moment of his life that sleep never visited his eyelids that night,-that he was conscious of fatigue and exhaustion, but not drowsiness,-and that this fatigue was so numbing as to be painful, and effectually kept him from any sleep. While he sat thus beneath the tree, with a body weak and nerveless, but a mind excited, he knew not how or why, to the most acute degree of expectation and attention, he heard his name called by the well-known voice of his friend, Major Spencer. The voice called him three times,—“James Grayling!—James! -James Grayling!" before he could muster strength enough to answer. It was not courage he wanted,—of that he was positive, for he felt sure, as he said, that something had gone wrong, and he was never more ready to fight in his life than at that moment, could he have commanded the physical capacity; but his throat seemed dry to suffocation, his lips effectually sealed up as if with wax, and when he did answer, the sounds seemed as fine and soft as the whisper of some child just born.</p><p style="text-align: justify;">"Oh! major, is it you?"</p><p style="text-align: justify;">Such, he thinks, were the very words he made use of in reply; and the answer that he received was instantaneous, though the voice came from some little distance in the bay, and his own voice he did not hear. He only knows what he meant to say. The answer was to this effect.</p><p style="text-align: justify;">"It is, James!--It is your own friend, Lionel Spencer, that speaks to you; do not be alarmed when you see me! I have been shockingly murdered!"</p><p style="text-align: justify;">James asserts that he tried to tell him that he would not be frightened, but his own voice was still a whisper, which he himself could scarcely hear. A moment after he had spoken, he heard something like a sudden breeze that rustled through the bay bushes at his feet, and his eyes were closed without his effort, and indeed in spite of himself. When he opened them, he saw Major Spencer standing at the edge of the bay, about twenty steps from him. Though he stood in the shade of a thicket, and there was no light in the heavens save that of the stars, he was yet enabled to distinguish perfectly, and with great ease, every lineament of his friend's face.</p><p style="text-align: justify;">He looked very pale, and his garments were covered with blood; and James said that he strove very much to rise from the place where he sat and approach him ;-" for, in truth," said the lad, "so far from feeling any fear, I felt nothing but fury in my heart; but I could not move a limb. My feet were fastened to the ground; my hands to my sides; and I could only bend forward and gasp. I felt as if I should have died with vexation that I could not rise; but a power which I could not resist, made me motionless, and almost speechless. I could only say, 'Murdered!'-and that one word I believe I must have repeated a dozen times.</p><p style="text-align: justify;">"Yes, murdered!--murdered by the Scotchman who slept with us at your fire the night before last. James, I look to you to have the murderer brought to justice! James!--do you hear me, James?"</p><p style="text-align: justify;">"These," said James, "I think were the very words, or near about the very words, that I heard; and I tried to ask the major to tell me how it was, and how I could do what he required; but I didn't hear myself speak, though it would appear that he did, for almost immediately after I had tried to speak what I wished to say, he answered me just as if I had said it. He told me that the Scotchman had waylaid, killed, and hidden him in that very bay; that his murderer had gone to Charleston; and that if I made haste to town, I would find him in the Falmouth packet, which was then lying in the harbour and ready to sail for England. He farther said that everything depended on my making haste, that I must reach town by to-morrow night if I wanted to be in season, and go right on board the vessel and charge the criminal with the deed. Do not be afraid, said he, when he had finished; be afraid of nothing, James, for God will help and strengthen you to the end.' When I heard all I burst into a flood of tears, and then I felt strong. I felt that I could talk, or fight, or do almost anything; and I jumped up to my feet, and was just about to run down to where the major stood, but, with the first step which I made forward, he was gone. I stopped and looked all around me, but I could see nothing; and the bay was just as black as midnight. But I went down to it, and tried to press in where I thought the major had been standing; but I couldn't get far, the brush and bay bushes were so close and thick. I was now bold and strong enough, and I called out, loud enough to be heard half a mile. I didn't exactly know what I called for, or what I wanted to learn, or I have forgotten. But I heard nothing more. Then I remembered the camp, and began to fear that something might have happened to mother and uncle, for I now felt, what I had not thought of before, that I had gone too far round the bay to be of much assistance, or, indeed, to be in time for any, had they been suddenly attacked. Besides, I could not think how long I had been gone; but it now seemed very late. The stars were shining their brightest, and the thin white clouds of morning were beginning to rise and run towards the west. Well, I bethought me of my course, for I was a little bewildered and doubtful where I was; but, after a little thinking, I took the back track, and soon got a glimpse of the camp-fire, which was nearly burnt down; and by this I reckoned I was gone considerably longer than my two hours. When I got back into the camp, I looked under the wagon, and found uncle in a sweet sleep, and though my heart was full almost to bursting with what I had heard, and the cruel sight I had seen, yet I wouldn't waken him; and I beat about and mended the fire, and watched, and waited, until near daylight, when mother called to me out of the wagon, and asked who it was. This wakened my uncle, and then I up and told all that had happened, for if it had been to save my life, I couldn't have kept it in much longer. But though mother said it was very strange, Uncle Sparkman considered that I had been only dreaming; but he couldn't persuade me of it; and when I told him I intended to be off at daylight, just as the major had told me to do, and ride my best all the way to Charleston, he laughed, and said I was a fool. But I felt that I was no fool, and I was solemn certain that I hadn't been dreaming; and though both mother and he tried their hardest to make me put off going, yet I made up my mind to it, and they had to give up. For, wouldn't I have been a pretty sort of a friend to the major, if, after what he told me, I could have stayed behind, and gone on only at a wagon-pace to look after the murderer! I dont think if I had done so that I should ever have been able to look a white man in the face again. Soon as the peep of day, I was on horseback. Mother was mighty sad, and begged me not to go, but Uncle Sparkman was mighty sulky, and kept calling me fool upon fool, until I was almost angry enough to forget that we were of blood kin. But all his talking did not stop me, and I reckon I was five miles on my way before he had his team in traces for a start. I rode as briskly as I could get on without hurting my nag. I had a smart ride of more than forty miles before me, and the road was very heavy. But it was a good two hours from sunset when I got into town, and the first question I asked of the people I met was, to show me where the ships were kept. When I got to the wharf they showed me the Falmouth packet, where she lay in the stream, ready to sail as soon as the wind should favour."</p><p style="text-align: justify;"><br /></p><p style="text-align: center;">CHAPTER IV.</p><p style="text-align: justify;">James Grayling, with the same eager impatience which he has been suffered to describe in his own language, had already hired a boat to go on board the British packet, when he remembered that he had neglected all those means, legal and otherwise, by which alone his purpose might be properly effected. He did not know much about legal process, but he had common sense enough, the moment that he began to reflect on the subject, to know that some such process was necessary. This conviction produced another difficulty; he knew not in which quarter to turn for counsel and assistance; but here the boatman who saw his bewilderment, and knew by his dialect and dress that he was a back-countryman, came to his relief, and from him he got directions where to find the merchants with whom his uncle, Sparkman, had done business in former years. To them he went, and without circumlocution, told the whole story of his ghostly visitation. Even as a dream, which these gentlemen at once conjectured it to be, the story of James Grayling was equally clear and curious; and his intense warmth and the entire absorption, which the subject had effected, of his mind and soul, was such that they judged it not improper, at least to carry out the search of the vessel which he contemplated. It would certainly, they thought, be a curious coincidence-believing James to be a veracious youth-if the Scotchman should be found on board. But another test of his narrative was proposed by one of the firm. It so happened that the business agents of Major Spencer, who was well known in Charleston, kept their office but a few rods distant from their own; and to them all parties at once proceeded. But here the story of James was encountered by a circumstance that made somewhat against it. These gentlemen produced a letter from Major Spencer, intimating the utter impossibility of his coming to town for the space of a month, and expressing his regret that he should be unable to avail himself of the opportunity of the foreign vessel, of whose arrival in Charleston, and proposed time of departure, they had themselves advised him. They read the letter aloud to James and their brother merchants, and with difficulty suppressed their smiles at the gravity with which the former related and insisted upon the particulars of his vision.</p><p style="text-align: justify;">"He has changed his mind," returned the impetuous youth; "he was on his way down, I tell you,-a hundred miles on his way, when he camped with us. I know him well, I tell you, and talked with him myself half the night."</p><p style="text-align: justify;">"At least," remarked the gentlemen who had gone with James, "it can do no harm to look into the business. We can procure a warrant for searching the vessel after this man, Macnab; and should he be found on board the packet, it will be a sufficient circumstance to justify the magistrates in detaining him, until we can ascertain where Major Spencer really is."</p><p style="text-align: justify;">The measure was accordingly adopted, and it was nearly sunset before the warrant was procured, and the proper officer in readiness. The impatience of a spirit so eager and so devoted as James Grayling, under these delays, may be imagined; and when in the boat, and on his way to the packet where the criminal was to be sought, his blood became so excited that it was with much ado he could be kept in his seat. His quick, eager action continually disturbed the trim of the boat, and one of his mercantile friends, who had accompanied him, with that interest in the affair which curiosity alone inspired, was under constant apprehension lest he would plunge overboard in his impatient desire to shorten the space which lay between. The same impatience enabled the youth, though never on shipboard before, to grasp the rope which had been flung at their approach, and to mount her sides with catlike agility. Without waiting to declare himself or his purpose, he ran from one side of the deck to the other, greedily staring, to the surprise of officers, passengers, and seamen, in the faces of all of them, and surveying them with an almost offensive scrutiny. He turned away from the search with disappointment. There was no face like that of the suspected man among them. By this time, his friend, the merchant, with the sheriff's officer, had entered the vessel, and were in conference with the captain. Grayling drew nigh in time to hear the latter affirm that there was no man of the name of Macnab, as stated in the warrant, among his passengers or crew.</p><p style="text-align: justify;">"He is, he must be!" exclaimed the impetuous youth. "The major never lied in his life, and couldn't lie after he was dead. Macnab is here, he is a Scotchman--"</p><p style="text-align: justify;">The captain interrupted him--</p><p style="text-align: justify;">"We have, young gentleman, several Scotchmen on board, and one of them is named Macleod--"</p><p style="text-align: justify;">"Let me see him—which is he?" demanded the youth.</p><p style="text-align: justify;">By this time, the passengers and a goodly portion of the crew were collected about the little party. The captain turned his eyes upon the group, and asked,</p><p style="text-align: justify;">"Where is Mr. Macleod?"</p><p style="text-align: justify;">"He is gone below-he's sick!" replied one of the passengers. "That's he! That must be the man!" exclaimed the youth. "I'll lay my life that's no other than Macnab. He's only taken a false name."</p><p style="text-align: justify;">It was now remembered by one of the passengers, and remarked, that Macleod had expressed himself as unwell, but a few moments before, and had gone below even while the boat was rapidly approaching the vessel. At this statement, the captain led the way into the cabin, closely followed by James Grayling and the rest.</p><p style="text-align: justify;">"Mr. Macleod," he said with a voice somewhat elevated, as he approached the berth of that person, "you are wanted on deck for a few moments."</p><p style="text-align: justify;">"I am really too unwell, captain," replied a feeble voice from behind the curtain of the berth.</p><p style="text-align: justify;">"It will be necessary," was the reply of the captain. "There is a warrant from the authorities of the town, to look after a fugitive from justice."</p><p style="text-align: justify;">Macleod had already begun a second speech declaring his feebleness, when the fearless youth, Grayling, bounded before the captain and tore away, with a single grasp of his hand, the curtain which concealed the suspected man from their sight.</p><p style="text-align: justify;">"It is he!" was the instant exclamation of the youth, as he beheld him. "It is he—Macnab, the Scotchman--the man that murdered Major Spencer!"</p><p style="text-align: justify;">Macnab,--for it was he,--was deadly pale. He trembled like an aspen.</p><p style="text-align: justify;">His eyes were dilated with more than mortal apprehension. Still, he found strength. He knew nothing of the apprehension, and his lips were perfectly livid. to speak, and to deny the accusation. youth before him-nothing of Major Spencer--his name was Macleod, and he had never called himself by any other. He denied, but with great incoherence, everything which was urged against him.</p><p style="text-align: justify;">“You must get up, Mr. Macleod," said the captain; “the circumstances are very much against you. You must go with the officer!"</p><p style="text-align: justify;">"Will you give me up to my enemies?" demanded the culprit. "You are a countryman—a Briton. I have fought for the king, our master, against these rebels, and for this they seek my life. Do not deliver me into their bloody hands!"</p><p style="text-align: justify;">"Liar!" exclaimed James Grayling--" Didn't you tell us at our own camp-fire that you were with us? that you were at Gates's defeat, and Ninety-Six?"</p><p style="text-align: justify;">"But I didn't tell you," said the Scotchman, with a grin, "which side I was on!"</p><p style="text-align: justify;">"Ha! remember that!" said the sheriff's officer. "He denied, just a moment ago, that he knew this young man at all; now, he confesses that he did see and camp with him."</p><p style="text-align: justify;">The Scotchman was aghast at the strong point which, in his inadvertence, he had made against himself; and his efforts to excuse himself, stammering and contradictory, served only to involve him more deeply in the meshes of his difficulty. Still he continued his urgent appeals to the captain of the vessel, and his fellow-passengers, as citizens of the same country, subjects to the same monarch, to protect him from those who equally hated and would destroy them all. In order to move their national prejudices in his behalf, he boasted of the immense injury which he had done, as a tory, to the rebel cause; and still insisted that the murder was only a pretext of the youth before him, by which to gain possession of his person, and wreak upon him the revenge which his own fierce performances during the war had naturally enough provoked. One or two of the passengers, indeed, joined with him in entreating the captain to set the accusers adrift and make sail at once; but the stout Englishman who was in command, rejected instantly the unworthy counsel. Besides, he was better aware of the dangers which would follow any such rash proceeding. Fort Moultrie, on Sullivan's Island, had been already refitted and prepared for an enemy; and he was lying, at that moment, under the formidable range of grinning teeth, which would have opened upon him, at the first movement, from the jaws of Castle Pinckney.</p><p style="text-align: justify;">"No, gentlemen," said he, "you mistake your man. God forbid that I should give shelter to a murderer, though he were from my own parish."</p><p style="text-align: justify;">"But I am no murderer," said the Scotchman.</p><p style="text-align: justify;">"You look cursedly like one, however," was the reply of the captain. "Sheriff, take your prisoner."</p><p style="text-align: justify;">The base creature threw himself at the feet of the Englishman, and clung, with piteous entreaties, to his knees. The latter shook him off, and turned away in disgust.</p><p style="text-align: justify;">"Steward," he cried, "bring up this man's luggage."</p><p style="text-align: justify;">He was obeyed. The luggage was brought up from the cabin and delivered to the sheriff's officer, by whom it was examined in the presence of all, and an inventory made of its contents. It consisted of a small new trunk, which, it afterwards appeared, he had bought in Charleston, soon after his arrival. This contained a few changes of raiment, twenty-six guineas in money, a gold watch, not in repair, and the two pistols which he had shown while at Joel Sparkman's camp fire; but, with this difference, that the stock of one was broken off short just above the grasp, and the butt was entirely gone. It was not found among his chattels. A careful examination of the articles in his trunk did not result in anything calculated to strengthen the charge of his criminality; but there was not a single person present who did not feel as morally certain of his guilt as if the jury had already declared the fact. That night he slept-if he slept at all-in the common jail of the city.</p><p><br /></p><p style="text-align: center;">CHAPTER V.</p><p style="text-align: justify;">His accuser, the warm-hearted and resolute James Grayling, did not sleep. The excitement, arising from mingling and contradictory emotions,--sorrow for his brave young commander's fate, and the natural exultation of a generous spirit at the consciousness of having performed, with signal success, an arduous and painful task combined to drive all pleasant slumbers from his eyes; and with the dawn he was again up and stirring, with his mind still full of the awful business in which he had been engaged. We do not care to pursue his course in the ordinary walks of the city, nor account for his employments during the few days which ensued, until, in consequence of a legal examination into the circumstances which anticipated the regular work of the sessions, the extreme excitement of the young accuser had been renewed. Macnab or Macleod,—and it is possible that both names were fictitious,—as soon as he recovered from his first terrors, sought the aid of an attorney—one of those acute, small, chopping lawyers, to be found in almost every community, who are willing to serve with equal zeal the sinner and the saint, provided that they can pay with equal liberality. The prisoner was brought before the court under habeas corpus, and several grounds submitted by his counsel with the view to obtaining his discharge. It became necessary to ascertain, among the first duties of the state, whether Major Spencer, the alleged victim, was really dead. Until it could be established that a man should be imprisoned, tried, and punished for a crime, it was first necessary to show that a crime had been committed, and the attorney made himself exceedingly merry with the ghost story of young Grayling. In those days, however, the ancient Superstition was not so feeble as she has subsequently become. The venerable judge was one of those good men who had a decent respect for the faith and opinions of his ancestors; and though he certainly would not have consented to the hanging of Macleod under the sort of testimony which had been adduced, he yet saw enough, in all the circumstances, to justify his present detention. In the meantime, efforts were to be made, to ascertain the whereabouts of Major Spencer; though, were he even missing,-so the counsel for Macleod contended, his death could be by no means assumed in consequence. To this the judge shook his head doubtfully.</p><p style="text-align: justify;">"Fore God!" said he, "I would not have you to be too sure of that." He was an Irishman, and proceeded after the fashion of his country. The reader will therefore bear with his bull. "A man may properly be hung for murdering another, though the murdered man be not dead; ay, before God, even though he be actually unhurt and uninjured, while the murderer is swinging by the neck for the bloody deed!"</p><p style="text-align: justify;">The judge,--who it must be understood was a real existence, and who had no small reputation in his day in the south,--proceeded to establish the correctness of his opinions by authorities and argument, with all of which, doubtlessly, the bar were exceedingly delighted; but, to provide them in this place would only be to interfere with our own progress. James Grayling, however, was not satisfied to wait the slow processes which were suggested for coming at the truth. Even the wisdom of the judge was lost upon him, possibly, for the simple reason that he did not comprehend it. But the ridicule of the culprit's lawyer stung him to the quick, and he muttered to himself, more than once, a determination "to lick the life out of that impudent chap's leather." But this was not his only resolve. There was one which he proceeded to put into instant execution, and that was to seek the body of his murdered friend in the spot where he fancied it might be found-namely, the dark and dismal bay where the spectre had made its appearance to his eyes.</p><p style="text-align: justify;">The suggestion was approved--though he did not need this to prompt his resolution-by his mother and uncle, Sparkman. The latter determined to be his companion, and he was farther accompanied by the sheriff's officer who had arrested the suspected felon.</p><p style="text-align: justify;">Before daylight, on the morning after the examination before the judge had taken place, and when Macleod had been remanded to prison, James Grayling started on his journey. His fiery zeal received additional force at every added moment of delay, and his eager spurring brought him at an early hour after noon, to the neighbourhood of the spot through which his search was to be made. When his companions and himself drew nigh, they were all at a loss in which direction first to proceed. The bay was one of those massed forests, whose wall of thorns, vines, and close tenacious shrubs, seemed to defy invasion. To the eye of the townsman it was so forbidding that he pronounced it absolutely impenetrable. But James was not to be baffled. He led them round it, taking the very course which he had pursued the night when the revelation was made him; he showed them the very tree at whose foot he had sunk when the supernatural torpor--as he himself esteemed it-began to fall upon him; he then pointed out the spot, some twenty steps distant, at which the spectre made his appearance. To this spot they then proceeded in a body, and essayed an entrance, but were so discouraged by the difficulties at the outset that all, James not excepted, concluded that neither the murderer nor his victim could possibly have found entrance there.</p><p style="text-align: justify;">But, lo! a marvel! Such it seemed, at the first blush, to all the party. While they stood confounded and indecisive, undetermined in which way to move, a sudden flight of wings was heard, even from the centre of the bay, at a little distance above the spot where they had striven for entrance. They looked up, and beheld about fifty buzzards—those notorious domestic vultures of the south-ascending from the interior of the bay, and perching along upon the branches of the loftier trees by which it was overhung. Even were the character of these birds less known, the particular business in which they had just then been engaged, was betrayed by huge gobbets of flesh which some of them had borne aloft in their flight, and still continued to rend with beak and bill, as they tottered upon the branches where they stood. A piercing scream issued from the lips of James Grayling as he beheld this sight, and strove to scare the offensive birds from their repast.</p><p style="text-align: justify;">"The poor major! the poor major!" was the involuntary and agonized exclamation of the youth. "Did I ever think he would come to this!"</p><p style="text-align: justify;">The search, thus guided and encouraged, was pressed with renewed diligence and spirit; and, at length, an opening was found through which it was evident that a body of considerable size had but recently gone. The branches were broken from the small shrub trees, and the undergrowth trodden into the earth. They followed this path, and, as is the case commonly with waste tracts of this description, the density of the growth diminished sensibly at every step they took, till they reached a little pond, which, though circumscribed in area, and full of cypresses, yet proved to be singularly deep. Indeed, it was an alligator-hole, where, in all probability, a numerous tribe of these reptiles had their dwelling. Here, on the edge of the pond, they discovered the object which had drawn the keen-sighted vultures to their feast, in the body of a horse, which James Grayling at once identified as that of Major Spencer. The carcass of the animal was already very much torn and lacerated. The eyes were plucked out, and the animal completely disembowelled. Yet, on examination, it was not difficult to discover the manner of his death. This had been effected by fire-arms. Two bullets had passed through his skull, just above the eyes, either of which must have been fatal. The murderer had led the horse to the spot, and committed the cruel deed where his body was found. The search was now continued for that of the owner, but for some time it proved ineffectual. At length, the keen eyes of James Grayling detected, amidst a heap of moss and green sedge that rested beside an overthrown tree, whose branches jutted into the pond, a whitish, but discoloured object, that did not seem native to the place. Bestriding the fallen tree, he was enabled to reach this object, which, with a burst of grief, he announced to the distant party was the hand and arm of his unfortunate friend, the wristband of the shirt being the conspicuous object which had first caught his eye. Grasping this, he drew the corse, which had been thrust beneath the branches of the tree, to the surface; and, with the assistance of his uncle, it was finally brought to the dry land. Here it underwent a careful examination. The head was very much disfigured; the skull was fractured in several places by repeated blows of some hard instrument, inflicted chiefly from behind. A closer inspection revealed a bullet-hole in the abdomen, the first wound, in all probability, which the unfortunate gentleman received, and by which he was, perhaps, tumbled from his horse. The blows on the head would seem to have been unnecessary, unless the murderer-whose proceedings appeared to have been singularly deliberate, was resolved upon making "assurance doubly sure." But, as if the watchful Providence had meant that nothing should be left doubtful which might tend to the complete conviction of the criminal, the constable stumbled upon the butt of the broken pistol which had been found in Macleod's trunk. This he picked up on the edge of the pond in which the corse had been discovered, and while James Grayling and his uncle, Sparkman, were engaged in drawing it from the water. The place where the fragment was discovered at once denoted the pistol as the instrument by which the final blows were inflicted. "Fore God," said the judge to the criminal, as these proofs were submitted on the trial, "you may be a very innocent man after all, as, by my faith, I do think there have been many murderers before you; but you ought, nevertheless, to be hung as an example to all other persons who suffer such strong proofs of guilt to follow their innocent misdoings. Gentlemen of the jury, if this person, Macleod or Macnab, didn't murder Major Spencer, either you or I did; and you must now decide which of us it is! I say, gentlemen of the jury, either you, or I, or the prisoner at the bar, murdered this man; and if you have any doubts which of us it was, it is but justice and mercy that you should give the prisoner the benefit of your doubts; and so find your verdict. But, before God, should you find him not guilty, Mr. Attorney there can scarcely do anything wiser than to put us all upon trial for the deed."</p><p style="text-align: justify;">The jury, it may be scarcely necessary to add, perhaps under certain becoming fears of an alternative such as his honour had suggested, brought in a verdict of "Guilty," without leaving the panel; and Macnab, alias Macleod, was hung at White Point, Charleston, somewhere about the year 178—.</p><p style="text-align: justify;">"And here," said my grandmother, devoutly, "you behold a proof of God's watchfulness to see that murder should not be hidden, and that the murderer should not escape. You see that he sent the spirit of the murdered man-since, by no other mode could the truth have been revealed-to declare the crime, and to discover the criminal. But for that ghost, Macnab would have got off to Scotland, and probably have been living to this very day on the money that he took from the person of the poor major."</p><p style="text-align: justify;">As the old lady finished the ghost story, which, by the way, she had been tempted to relate for the fiftieth time in order to combat my father's ridicule of such superstitions, the latter took up the thread of the narrative.</p><p style="text-align: justify;">"Now, my son," said he, "as you have heard all that your grandmother has to say on this subject, I will proceed to show you what you have to believe, and what not. It is true that Macnab murdered Spencer in the manner related; that James Grayling made the dicovery and prosecuted the pursuit; found the body and brought the felon to justice; that Macnab suffered death, and confessed the crime; alleging that he was moved to do so, as well because of the money that he suspected Spencer to have in his possession, as because of the hate which he felt for a man who had been particularly bold and active in cutting up a party of Scotch loyalists to which he belonged, on the borders of North Carolina. But the appearance of the spectre was nothing more than the work of a quick imagination, added to a shrewd and correct judgment. James Grayling saw no ghost, in fact, but such as was in his own mind; and, though the instance was one of a most remarkable character, one of singular combination, and well depending circumstances, still, I think it is to be accounted for by natural and very simple laws.”</p><p style="text-align: justify;">The old lady was indignant.</p><p style="text-align: justify;">"And how could he see the ghost just on the edge of the same bay where the murder had been conmitted, and where the body of the murdered man even then was lying?"</p><p style="text-align: justify;">My father did not directly answer the demand, but proceeded thus:</p><p style="text-align: justify;">"James Grayling, as we know, mother, was a very ardent, impetuous, sagacious man. He had the sanguine, the race-horse temperament. He was generous, always prompt and ready, and one who never went backward. What he did, he did quickly, boldly, and thoroughly! He never shrank from trouble of any kind: nay, he rejoiced in the constant encounter with difficulty and trial; and his was the temper which commands and enthrals mankind. He felt deeply and intensely whatever occupied his mind, and when he parted from his friend he brooded over little else than their past communion and the great distance by which they were to be separated. The dull travelling wagon-gait at which he himself was compelled to go, was a source of annoyance to him; and he became sullen, all the day, after the departure of his friend. When, on the evening of the next day, he came to the house where it was natural to expect that Major Spencer would have slept the night before, and he learned the fact that no one stopped there but the Scotchman, Macnab, we see that he was struck with the circumstance. He mutters it over to himself, "Strange, where the major could have gone!" His mind then naturally reverts to the character of the Scotchman; to the opinions and suspicions which had been already expressed of him by his uncle, and felt by himself. They had all, previously, come to the full conviction that Macnab was, and had always been, a tory, in spite of his protestations. His mind next, and very naturally, reverted to the insecurity of the highways; the general dangers of travelling at that period; the frequency of crime, and the number of desperate men who were everywhere to be met with. The very employment in which he was then engaged, in scouting the woods for the protection of the camp, was calculated to bring such reflections to his mind. If these precautions were considered necessary for the safety of persons so poor, so wanting in those possessions which might prompt cupidity to crime, how much more necessary were precautions in the case of a wealthy gentleman like Major Spencer! He then remembered the conversation with the major at the camp-fire, when they fancied that the Scotchman was sleeping. How natural to think then, that he was all the while awake; and, if awake, he must have heard him speak of the wealth of his companion. True, the major, with more prudence than himself, denied that he had any money about him, more than would bear his expenses to the city; but such an assurance was natural enough to the lips of a traveller who knew the dangers of the country. That the man, Macnab, was not a person to be trusted, was the equal impression of Joel Sparkman and his nephew from the first. The probabilities were strong that he would rob and perhaps murder, if he might hope to do so with impunity; and as the youth made the circuit of the bay in the darkness and solemn stillness of the night, its gloomy depths and mournful shadows, naturally gave rise to such reflections as would be equally active in the mind of a youth, and of one somewhat familiar with the arts and usages of strife. He would see that the spot was just the one in which a practised partisan would delight to set an ambush for an unwary foe. There ran the public road, with a little sweep, around two-thirds of the extent of its dense and impenetrable thickets. The ambush could lie concealed, and at ten steps command the bosom of its victim. Here, then, you perceive that the mind of James Grayling, stimulated by an active and sagacious judgment, had by gradual and reasonable stages come to these conclusions: that Major Spencer was an object to tempt a robber; that the country was full of robbers; that Macnab was one of them; that this was the very spot in which a deed of blood could be most easily committed, and most easily concealed; and, one important fact, that gave strength and coherence to the whole, that Major Spencer had not reached a well-known point of destination, while Macnab had.</p><p style="text-align: justify;">"With these thoughts, thus closely linked together, the youth forgets the limits of his watch and his circuit. This fact, alone, proves how active his imagination had become. It leads him forward, brooding more and more on the subject, until, in the very exhaustion of his body, he sinks down beneath a tree. He sinks down and falls asleep; and in his sleep, what before was plausible conjecture, becomes fact, and the creative properties of his imagination give form and vitality to all his fancies. These forms are bold, broad, and deeply coloured, in due proportion with the degree of force which they receive from probability. Here, he sees the image of his friend; but, you will remark—and this should almost conclusively satisfy any mind that all that he sees is the work of his imagination,-that, though Spencer tells him that he is murdered, and by Macnab, he does not tell him how, in what manner, or with what weapons. Though he sees him pale and ghostlike, he does not see, nor can he say, where his wounds are! He sees his pale features distinctly, and his garments are bloody. Now, had he seen the spectre in the true appearances of death, as he was subsequently found, he would not have been able to discern his features, which were battered, according to his own account, almost out of all shape of humanity, and covered with mud; while his clothes would have streamed with mud and water, rather than with blood."</p><p style="text-align: justify;">"Ah!" exclaimed the old lady, my grandmother, "it's hard to make you believe anything that you don't see; you are like Saint Thomas in the Scriptures; but how do you propose to account for his knowing that the Scotchman was on board the Falmouth packet? Answer to that!"</p><p style="text-align: justify;">"That is not a more difficult matter than any of the rest. You forget that in the dialogue which took place between James and Major Spencer at the camp, the latter told him that he was about to take passage for Europe in the Falmouth packet, which then lay in Charleston harbour, and was about to sail. Macnab heard all that."</p><p style="text-align: justify;">"True enough, and likely enough," returned the old lady; "but, though you show that it was Major Spencer's intention to go to Europe in the Falmouth packet, that will not show that it was also the intention of the murderer."</p><p style="text-align: justify;">"Yet what more probable, and how natural for James Grayling to imagine such a thing! In the first place he knew that Macnab was a Briton; he felt convinced that he was a tory; and the inference was immediate, that such a person would scarcely have remained long in a country where such characters laboured under so much odium, disfranchisement, and constant danger from popular tumults. The fact that Macnab was compelled to disguise his true sentiments, and affect those of the people against whom he fought so vindictively, shows what was his sense of the danger which he incurred. Now, it is not unlikely that Macnab was quite as well aware that the Falmouth packet was in Charleston, and about to sail, as Major Spencer. No doubt he was pursuing the same journey, with the same object, and had he not murdered Spencer, they would, very likely, have been fellowpassengers together to Europe. But, whether he knew the fact before or not, he probably heard it stated by Spencer while he seemed to be sleeping; and, even supposing that he did not then know, it was enough that he found this to be the fact on reaching the city. It was an after-thought to fly to Europe with his ill gotten spoils; and whatever may have appeared a politic course to the criminal, would be a probable conjecture in the mind of him by whom he was suspected. The whole story is one of strong probabilities which happened to be verified; and, if proving any. thing, proves only that which we know that James Grayling was a man of remarkably sagacious judgment, and quick, daring imagination. This quality of imagination, by the way, when possessed very strongly in connexion with shrewd common sense and well-balanced general faculties, makes that particular kind of intellect which, because of its promptness and powers of creation and combination, we call genius. It is genius only which can make ghosts, and James Grayling was a genius. He never, my son, saw any other ghosts than those of his own making!"</p><p style="text-align: justify;">I heard my father with great patience to the end, though he seemed very tedious. He had taken a great deal of pains to destroy one of my greatest sources of pleasure. I need not add that I continued to believe in the ghost, and, with my grandmother, to reject the philosophy. It was more easy to believe the one than to comprehend the other.</p><p><br /></p><p style="text-align: center;">THE END</p><p style="text-align: center;"><br /></p><p>If you would like to read ghost stories from the first half of the 19th century that much better than "Murder Will Out," pick up a copy of the ghost story anthology I edited.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8LaWTx5_3PmWSxzq37zS6irbzHHAuvAaB1f3fBwC7b6tT1fJbQ2Oo6fLHr2ZcY1HftS9JOwghuCja9Z474ZUOmVUuveN41G4rshjjrb-21XIAV2PCVxiB5THW98iezKs3uwd9vHiYZsVu5Sp4I1Aif9Y6X_1PtpUaoz6Gx6fyCe7LEPaDh9FiRxBR-VE/s2048/Best%20Ghost%201800%20Front%20Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1322" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8LaWTx5_3PmWSxzq37zS6irbzHHAuvAaB1f3fBwC7b6tT1fJbQ2Oo6fLHr2ZcY1HftS9JOwghuCja9Z474ZUOmVUuveN41G4rshjjrb-21XIAV2PCVxiB5THW98iezKs3uwd9vHiYZsVu5Sp4I1Aif9Y6X_1PtpUaoz6Gx6fyCe7LEPaDh9FiRxBR-VE/s320/Best%20Ghost%201800%20Front%20Cover.jpg" width="207" /></a></div><div style="text-align: center;"><a href="https://amzn.to/3IhbWZQ">Ghost Story Anthology</a></div><p>Thanks! <a href="http://AndrewBarger.com">AndrewBarger.com</a></p><p><br /></p><p>#bestghoststories #ghoststories #ghostanthology #classicghoststories #bestghosttales #greatestghoststories #victorianghoststories #murderwillout</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-79563876691966308072024-02-02T17:33:00.005-05:002024-02-02T17:33:56.824-05:00Lady Eleanor's Mantle by Nathaniel Hawthorne<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Z-653hKRtyv1mcg4D8-D2BSQtckYkAF6faVulgTfzIaU2ZYt3YmtB5EhrZDkX2FxvqS122LEwT4rJ5zygmhscfplOnW9W5Yv-gc9yeM_uvucdjxDwg_elbW1AeLnwfA-kMXdbu9SsfP9vwKYt6Ex1JJVHZCMund-_77XN-dzZ0_CgFmnN23_shDHsQ/s268/Nathaniel_Hawthorne%20Photo.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="268" data-original-width="220" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5Z-653hKRtyv1mcg4D8-D2BSQtckYkAF6faVulgTfzIaU2ZYt3YmtB5EhrZDkX2FxvqS122LEwT4rJ5zygmhscfplOnW9W5Yv-gc9yeM_uvucdjxDwg_elbW1AeLnwfA-kMXdbu9SsfP9vwKYt6Ex1JJVHZCMund-_77XN-dzZ0_CgFmnN23_shDHsQ/s1600/Nathaniel_Hawthorne%20Photo.jpg" width="220" /></a></div><div style="text-align: center;"><span style="text-align: center;"><b>Nathaniel Hawthorne</b></span></div><p></p><p></p><div><br /></div><div>Nathaniel Hawthorne (1804-1864) was no stranger when it came to telling a scary ghost story. His "Legends of the Province House" was mentioned as being exemplary by H.P. Lovecraft and his 1835 story titled "Graves and Goblins" is quite good. But this post is about <a href="http://books.google.com/books?id=ddIEAQAAIAAJ&pg=PA42&dq=Lady+Eleanore%E2%80%99s+Mantle&hl=en&ei=DjeDTrK0K4i3tgfnqfjvAQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDoQ6AEwAg#v=onepage&q=Lady%20Eleanore%E2%80%99s%20Mantle&f=false">Lady Eleanor's Mantle</a>, which floats in at the 16th spot in my countdown of scary ghost stories for the first half of the nineteenth century.</div><p></p><p></p><div>"Lady Eleanor's Mantle" is a ghostly tale of pestilence and because of that it draws certain parallels to Edgar Allan Poe's "Mask of the Red Death," which is included in my book: <a href="https://andrewbarger.com/bestghostshortstories1800.html">The Best Ghost Stories 1800-1849: A Classic Ghost Anthology</a>. Poe's horror was published seven years later, in 1842, and he might have gathered inspiration from Hawthorne. </div><div><br /></div><div>Without giving away too much of Hawthorne's scary ghost story, it contains an insane person and is well worth a read. Enjoy.</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/gpj2PV95i1M" width="320" youtube-src-id="gpj2PV95i1M"></iframe></div><br /> </div><div>#ladyeleanorsmantle #hawthorneghoststory #nathanielhawthorne #bestghoststories #classicghoststory #victorianghoststory</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-42074683923868155302024-01-19T10:50:00.002-05:002024-01-19T10:50:16.175-05:00Scary Horror Short Stories by Kindle Forums<p style="text-align: center;"> <span style="text-align: center;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUkj3-0R5cJ3_yRqa2741ZtSiYmS9S81nT61dqokH8SjbSm639LWo_7l9EjSx22Hd3xg2SVKu4D8GhXU3Bi5eWU2NaoC0mrYkuQFfmEq1W43ghhcgeAWOrnU6GerR1GzkDBHn1R7qEbTBm3R_oMzFWewOrWaT1qp5ksNNR-ZQJ0e4gX_YyT9Drvk8DkxE/s2048/Jilted%20Pyromaniacs%20Unite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUkj3-0R5cJ3_yRqa2741ZtSiYmS9S81nT61dqokH8SjbSm639LWo_7l9EjSx22Hd3xg2SVKu4D8GhXU3Bi5eWU2NaoC0mrYkuQFfmEq1W43ghhcgeAWOrnU6GerR1GzkDBHn1R7qEbTBm3R_oMzFWewOrWaT1qp5ksNNR-ZQJ0e4gX_YyT9Drvk8DkxE/s320/Jilted%20Pyromaniacs%20Unite.jpg" width="320" /></a></p><div style="text-align: center;"><b>Horror Short Story Picks!</b></div><div class="posterous_autopost"><br /></div><div class="posterous_autopost">I started a discussion in Kindle Forums, asking for readers' favorite horror short stories. Their picks were surprising and there were several scary stories I had not read. Provided are a few links on Amazon where you can purchase these tales in anthologies I have edited.<p></p><ul><li>Edgar Allan Poe: The Black Cat (2), The Cask of Amontillado (4), <a href="https://amzn.to/3SsY4Sk">The Fall of the House of Usher</a>, <a href="https://amzn.to/3SsY4Sk">The Tell-Tale Heart</a>, <a href="https://amzn.to/3SsY4Sk">The Facts in the Case of M. Valdemar</a>, <a href="https://amzn.to/3SsY4Sk">The Pit and the Pendulum</a></li><li>Washington Irving: <a href="https://amzn.to/48DCSyh">The Legend of Sleepy Hollow</a></li><li>Algernon Blackwood: The Willows (2)</li><li>Robert Chambers: The King in Yellow, <a href="https://amzn.to/3vO9Mha">The Yellow Sign</a></li><li>Charlotte Perkins Gilman: <a href="https://amzn.to/3Soaafb">The Yellow Wallpaper</a></li><li>Neil Gaiman: Don't Ask Jack, October in the Chair</li><li>Clive Barker: The Body Politic, Hellbound Heart</li><li>Shirley Jackson: The Summer People (2), The Lottery</li><li>Mary E Wilkins: The Wind in the Rose-Bush</li><li>Joyce Carol Oates: Night-Side</li><li>Robert Bloch: Yours Truly, Jack the Ripper, The Night Before Christmas</li><li>Ray Bradbury: The Crowd, The Veldt</li><li>Edward Bulwer-Lytton: <a href="https://amzn.to/3vO9Mha">The Haunters and the Haunted</a></li><li>Theodore Sturgeon: Vengeance is</li><li>Peter Straub: A Short Guide to the City</li><li>Cortozar: House Taken Over</li><li>E.F. Benson: The Room in the Tower</li><li>George R.R. Martin: Sandkings</li><li>Stephen King: Quitters Inc. (2), Mrs. Todd's Shortcut (2), Crouch End (2), Breathing Method, One for the Road, The Reaper's Image, The Reach, The Mangler, Rainy Season, The Ledge, The Jaunt, Survivor Type, The Mist, Sundog</li><li>James Everington: A Writer's Words, The Other Room</li><li>Jeffrey Deaver: Beautiful</li><li>H.P. Lovecraft: In The Vault, The Call of Cthulhu, The Colour out of Space (2), Dreams in the Witch House, The Outsider, The Music of Eric Zann, Shadow Over Innsmouth</li><li>Arthur Machen: <a href="https://amzn.to/3Soaafb">The Great God Pan</a> (2), Haunter of the Dark</li><li>R.L. Stevenson: The Merry Men</li><li>Charles Grant: This Old Man, The Garden of Blackred Roses</li><li>T.E.D. Klein: Children of the Kingdom</li><li>Sheridan Le Fanu: Carmilla, <a href="https://amzn.to/3Soaafb">Green Tea</a></li><li>Nathaniel Hawthorne: <a href="https://amzn.to/47Kf6j3">Young Goodman Brown</a>, <a href="https://amzn.to/3SsY4Sk">The Minister's Black Veil</a></li><li>Robert E. Howard: Pigeons From Hell</li><li>A.M. Burrage: The Waxwork</li><li>H.R. Wakefield: He Cometh and He Passeth By</li><li>Ramsey Campbell: The Guide, The Companion (2)</li><li>M. R. James: Oh Whistle and I'll Come to you My Lad, The Stalls of Barchester Cathedral, Count Magnus</li><li>L. M. Boston: Curfew</li><li>Roger Johnson: The Wall Painting</li><li>R. H. Malden: The Sundial</li><li>Michael Shea: The Autopsy</li><li>Robert Aickman: The School Friend, Into the Wood, The Swords</li><li>Guy N Smith: Last Train</li><li>Nigel Kneale: Minuke</li><li>Ken Aldman: The Papal Magician</li><li>John Collier: Evening Primrose</li><li>Roald Dahl: Slaughter, Pig</li><li>F. Paul Wilson: Soft</li><li>Orson Scott Card: Eumenides, In The Fourth Floor Lavatory</li><li>Peter Watts: The Things</li><li>William Hope Hodgson: The House on the Borderland, The Voice in the Night</li></ul><p></p><p><br /></p><p><br /></p><p><br /></p><p>#besthorrorstories #besthorror #greatesthorrorstories #classichorror #vintagehorror #classichorrorstories #horrorstorylist #andrewbarger #scaryStories</p></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-10829763713692630222023-12-27T15:47:00.006-05:002023-12-27T15:47:54.719-05:00Edgar Allan Poe Obituary by Rufus Griswold - Scary<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/s1600/poe1.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="450" data-original-width="345" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/w167-h218/poe1.jpg" width="167" /></a></p><div style="text-align: center;"><b>Edgar Allan Poe</b></div><div style="text-align: center;"><b>(1809-1849)</b></div><br /><div style="text-align: justify;">Rest in peace <a href="http://amzn.to/2z4KcTi" target="_blank">Edgar Allan Poe</a>, you restless spirit while on earth's scary dark shores. Below is the infamous Griswold obituary that was unfair to the character of Poe.</div><br /><div style="text-align: center;"><b>“Death of Edgar A. Poe,” <i>New-York Daily Tribune</i>, October 9, 1849</b></div><div style="text-align: center;"><b>by</b></div><div style="text-align: center;"><b>Rufus Griswold</b></div><br /><div class="flind4" style="text-align: justify; text-indent: 1.5em;">E<span class="smcaps" style="font-size: 9.6px;">DGAR</span> A<span class="smcaps" style="font-size: 9.6px;">LLAN</span> P<span class="smcaps" style="font-size: 9.6px;">OE</span> is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it. The poet was well known, personally or by reputation, in all this country; he had readers in England, and in several of the states of Continental Europe; but he had few or no friends; and the regrets for his death will be suggested principally by the consideration that in him literary art has lost one of its most brilliant but erratic stars.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The family of Mr. Poe — we learn from Griswold’s “Poets and Poetry of America,” from which a considerable portion of the facts in this notice are derived — was one of the oldest and most respectable in Baltimore. David Poe, his paternal grandfather, was a Quartermaster-General in the Maryland line during the Revolution, and the intimate friend of Lafayette, who, during his last visit to the United States, called personally upon the General’s widow, and tendered her acknowledgments for the services rendered to him by her husband. His great-grandfather, John Poe, married in England, Jane, a daughter of Admiral James McBride, noted in British naval history, and claiming kindred with some of the most illustrious English families. His father and mother, — both of whom were in some way connected with the theater, and lived as precariously as their more gifted and more eminent son — died within a few weeks of each other, of consumption, leaving him an orphan, at two years of age. Mr. John Allan, a wealthy gentleman of Richmond, Virginia, took a fancy to him, and persuaded his grandfather to suffer him to adopt him. He was brought up in Mr. Allan’s family; and as that gentleman had no other children, he was regarded as his son and heir. In 1816 he accompanied Mr. and Mrs. Allen [[Allan]] to Great Britain, visited every portion of it, and afterward passed four or five years in a school kept at Stoke Newington, near London, by Rev. Dr. Bransby. He returned to America in 1822, and in 1825 went to the Jefferson University, at Charlottesville, in Virginia, where he led a very dissipated life, the manners of the college being at that time extremely dissolute. He took the first honors, however, and went home greatly in debt. Mr. Allan refused to pay some of his debts of <i>honor</i>, and he hastily quitted the country on a Quixotic expedition to join the Greeks, then struggling for liberty. He did not reach his original destination, however, but made his way to St. Petersburg, in Russia, when he became involved in difficulties, from which he was extricated by the late Mr. Henry Middleton, the American Minister at that Capital. He returned home in 1829, and immediately afterward entered the Military Academy at West-Point. In about eighteen months from that time, Mr. Allan, who had lost his first wife while Mr. Poe was in Russia, married again. He was sixty-five years of age, and the lady was young; Poe quarreled with her, and the veteran husband, taking the part of his wife, addressed him an angry letter, which was answered in the same spirit. He died soon after, leaving an infant son the heir to his property, and bequeathed Poe nothing.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The army, in the opinion of the young cadet, was not a place for a poor man; so he left West-Point abruptly, and determined to maintain himself by authorship. He printed, in 1827, a small volume of poems, most of which were written in early youth. Some of these poems are quoted in a reviewal by Margaret Fuller, in <i>The Tribune</i> in 1846, and are justly regarded as among the most wonderful exhibitions of the precocious development of genius. They illustrated the character of his abilities, and justified his anticipations of success. For a considerable time, however, though he wrote readily and brilliantly, his contributions to the journals attracted little attention, and his hopes of gaining a livelihood by the profession of literature were nearly ended at length in sickness, poverty and despair. But in 1831, the proprietor of a weekly gazette, in Baltimore, offered two premiums, one for the best story in prose, and the other for the best poem. — In due time Poe sent in two articles, and he waited anxiously for the decision. One of the Committee was the accomplished author of “Horseshoe Robinson,” John P. Kennedy, and his associates were scarcely less eminent than he for wit and critical sagacity. Such matters are usually disposed of in a very off hand way: Committees to award literary prizes drink to the payer’s health, in good wines, over the unexamined MSS, which they submit to the discretion of publishers, with permission to use their names in such a way as to promote the publisher’s advantage[[.]] So it would have been in this case, but that one of the Committee, taking up a little book in such exquisite calligraphy as to seem like one of the finest issues of the press of Putnam, was tempted to read several pages, and being interested, he summoned the attention of the company to the half-dozen compositions in the volume. It was unanimously decided that the prizes should be paid to the first of geniuses who had written legibly. Not another MS. was unfolded. Immediately the ‘confidential envelop’ was opened, and the successful competitor was found to bear the scarcely known name of Poe.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The next day the publisher called to see Mr. Kennedy, and gave him an account of the author that excited his curiosity and sympathy, and caused him to request that he should be brought to his office. Accordingly he was introduced: the prize money had not yet been paid, and he was in the costume in which he had answered the advertisement of his good fortune. Thin, and pale even to ghastliness, his whole appearance indicated sickness and the utmost destitution. A tattered frock-coat concealed the absence of a shirt, and the ruins of boots disclosed more than the want of stockings. But the eyes of the young man were luminous with intelligence and feeling, and his voice, and conversation, and manners, all won upon the lawyer’s regard. Poe told his history, and his ambition, and it was determined that he should not want means for a suitable appearance in society, nor opportunity for a just display of his abilities in literature. Mr. Kennedy accompanied him to a clothing store, and purchased for him a respectable suit, with changes of linen, and sent him to a bath, from which he returned with the suddenly regained bearing of a gentleman.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The late Mr. Thomas W. White had then recently established <i>The Southern Literary Messenger</i>, at Richmond, and upon the warm recommendation of Mr. Kennedy, Poe was engaged, at a small salary — we believe of $500 a year — to be its editor. He entered upon his duties with letters full of expressions of the warmest gratitude to his friends in Baltimore, who in five or six weeks were astonished to learn that with characteristic recklessness of consequences, he was hurriedly married to a girl as poor as himself. Poe continued in this situation for about a year and a half, in which he wrote many brilliant articles, and raised the <i>Messenger</i> to the first rank of literary periodicals.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">He next moved to Philadelphia, to assist William E. Burton in the editorship of the <i>Gentleman’s Magazine</i>, a miscellany that in 1840 was merged in <i>Graham’s Magazine</i>, of which Poe became one of the principal writers, particularly in criticism, in which his papers attracted much attention, by their careful and skillful analysis, and generally caustic severity. At this period, however, he appeared to have been more ambitious of securing distinction in romantic fiction, and a collection of his compositions in this department, published in 1841, under the title of “Tales of the Grotesque and Arabesque,” established his reputation for ingenuity, imagination and extraordinary power in tragical narration.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Near the end of 1844 Poe removed to New-York, where he conducted for several months a literary miscellany called “The Broadway Journal.” In 1845 he published a volume of “Tales” in Wiley and Putnam’s Library of American Books, and in the same series a collection of his poems. Besides these volumes he was the author of “Arthur Gordon Pym,” a romance: “A New Theory of Versification;” “Eureka,” an essay on the spiritual and material universe: a work which he wished to have “judged as a poem;” and several extended series of papers in the periodicals, the most noticeable of which are “Marginalia”, embracing opinions of books and authors; “Secret Writing,” “Autography,” and “Sketches of the Literati of New-York.”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">His wife died in 1847, at Fordham, near this City, and some of our readers will remember the paragraphs in the papers of the time, upon his destitute condition. His wants were supplied by the liberality of a few individuals. We remember that Col. Webb collected in a few moments fifty or sixty dollars for him at the Union Club; Mr. Lewis, of Brooklyn, sent a similar sum from one of the Courts, in which he was engaged when he saw the statement of the poet’s poverty; and others illustrated in the same manner the effect of such an appeal to the popular heart.</div><div style="text-align: justify;">Since that time Mr. Poe has lived quietly, and with an income from his literary labors sufficient for his support. A few weeks ago he proceeded to Richmond, in Virginia, where he lectured upon the poetical character, &c.; and it was understood by some of his correspondents here that he was this week to be married, most advantageously, to a lady of that city: a widow, to whom he had been previously engaged while a student in the University.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The character of Mr. Poe we cannot attempt to describe in this very hastily written article. We can but allude to some of its more striking phases.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">His conversation was at times almost supra-mortal in its eloquence. His voice was modulated with astonishing skill, and his large and variably expressive eyes looked repose (<i>sic)</i> or shot fiery tumult into theirs who listened, while his own face glowed, or was changeless in pallor, as his imagination quickened his blood or drew it back frozen to his heart. His imagery was from the worlds which no mortal can see but with the vision of genius. Suddenly starting from a proposition exactly and sharply defined in terms of utmost simplicity and clearness, he rejected the forms of customary logic, and by a crystalline process of accretion, built up his occular demonstrations in forms of gloomiest and ghastliest grandeur, or in those of the most airy and delicious beauty — so minutely, and distinctly, yet so rapidly, that the attention which was yielded to him was chained till it stood among his wonderful creations — till he himself dissolved the spell, and brought his hearers back to common and base existence, by vulgar fancies or by exhibitions of the ignoblest passion.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">He was at all times a dreamer — dwelling in ideal realms — in heaven or hell — peopled with creatures and the accidents of his brain. He walked the streets, in madness or melancholy, with lips moving in indistinct curses, or with eyes upturned in passionate prayers, (never for himself, for he felt, or professed to feel, that he was already damned), but for their happiness who at the moment were objects of his idolatry — or, with his glances introverted to a heart gnawed with anguish, and with a face shrouded in gloom, he would brave the wildest storms; and all night, with drenched garments and arms wildly beating the winds and rains, he would speak as if to spirits that at such times only could be evoked by him from the Aidenn close by whose portals his disturbed soul sought to forget the ills to which his constitution subjugated him — close by that Aidenn where were those he loved — the Aidenn which he might never see, but in fitful glimpses, as its gates opened to receive the less fiery and more happy natures whose destiny to sin did not involve the doom of death.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">He seemed, except when some fitful pursuit subjected his will and engrossed his faculties, always to bear the memory of some controlling sorrow. The remarkable poem of <i>The Raven</i> was probably much more nearly than has been supposed, even by those who were very intimate with him, a reflexion and an echo of his own history. He was that bird’s</div><div class="quotepoem" style="margin-left: auto; margin-right: auto; max-width: 18em; min-width: 5em; padding: 0px;"><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;"> —— Unhappy master, </div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Whom unmerciful disaster </div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Followed fast and followed faster, </div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Till his songs the burden bore — </div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Till the dirges of his hope, the </div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Melancholy burden bore </div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Of “Nevermore,” of “Nevermore.”</div></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;"><br /></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Every genuine author in a greater or less degree leaves in his works, whatever their design, traces of his personal character: elements of his immortal being, in which the individual survives the person. While we read the pages of the <i>Fall of the House of Usher</i>, or of <i>Mesmeric Revelations</i>, we see in the solemn and stately gloom which invests one, and in the subtle metaphysical analysis of both, indications of the idiosyncrasies, — of what was most remarkable and peculiar — in the author’s intellectual nature. But we see here only the better phases of this nature, only the symbols of his juster action, for his harsh experience had deprived him of all faith in man or woman. He had made up his mind upon the numberless complexities of the social world, and the whole system with him was an imposture. This conviction gave a direction to his shrewd and naturally unamiable character. Still, though he regarded society as composed altogether of villains, the sharpness of his intellect was not of that kind which enabled him to cope with villainy, while it continually caused him by overshots to fail of the success of honesty. He was in many respects like Francis Vivian in Bulwer’s novel of “The Caxtons.” “Passion, in him, comprehended many of the worst emotions which militate against human happiness. You could not contradict him, but you raised quick choler; you could not speak of wealth, but his cheek paled with gnawing envy. The astonishing natural advantages of this poor boy — his beauty, his readiness, the daring spirit that breathed around him like a fiery atmosphere — had raised his constitutional self-confidence into an arrogance that turned his very claims to admiration into prejudice against him. Irascible, envious — bad enough, but not the worst, for these salient angles were all varnished over with a cold repellant cynicism, his passions vented themselves in sneers. There seemed to him no moral susceptibility; and, what was more remarkable in a proud nature, little or nothing of the true point of honor. He had, to a morbid excess, that desire to rise which is vulgarly called ambition, but no wish for the esteem or love of his species; only the hard wish to succeed — not shine, not serve — succeed, that he might have the right to despise a world which galled his self conceit.”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">We have suggested the influence of his aims and vicissitudes upon his literature. It was more conspicuous in his later than his earlier writing. Nearly all that he wrote in the last two or three years — including much of his best poetry — was in some sense biographical; in draperies of his imagination, those who had taken the trouble to trace his steps, could perceive, but slightly concealed, the figure of himself.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">There are perhaps some of our readers who will understand the allusions of the following beautiful poem. Mr. Poe presented it in MS. to the writer of these paragraphs, just before he left New-York recently, remarking that it was the last thing he had written:</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;"><br /></div><div class="quotepoem" style="margin-left: auto; margin-right: auto; max-width: 22em; min-width: 5em; padding: 0px;"><div class="pmtitle" style="padding: 0px; text-align: center;"><a href="https://draft.blogger.com/null" name="Annabel_Lee">ANNABEL LEE.</a></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">It was many and many a year ago,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In a kingdom by the sea</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">That a maiden there lived whom you may know</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">By the name of A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>;</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">And this maiden she lived with no other thought</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Than to love and be loved by me.</div><div class="pmbreak" style="margin-right: 3em; padding: 0px; text-align: center;"><br /></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;"><i>I</i> was a child and <i>she</i> was a child,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In this kingdom by the sea.</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">But we loved with a love that was more than love —</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">I and my A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span> —</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">With a love that the wingëd seraphs of heaven</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Coveted her and me.</div><div class="pmbreak" style="margin-right: 3em; padding: 0px; text-align: center;"><br /></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">And this was the reason that, long ago,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In this kingdom by the sea,</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">A wind blew out of a cloud, chilling</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">My beautiful A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>;</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">So that her highborn kinsmen came</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">And bore her away from me,</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">To shut her up in a sepulchre</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In this kingdom by the sea.</div><div class="pmbreak" style="margin-right: 3em; padding: 0px; text-align: center;"><br /></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">The angels, not half so happy in heaven,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Went envying her and me —</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Yes! — that was the reason (as all men know,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In this kingdom by the sea)</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">That the wind came out of the cloud by night,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Chilling and killing my A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>.</div><div class="pmbreak" style="margin-right: 3em; padding: 0px; text-align: center;"><br /></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">But our love it was stronger by far than the love</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Of those who were older than we —</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Of many far wiser than we —</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">And neither the angels in heaven above,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Nor the demons down under the sea,</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Can ever dissever my soul from the soul</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Of the beautiful A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>:</div><div class="pmbreak" style="margin-right: 3em; padding: 0px; text-align: center;"><br /></div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">For the moon never beams, without bringing me dreams</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Of the beautiful A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>;</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">And the stars never rise but I feel the bright eyes</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">Of the beautiful A<span class="smcaps" style="font-size: 9.6px;">NNABEL</span> L<span class="smcaps" style="font-size: 9.6px;">EE</span>,</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">And so, all the night-tide, I lie down by the side</div><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">Of my darling — my darling — my life and my bride,</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In her sepulchre there by the sea —</div><div class="pmline" style="margin-left: 2em; padding: 0px 0px 0px 2em; text-indent: -2em;">In her tomb by the sounding sea.</div></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;"><br /></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">We must omit any particular criticism of Mr. Poe’s works. As a writer of tales it will be admitted generally, that he was scarcely surpassed in ingenuity of construction or effective painting. As a critic, he was more remarkable as a dissecter of sentences than as a commentater upon ideas: he was little better than a carping grammarian. As a poet, he will retain a most honorable rank. Of his “Raven,” Mr. Willis observes, that in his opinion “it is the most effective single example of fugitive poetry ever published in this country, and is unsurpassed in English poetry for subtle conception, masterly ingenuity of versification, and consistent sustaining of imaginative lift.” In poetry, as in prose, he was most successful in the metaphysical treatment of the passions. His poems are constructed with wonderful ingenuity, and finished with consummate art. They illustrate a morbid sensitiveness of feeling, a shadowy and gloomy imagination, and a taste almost faultless in the apprehension of that sort of beauty most agreeable to his temper.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">We have not learned of the circumstance of his death. It was sudden, and from the fact that it occurred in Baltimore, it is to be presumed that he was on his return to New-York.</div><div class="quotepoem" style="margin-left: auto; margin-right: auto; max-width: 18em; min-width: 5em; padding: 0px;"><div class="pmline" style="margin-left: 2em; padding: 0px; text-indent: -2em;">“After life’s fitful fever he sleeps well.”</div></div><div style="padding-right: 2em; text-align: right;">LUDWIG.</div><br /><br /><div><br /></div><div><br /></div><div>#EdgarAllanPoeDeath #EdgarAllanPoeObituary #RufusGriswold #PoeDeath #LudwigPoe #ScaryPoeObituary #PoeObituary<br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-20348067596167558932023-12-20T17:12:00.005-05:002023-12-20T17:12:42.916-05:00Did Edgar Allan Poe Write a Scary Werewolf Story?<p style="text-align: center;"> <iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/uzoh_uQUoj8" width="320" youtube-src-id="uzoh_uQUoj8"></iframe></p><span style="text-align: justify;"><p style="text-align: center;"><span><b>Transformation: Best Werewolf Stories 1800-1849</b></span></p>Edgar Allan Poe (1809-1849) wrote scary stories in a number of supernatural genres. He did not invent the horror short story, but he took it to unbelievable heights. He was the first to invent a closed room murder mystery (</span><a href="https://books.google.com/books?id=ljzCK4fQfhgC&pg=PA351&dq=poe+annotated+rue+morgue&hl=en&sa=X&ved=0CCkQ6AEwAmoVChMIvt7G-9K4yAIVQRseCh0PPgkJ#v=onepage&q=poe%20annotated%20rue%20morgue&f=false" style="text-align: justify;" target="_blank">The Murders in the Rue Morgue</a><span style="text-align: justify;"> </span><span style="text-align: justify;">of 1841) and a founding father of science fiction short stories. Poe also was the first to take us inside the head of a crazy man in</span><span style="text-align: justify;"> </span><a href="https://books.google.com/books?id=ljzCK4fQfhgC&pg=PA537&dq=poe+annotated+tell-tale+heart&hl=en&sa=X&ved=0CCkQ6AEwAmoVChMIgKv_jtO4yAIVRdIeCh3nEwBY#v=onepage&q=poe%20annotated%20tell-tale%20heart&f=false" style="text-align: justify;" target="_blank">The Tell-Tale Heart</a><span style="text-align: justify;"> </span><span style="text-align: justify;">of 1843.</span><p></p><br /><div style="text-align: justify;">Yet, Edgar Allan Poe failed to cover a few crucial genres in his short stories. For instance, he did not write a vampire or monster story. I have blogged on the former in the past. That is unfortunate as I am convinced that no one could have written a vampire story like Poe. What's more, zombie's had not been created in Poe's time.</div><br /><div style="text-align: justify;">Unfortunately, Poe also did not write a scary werewolf story, or any werewolf story for that matter. Below is a list of werewolf stories originally published in the English language during Poe's lifetime, which he may have read. They are found in <a href="http://www.amazon.com/gp/product/1933747250/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1933747250&linkCode=as2&tag=bottletreeboo-20&linkId=S5R743S64R4PWL7I" target="_blank">Transformation: The Best Werewolf Short Stories 1800-1849</a>:</div><br />1831 The Man-Wolf by Leitch Ritche (1800-1865)<br />1846 A Story of a Weir-Wolf by Catherine Crowe (1790-1872)<br />1828 The Wehr-Wolf: A Legend of the Limousin by Richard Thomson (1794-1865)<br />1839 The White Wolf of the Hartz Mountains by Captain Frederick Marryat (1792-1848)<br />1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages by Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)<br /><br /><br />#WerewolfStories #BestWerewolfStories #LycanStories #VintageWerewolf #WerewolfTales #VictorianWerewolfStories #PoeWerewolfStory #EdgarAllanPoeWerewolfUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-69545462436941314052023-12-05T14:47:00.000-05:002023-12-05T14:47:01.956-05:00Read Witchcraft Classics: Best Witch Short Stories 1800-1849 to be Scared Over the Holidays<p style="text-align: center;"> <iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/WkxhULfJcx4" width="320" youtube-src-id="WkxhULfJcx4"></iframe></p><p></p><br /><p></p><p></p><blockquote><span style="background-color: white; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px;">"Then with the agility of a cat she sprang on his shoulders, struck him in the side with a broom, and he began to run like a race-horse, carrying her on his shoulders." Nikolai Gogol, <i>Viy</i></span></blockquote><p></p><div style="text-align: center;"><span style="font-size: medium;"><b>Witchcraft Classics: Best Witch Short Stories 1800-1849</b></span></div><br style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin-top: 0px;" /><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The cradle of modern <a href="https://amzn.to/416eZg7">witch short stories</a> began in the first half of the 19th century. This anthology unearths the very best of these scary stories. Andrew Barger, a leading voice in the Gothic literature space, searched forgotten magazines, newspapers, journals and scholarly articles, to uncover the best witch stories written in the English language over one hundred years after the horrific events of the Salem Witch Trials. They had a lasting effect in both the U.S. and Europe, as these publications reflect from the many authors who penned witch stories in this genre. Andrew includes in his introduction to the collection, actual text from the Salem Witch Trials.</p><br style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin-top: 0px;" /><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The classic witch stories he has uncovered are unmatched. One is a humorous tale that stands, in the grand Irish tradition of great storytelling, shoulder to shoulder with Washington Irving’s “The Legend of Sleepy Hollow” (1819) and Charles Dickens’s “The Goblins Who Stole a Sexton” (1836), possessing that rare combination of humor and horror that is so difficult to find. It is published for the first time in over a century and a half.</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;"><br /></p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">What Andrew calls America's "first great witch short story" is also published for the first time in nearly two hundred years. As readers have come to expect, he includes his scholarly touch to the anthology by providing introductions to each story and a foreword titled "Hags! Hags! Hags!" There are also illustrations for each story. Last, Andrew provides a list of stories considered at the end of the anthology. Read these witchcraft classics tonight!</p><br style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin-top: 0px;" /><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The Hollow of the Three Hills (1830) by Nathaniel Hawthorne</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The Marvelous Legend of Tom Connor’s Cat (1847) by Samuel Lover</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The Witch Caprusche (1845) by Elizabeth Ellet</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">The Brownie of the Black Haggs (1827) by James Hogg</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">Lydia Ashbaugh, the Witch (1836) by William Darby</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">Young Goodman Brown (1835) by Nathaniel Hawthorne</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">Viy (1835) by Nikolai Gogol</p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;"><br /></p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">Read the best classic witch stories for the holidays! <a href="https://andrewbarger.com/bestwitchshortstories1800.html" style="background-color: transparent;">Best Witch Short Stories 1800-1849: A Classic Witch Story Anthology - ANDREW BARGER</a></p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;"><br /></p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;"><br /></p><p data-test-bidi="" dir="ltr" style="background-color: white; box-sizing: inherit; color: #1d1d1f; font-family: "SF Pro Text", "SF Pro Icons", "Apple WebExp Icons Custom", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; letter-spacing: -0.065px; margin: 0px; padding: 0px;">#bestwitchstories #witchshortstories #witchstories #witchcraftstories #witchtales #witchcrafttales #bestwitchshortstories</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-45635758947869965992023-12-03T17:04:00.002-05:002023-12-03T17:04:08.920-05:00Classic Scary Christmas Story - Horror: A True Tale by John Harwood<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdO7WG3Klz3wiUexk9g0OJPSLlxk-BwXZsPDkupNBjT9me9G9uXxgobMvcH6GG-FyF7J5ZOilSTPz9tD4wcKHda8RWclZEkDNwFfpVwBAkSeUcwCciu_DE57jg7VnjYfFOJgzuS_do-Uc/s1600/Blackwoods+Cover.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdO7WG3Klz3wiUexk9g0OJPSLlxk-BwXZsPDkupNBjT9me9G9uXxgobMvcH6GG-FyF7J5ZOilSTPz9tD4wcKHda8RWclZEkDNwFfpVwBAkSeUcwCciu_DE57jg7VnjYfFOJgzuS_do-Uc/s320/Blackwoods+Cover.jpg" width="193" /></a></p><br /><i>Blackwood's Edinburgh Magazine</i> was very popular in its day. Edgar Allan Poe lampooned some of its over-the-top stories in his <a href="https://books.google.com/books?id=5xi9ehwMlDgC&pg=PA208&dq=How+to+Write+a+Blackwood%27s+Article+barger&hl=en&sa=X&ved=0ahUKEwi4u-Xvwu7PAhVIbSYKHREsCqQQ6AEIMTAA#v=onepage&q=How%20to%20Write%20a%20Blackwood's%20Article%20barger&f=false" target="_blank">How to Write a Blackwood's Article</a>. It should be pointed out, however, that Poe was never published in the British magazine.<br /><br />The rag was unafraid to publish scary horror short stories in the middle of the 19th century. Its January 1861 issue was no exception. In its pages was printed "Horror: A True Tale" by John Berwick Harwood (1828-1899), a British author recognized for his horror and supernatural tales. Harwood was known in popular English writing circles of his day and even collaborated with Charles Dickens on the short story <a href="https://books.google.com/books?id=V7M-AAAAYAAJ&pg=PA131#v=onepage&q&f=false" target="_blank">Picking Up a Pocketbook</a>.<br /><br />"Horror: A True Tale" was published anonymously in <i>Blackwood's</i> perhaps because of its subject matter. It is, after all, Harwood's most horrific story. Given its story backgrounds and character generation, I place it at position 15 in my countdown of the best horror short stories from 1850-1899 in the English language. The top ten are contained in my <a href="http://www.andrewbarger.com/besthorrorshortstories1850.html" target="_blank">classic horror anthology</a> for which the cover is shown.<br /><br /><br /><div style="text-align: center;"><b>Horror: </b><b>A True Tale</b></div><div style="text-align: center;"><b>by</b></div><div style="text-align: center;"><b>John Harwood</b></div><br /><div style="text-align: justify;">I WAS BUT nineteen years of age when the incident occurred which has thrown a shadow over my life: and, ah me! how many and many a weary year has dragged by since then! Young, happy, and beloved I was in those long-departed days. They said that I was beautiful. The mirror now reflects a haggard old woman, with ashen lips and face of deadly pallor. But do not fancy that you are listening to a mere puling lament. It is not the flight of years that has brought me to be this wreck of my former self: had it been so, I could have borne the loss cheerfully, patiently, as the common lot of all; but it was no natural progress of decay which has robbed me of bloom? of youth, of the hopes and joys that belong to youth, snapped the link that bound my heart to another's, and doomed me to a lone old age.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I try to be patient, but my cross has been heavy, and my heart is empty and weary, and I long for the death that comes so slowly to those who pray to die. I will try and relate, exactly as it happened, the event which blighted my life. Though it occurred many years ago, there is no fear that I should have forgotten any of the minutest circumstances: they were stamped on my brain too clearly and burningly, like the brand of a red-hot iron. I see them written in the wrinkles of my brow, in the dead whiteness of my hair, which was a glossy brown once, and has known no gradual change from dark to grey, from grey to white, as with those happy ones who were the companions of my girlhood, and whose honoured age is soothed by the love of children and grand-children. But I must not envy them. I only meant to say that the difficulty of my task has no connection with want of memory--I remember but too well. But as I take the pen, by hand trembles, my head swims, the old rushing faintness and Horror comes over me again, and the well-remembered fear is upon me. Yet I will go on.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">This, briefly, is my story: I was a great heiress, I believe, though I cared little for the fact, but so it was. My father had great possessions, and no son to inherit after him. His three daughters, of whom I was the youngest, were to share the broad acres among them. I have said, and truly, that I cared little for this circumstance; and, indeed, I was so rich then in health and youth and love, that I felt myself quite indifferent to all else. The possession of all the treasures of earth could never have made up for what I then had--and lost? as I am about to relate.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Of course, we girls knew that we were heiresses, but I do not think Lucy and Minnie were any the prouder or the happier on that account. I know I was not. Reginald did not court me for my money. Of that I felt assured. He proved it, Heaven be praised! when he shrank from my side after the change. Yes, in all my lonely age, I can still be thankful that he did not keep his word, as some would have done, did not clasp at the altar a hand he had learned to loathe and shudder at, because it was full of gold--much gold! At least, he spared me that. And I know that I was loved, and the knowledge has kept me from going mad through many a weary day and restless night, when my hot eyeballs had not a tear to shed and even to weep was a luxury denied me.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighbourhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time exaggerated by credulity and the love of the marvellous. Our mother had died when we were young, and our other parent being, though a kind father, much absorbed in affairs of various kinds, as an active magistrate and landlord, there was no one to check the unwholesome stream of tradition with which our plastic minds were inundated in the company of nurses and servants. As years went on, however, the old ghostly tales partially lost their effects, and our undisciplined minds were turned more towards balls dress, and partners, and other matters airy and trivial, more welcome to our riper age.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">It was at a county assembly that Reginald and I first met--met and loved. Yes, I am sure that he loved me with all his heart. It was not as deep a heart as some, I have thought in my grief and anger; but I never doubted its truth and honesty. Reginald's father and mine approved of our growing attachment; and as for myself, I know I was so happy then, that I look back upon those fleeting moments as on some delicious dream. I now come to the change. I have lingered on my childish reminiscences, my bright and happy youth, and now I must tell the rest--the blight and the sorrow. It was Christmas, always a joyful and a hospitable time in the country, especially in such an old hall as our home, where quaint customs and frolics were much clung to, as part and parcel of the very dwelling itself. The hall was full of guests--so full, indeed, that there was great difficulty in providing sleeping accommodation for all. Several narrow and dark chambers in the turrets--mere pigeon-holes, as we irreverently called what had been thought good enough for the stately gentlemen of Elizabeth's reign--were now allotted to bachelor visitors, after having been empty for a century. All the spare rooms in the body and wings of the hall were occupied, of course; and the servants who had been brought down were lodged at the farm and at the keeper's, so great was the demand for space. At last the unexpected arrival of an elderly relative, who had been asked months before, but scarcely expected, caused great commotion.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">My aunts went about wringing their hands distractedly. Lady Speldhurst was a personage of some consequence; she was a distant cousin, and had been for years on cool terms with us all, on account of some fancied affront or slight when she had paid her last visit, about the time of my christening. She was seventy years old; she was infirm, rich, and testy; moreover, she was my godmother, though I had forgotten the fact, but it seems that though I had formed no expectations of a legacy in my favour, my aunts had done so for me.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Aunt Margaret was especially eloquent on the subject. "There isn't a room left," she said; "was ever anything so unfortunate? We cannot put Lady Speldhurst into the turrets, and yet where is she to sleep? And Rosa's godmother, too! poor dear child! how dreadful! After all these years of estrangement, and with a hundred thousand in the funds, and no comfortable warm room at her own unlimited disposal--and Christmas, of all times in the year!" What was to be done? My aunts could not resign their own chambers to Lady Speldhurst, because they had already given them up to some of the married guests. My father was the most hospitable of men, but he was rheumatic, gouty, and methodical. His sisters-in-law dared not propose to shift his quarters, and indeed he would have far sooner dined on prison fare than have been translated to a strange bed. The matter ended in my giving up my room. I had a strange reluctance to making the offer, which surprised myself. Was it a boding of evil to come? I cannot say.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">We are strangely and wonderfully made. It may have been. At any rate, I do not think it was any selfish unwillingness to make an old and infirm lady comfortable by a trifling sacrifice. I was perfectly healthy and strong. The weather was not cold for the time of year. It was a dark moist Yule--not a snowy one, though snow brooded overhead in the darkling clouds. I did make the offer, which became me, I said with a laugh, as youngest. My sisters laughed too, and made a jest of my evident wish to propitiate my godmother. "She is a fairy godmother, Rosa," said Minnie; "and you know she was affronted at your christening, and went away muttering vengeance. Here she is coming back to see you; I hope she brings golden gifts with her." I thought little of Lady Speldhurst and her possible golden gifts. I cared nothing for the wonderful fortune in the funds that my aunts whispered and nodded about so mysteriously. But, since then, I have wondered whether, had I then shown myself peevish or obstinate, had I refused to give up my room for the expected kinswoman, it would not have altered the whole of my life? But then Lucy or Minnie would have offered in my stead, and been sacrificed--what do I say?--better that the blow should have fallen as it did, than on those dear ones.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The chamber to which I removed was a dim little triangular room in the western wing, and was only to be reached by traversing the picture-gallery, or by mounting a little flight of stone stairs which led directly upwards from the low-browed arch of a door that opened into the garden. There was one more room on the same landing-place, and this was a mere receptacle for broken furniture, shattered toys, and all the lumber that will accumulate in a country-house. The room I was to inhabit for a few nights was a tapestry-hung apartment, with faded green curt ins of some costly stuff, contrasting oddly with a new carpet and the bright fresh hangings of the bed, which had been hurriedly erected.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The furniture was half old, half new, and on the dressing-table stood a very quaint oval mirror, in a frame of black wood--unpolished ebony, I think. I can remember the very pattern of the carpet, the number of chairs, the situation of the bed, the figures on the tapestry. Nay, I can recollect not only the colour of the dress I wore on that fatal evening, but the arrangement of every scrap of lace and ribbon, of every flower, every jewel, with a memory but too perfect. Scarcely had my maid finished spreading out my various articles of attire for the evening (when there was to be a great dinner-party), when the rumble of a carriage announced that Lady Speldhurst had arrived. The short winter's day drew to a close, and a large number of guests were gathered together in the ample drawing-room, around the blaze of the wood fire, after dinner. My father, I recollect, was not with us at first. There were some squires of the old hard-riding, hard-drinking stamp still lingering over their port in the dining-room, and the host, of course, could not leave them. But the ladies and all the younger gentlemen--both those who slept under our roof, and those who would have a dozen miles of fog and mire to encounter on their road home--were all together. Need I say that Reginald was there? He sat near me--my accepted lover, my plighted future husband. We were to be married in the spring. My sisters were not far off; they, too, had found eyes that sparkled and softened in meeting theirs, had found hearts that beat responsive to their own. And, in their cases, no rude frost nipped the blossom ere it became the fruit; there was no canker in their flowerets of young hope, no cloud in their sky. Innocent and loving, they were beloved by men worthy their esteem.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"> The room, a large and lofty one, with an arched roof, had somewhat of a sombre character from being wainscoted and ceiled with polished black oak of a great age. There were mirrors, and there were pictures on the walls, and handsome furniture, and marble chimney-pieces, and a gay Tournay carpet; but these merely appeared as bright spots on the dark background of the Elizabethan woodwork. Many lights were burning, but the blackness of the walls and roof seemed absolutely to swallow up their rays, like the mouth of a cavern. A hundred candles could not have given that apartment the cheerful lightness of a modern drawing-room. But the gloomy richness of the panels matched well with the ruddy gleam from the enormous wood fire, in which, crackling and glowing, now lay the mighty Yule log. Quite a blood-red lustre poured forth from the fire, and quivered on the walls and the groined roof. We had gathered round the vast antique hearth in a wide circle. The quivering light of the fire and candles fell upon us all, but not equally, for some were in shadow. I remember still how tall and manly and handsome Reginald looked that night, taller by the head than any there, and full of high spirits and gaiety. I, too, was in the highest spirits; never had my bosom felt lighter, and I believe it was my mirth which gradually gained the rest, for I recollect what a blithe, joyous company we seemed. All save one.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Lady Speldhurst, dressed in grey silk and wearing a quaint head-dress, sat in her armchair, facing the fire, very silent, with her hands and her sharp chin propped on a sort of ivory-handled crutch that she walked with (for she was lame), peering at me with half-shut eyes. She was a little spare old woman, with very keen delicate features of the French type. Her grey silk dress, her spotless lace, old-fashioned jewels, and prim neatness of array, were well suited to the intelligence of her face, with its thin lips, and eyes of a piercing black, undimmed by age. Those eyes made me uncomfortable, in spite of my gaiety, as they followed my every movement with curious scrutiny. Still I was very merry and gay; my sisters even wondered at my ever-ready mirth, which was almost wild in its excess. I have heard since then of the Scottish belief that those doomed to some great calamity become fey, and are never so disposed for merriment and laughter as just before the blow falls. If ever mortal was fey, then, I was so on that evening. Still, though I strove to shake it off, the pertinacious observation of old Lady Speldhurst's eyes did make an impression on me of a vaguely disagreeable nature. Others, too, noticed her scrutiny of me, but set it down as a mere eccentricity of a person always reputed whimsical, to say the least of it.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"> However, this disagreeable sensation lasted but a few moments. After a short pause my aunt took her part in the conversation, and we found ourselves listening to a weird legend which the old lady told exceedingly well. One tale led to another. Every one was called on in turn to contribute to the public entertainment, and story after story, always relating to demonology and witchcraft, succeeded. It was Christmas, the season for such tales; and the old room, with its dusky walls and pictures, and vaulted roof, drinking up the light so greedily, seemed just fitted to give effect to such legendary lore. The huge logs crackled and burnt with glowing warmth; the blood-red glare of the Yule log flashed on the faces of the listeners and narrator, on the portraits, and the holly wreathed about their frames, and the upright old dame in her antiquated dress and trinkets, like one of the originals of the pictures stepped from the canvas to join our circle. It threw a shimmering lustre of an ominously ruddy hue upon the oaken panels.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">No wonder that the ghost and goblin stories had a new zest. No wonder that the blood of the more timid grew chilI and curdled, that their flesh crept, and their hearts beat irregularly, and the girls peeped fearfully over their shoulders, and huddled close together like frightened sheep, and half-fancied they beheld some impish and malignant face gibbering at them from the darkling corners of the old room. By degrees my high spirits died out, and I felt the childish tremors, long latent, long forgotten, coming over me. I followed each story with painful interest; I did not ask myself if I believed the dismal tales. I listened, and fear grew upon me--the blind, irrational fear of our nursery days. I am sure most of the other ladies present, young or middle-aged, were affected by the circumstances under which these traditions were heard, no less than by the wild and fantastic character of them. But with them the impression would die out next morning, when the bright sun should shine on the frosted boughs, and the rime on the grass, and the scarlet berries and green spikelets of the holly; and with me--but, ah! what was to happen ere another day dawn? Before we had made an end of this talk, my father and the other squires came in, and we ceased our ghost stories, ashamed to speak of such matters before these newcomers--hard-headed, unimaginative men, who had no sympathy with idle legends. There was now a stir and bustle.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"> Servants were handing round tea and coffee, and other refreshments. Then there was a little music and singing. I sang a duet with Reginald, who had a fine voice and good musical skill. I remember that my singing was much praised, and indeed I was surprised at the power and pathos of my own voice, doubtless due to my excited nerves and mind. Then I heard some one say to another that I was by far the cleverest of the Squire's daughters, as well as the prettiest. It did not make me vain. I had no rivalry with Lucy and Minnie. But Reginald whispered some soft fond words in my ear, a little before he mounted his horse to set off homewards, which did make me happy and proud. And to think that the next time we met--but I forgave him long ago. Poor Reginald! And now shawls and cloaks were in request, and carriages rolled up to the porch, and the guests gradually departed. At last no one was left but those visitors staying in the house. Then my father, who had been called out to speak with the bailiff of the estate, came back with a look of annoyance on his face. "A strange story I have just been told," said he; "here has been my bailiff to inform me of the loss of four of the choicest ewes out of that little flock of Southdowns I set such store by, and which arrived in the north but two months since. And the poor creatures have been destroyed in so strange a manner, for their carcasses are horribly mangled."</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Most of us uttered some expression of pity or surprise, and some suggested that a vicious dog was probably the culprit. "It would seem so," said my father; "it certainly seems the work of a dog; and yet all the men agree that no dog of such habits exists near us, where, indeed, dogs are scarce, excepting the shepherds' collies and the sporting dogs secured in yards. Yet the sheep are gnawed and bitten, for they show the marks of teeth. Something has done this, and has torn their bodies wolfishly; but apparently it has been only to suck the blood, for little or no flesh is gone." "How strange!" cried several voices. Then some of the gentlemen remembered to have heard of cases when dogs addicted to sheep-killing had destroyed whole flocks, as if in sheer wantonness, scarcely deigning to taste a morsel of each slain wether. My father shook his head. "I have heard of such cases, too?" he said; "but in this instance I am tempted to think the malice of some unknown enemy has been at work. The teeth of a dog have been busy no doubt, but the poor sheep have been mutilated in a fantastic manner, as strange as horrible; their hearts, in especial, have been torn out, and left at some paces off, half-gnawed. Also, the men persist that they found the print of a naked human foot in the soft mud of the ditch, and near it--this." And he held up what seemed a broken link of a rusted iron chain.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Many were the ejaculations of wonder and alarm, and many and shrewd the conjectures, but none seemed exactly to suit the bearings of the case. And when my father went on to say that two lambs of the same valuable breed had perished in the same singular manner three days previously, and that they also were found mangled and gore-stained, the amazement reached a higher pitch. Old Lady Speldhurst listened with calm intelligent attention, but joined in none of our exclamations. At length she said to my father, "Try and recollect--have you no enemy among your neighbours?" My father started, and knit his brows. "Not one that I know of," he replied; and indeed he was a popular man and a kind landlord. "The more lucky you," said the old dame, with one of her grim smiles. It was now late, and we retired to rest before long. One by one the guests dropped off. I was the member of the family selected to escort old Lady Speldhurst to her room--the room I had vacated in her favour. I did not much like the office. I felt a remarkable repugnance to my godmother, but my worthy aunts insisted so much that I should ingratiate myself with one who had so much to leave, that I could not but comply. The visitor hobbled up the broad oaken stairs actively enough, propped on my arm and her ivory crutch.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The room never had looked more genial and pretty, with its brisk fire, modern furniture, and the gay French paper on the walls. "A nice room, my dear, and I ought to be much obliged to you for it, since my maid tells me it is yours," said her ladyship; "but I am pretty sure you repent your generosity to me, after all those ghost stories, and tremble to think of a strange bed and chamber, eh?" I made some commonplace reply. The old lady arched her eyebrows. "Where have they put you, child?" she asked; "in some cockloft of the turrets, eh? or in a lumber-room--a regular ghost-trap? I can hear your heart beating with fear this moment. You are not fit to be alone."<br /><br />I tried to call up my pride, and laugh off the accusation against my courage, all the more, perhaps, because I felt its truth. "Do you want anything more that I can get you, Lady Speldhurst?" I asked, trying to feign a yawn of sleepiness. The old dame's keen eyes were upon me. "I rather like you, my dear," she said, "and I liked your mamma well enough before she treated me so shamefully about the christening dinner. Now, I know you are frightened and fearful, and if an owl should but flap your window tonight, it might drive you into fits. There is a nice little sofa-bed in this dressing-closet--call your maid to arrange it for you, and you can sleep there snugly, under the old witch's protection, and then no goblin dare harm you, and nobody will be a bit the wiser, or quiz you for being afraid."</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">How little I knew what hung in the balance of my refusal or acceptance of that trivial proffer! Had the veil of the future been lifted for one instant! but that veil is impenetrable to our gaze. Yet, perhaps, she had a glimpse of the dim vista beyond, she who made the offer; for when I declined, with an affected laugh, she said, in a thoughtful, half abstracted manner, "Well, well! we must all take our own way through life. Good night, child--pleasant dreams!"</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">And I softly closed the door. As I did so, she looked round at me rapidly, with a glance I have never forgotten, half malicious, half sad, as if she had divined the yawning gulf that was to devour my young hopes. It may have been mere eccentricity, the odd phantasy of a crooked mind, the whimsical conduct of a cynical person, triumphant in the power of affrighting youth and beauty. Or, I have since thought, it may have been that this singular guest possessed some such gift as the Highland "second-sight", a gift vague, sad, and useless to the possessor, but still sufficient to convey a dim sense of coming evil and boding doom. And yet, had she really known what was in store for me, what lurked behind the veil of the future, not even that arid heart could have remained impassive to the cry of humanity. She would, she must have snatched me back, even from the edge of the black pit of misery. But, doubtless, she had not the power. Doubtless she had but a shadowy presentiment, at any rate of some harm to happen, and could not see, save darkly, into the viewless void where the wisest stumble. I left her door. As I crossed the landing a bright gleam came from another room, whose door was left ajar; it (the light) fell like a bar of golden sheen across my path. As I approached, the door opened, and my sister Lucy who had been watching for me came out. She was already in a white cashmere wrapper, over which her loosened hair hung darkly and heavily, like tangles of silk. "Rosa, love," she whispered, "Minnie and I can't bear the idea of your sleeping out there, all alone, in that solitary room--the very room, too, nurse Sherrard used to talk about! So, as you know Minnie has given up her room, and come to sleep in mine, still we should so wish you to stop with us tonight at any rate, and I could make up a bed on the sofa for myself, or you--and--" I stopped Lucy's mouth with a kiss. I declined her offer. I would not listen to it. In fact, my pride was up in arms, and I felt I would rather pass the night in the churchyard itself than accept a proposal dictated, I felt sure, by the notion that my nerves were shaken by the ghostly lore we had been raking up, that I was a weak, superstitious creature, unable to pass a night in a strange chamber. So I would not listen to Lucy, but kissed her, bad her good night, and went on my way laughing, to show my light heart. Yet, as I looked back in the dark corridor, and saw the friendly door still ajar, the yellow bar of light still crossing from wall to wall, the sweet kind face still peering after me from amid its clustering curls, I felt a thrill of sympathy, a wish to return, a yearning after human love and companionship. False shame was strongest, and conquered. I waved a gay adieu. I turned the corner, and, peeping over my shoulder, I saw the door close; the bar of yellow light was there no longer in the darkness of the passage. I thought, at that instant, that I heard a heavy sigh. I looked sharply round.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">No one was there. No door was open, yet I fancied, and fancied with a wonderful vividness, that I did hear an actual sigh breathed not far off, and plainly distinguishable from the groan of the sycamore branches, as the wind tossed them to and fro in the outer blackness. If ever a mortal's good angel had cause to sigh for sorrow, not sin, mine had cause to mourn that night. But imagination plays us strange tricks, and my nervous system was not over-composed, or very fitted for judicial analysis. I had to go through the picture-gallery. I had never entered this apartment by candle-light before, and I was struck by the gloomy array of the tall portraits, gazing moodily from the canvas on the lozenge-paned or painted windows, which rattled to the blast as it swept howling by. Many of the faces looked stern, and very different from their daylight expression.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In others, a furtive flickering smile seemed to mock me, as my candle illumined them; and in all, the eyes, as usual with artistic portraits, seemed to follow my motions with a scrutiny and an interest the more marked for the apathetic immovability of the other features. I felt ill at ease under this stony gaze, though conscious how absurd were my apprehensions, and I called up a smile and an air of mirth, more as if acting a part under the eyes of human beings, than of their mere shadows on the wall. I even laughed as I confronted them. No echo had my short-lived laughter but from the hollow armour and arching roof, and I continued on my way in silence. I have spoken of the armour. Indeed, there was a fine collection of plate and mail, for my father was an enthusiastic antiquary, In especial there were two suits of black armour, erect, and surmounted by helmets with closed visors, which stood as if two mailed champions were guarding the gallery and its treasures. I had often seen these, of course, but never by night, and never when my whole organization was so over wrought and tremulous as it then was. As I approached the Black Knights, as we had dubbed them, a wild notion seized on me that the figures moved, that men were concealed in the hollow shells which had once been borne in battle and tourney. I knew the idea was childish, yet I approached in irrational alarm, and fancied I absolutely beheld eyes glaring on me from the eyelet-holes in the visors. I passed them by, and then my excited fancy told me that the figures were following me with stealthy strides. I heard a clatter of steel, caused, I am sure, by some more violent gust of wind sweeping the gallery through the crevices of the old windows, and with a smothered shriek I rushed to the door, opened it, darted out, and clapped it to with a bang that re-echoed through the whole wing of the house. Then by a sudden and not uncommon revulsion of feeling, I shook off my aimless terrors, blushed at my weakness, and sought my chamber only too glad that I had been the only witness of my late tremors.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">As I entered my chamber, I thought I heard some thing stir in the neglected lumber-room, which was the only neighbouring apartment. But I was determined to have no more panics, and resolutely shut my ears to this slight and transient noise, which had nothing unnatural in it; for surely, between rats and wind, an old manor-house on a stormy night needs no sprites to disturb it. So I entered my room, and rang for my maid. As I did so, I looked around me, and a most unaccountable repugnance to my temporary abode came over me, in spite of my efforts. It was no more to be shaken off than a chill is to be shaken off when we enter some damp cave. And, rely upon it, the feeling of dislike and apprehension with which we regard, at first sight, certain places and people, was not implanted in us without some wholesome purpose. I grant it is irrational--mere animal instinct--but is not instinct God's gift, and is it for us to despise it? It is by instinct that children know their friends from their enemies--that they distinguish with such unerring accuracy between those who like them and those who only flatter and hate them. Dogs do the same; they will fawn on one person, they slink snarling from another. Show me a man whom children and dogs shrink from, and I will show you a false, bad man--lies on his lips, and murder at his heart. No, let none despise the heaven-sent gift of innate antipathy, which makes the horse quail when the lion crouches in the thicket--which makes the cattle scent the shambles from afar, and low in terror and disgust as their nostrils snuff the blood-polluted air.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I felt this antipathy strongly as I looked around me in my new sleeping-room, and yet I could find no reasonable pretext for my dislike. A very good room it was, after all, now that the green damask curtains were drawn, the fire burning bright and clear, candles burning on the mantelpiece, and the various familiar articles of toilet arranged as usual. The bed, too, looked peaceful and inviting--a pretty little white bed, not at all the gaunt funereal sort of couch which haunted apartments generally contain. My maid entered, and assisted me to lay aside the dress and ornaments I had worn, and arranged my hair, as usual, prattling the while, in Abigail fashion. I seldom cared to converse with servants; but on that night a sort of dread of being left alone--a longing to keep some human being near me--possessed me, and I encouraged the girl to gossip, so that her duties took her half an hour longer to get through than usual. At last, however, she had done all that could be done, and all my questions were answered, and my orders for the morrow reiterated and vowed obedience to, and the clock on the turret struck one. Then Mary, yawning to answer No, for very shame's sake; and she went. The shutting of the door, gently as it was closed, affected me unpleasantly. I took a dislike to the curtains, the tapestry, the dingy pictures--everything. I hated the room. I felt a temptation to put on a cloak, run, half-dressed, to my sisters' chamber, and say I had changed my mind, and come for shelter. But they must be asleep, I thought, and I could not be so unkind as to wake them. I said my prayers with unusual earnestness and a heavy heart.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I extinguished the candles, and was just about to lay my head on my pillow, when the idea seized me that I would fasten the door. The candles were extinguished, but the fire-light was amply sufficient to guide me. I gained the door. There was a lock, but it was rusty or hampered; my utmost strength could not turn the key. The bolt was broken and worthless. Baulked of my intention, I consoled myself by remembering that I had never had need of fastenings yet, and returned to my bed. I lay awake for a good while, watching the red glow of the burning coals in the grate. I was quiet now, and more composed. Even the light gossip of the maid, full of petty human cares and joys, had done me good--diverted my thoughts from brooding. I was on the point of dropping asleep, when I was twice disturbed. Once, by an owl, hooting in the ivy outside--no unaccustomed sound, but harsh and melancholy; once, by a long and mournful howling set up by the mastiff, chained in the yard beyond the wing. I occupied. A long-drawn lugubrious howling, was this latter, and much such a note as the vulgar declare to herald a death in the family. This was a fancy I had never shared; but yet I could not help feeling that the dog's mournful moans were sad, and expressive of terror, not at all like his fierce, honest bark of anger, but rather as if something evil and unwonted were abroad. But soon I fell asleep. How long I slept, I never knew. I awoke at once, with that abrupt start which we all know well and which carries us in a second from utter unconsciousness to the full use of our faculties. The fire was still burning but was very low, and half the room or more was in deep shadow. I knew, I felt, that some person or thing was in the room, although nothing unusual was to be seen by the feeble light.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Yet it was a sense of danger that had aroused me from slumber. I experienced, while yet asleep, the chill and shock of sudden alarm, and I knew, even in the act of throwing off sleep like a mantle, why I awoke, and that some intruder was present. Yet, though I listened intently, no sound was audible, except the faint murmur of the fire,--the dropping of a cinder from the bars--the loud irregular beatings of my own heart. Notwithstanding this silence, by some intuition I knew that I had not been deceived by a dream, and felt certain that I was not alone. I waited. My heart beat on; quicker, more sudden grew its pulsations, as a bird in a cage might flutter in presence of the hawk. And then I heard a sound, faint, but quite distinct, the clank of iron, the rattling of a chain! I ventured to lift my head from the pillow. Dim and uncertain as the light was, I saw the curtains of my bed shake, and caught a glimpse of something beyond, a darker spot in the darkness. This confirmation of my fears did not surprise me so much as it shocked me. I strove to cry aloud, but could not utter a word. The chain rattled again, and this time the noise was louder and clearer. But though I strained my eyes, they could not penetrate the obscurity that shrouded the other end of the chamber, whence came the sullen clanking. In a moment several distinct trains of thought, like many-coloured strands of thread twining into one, became palpable to my mental vision. Was it a robber? could it be a supernatural visitant? or was I the victim of a cruel trick, such as I had heard of, and which some thoughtless persons love to practise on the timid, reckless of its dangerous results?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">And then a new idea, with some ray of comfort in it, suggested itself. There was a fine young dog of the Newfoundland breed, a favourite of my father's, which was usually chained by night in an outhouse. Neptune might have broken loose, found his way to my room, and, finding the door imperfectly closed, have pushed it open and entered. I breathed more freely as this harmless interpretation of the noise forced itself upon me. It was--it must be--the dog, and I was distressing myself uselessly. I resolved to call to him; I strove to utter his name--"Neptune, Neptune!" but a secret apprehension restrained me, and I was mute. Then the chain clanked nearer and nearer to the bed, and presently I saw a dusky shapeless mass appear between the curtains on the opposite side to where I was lying. How I longed to hear the whine of the poor animal that I hoped might be the cause of my alarm. But no; I heard no sound save the rustle of the curtains and the clash of the iron chain. Just then the dying flame of the fire leaped up, and with one sweeping hurried glance I saw that the door was shut, and, horror! it is not the dog! it is the semblance of a human form that now throws itself heavily on the bed, outside the clothes, and lies there, huge and swart, in the red gleam that treacherously dies away after showing so much to affright, and sinks into dull darkness. There was now no light left, though the red cinders yet glowed with a ruddy gleam, like the eyes of wild beasts. The chain rattled no more.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I tried to speak, to scream wildly for help; my mouth was parched, my tongue refused to obey. I could not utter a cry, and indeed, who could have heard me, alone as I was in that solitary chamber, with no living neighbour, and the picture-gallery between me and any aid that even the loudest, most piercing shriek could summon. And the storm that howled without would have drowned my voice, even if help had been at hand. To call aloud--to demand who was there--alas! how useless, how perilous! If the intruder were a robber, my outcries would but goad him to fury; but what robber would act thus? As for a trick, that seemed impossible. And yet, what lay by my side, now wholly unseen? I strove to pray aloud, as there rushed on my memory a flood of weird legends--the dreaded yet fascinating lore of my childhood. I had heard and read of the spirits of wicked men forced to revisit the scenes of their earthly crimes---of demons that lurked in certain accursed spots--of the ghoul and vampire of the East, stealing amid the graves they rifled for their ghostly banquets; and I shuddered as I gazed on the blank darkness where I knew it lay. It stirred--it moaned hoarsely; and again I heard the chain clank close beside me--so close that it must almost have touched me. I drew myself from it, shrinking away in loathing and terror of the evil thing--what, I knew not, but felt that something malignant was near. And yet, in the extremity of my fear, I dared not speak; I was strangely cautious to be silent, even in moving farther off; for I had a wild hope that it--the phantom, the creature, whichever it was--had not discovered my presence in the room. And then I remembered all the events of the night--Lady Speldhurst's ill-omened vaticinations, her half-warnings, her singular look as we parted, my sister's persuasions, my terror in the gallery, the remark that "this was the room nurse Sherrard used to talk of".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">And then memory stimulated by fear, recalled the long forgotten past, the ill-repute of this disused chamber, the sins it had witnessed, the blood spilled, the poison administered by unnatural hate within its walls, and the tradition which called it haunted. The green room--I remembered now how fearfully the servants avoided it--how it was mentioned rarely, and in whispers, when we were children, and how we had regarded it as a mysterious region, unfit for mortal habitation. Was It--the dark form with the chain--a creature of this world, or a spectre? And again--more dreadful still--could it be that the corpses of wicked men were forced to rise, and haunt in the body the places when they had wrought their evil deeds? And was such as these my grisly neighbour? The chain faintly rattled. My hair bristled; my eyeballs seemed starting from their sockets; the damps of a great anguish were on my brow. My heart laboured as if I were crushed beneath some vast weight. Sometimes it appeared to stop its frenzied beatings, sometimes its pulsations were fierce and hurried; my breath came short and with extreme difficulty, and I shivered as if with cold; yet I feared to stir. It moved, it moaned, its fetters clanked dismally, the couch creaked and shook. This was no phantom, then--no air-drawn spectre. But its very solidity, its palpable presence, were a thousand times more terrible. I felt that I was in the very grasp of what could not only affright, but harm; of something whose contact sickened the soul with deathly fear. I made a desperate resolve: I glided from the bed, I seized a warm wrapper, threw it around me, and tried to grope, with extended hands, my way to the door. My heart beat high at the hope of escape. But I had scarcely taken one step, before the moaning was renewed, it changed into a threatening growl that would have suited a wolf's throat, and a hand clutched at my sleeve.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I stood motionless. The muttering growl sank to a moan again, the chain sounded no more, but still the hand held its grip of my garment, and I feared to move. It knew of my presence, then. My brain reeled, the blood boiled in my ears, and my knees lost all strength, while my heart panted like that of a deer in the wolf's jaws. I sank back, and the benumbing influence of excessive terror reduced me to a state of stupor. When my full consciousness returned, I was sitting on the edge of the bed, shivering with cold, and bare-footed. All was silent, but I felt that my sleeve was still clutched by my unearthly visitant. The silence lasted a long time. Then followed a chuckling laugh, that froze my very marrow, and the gnashing of teeth as in demoniac frenzy; and then a wailing moan, and this was succeeded by silence. Hours may have passed--nay, though the tumult of my own heart prevented my hearing the clock strike, must have passed--but they seemed ages to me. And how were they spent? Hideous visions passed before the aching eyes that I dared not close, but which gazed ever into the dumb darkness where It lay--my dread companion through the watches of the night. I pictured It in every abhorrent form which an excited fancy could summon up: now as a skeleton, with hollow eye-holes and grinning fleshless jaws; now as a vampire, with livid face and bloated form, and dripping mouth wet with blood. Would it never be light! And yet, when day should dawn, I should be forced to see It face to face. I had heard that spectre and fiend are compelled to fade as morning brightened, but this creature was too real, too foul a thing of earth, to vanish at cock-crow. No! I should see it--the horror--face to face! And then the cold prevailed, and my teeth chattered, and shiverings ran through me, and yet there was the damp of agony on my bursting brow. Some instinct made me snatch at a shawl or cloak that lay on a chair within reach, and wrap it round me. The moan was renewed, and the chain just stirred. Then I sank into apathy, like an Indian at the stake, in the intervals of torture. Hours fled by, and I remained like a statue of ice, rigid and mute.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I even slept, for I remember that I started to find the cold grey light of an early winter's day was on my face, and stealing around the room from between the heavy curtains of the window. Shuddering, but urged by the impulse that rivets the gaze of the bird upon the snake, I turned to see the Horror of the night. Yes, it was no fevered dream, no hallucination of sickness, no airy phantom unable to face the dawn. In the sickly light I saw it lying on the bed, with its grim head on the pillow. A man? Or a corpse arisen from its unhallowed grave, and awaiting the demon that animated it? There it lay--a gaunt gigantic form, wasted to a skeleton, half clad, foul with dust and clotted gore, its huge limbs flung upon the couch as if at random, its shaggy hair streaming over the pillows like a lion's mane. Its face was towards me.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Oh, the wild hideousness of that face, even in sleep! In features it was human, even through its horrid mask of mud and half-dried bloody gouts, but the expression was brutish and savagely fierce; the white teeth were visible between the parted lips, in a malignant grin; the tangled hair and beard were mixed in leonine confusion, and there were scars disfiguring the brow. Round the creature's waist was a ring of iron, to which was attached a heavy but broken chain--the chain I had heard clanking. With a second glance I noted that part of the chain was wrapped in straw, to prevent its galling the wearer. The creature--I cannot call it a man--had the marks of fetters on its wrists, the bony arm that protruded through one tattered sleeve was scarred and bruised, the feet were bare, and lacerated by pebbles and briers, and one of them was wounded, and wrapped in a morsel of rag. And the lean hands, one of which held my sleeve, were armed with talons like an eagle's. In an instant the horrid truth flashed upon me--I was in the grasp of a madman. Better the phantom that scares the sight than the wild beast that rends and tears the quivering flesh--the pitiless human brute that has no heart to be softened, no reason at whose bar to plead, no compassion, nought of man save the form and the cunning. I gasped in terror. Ah! the mystery of those ensanguined fingers, those gory wolfish jaws! that face, all besmeared with blackening blood, is revealed!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"> The slain sheep, so mangled and rent-the fantastic butchery--the print of the naked foot--all, all were explained; and the chain the broken link of which was found near the slaughtered animals--it came from his broken chain--the chain he had snapped, doubtless, in his escape from the asylum where his raging frenzy had been fettered and bound. In vain! in vain! Ah, me! how had this grisly Samson broken manacles and prison bars--how had he eluded guardian and keeper and a hostile world, and come hither on his wild way, hunted like a beast of prey, and snatching his hideous banquet like a beast of prey, too?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Yet, through the tatters of his mean and ragged garb I could see the marks of the severities, cruel and foolish, with which men in that time tried to tame the might of madness. The scourge--its marks were there; and the scars of the hard iron fetters, and many a cicatrice and welt, that told a dismal tale of harsh usage. But now he was loose, free to play the brute--the baited, tortured brute that they had made him--now without the cage, and ready to gloat over the victims his strength should overpower. Horror! Horror! I was the prey--the victim--already in the tiger's clutch; and a deadly sickness came over me, and the iron entered into my soul, and I longed to scream, and was dumb! I died a thousand deaths as that awful morning wore on. I dared not faint. But words cannot paint what I suffered as I waited--waited till the moment when he should open his eyes and be aware of my presence; for I was assured he knew it not. He had entered the chamber as a lair, when weary and gorged with his horrid orgie; and he had flung himself down to sleep without a suspicion that he was not alone. Even his grasping my sleeve was doubtless an act done betwixt sleeping and waking, like his unconscious moans and laughter, in some frightful dream.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Hours went on; then I trembled as I thought that soon the house would be astir, that my maid would come to call me as usual, and awake that ghastly sleeper. And might he not have time to tear me, as he tore the sheep, before any aid could arrive? At last what I dreaded came to pass--a light footstep on the landing--there is a tap at the door. A pause succeeds, and then the tapping is renewed, and this time more loudly. Then the madman stretched his limbs and uttered his moaning cry, and his eyes slowly opened--very slowly opened, and met mine. The girl waited awhile ere she knocked for the third time. I trembled lest she should open the door unbidden--see that grim thing, and by her idle screams and terror bring about the worst. Long before strong men could arrive I knew that I should be dead--and what a death! The maid waited, no doubt surprised at my unusually sound slumbers, for I was in general a light sleeper and an early riser, but reluctant to deviate from habit by entering without permission. I was still alone with the thing in man's shape, but he was awake now. I saw the wondering surprise in his haggard bloodshot eyes; I saw him stare at me half vacantly, then with a crafty yet wondering look; and then I saw the devil of murder begin to peep forth from those hideous eyes, and the lips to part as in a sneer, and the wolfish teeth to bare themselves.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">But I was not what I had been. Fear gave me a new and a desperate composure--a courage foreign to my nature. I had heard of the best method of managing the insane; I could but try; I did try. Calmly, wondering at my own feigned calm, I fronted the glare of those terrible eyes. Steady and undaunted was my gaze--motionless my attitude. I marvelled at myself, but in that agony of sickening terror I was outwardly firm. They sink, they quail abashed, those dreadful eyes, before the gaze of a helpless girl; and the shame that is never absent from insanity bears down the pride of strength, the bloody cravings of the wild beast. The lunatic moaned and drooped his shaggy head between his gaunt squalid hands. I lost not an instant. I rose, and with one spring reached the door, tore it open, and, with a shriek, rushed through, caught the wondering girl by the arm, and, crying to her to run for her life, rushed like the wind along the gallery, down the corridor, down the stairs. Mary's screams filled the house as she fled beside me. I heard a long-drawn, raging cry, the roar of a wild animal mocked of its prey, and I knew what was behind me. I never turned my head--I flew rather than ran. I was in the hall already; there was a rush of many feet, an outcry of many voices, a sound of scuffling feet, and brutal yells, and oaths, and heavy blows, and I fell to the ground, crying, "Save me!" and lay in a swoon. I awoke from a delirious trance.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Kind faces were around my bed, loving looks were bent on me by all, by my dear father and dear sisters, but I scarcely saw them before I swooned again.... When I recovered from that long illness, through which I had been nursed so tenderly, the pitying looks I met made me tremble. I asked for a looking-glass. It was long denied me, but my importunity prevailed at last--a mirror was brought. My youth was gone at one fell swoop. The glass showed me a livid and haggard face, blanched and bloodless as of one who sees a spectre; and in the ashen lips, and wrinkled brow, and dim eyes, I could trace nothing of my old self. The hair, too, jetty and rich before, was now as white as snow, and in one night the ravages of half a century had passed over my face. Nor have my nerves ever recovered their tone after that dire shock. Can you wonder that my life was blighted, that my lover shrank from me, so sad a wreck was I? I am old now--old and alone. My sisters would have had me to live with them, but I chose not to sadden their genial homes with my phantom face and dead eyes. Reginald married another.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">He has been dead many years. I never ceased to pray for him, though he left me when I was bereft of all. The sad weird is nearly over now. I am old, and near the end, and wishful for it. I have not been bitter or hard, but I cannot bear to see many people, and am best alone. I try to do what good I can with the worthless wealth Lady Speldhurst left me, for at my wish my portion was shared between my sisters.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">What need had I of inheritances?--I, the shattered wreck made by that one night of horror!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div style="text-align: start;">_________________________________________________________________________________</div><div style="text-align: start;"><br /></div><div class="separator" style="clear: both; text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbzkF9TbD5uRXpQBYpP2zQ878q5KulLFWRP4VAi2nNPI78P2mUsOU1lkIX-WGIDPdSrDFsdFZ3H50yPndplEXQDXVCC1IlKO7ys8MlKGYx8q3VQYSaxYU-Lq7zw0Y2F0LVWjhHaQtrd7E/s320/BestHorror1850ebookfrontcover.jpg" width="213" /><span id="goog_1139088770"></span><span id="goog_1139088771"></span><a href="https://draft.blogger.com/"></a></div><div style="text-align: center;"><b>Best Horror Short Stories 1850-1899 Annotated</b></div><div style="text-align: center;"><b>by</b></div><div style="text-align: center;"><b><a href="http://www.andrewbarger.com/" target="_blank">Andrew Barger</a></b></div><div style="text-align: start;"><br /></div><div style="text-align: start;"><br /></div><div style="text-align: start;">I have published my latest horror anthology - <a href="http://andrewbarger.com/besthorrorshortstories1850.html" target="_blank">Best Horror Short Stories 1850-1899</a>: A 6a66le Horror Anthology. Order today!</div></div><div style="text-align: justify;"><br /></div><br /><div style="text-align: justify;"></div><br /><div style="-webkit-text-stroke-width: 0px; font-family: Times; text-align: justify;"><div style="margin: 0px;">#HorrorATrueTale #JohnHarwoodHorrorStory #chistmashorror #christmashorrorstory #holidayhorror</div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-46725838130814669562023-10-29T17:02:00.007-04:002023-10-29T17:02:39.279-04:00Scary Halloween Short Story All Souls Eve by Joseph Stowe<p> </p><div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/gpj2PV95i1M" width="320" youtube-src-id="gpj2PV95i1M"></iframe></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">When researching scary stories for any fifty year period of the modern age, Halloween has to figure into the equation at some point, right? This is one of them. To fully understand the title of the ghost story I picked for spot 30 of the Top 40 for the first half of the nineteenth century, a background in how the Halloween name was derived is helpful. Let's get at it.</div></div><p></p><div>It all starts with All Souls' Day, this is the traditional day when the living remember and pray for the souls of the dead. The day is still celebrated in parts of Europe and Mexico (Day of the Dead). Often food is left for the dead and candles lit in the windows so the ghosts can find their way. All Souls' Day is one of love and remembrance. Easy enough.</div><p></p><div>But then All Souls' Eve began to come into pagan fashion. On this night before All Souls' Day the evil dead return to earth. These ghosts are not out for a good meal, but to exact revenge. All Souls' Eve was also called Hallow Evening and eventually the words were put together to form Hallow'en. In one part of the legend, any person who came in contact with ghosts on Halloween, and left a piece of their clothing behind, would be sure to die.</div><div><br /></div><div>That brings us to scary story 30, which is <a href="http://books.google.com/books?id=6kEBAAAAYAAJ&pg=PA207&dq=%22The+next+ecclesiastical+edifice%22&hl=en&ei=UNTaTbnANIa-tgfKprDpDg&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDIQ6AEwAQ#v=onepage&q=%22The%20next%20ecclesiastical%20edifice%22&f=false">All Souls' Eve</a>. Published in 1839 by Joseph Stowe in his collection titled <i>The Rhine, Legends, Traditions, History from Cologne to Mainz</i>. The ghost story is derived from German legend, and it is the first in the English language to address the clothing issue described above. Enjoy this congregation of the dead!</div><div><br /></div><div><br /></div><div>#allsoulseve #halloweenstories #vintagehalloweenstories #classichalloweentales #bestghoststories</div><div> </div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-46664854235349991202023-10-22T17:06:00.002-04:002023-10-22T17:06:30.085-04:00Scary Werewolf Story - A Story of a Weir-Wolf by Catherine Crowe 1846<p style="text-align: center;"> <span style="text-align: center;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9Jj6nIlz80lmppZbr99kQ-PxHCfryXXk4k1edb7INbHAkTH6KccQG920f_Ry6I0TJO-gSde_iG68PkLABGg-BCOsWUNqnNGzcxZjsKLh4yHW-4IaT3ytGIEhuiDtj-5zlgt3HQC5Tis/s1600/Catherine+Crowe.png" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="586" data-original-width="520" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9Jj6nIlz80lmppZbr99kQ-PxHCfryXXk4k1edb7INbHAkTH6KccQG920f_Ry6I0TJO-gSde_iG68PkLABGg-BCOsWUNqnNGzcxZjsKLh4yHW-4IaT3ytGIEhuiDtj-5zlgt3HQC5Tis/w177-h200/Catherine+Crowe.png" width="177" /></a></p><div style="text-align: center;">Catherine Crowe</div><div style="text-align: center;">(1790-1872)</div><br /><div style="text-align: center;">Introduction</div><div style="text-align: center;">to</div><div style="text-align: center;">A Story of a Weir-Wolf</div><br />Catherine Crowe arguably wrote the first werewolf short story by a female; and a scary story it is. Nearly 75 years later it was reprinted in <a href="http://andrewbarger.com/bestwerewolfshortstories1800.html">The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology</a>. Crowe also wrote a few novels, with “Susan Hopley” being her most popular. Yet it is Crowe’s supernatural stories for which she is remembered today.<br /><br />Two years after “A Story of a Weir-Wolf” appeared in the May 16th, 1846 (Vol. III) issue of James Hogg’s magazine <i>Hogg’s Weekly Instructor</i>, Crowe published a collection she titled “The Night-Side of Nature, or Ghosts and Ghost-seers.” It is a solid compilation of supernatural short stories from real life events. Unfortunately, her werewolf story that begins “on a fine bright summer’s morning” was not contained in “The Night-Side of Nature” and was apparently never re-published by Crowe.<br />Thankfully the story will live on. Like any werewolf, it has shapeshifted.<br /><br />In 1876—four years after Crowe’s death—William Forster produced a play called “The Weirwolf: A Tragedy” that he made clear was “from a story by Mrs. Crowe” in the printed script. This also appears to be the first werewolf <i>play </i>taken from a werewolf story written by a female. In 1854, at the age of 64, Crowe was found deranged and naked wandering the streets of Edinburgh. This is how Charles Dickens described the event on March 7, 1854.<br /><blockquote class="tr_bq" style="text-align: justify;">“Mrs Crowe has gone stark mad–and stark naked–on the spirit-rapping imposition. She was found t’other day in the street, clothed only in her chastity, a pocket-handkerchief and a visiting card. She had been informed, it appeared, by the spirits, that if she went out in that trim she would be invisible. She is now in a mad-house and, I fear, hopelessly insane. One of the curious manifestations of her disorder is that she can bear nothing black. There is a terrific business to be done, even when they are obliged to put coals on her fire.”</blockquote>Now that's scary. Following is the complete text of the original short story, which is set in the Middle Ages. Enjoy.<br /><br /><br /><div style="text-align: center;"><b><span style="font-size: medium;">A Story of a Weir-Wolf</span></b></div><br />It was on a fine bright summer’s morning, in the year 1596, that two young girls were seen sitting at the door of a pretty cottage, in a small village that lay buried amidst the mountains of Auvergne. The house belonged to Ludovique Thierry, a tolerably prosperous builder; one of the girls was his daughter Manon, and the other his niece, Francoise, the daughter of his brother-in-law, Michael Thilouze, a physician.<br /><br />The mother of Francoise had been some years dead, and Michael, a strange old man, learned in all the mystical lore of the middle ages, had educated his daughter after his own fancy; teaching her some things useless and futile, but others beautiful and true. He not only instructed her to glean information from books, but he led her into the fields, taught her to name each herb and flower, making her acquainted with their properties; and, directing her attention ‘to the brave o’erhanging firmament,’ he had told her all that was known of the golden spheres that were rolling above her head.<br /><br /><div>But Michael was also an alchemist, and he had for years been wasting his health in nightly vigils over crucibles, and his means in expensive experiments; and now, alas! he was nearly seventy years of age, and his lovely Francoise seventeen, and neither the elixir vitæ nor the philosopher’s stone had yet rewarded his labours. It was just at this crisis, when his means were failing and his hopes expiring, that he received a letter from Paris, informing him that the grand secret was at length discovered by an Italian, who had lately arrived there. Upon this intelligence, Michael thought the most prudent thing he could do was to waste no more time and money by groping in the dark himself, but to have recourse to the fountain of light at once; so sending Francoise to spend the interval with her cousin Manon, he himself started for Paris to visit the successful philosopher.<br /><br />Although she sincerely loved her father, the change was by no means unpleasant to Francoise. The village of Loques, in which Manon resided, humble as it was, was yet more cheerful than the lonely dwelling of the physician; and the conversation of the young girl more amusing than the dreamy speculations of the old alchemist. Manon, too, was rather a gainer by her cousin’s arrival; for as she held her head a little high, on account of her father being the richest man in the village, she was somewhat nice about admitting the neighbouring damsels to her intimacy; and a visiter so unexceptionable as Francoise was by no means unwelcome. Thus both parties were pleased, and the young girls were anticipating a couple of months of pleasant companionship at the moment we have introduced them to our readers, seated at the front of the cottage.<br /><br />‘The heat of the sun is insupportable, Manon,’ said Francoise; ‘I really must go in.’<br />‘Do,’ said Manon.<br />‘But wont you come in too?’ asked Francoise.<br />‘No, I don’t mind the heat,’ replied the other.<br /><br />Francoise took up her work and entered the house, but as Manon still remained without, the desire for conversation soon overcame the fear of the heat, and she approached the door again, where, standing partly in the shade, she could continue to discourse. As nobody appeared disposed to brave the heat but Manon, the little street was both empty and silent, so that the sound of a horse’s foot crossing the drawbridge, which stood at the entrance of the village, was heard some time before the animal or his rider were in sight. Francoise put out her head to look in the direction of the sound, and, seeing no one, drew it in again; whilst Marion, after casting an almost imperceptible glance the same way, hung hers over her work, as if very intent on what she was doing; but could Francoise have seen her cousin’s face, the blush that first overspread it, and the paleness that succeeded, might have awakened a suspicion that Manon was not exposing her complexion to the sun for nothing.<br /><br />When the horse drew near, the rider was seen to be a gay and handsome cavalier, attired in the perfection of fashion, whilst the rich embroidery of the small cloak tint hung gracefully over his left shoulder, sparkling in the sun, testified no less than his distinguished air to his high rank and condition. Francoise, who had never seen anything so bright and beautiful before, was so entirely absorbed in contemplating the pleasing spectacle, that forgetting to be shy or to hide her own pretty face, she continued to gaze on him as he approached with dilated eyes and lips apart, wholly unconscious that the surprise was mutual. It was not till she saw him lift his bonnet from his head, and, with a reverential bow, do homage to her charms, that her eye fell and the blood rushed to her young cheek. Involuntarily, she made a step backward; into the passage; but when the horse and his rider had passed the door, she almost as involuntarily resumed her position, and protruded her head to look after him. He too had turned round on his horse and was ‘riding with his eyes behind,’ and the moment he beheld her he lifted his bonnet again, and then rode slowly forward.<br /><br />‘Upon my word, Mam’selle Francoise,’ said Manon, with flushed cheeks and angry eyes, ‘this is rather remarkable, I think! I was not aware of your acquaintance with Monsieur de Vardes!’<br />‘With whom?’ said Francoise. ‘Is that Monsieur de Vardes?’<br />‘To be sure it is,’ replied Manon; ‘do you pretend to say you did not know it?’<br />‘Indeed, I did not,’ answered Francoise. ‘I never saw him in my life before.’<br />‘Oh, I dare say,’ responded Manon, with an incredulous laugh. ‘Do you suppose I’m such a fool as to believe you?’<br />‘What nonsense, Manon! How should I know Monsieur de Vardes? But do tell me about him? Does he live at the Chateau?’<br />‘He has been living there lately,’ replied Manon, sulkily.<br />‘And where did he live before?’ inquired Francoise.<br />‘He has been travelling, I believe,’ said Manon.<br /><br />This was true. Victor de Vardes had been making the tour of Europe, visiting foreign courts, jousting in tournaments, and winning fair ladies’ hearts, and was but now returned to inhabit his father’s chateau; who, thinking it high time he should be married, had summoned him home for the purpose of paying his addresses to Clemence de Montmorenci, one of the richest heiresses in France.<br />Victor, who had left home very young, had been what is commonly called in love a dozen times, but his heart had in reality never been touched. His loves had been mere boyish fancies, ‘dead ere they were born,’ one putting out the fire of another before it had had time to hurt himself or any body else; so that when he heard that he was to marry Clemence de Montmorenci, he felt no aversion to the match, and prepared himself to obey his father’s behest without a murmur. On being introduced to the lady, be was by no means struck with her. She appeared amiable, sensible, and gentle; but she was decidedly plain, and dressed ill. Victor felt no disposition whatever to love her; but, on the other hand, he had no dislike to her; and as his heart was unoccupied, he expressed himself perfectly ready to comply with the wishes of his family and hers, by whom this alliance had been arranged from motives of mutual interest and accommodation.<br /><br />So he commenced his course of love; which consisted in riding daily to the chateau of his intended father-in-law, where, if there was company, and he found amusement, he frequently remained a great part of the morning. Now, it happened that his road lay through the village of Loques, where Manon lived, and happening one day to see her at the door, with the gallantry of a gay cavalier, he had saluted her. Manon, who was fully as vain as she was pretty, liked this homage to her beauty so well that she thereafter never neglected an opportunity of throwing herself in the way of enjoying it; and the salutation thus accidentally begun had, from almost daily repetition, ripened into a sort of silent flirtation. The young count smiled, she blushed and half smiled too; and whilst he in reality thought nothing about her, she had brought herself to believe he was actually in love with her, and that it was for her sake he so often appeared riding past her door.<br /><br />But, on the present occasion, the sight of Francoise’s beautiful face had startled the young man out of his good manners. It is difficult to say why a gentleman, who looks upon the features of one pretty girl with indifference, should be ‘frightened from his propriety’ by the sight of another, in whom the world in general sees nothing superior; but such is the case, and so it was with Victor. His heart seemed taken by storm; he could not drive the beautiful features from his brain; and although he laughed at himself for being thus enslaved by a low-born beauty, he could not laugh himself out of the impatience he felt to mount his horse and ride back again in the hope of once more beholding her. But this time Manon alone was risible; and although he lingered, and allowed his eyes to wander over the house and glance in at the windows, no vestige of the lovely vision could he descry.<br /><br />‘Perhaps she did not live there—she was probably but a visiter to the other girl?’ He would have given the world to ask the question of Manon; but he had never spoken to her, and to commence with such an interrogation was impossible, at least Victor felt it so, for his consciousness already made him shrink from betraying the motives of the inquiry. So he saluted Manon and rode on; but the wandering anxious eyes, the relaxed pace, and the cold salutation, were not lost upon her. Besides, he had returned from the Chateau de Montmorenci before the usual time, and the mortified damsel did not fail to discern the motive of this deviation from his habits.<br /><br />Manon was such a woman as you might live with well enough as long as you steered clear of her vanity, but once come in collision with that, the strongest passion of her nature, and you aroused a latent venom that was sure to make you smart. Without having ever ‘vowed eternal friendship,’ or pretending to any remarkable affection, the girls had been hitherto very good friends. Manon was aware that Francoise was possessed of a great deal of knowledge of which she was utterly destitute; but as she did not value the knowledge, and had not the slightest conception of what it was worth, she was not mortified by the want of it nor envious of the advantage; she did not consider that it was one. But in the matter of beauty the case was different. She had always persuaded herself that she was much the handsomer of the two. She had black shining hair and dark flashing eyes; and she honestly thought the soft blue eyes and auburn hair of her cousin tame and ineffective.<br /><br />But the too evident saisissement of the young count had shown her a rival where she had not suspected one, and her vexation was as great as her surprise. Then she was so puzzled what to do. If she abstained from sitting at the door herself, she should not see Monsieur de Vardes, and if she did sit there her cousin would assuredly do the same. It was extremely perplexing; but Francoise settled the question by seating herself at the door of her own accord. Seeing this, Manon came too, to watch her, but she was sulky and snappish, and when Victor not only distinguished Francoise as before, but took an opportunity of alighting from his horse to tighten his girths, just opposite the door, she could scarcely control her passion.<br /><br />It would be tedious to detail how, for the two months that ensued, this sort of silent courtship was carried on. Suffice it to say, that by the end of Francoise’s visit to Loques she was in complete possession of Victor’s heart, and he of hers, although they had never spoken a word to each other; and when she was summoned home to Cabanis to meet her father, she was completely divided betwixt the joy of once more seeing the dear old man and the grief of losing, as she supposed, all chance of beholding again the first love of her young heart.<br /><br />But here her fears deceived her. Victor’s passion had by this time overcome his diffidence, and he had contrived to learn all he required to know about her from the blacksmith of the village, one day when his horse very opportunely lost a shoe; and as Cabanis was not a great way from the Chateau de Montmorenci, he took an early opportunity of calling on the old physician, under pretence of needing his advice.<br /><br />At first he did not succeed in seeing Francoise, but perseverance brought him better success; and when they became acquainted, he was as much charmed and surprised by the cultivation of her mind as he had been by the beauty of her person. It was not difficult for Victor to win the heart of the alchemist, for the young man really felt, without having occasion to feign, on interest and curiosity with respect to the occult researches so prevalent at that period; and thus, gradually, larger and larger portions of his time were subtracted from the Chateau de Montmorenci to be spent at the physician’s. Then, in the green glades of that wide domain which extended many miles around, Victor and Francoise strolled together arm in arm; he vowing eternal affection, and declaring that this rich inheritance of the Montmorenci should never tempt him to forswear his love.<br /><br />But though thus happy, ‘the world forgetting,’ they were not ‘by the world forgot.’ From the day of Victor’s first salutation to Francoise, Manon had become her implacable enemy. Her pride made her conceal as much as possible the cause of her aversion; and Francoise, who learned from herself that she had no acquaintance with Victor, hardly knew how to attribute her daily increasing coldness to jealousy. But by the time they parted the alienation was complete, and as, after Francoise went home, all communication ceased between them, it was some time before Manon heard of Victor’s visits to Cabanis. But this blissful ignorance was not destined to continue.<br /><br />There was a young man in the service of the Montmorenci family called Jacques Renard; he was a great favourite with the marquis, who had undertaken to provide for him, when in his early years he was left destitute by the death of his parents, who were old tenants on the estate. Jacques, now filling the office of private secretary to his patron, was extremely in love with the alchemist’s daughter; and Francoise, who had seen too little of the world to have much discrimination, had not wholly discouraged his advances. Her heart, in fact, was quite untouched; but very young girls do not know their own hearts; and when Francoise became acquainted with Victor de Vardes, she first learned what love is, and made the discovery that she entertained no such sentiment for Jacques Renard. The small encouragement she had given him was therefore withdrawn, to the extreme mortification of the disappointed suitor, who naturally suspected a rival, and was extremely curious to learn who that rival could be; nor was it long before he obtained the information he desired.<br /><br />Though Francoise and her lover cautiously kept far away from that part of the estate which was likely to be frequented by the Montmorenci family, and thus avoided any inconvenient reencounter with them, they could not with equal success elude the watchfulness of the foresters attached to the domain; and some time before the heiress or Manon suspected how Victor was passing his time, these men were well aware of the hours the young people spent together, either in the woods or at the alchemist’s house, which was on their borders. Now the chief forester, Pierre Bloui, was a suitor for Manon’s hand. He was an excellent huntsman, but being a weak, ignorant, ill-mannered fellow, she had a great contempt for him, and had repeatedly declined his proposals. But Pierre, whose dullness rendered his sensibilities little acute, had never been reduced to despair. He knew that his situation rendered him, in a pecuniary point of view, an excellent match, and that old Thierry, Manon’s father, was his friend; so he persevered in his attentions, and seldom came into Loques without paying her a visit. It was from him she first learned what was going on at Cabanis.<br /><br />‘Ay,’ said Pierre, who had not the slightest suspicion of the jealous feelings he was exciting; ‘ay, there’ll be a precious blow up by and by, when it comes to the ears of the family! What will the Marquis and the old Count de Vardes say, when they find that, instead of making love to Mam’selle Clemence, he spends all his time with Francoise Thilouze?’<br />‘But is not Mam’selle Clemence angry already that he is not more with her?’ inquired Manon.<br />‘I don’t know,’ replied Pierre; ‘but that’s what I was thinking of asking Jacques Renard, the first time he comes shooting with me.’<br />‘I’m sure I would not put up with it if I were she!’ exclaimed Manon, with a toss of the head; ‘and I think you would do very right to mention it to Jacques Renard. Besides, it can come to no good for Francoise; for of course the count would never think of marrying her.’<br />‘I don’t know that,’ answered Pierre; ‘Margot, their maid, told me another story.’<br />‘You don’t mean that the count is going to marry Francoise Thilouze!’ exclaimed Manon, with unfeigned astonishment.<br />‘Margot says he is,’ answered Pierre.<br />‘Well, then, all I can say is,’ cried Manon, her face crimsoning with passion—‘all I can say is, that they must have bewitched him, between them; she and that old conjuror, my uncle!’<br />‘Well, I should not wonder,’ said Pierre. ‘I’ve often thought old Michael knew more than he should do.’<br /><br />Now, Manon in reality entertained no such idea, but under the influence of the evil passions that were raging within her at the moment, she nodded her head as significantly as if she were thoroughly convinced of the fact—in short, as if she knew more than she chose to say; and thus sent away the weak superstitious Pierre possessed with a notion that he lost no time in communicating to his brother huntsmen; nor was it long before Victor’s attentions to Francoise were made known to Jacques Renard, accompanied with certain suggestions, that Michael Thilouze and his daughter were perhaps what the Scotch call, no canny; a persuasion that the foresters themselves found little difficulty in admitting.<br /><br />In the meanwhile, Clemence de Montmorenci had not been unconscious of Victor’s daily declining attentions. He had certainly never pressed his suit with great earnestness; but now he did not press it at all. Never was so lax a lover! But as the alliance was one planned by the parents of the young people, not by the election of their own hearts, she contemplated his alienation with more surprise than pain.<br /><br />The elder members of the two families, however, were far from equally indifferent; and when they learned from the irritated, jealous Jacques Renard the cause of the dereliction, their indignation knew no bounds. It was particularly desirable that the estates of Montmorenci and De Vardes should be united, and that the lowly Francoise Thilouze, the daughter of a poor physician, who probably did not know who his grandfather was, should step in to the place designed for the heiress of a hundred quarterings, and mingle her blood with the pure stream that flowed through the veins of the proud De Vardes, was a thing not to be endured.<br /><br />The strongest expostulations and representations were first tried with Victor, but in vain. ‘He was in love, and pleased with ruin.’ These failing, other measures must be resorted to; and as in those days, pride of blood, contempt for the rights of the people, ignorance, and superstition, were at their climax, there was little scruple as to the means, so that the end was accomplished.<br /><br />It is highly probable that these great people themselves believed in witchcraft; the learned, as well as the ignorant, believed in it at that period; and so unaccountable a perversion of the senses as Victor’s admiration of Francoise naturally appeared to persons who could discern no merit unadorned by rank, would seem to justify the worst suspicions; so that when Jacques hinted the notion prevailing amongst the foresters with respect to old Michael and his daughter, the idea was seized on with avidity.<br /><br />Whether Jacques believed in his own allegation it is difficult to say; most likely not; but it gratified his spite and served his turn; and his little scrupulous nature sought no further. The marquis shook his head ominously, looked very dignified and very grave, said that the thing must be investigated, and desired that the foresters, and those who had the best opportunities for observation, should keep an attentive eye on the alchemist and his daughter, and endeavour to obtain some proof of their malpractices, whilst he considered what was best to be done in such an emergency.<br /><br />The wishes and opinions of the great have at all times a strange omnipotence; and this influence in 1588 was a great deal more potential than it is now. No sooner was it known that the Marquis de Montmorenci and the Count de Vardes entertained an I’ll will against Michael and Francoise, than every body became suddenly aware of their delinquency, and proofs of it poured in from all quarters. Amongst other stories, there was one which sprung from nobody knew where—probably from some hasty word, or slight coincidence, which flew like wildfire amongst the people, and caused an immense sensation. It was asserted that the Montmorenci huntsmen had frequently met Victor and Francoise walking together, in remote parts of the domain; but that when they drew near, she suddenly changed herself into a wolf and ran off. It was a favourite trick of witches to transform themselves into wolves, cats, and hares, and weir-wolves were the terror of the rustics: and as just at that period there happened to be one particularly large wolf, that had almost miraculously escaped the forester’s guns, she was fixed upon as the representative of the metamorphosed Francoise.<br /><br />Whilst this storm had been brewing, the old man, absorbed in his studies, which had received a fresh impetus from his late journey to Paris, and the young girl, wrapt in the entrancing pleasures of a first love, remained wholly unconscious of the dangers that were gathering around them. Margot, the maid, had indeed not only heard, but had felt the effects of the rising prejudice against her employers. When she went to Loques for her weekly marketings, she found herself coldly received by some of her old familiars; whilst by those more friendly, she was seriously advised to separate her fortunes from that of persons addicted to such unholy arts. But Margot, who had nursed Francoise in her infancy, was deaf to their insinuations. She knew what they said was false; and feeling assured that if the young count married her mistress, the calumny would soon die away, she did not choose to disturb the peace of the family, and the smooth current of the courtship, by communicating those disagreeable rumours.<br /><br />In the mean time, Pierre Bloui, who potently believed ‘the mischief that himself had made,’ was extremely eager to play some distinguished part in the drama of witch- finding. He knew that he should obtain the favour of his employers if he could bring about the conviction of Francoise; and he also thought that he should gratify his mistress. The source of her enmity he did not know, nor care to inquire; but enmity he perceived there was; and he concluded that the destruction of the object of it would be on agreeable sacrifice to the offended Manon. Moreover, he had no compunction, for the conscience of his superiors was his conscience; and Jacques Renard had so entirely confirmed his belief in the witch story, that his superstitious terrors, as well as his interests, prompted him to take an active part in the affair.<br /><br />Still he felt some reluctance to shoot the wolf; even could he succeed in so doing, from the thorough conviction that it was in reality not a wolf, but a human being he would be aiming at; but he thought if he could entrap her, it would not only save his own feelings, but answer the purpose much better; and accordingly he placed numerous snares, well baited, in that part of the domain most frequented by the lovers; and expected every day, when he visited them, to find Francoise, either in one shape or the other, fast by the leg. He was for some time disappointed; but at length he found in one of the traps, not the wolf or Francoise, but a wolf’s foot. An animal had evidently been caught, and in the violence of its struggles for freedom had left its foot behind it. Pierre carried away the foot and baited his trap again.<br /><br />About a week had elapsed since the occurrence of this circumstance, when one of the servants of the chateau, having met with a slight accident, went to the apothecary’s at Loques, for the purpose of purchasing some medicaments; and there met Margot, who had arrived from Cabanis for the same purpose. Mam’selle Francoise, it appeared, had so seriously hurt one of her hands, that her father had been under the necessity of amputating it. As all gossip about the Thilouze family was just then very acceptable at home, the man did not fail to relate what he had heard; and the news, ere long, reached the ears of Pierre Bloui.<br /><br />It would have been difficult to decide whether horror or triumph prevailed in the countenance of the astonished huntsman at this communication. His face first flushed with joy, and then became pale with affright. It was thus all true! The thing was clear, and he the man destined to produce the proof! It had been Francoise that was caught in the trap; and she had released herself at the expense of one of her hands, which, divided from herself, was no longer under the power of her incantations; and had therefore retained the form she had given it, when she resumed her own.<br /><br />Here was a discovery! Pierre Bloui actually felt himself so overwhelmed by its magnitude, that he was obliged to swallow a glass of cogniac to restore his equilibrium, before he could present himself before Jacques Renard to detail this stupendous mystery and exhibit the wolf’s foot.<br /><br /></div><div>How much Jacques Renard, or the marquis, when he heard it, believed of this strange story, can never be known. Certain it is, however, that within a few hours after this communication had been made to them, the commissaire du quartier, followed by a mob from Loques, arrived at Cabanis, and straightway carried away Michael Thilouze and his daughter, on a charge of witchcraft. The influence of their powerful enemies hurried on the judicial process, by courtesy called a trial, where the advantages were all on one side, and the disadvantages all on the other, and poor, terrified, and unaided, the physician and his daughter were, with little delay, found guilty, and condemned to die at the stake. In vain they pleaded their innocence; the wolf’s foot was produced in court, and, combined with the circumstance that Francoise Thilouze had really lost her left hand, was considered evidence incontrovertible.<br /><br />But where was her lover the while? Alas, he was in Paris, where, shortly before these late events, his father had on some pretext sent him; the real object being to remove him from the neighbourhood of Cabanis.<br /><br />Now, when Manon saw the fruits of her folly and spite, she became extremely sorry for what she had done, for she knew very well that it was with herself the report had originated. But though powerful to harm, she was weak to save. When she found that her uncle and cousin were to lose their lives and die a dreadful death on account of the idle words dropped from her own foolish tongue, her remorse became agonising. But what could she do? Where look for assistance? Nowhere, unless in Victor de Vardes, and he was far away. She had no jealousy now; glad, glad would she have been, to be preparing to witness her cousin’s wedding instead of her execution! But those were not the days of fleet posts—if they had been, Manon would have doubtless known how to write.<br /><br />As it was, she could neither write a letter to the count, nor have sent it when written. And yet, in Victor lay her only hope. In this trait she summoned Pierre Bloui, and asked him if he would go to Paris for her, and inform the young count of the impending misfortune. But it was not easy to persuade Pierre to so rash an enterprise. He was afraid of bringing himself into trouble with the Montmorencis. But Manon’s heart was in the cause. She represented to him, that if he lost one employer he would get another, for that the young count would assuredly become his best friend; and when she found that this was not enough to win him to her purpose, she bravely resolved to sacrifice herself to save her friends.<br /><br />‘If you will hasten to Paris,’ she said, ‘stopping neither night nor day, and tell Monsieur de Vardes of the danger my uncle and cousin are in, when you come back I will marry you.’<br />The bribe succeeded, and Pierre consented to go, owning that he was the more willing to do so, because he had privately changed his own opinion with respect to the guilt of the accused parties. ‘For,’ said he, ‘I saw the wolf last night under the chestnut trees, and as she was very lame, I could have shot her, but I feared my lord and lady would be displeased.’<br />‘Then, how can you be foolish enough to think it’s my cousin,’ said Manon, ‘when you know she is in prison?’<br />‘That’s what I said to Jacques Renard,’ replied Pierre; ‘but he bade me not meddle with what did not concern me.’<br /><br />In fine, love and conscience triumphed over fear and servility, and as soon as the sun set behind the hills, Pierre Bloui started for Paris.<br /><br />How eagerly now did Manon reckon the days and hours that were to elapse before Victor could arrive. She had so imperfect an idea of the distance to be traversed, that after the third day she began hourly to expect him; but sun after sun rose and set, and no Victor appeared; and in the mean time, before the very windows of the house she dwelt in, she beheld preparations making day by day for the fatal ceremony. From early morn to dewy eve, the voices of the workmen, the hammering of the scaffolding, and the hum of the curious and excited spectators, who watched its progress, resounded in the ears of the unhappy Manon; for a witch-burning was a sort of auto da fe, like the burning of a heretic, and was anticipated as a grand spectacle, alike pleasing to gods and men, especially in the little town of Loques, where exciting scenes of any kind were very rare.<br /><br />Thus time crept on, and still no signs of rescue; whilst the anguish and remorse of the repentant sinner became unbearable.<br /><br />Now, Manon was not only a girl of strong passions but of a fearless spirit. Indeed the latter was somewhat the offspring of the former; for when her feelings were excited, not only justice and charity, as we have seen, were apt to be forgotten, but personal danger and feminine fears were equally overlooked in the tempest that assailed her. On the present occasion, her better feelings were in full activity. Her whole nature was aroused, self was not thought of, and to save the lives she had endangered by her folly, she would have gladly laid down her own. ‘For why live,’ thought she, ‘if my uncle and cousin die? I can never be happy again; besides, I must keep my promise and marry Pierre Bloui; and I had better lose my life in trying to expiate my fault than live to be miserable.’<br />Manon had a brother called Alexis, who was now at the wars; often and often, in this great strait, she had wished him at home; for she knew that he would have undertaken the mission to Paris for her, and so have saved her the sacrifice she had made in order to win Pierre to her purpose. Now, when Alexis lived at home, and the feuds between the king and the grand seigneurs had brought the battle to the very doors of the peasants of Auvergne, Manon had many a time braved danger in order to bring this much loved brother refreshments on his night watch; and he had, moreover, as an accomplishment which might be some time needed for her own defence, taught her to carry a gun and shoot at a mark.<br /><br />In those days of civil broil and bloodshed, country maidens were not unfrequently adept in such exercises. This acquirement she now determined to make available; and when the eve of the day appointed for the execution arrived without any tidings from Paris, she prepared to put her plan in practice. This was no other than to shoot the wolf herself, and, by producing it, to prove the falsity of the accusation. For this purpose, she provided herself with a young pig, which she slung in a sack over her shoulder, and with her brother’s gun on the other, and disguised in his habiliments, when the shadows of twilight fell upon the earth, the brave girl went forth into the forest on her bold enterprise alone.<br /><br />She knew that the moon would rise ere she reached her destination, and on this she reckoned for success. With a beating heart she traversed the broad glades, and crept through the narrow paths that intersected the wide woods till she reached the chestnut avenue where Pierre said he had seen the lame wolf. She was aware that old or disabled animals, who are rendered unfit to hunt their prey, will be attracted a long distance by the scent of food; so having hung her sack with the pig in it to the lower branch of a tree, she herself ascended another close to it, and then presenting the muzzle of her gun straight in the direction of the bag, she sat still as a statue; and there, for the present, we must leave her, whilst we take a peep into the prison of Loques, and see how the unfortunate victims of malice and superstition are supporting their captivity and prospect of approaching death.<br /><br /></div><div>Poor Michael Thilouze and his daughter had had a rude awakening from the joyous dreams in which they had both been wrapt. The old man’s journey to Paris had led to what he believed would prove the most glorious results. It was true that report had as usual exaggerated the success of his fellow labourer there. The Italian Alascer had not actually found the philosopher’s stone—but he was on the eve of finding it—one single obstacle stood in his way, and had for a considerable time arrested his progress; and as he was an old man, worn out by anxious thought and unremitting labour, who could scarcely hope to enjoy his own discovery, he consented to disclose to Michael not only all he knew, but also what was the insurmountable difficulty that had delayed his triumph. This precious stone, he had ascertained, which was not only to ensure to the fortunate possessor illimitable wealth, but perennial youth, could not be procured without the aid of a virgin, innocent, perfect, and pure; and, moreover, capable of inviolably keeping the secret which must necessarily be imparted to her.<br />‘Now,’ said the Italian, ‘virgins are to be had in plenty; but the second condition I find it impossible to fulfill; for they invariably confide what I tell them to some friend or lover; and thus the whole process becomes vitiated, and I am arrested on the very threshold of success.’<br /><br />Great was the joy of Michael on hearing this; for he well knew that Francoise, his pure, innocent, beautiful Francoise, could keep a secret; he had often had occasion to prove her fidelity; so bidding the Italian keep himself alive but for a little space, when he, in gratitude for what he had taught him, would return with the long sought for treasure, and restore him to health, wealth, and vigorous youth, the glad old man hurried back to Cabanis, and ‘set himself about it like the sea.’<br /><br />It was in performing the operation required of her that Francoise had so injured her hand that amputation had become unavoidable; and great as had been the joy of Michael was now his grief. Not only had his beloved daughter lost her hand, but the hopes he had built on her co-operation were forever annihilated; maimed and dismembered, she was no longer eligible to assist in the sublime process. But how much greater was his despair, when he learned the suspicions to which this strange coincidence had subjected her, and beheld the innocent, and till now happy girl, led by his side to a dungeon. For himself he cared nothing; for her everything. He was old and disappointed, and to die was little to him—but his Francoise, his young and beautiful Francoise, cut off in her bloom of years, and by so cruel and ignominious a death! And here they were in prison alone, helpless and forsaken! Absorbed in his studies, the poor physician had lived a solitary life; and his daughter, holding a rank a little above the peasantry and below the gentry, had had no companion but Manon, and she was now her bitterest foe; this at least they were told.<br /><br />How sadly and slowly, and yet how much too fleetly, passed the days that were to intervene betwixt the sentence and the execution. And where was Victor? Where were his vows of love and eternal faith? All, all forgotten. So thought Francoise, who, ignorant of his absence from the Chateau de Vardes, supposed him well acquainted with her distress.<br /><br />Thus believing themselves abandoned by the world, the poor father and daughter, in tears, and prayers, and attempts at mutual consolation, spent this sad interval, till at length the morning dawned that was to witness the us accomplishment of their dreadful fate. During the preceding night old Michael had never closed his eyes; but Francoise had fallen asleep shortly before sunrise, and was dreaming that it was her wedding day; and that, followed by the cheers of the villagers, Victor, the still beloved Victor, was leading her to the altar. The cheers awoke her, and with the smile of joy still upon her lips, she turned her face to her father.<br /><br />He was stretched upon the floor overcome by a burst of uncontrollable anguish at the sounds that had aroused her from her slumbers; for the sounds were real. The voices of the populace, crowding in from the adjacent country and villages to witness the spectacle, had pierced the thick walls of the prison and reached the cars and the hearts of the captives. Whilst the old man threw himself at her feet, and, pouring blessings on her fair young head, besought her pardon, Francoise almost forgot her own misery in his; and when the assistants came to lead them forth to execution, she not only exhorted him to patience, but supported with her arm the feeble frame that, wasted by age and grief, could furnish but little fuel for the flame that awaited them.<br /><br />Nobody would have imagined that in this thinly peopled neighbourhood so many persons could have been brought together as were assembled in the marketplace of Loques to witness the deaths of Michael Thilouze and his daughter. A scaffolding had been erected all round the square for the spectators—that designed for the gentry being adorned with tapestry and garlands of flowers. There sat, amongst others, the families of Montmorenci and De Vardes—all except the Lady Clemence, whose heart recoiled from beholding the death of her rival; although, no more enlightened than her age, she did not doubt the justice of the sentence that had condemned her. In the centre of the area was a pile of faggots, and near it stood the assistant executioners and several members of the church—priests and friars in their robes of black and grey.<br /><br />The prisoners, accompanied by a procession which was headed by the judge and terminated by the chief executioner of the law, were first marched round the square several times, in order that the whole of the assembly might be gratified with the sight of them; and then being placed in front of the pile, the bishop of the district, who attended in his full canonicals, commenced a mass for the souls of the unhappy persons about to depart this life under such painful circumstances, after which he pronounced a somewhat lengthy oration on the enormity of their crime, ending with an exhortation to confession and repentance.<br /><br />These, which constituted the whole of the preliminary ceremonies, being concluded, and the judge having read the sentence, to the effect, that, being found guilty of abominable and devilish magic arts, Michael and Francoise Thilouze were condemned to be burnt, especially for that the said Francoise, by her own arts, and those of her father, had bewitched the Count Victor de Vardes, and had sundry times visibly transformed herself into the shape of a wolf, and being caught in a trap, had thereby lost her hand, &c., the prisoners were delivered to the executioner, who prepared to bind them previously to their being placed on the pile.<br /><br />Then Michael fell upon his knees, and crying aloud to the multitude, besought them to spare his daughter, and to let him die alone; and the hearts of some amongst the people were moved. But from that part of the area where the nobility were seated, there issued a voice of authority, bidding the executioner proceed; so the old man and the young girl were placed upon the pile, and the assistants, with torches in their hands, drew near to set it alight, when a murmur arose from afar, then a hum of voices, a movement in the assembled crowd, which began to sway to and fro like the awing of vast waters.<br /><br />Then there was a cry of ‘Make way! make way! open a path! let her advance!’ and the crowd divided, and a path was opened, and there came forward, slowly and with difficulty pie, disheveled, with clothes torn and stained with blood Manon Thierry, dragging behind her a dead wolf. The crowd closed in as she advanced, and when she reached the centre of the arena, there was straightway a dead silence. She stood for a moment looking around, and when she saw where the persons in authority sat, she fell upon her knees and essayed to speak; but her voice was choked by emotion, no word escaped her lips; she could only point to the wolf, and plead for mercy by her looks; where her present anguish of soul, and the danger and terror she had lately encountered, were legibly engraved.<br /><br /></div><div>The appeal was understood, and gradually the voices of the people rose again—there was a reaction. They who had been so eager for the spectacle, were now ready to supplicate for the victims—the young girl’s heroism had conquered their sympathies. ‘Pardon! pardon!’ was the cry, and a hope awoke in the hearts of the captives. But the interest of the Montmorencis was too strong for that of the populace—the nobility stood by their order, and stern voices commanded silence, and that the ceremony should proceed; and once more the assistants brandished their torches and advanced to the pile; and then Manon, exhausted with grief, terror, and loss of blood, fell upon her face to the ground.<br />But now, again, there is a sound from afar, and all voices are hushed, and all ears are strained—it is the echo of a horse’s foot galloping over the drawbridge; it approaches; and again, like the surface of a stormy sea, the dense crowd is in motion; and then a path is opened, and a horse, covered with foam, is seen advancing, and thousands of voices burst forth into ‘Viva! Viva!’ The air rings with acclamations. The rider was Victor de Vardes, bearing in his hand the king’s order for arrest of execution.<br /><br />Pierre Bloui had faithfully performed his embassy; and the brave Henry IV., moved by the prayers and representations of the ardent lover, had hastily furnished him with a mandate commanding respite till further investigation.<br /><br />Kings were all-powerful in those days; and it was no sooner known that Henry was favourable to the lovers, than the harmlessness of Michael and his daughter was generally acknowledged; the production of the wolf wanting a foot being now considered as satisfactory a proof of their innocence, as the production of the foot wanting the wolf had formerly been of their guilt.<br />Strange human passions, subject to such excesses and to such revulsions! Michael Thilouze and his daughter happily escaped; and under the king’s countenance and protection, the young couple were married; but we need not remind such of our readers as are learned in the annals of witchcraft, how many unfortunate persons have died at the stake for crimes imputed to them, on no better evidence than this.<br /><br />As for the heiress of Montmorenci, she bore her loss with considerable philosophy. She would have married the young Count de Vardes without repugnance, but he had been too cold a lover to touch her heart or occasion regret; but poor Manon was the sacrifice for her own error. What manner of contest she had had with the wolf was never known, for she never sufficiently recovered from the state of exhaustion in which she had fallen to the earth, to be able to describe what had passed. Alone she had vanquished the savage animal, alone dragged it through the forest and the village, to the market square, where every human being able to stir, for miles round, was assembled; so that all other places were wholly deserted. The wolf had been shot, but not mortally; its death had evidently been accelerated by other wounds.<br /><br />Manon herself was much torn and lacerated; and on the spot where the creature had apparently been slain, was found her gun, a knife, and a pool of blood, in which lay several fragments of her dress: Though unable to give any connected account of her own perilous adventure, she was conscious of the happy result of her generous devotion; and before she died received the heartfelt forgiveness and earnest thanks of her uncle and cousin, the former of whom soon followed her to the grave. Despairing now of ever succeeding in his darling object, what was the world to him! He loved his daughter tenderly, but he was possessed with an idea, which it had been the aim and hope of his life to work out. She was safe and happy, and needed him no more; and the hope being dead, life seemed to ooze out with it.<br /><br />By the loss of that maiden’s hand, who can tell what we have missed! For doubtless it is the difficulty of fulfilling the last condition named by the Italian, which has been the real impediment in the way of all philosophers who have been engaged in alchemical pursuits; and we may reasonably hope, that when women shall have learned to hold their tongues, the philosopher’s stone will be discovered, and poverty and wrinkles thereafter cease to deform the earth.<br /><br />For long years after these strange events, over the portcullis of the old chateau of the De Vardes, till it fell into utter ruin, might be discerned the figure of a wolf, carved in stone, wanting one of its fore-feet; and underneath it the following inscription—‘In perpetuam rei memoriam.’<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ve5hTAskXO_TlB5-nnRC0cNtwHreYbWame1roF3hoDTuWgEboWYZD5OkX02-n9bTZDwK61tY0icna4DBLljoxfm8ENDtk1-jxKJCdXKzIxABLOsnaJLH9Slw0B6PXdeMco06Tvv_ILk/s1600/Best+Werewolf+Short+Stories-Frontcover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1059" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ve5hTAskXO_TlB5-nnRC0cNtwHreYbWame1roF3hoDTuWgEboWYZD5OkX02-n9bTZDwK61tY0icna4DBLljoxfm8ENDtk1-jxKJCdXKzIxABLOsnaJLH9Slw0B6PXdeMco06Tvv_ILk/s320/Best+Werewolf+Short+Stories-Frontcover.jpg" width="211" /></a></div><div style="text-align: center;">Buy today: <a href="http://andrewbarger.com/">AndrewBarger.com</a></div><br /><br /></div><div>#werewolfstories #bestwerewolfstories #classicwerewolfstories #CatherineCrowe #CatherineCrowewerewolf #CroweWeir-wolf #VintageWerewolves #FirstFemaleWerewolfStory</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-52803145759051912072023-10-20T12:14:00.006-04:002023-10-20T12:23:00.067-04:00Horror Short Story "What Was it?" by Irishman Fitz James O'Brien<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Veoup8oMR9iai4J2u3gTat4p7Xej-YlOosa81FC-dtUiVz4WpJMcNXOdsd-WF-3dpO0bgAbApTl-7UA04W70vpvXkGAfVso1Tk7kZBpR7bbXHoZ3C-WvViA3DGd4ErgQd5n_mpzvft8/s1600/Fitz_James_O%2527Brien_001.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Veoup8oMR9iai4J2u3gTat4p7Xej-YlOosa81FC-dtUiVz4WpJMcNXOdsd-WF-3dpO0bgAbApTl-7UA04W70vpvXkGAfVso1Tk7kZBpR7bbXHoZ3C-WvViA3DGd4ErgQd5n_mpzvft8/s320/Fitz_James_O%2527Brien_001.jpg" width="235" /></a></p><div style="text-align: center;"><b>Fitz James O’Brien</b></div><div style="text-align: center;"><b>(1828-1862)</b></div><br /><br />A number of Irish horror writers appear in my horror anthology <a href="http://www.andrewbarger.com/besthorrorshortstories1850.html" target="_blank">The Best Horror Short Stories 1850-1899: A 6a66le Horror Anthology</a>. Fitz James O’Brien is one of them. He was born in Cork, Ireland. His father was an attorney and O’Brien later attended Dublin University where Joseph Le Fanu published many of his classic ghost stories in <i>The Dublin University Magazine</i>. I can find no record that the two ever met.<div><br /></div><div>After the university, O’Brien moved to the United States where well-known publications like the <i>New York Times</i>, <i>Vanity Fair</i>, and <i>Harper’s Magazine</i> discovered his supernatural fiction. He was also a poet and wrote a number of poems in the scary short story genre including “The Gory Gnome” and “The Demon of the Gibbet.” In 1853 his first short story, “The Two-Skulls,” possessed certain elements of horror.<br /><br />The years 1858 and 1859 were watershed years for O’Brien’s fictional short stories in the horror and fantasy genres. His most popular was “The Diamond Lens” (1858), published in the <i>Atlantic Monthly</i>, which tells of a secret world found under a microscope. He also penned that same year “From Hand to Mouth,” which is a precursor to <i>Alice’s Adventures in Wonderland</i> (1865) in surrealistic fiction. In 1859 the <i>Atlantic Monthly</i> also printed O’Brien’s “The Wondersmith” where dolls are brought to life in a macabre fashion.<br /><br />That same year is when O’Brien published one of the best horror stories for the last half of the nineteenth century in “What Was it? A Mystery.” Apart from ghost stories, “What Was It?” employs the first use of invisibility in a horror story and perhaps the first in fiction. Invisibility would subsequently be used in the stories of many great authors. For instance, in 1881 Bram Stoker published “The Invisible Giant.” “What Was it?” also influenced Guy de Maupassant’s “Le Horla” (1886) and H. G. Wells’s <i>The Invisible Man</i> (1897).<br /><br />“What Was It?” shows that the power of the unseen can be the most frightening of all. It is the second oldest story in my anthology and plays its part in the annals of <a href="http://amzn.to/2zfkNXA" target="_blank">monster horror</a>.<br /><br />The story was a smashing success. As one editor put it, “Would you believe me, such an impression did this story make upon the American public, that inside of six week’s (sic) time, (20,000) twenty thousand letters came to the <i>Harpers’</i> (sic) office, full of queries and requests for further news.” It is set in New York on Twenty-sixth Street between Seventh and Eighth Avenues.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://amzn.to/3S7cFD6"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr3WbeP2PYSfloFhoHaNBtuHWJ9eqdJwt6C_tB-eNWk478SgqeOquzm8VD6oug0iRapUhfbys2_IKJVa8e17Y-qnaiIHi25zVqGWilqgCwZ2EM1hEHunJVmZfThRXzVbHfnFSY-5gyk6M/s320/BestHorror1850ebookfrontcover.jpg" width="213" /></a><span id="goog_257557884"></span><a href="https://draft.blogger.com/"></a><span id="goog_257557885"></span></div><br /><br /><div style="text-align: center;"><span style="font-size: large;"><b><a href="http://amzn.to/2zfkNXA" target="_blank">What Was It?</a></b></span></div><div style="text-align: center;"><span style="font-size: large;"><b>1859</b></span></div><br /><br />IT IS I confess, with considerable diffidence that I approach the strange narrative which I am about to relate. The events which I purpose detailing are of so extraordinary and unheard-of a character that I am quite prepared to meet with an unusual amount of incredulity and scorn. I accept all such beforehand. I have, I trust, the literary courage to face unbelief. I have, after mature consideration, resolved to narrate, in as simple and straightforward a manner as I can compass, some facts that passed under my observation in the month of July last, and which, in the annals of the mysteries of physical science, are wholly unparalleled.<br /><br />I live at No. — Twenty-sixth Street, in this city. The house is in some respects a curious one. It has enjoyed for the last two years the reputation of being haunted. It is a large and stately residence, surrounded by what was once a garden, but which is now only a green enclosure used for bleaching clothes. The dry basin of what has been a fountain, and a few fruit-trees, ragged and unpruned, indicate that this spot, in past days, was a pleasant, shady retreat, filled with fruits and flowers and the sweet murmur of waters.<br /><br />The house is very spacious. A hall of noble size leads to a vast spiral staircase winding through its center, while the various apartments are of imposing dimensions. It was built some fifteen or twenty years since by Mr. A — the well-known New York merchant, who five years ago threw the commercial world into convulsions by a stupendous bank fraud. Mr. A — as everyone knows, escaped to Europe, and died not long after of a broken heart. Almost immediately after the news of his decease reached this country, and was verified, the report spread in Twenty-sixth Street that No. —— was haunted. Legal measures had dispossessed the widow of its former owner, and it was inhabited merely by a care taker and his wife, placed there by the house agent into whose hands it had passed for purposes of renting or sale. These people declared that they were troubled with unnatural noises.<br /><br />Doors were opened without any visible agency. The remnants of furniture scattered through the various rooms were, during the night, piled one upon the other by unknown hands. Invisible feet passed up and down the stairs in broad daylight, accompanied by the rustle of unseen silk dresses, and the gliding of viewless hands along the massive balusters. The caretaker and his wife declared that they would live there no longer. The house agent laughed, dismissed them, and put others in their place. The noises and supernatural manifestations continued. The neighborhood caught up the story, and the house remained untenanted for three years. Several persons negotiated for it; but somehow, always before the bargain was closed, they heard the unpleasant rumors, and declined to treat any further.<br /><br />It was in this state of things that my landlady—who at that time kept a boardinghouse in Bleecker Street, and who wished to move farther up town—conceived the bold idea of renting No. —— Twenty-sixth Street. Happening to have in her house rather a plucky and philosophical set of boarders, she laid down her scheme before us, stating candidly everything she had heard respecting the ghostly qualities of the establishment to which she wished to remove us. With the exception of two timid persons—a sea captain and a returned Californian, who immediately gave notice that they would leave—all of Mrs. Moffat’s guests declared that they would accompany her in her chivalric incursion into the abode of spirits.<br /><br />Our removal was effected in the month of May, and we were all charmed with our new residence. The portion of Twenty-sixth Street where our house is situated—between Seventh and Eighth Avenues—is one of the pleasantest localities in New York. The gardens back of the houses, running down nearly to the Hudson, form, in the summer time, a perfect avenue of verdure. The air is pure and invigorating, sweeping, as it does, straight across the river from the Weehawken heights, and even the ragged garden which surrounded the house on two sides, although displaying on washing days rather too much clothesline, still gave us a piece of greensward to look at, and a cool retreat in the summer evenings, where we smoked our cigars in the dusk, and watched the fireflies flashing their dark-lanterns in the long grass.<br /><br />Of course we had no sooner established ourselves at No. —— than we began to expect the ghosts. We absolutely awaited their advent with eagerness. Our dinner conversation was supernatural. One of the boarders, who had purchased Mrs. Crowe’s Night Side of Nature for his own private delectation, was regarded as a public enemy by the entire household for not having bought twenty copies. The man led a life of supreme wretchedness while he was reading this volume. A system of espionage was established, of which he was the victim. If he incautiously laid the book down for an instant and left the room, it was immediately seized and read aloud in secret places to a select few.<br />I found myself a person of immense importance, it having leaked out that I was tolerably well versed in the history of supernaturalism, and had once written a story, entitled “The Pot of Tulips,” for Harper’s Monthly, the foundation of which was a ghost. If a table or a wainscot panel happened to warp when we were assembled in the large drawing-room, there was an instant silence, and everyone was prepared for an immediate clanking of chains and a spectral form.<br /><br />After a month of psychological excitement, it was with the utmost dissatisfaction that we were forced to acknowledge that nothing in the remotest degree approaching the supernatural had manifested itself. Once the black butler asseverated that his candle had been blown out by some invisible agency while he was undressing himself for the night; but as I had more than once discovered this colored gentleman in a condition when one candle must have appeared to him like two, I thought it possible that, by going a step farther in his potations, he might have reversed his phenomenon, and seen no candle at all where he ought to have beheld one.<br /><br />Things were in this state when an incident took place so awful and inexplicable in its character that my reason fairly reels at the bare memory of the occurrence. It was the tenth of July. After dinner was over I repaired with my friend, Dr. Hammond, to the garden to smoke my evening pipe. The Doctor and myself found ourselves in an unusually metaphysical mood. We lit our large meerschaums, filled with fine Turkish tobacco; we paced to and fro, conversing.<br /><br />A strange perversity dominated the currents of our thought. They would not flow through the sunlit channels into which we strove to divert them. For some unaccountable reason they constantly diverged into dark and lonesome beds, where a continual gloom brooded. It was in vain that, after our old fashion, we flung ourselves on the shores of the East, and talked of its gay bazaars, of the splendors of the time of Haroun, of harems and golden palaces. Black afreets continually arose from the depths of our talk, and expanded, like the one the fisherman released from the copper vessel, until they blotted everything bright from our vision.<br /><br />Insensibly, we yielded to the occult force that swayed us, and indulged in gloomy speculation. We had talked some time upon the proneness of the human mind to mysticism, and the almost universal love of the Terrible, when Hammond suddenly said to me, “What do you consider to be the greatest element of Terror?”<br /><br />The question, I own, puzzled me. That many things were terrible, I knew. Stumbling over a corpse in the dark; beholding, as I once did, a woman floating down a deep and rapid river, with wildly lifted arms, and awful, upturned face, uttering, as she sank, shrieks that rent one’s heart, while we, the spectators, stood frozen at a window which overhung the river at a height of sixty feet, unable to make the slightest effort to save her, but dumbly watching her last supreme agony and her disappearance. A shattered wreck, with no life visible, encountered floating listlessly on the ocean, is a terrible object, for it suggests a huge terror, the proportions of which are veiled. But it now struck me for the first time that there must be one great and ruling embodiment of fear, a King of Terrors to which all others must succumb. What might it be? To what train of circumstances would it owe its existence?<br /><br />“I confess, Hammond,” I replied to my friend, “I never considered the subject before. That there must be one Something more terrible than any other thing, I feel. I cannot attempt, however, even the most vague definition.”<br /><br />“I am somewhat like you, Harry,” he answered. “I feel my capacity to experience a terror greater than anything yet conceived by the human mind—something combining in fearful and unnatural amalgamation hitherto supposed incompatible elements. The calling of the voices in Brockden Brown’s novel of Wieland is awful; so is the picture of the Dweller of the Threshold, in Bulwer’s Zanoni; but,” he added, shaking his head gloomily, “there is something more horrible still than these.”<br /><br />“Look here, Hammond,” I rejoined, “let us drop this kind of talk, for Heaven’s sake!”<br /><br />“I don’t know what’s the matter with me tonight,” he replied, “but my brain is running upon all sorts of weird and awful thoughts. I feel as if I could write a story like Hoffman tonight, if I were only master of a literary style.”<br /><br />“Well, if we are going to be Hoffmanesque in our talk, I’m off to bed. How sultry it is! Goodnight, Hammond.”<br /><br />“Goodnight, Harry. Pleasant dreams to you.”<br /><br />“To you, gloomy wretch, afreets, ghouls, and enchanters.”<br /><br /></div><div>We parted, and each sought his respective chamber. I undressed quickly and got into bed, taking with me, according to my usual custom, a book, over which I generally read myself to sleep. I opened the volume as soon as I had laid my head upon the pillow, and instantly flung it to the other side of the room. It was Goudon’s <i>History of Monsters</i> —a curious French work, which I had lately imported from Paris, but which, in the state of mind I had then reached, was anything but an agreeable companion. I resolved to go to sleep at once; so, turning down my gas until nothing but a little blue point of light glimmered on the top of the tube, I composed myself to rest.<br /><br />The room was in total darkness. The atom of gas that still remained lighted did not illuminate a distance of three inches round the burner. I desperately drew my arm across my eyes, as if to shut out even the darkness, and tried to think of nothing. It was in vain. The confounded themes touched on by Hammond in the garden kept obtruding themselves on my brain. I battled against them. I erected ramparts of would-be blankness of intellect to keep them out. They still crowded upon me. While I was lying still as a corpse, hoping that by a perfect physical inaction I should hasten mental repose, an awful incident occurred. A Something dropped, as it seemed, from the ceiling, plumb upon my chest, and the next instant I felt two bony hands encircling my throat, endeavoring to choke me.</div><div><br />I am no coward, and am possessed of considerable physical strength. The suddenness of the attack, instead of stunning me, strung every nerve to its highest tension. My body acted from instinct, before my brain had time to realize the terrors of my position. In an instant I wound two muscular arms around the creature, and squeezed it, with all the strength of despair, against my chest. In a few seconds the bony hands that had fastened on my throat loosened their hold, and I was free to breathe once more. Then commenced a struggle of awful intensity.<br /><br />Immersed in the most profound darkness, totally ignorant of the nature of the Thing by which I was so suddenly attacked, finding my grasp slipping every moment, by reason, it seemed to me, of the entire nakedness of my assailant, bitten with sharp teeth in the shoulder, neck, and chest, having every moment to protect my throat against a pair of sinewy, agile hands, which my utmost efforts could not confine—these were a combination of circumstances to combat which required all the strength and skill and courage that I possessed.<br /><br />At last, after a silent, deadly, exhausting struggle, I got my assailant under by a series of incredible efforts of strength. Once pinned, with my knee on what I made out to be its chest, I knew that I was victor. I rested for a moment to breathe. I heard the creature beneath me panting in the darkness, and felt the violent throbbing of a heart. It was apparently as exhausted as I was; that was one comfort. At this moment I remembered that I usually placed under my pillow, before going to bed, a large yellow silk pocket handkerchief, for use during the night. I felt for it instantly; it was there. In a few seconds more I had, after a fashion, pinioned the creature’s arms.<br /><br />I now felt tolerably secure. There was nothing more to be done but to turn on the gas, and, having first seen what my midnight assailant was like, arouse the household. I will confess to being actuated by a certain pride in not giving the alarm before; I wished to make the capture alone and unaided.<br />Never losing my hold for an instant, I slipped from the bed to the floor, dragging my captive with me. I had but a few steps to make to reach the gas-burner; these I made with the greatest caution, holding the creature in a grip like a vice. At last I got within arm’s-length of the tiny speck of blue light which told me where the gas-burner lay. Quick as lightning I released my grasp with one hand and let on the full flood of light. Then I turned to look at my captive.<br /><br />I cannot even attempt to give any definition of my sensations the instant after I turned on the gas. I suppose I must have shrieked with terror, for in less than a minute afterward my room was crowded with the inmates of the house. I shudder now as I think of that awful moment. I saw nothing! Yes; I had one arm firmly clasped round a breathing, panting, corporeal shape, my other hand gripped with all its strength a throat as warm, and apparently fleshly, as my own; and yet, with this living substance in my grasp, with its body pressed against my own, and all in the bright glare of a large jet of gas, I absolutely beheld nothing! Not even an outline—a vapor!<br /><br />I do not, even at this hour, realize the situation in which I found myself. I cannot recall the astounding incident thoroughly. Imagination in vain tries to compass the awful paradox.<br />It breathed. I felt its warm breath upon my cheek. It struggled fiercely. It had hands. They clutched me. Its skin was smooth, like my own. There it lay, pressed close up against me, solid as stone—and yet utterly invisible!<br /><br />I wonder that I did not faint or go mad on the instant. Some wonderful instinct must have sustained me; for, absolutely, in place of loosening my hold on the terrible Enigma, I seemed to gain an additional strength in my moment of horror, and tightened my grasp with such wonderful force that I felt the creature shivering with agony.<br /><br />Just then Hammond entered my room at the head of the household. As soon as he beheld my face—which, I suppose, must have been an awful sight to look at—he hastened forward, crying, “Great heaven, Harry! what has happened?”<br /><br />“Hammond! Hammond!” I cried, “come here. Oh! this is awful! I have been attacked in bed by something or other, which I have hold of; but I can’t see it—I can’t see it!”<br /><br />Hammond, doubtless struck by the unfeigned horror expressed in my countenance, made one or two steps forward with an anxious yet puzzled expression. A very audible titter burst from the remainder of my visitors. This suppressed laughter made me furious. To laugh at a human being in my position! It was the worst species of cruelty. Now, I can understand why the appearance of a man struggling violently, as it would seem, with an airy nothing, and calling for assistance against a vision, should have appeared ludicrous. Then, so great was my rage against the mocking crowd that had I the power I would have stricken them dead where they stood.<br /><br />“Hammond! Hammond!” I cried again, despairingly, “for God’s sake come to me. I can hold the—the Thing but a short while longer. It is overpowering me. Help me! Help me!”<br /><br />“Harry,” whispered Hammond, approaching me, “you have been smoking too much.”<br /><br />“I swear to you, Hammond, that this is no vision,” I answered, in the same low tone. “Don’t you see how it shakes my whole frame with its struggles? If you don’t believe me, convince yourself. Feel it—touch it.”<br /><br />Hammond advanced and laid his hand on the spot I indicated. A wild cry of horror burst from him. He had felt it!<br /><br />In a moment he had discovered somewhere in my room a long piece of cord, and was the next instant winding it and knotting it about the body of the unseen being that I clasped in my arms.<br /><br />“Harry,” he said, in a hoarse, agitated voice, for, though he preserved his presence of mind, he was deeply moved, “Harry, it’s all safe now. You may let go, old fellow, if you’re tired. The Thing can’t move.”<br /><br />I was utterly exhausted, and I gladly loosed my hold.<br /><br />Hammond stood holding the ends of the cord that bound the Invisible, twisted round his hand, while before him, self-supporting as it were, he beheld a rope laced and interlaced, and stretching tightly round a vacant space. I never saw a man look so thoroughly stricken with awe. Nevertheless his face expressed all the courage and determination which I knew him to possess. His lips, although white, were set firmly, and one could perceive at a glance that, although stricken with fear, he was not daunted.<br /><br />The confusion that ensued among the guests of the house who were witnesses of this extraordinary scene between Hammond and myself—who beheld the pantomime of binding this struggling Something—who beheld me almost sinking from physical exhaustion when my task of jailer was over—the confusion and terror that took possession of the bystanders, when they saw all this, was beyond description. The weaker ones fled from the apartment. The few who remained clustered near the door, and could not be induced to approach Hammond and his Charge. Still incredulity broke out through their terror.<br /><br />They had not the courage to satisfy themselves, and yet they doubted. It was in vain that I begged of some of the men to come near and convince themselves by touch of the existence in that room of a living being which was invisible. They were incredulous, but did not dare to undeceive themselves. How could a solid, living, breathing body be invisible, they asked. My reply was this. I gave a sign to Hammond, and both of us—conquering our fearful repugnance to touch the invisible creature—lifted it from the ground, manacled as it was, and took it to my bed. Its weight was about that of a boy of fourteen.<br /><br />“Now, my friends,” I said, as Hammond and myself held the creature suspended over the bed, “I can give you self-evident proof that here is a solid, ponderable body which, nevertheless, you cannot see.<br />Be good enough to watch the surface of the bed attentively.”<br /><br />I was astonished at my own courage in treating this strange event so calmly; but I had recovered from my first terror, and felt a sort of scientific pride in the affair which dominated every other feeling.<br />The eyes of the bystanders were immediately fixed on my bed. At a given signal Hammond and I let the creature fall. There was the dull sound of a heavy body alighting on a soft mass. The timbers of the bed creaked. A deep impression marked itself distinctly on the pillow, and on the bed itself. The crowd who witnessed this gave a sort of low, universal cry, and rushed from the room. Hammond and I were left alone with our Mystery.<br /><br />We remained silent for some time, listening to the low, irregular breathing of the creature on the bed, and watching the rustle of the bedclothes as it impotently struggled to free itself from confinement. Then Hammond spoke.<br /><br />“Harry, this is awful.”<br /><br />“Aye, awful.”<br /><br />“But not unaccountable.”<br /><br />“Not unaccountable! What do you mean? Such a thing has never occurred since the birth of the world. I know not what to think, Hammond. God grant that I am not mad, and that this is not an insane fantasy!”<br /><br />“Let us reason a little, Harry. Here is a solid body which we touch, but which we cannot see. The fact is so unusual that it strikes us with terror. Is there no parallel, though, for such a phenomenon? Take a piece of pure glass. It is tangible and transparent. A certain chemical coarseness is all that prevents its being so entirely transparent as to be totally invisible. It is not theoretically impossible, mind you, to make a glass which shall not reflect a single ray of light—a glass so pure and homogeneous in its atoms that the rays from the sun shall pass through it as they do through the air, refracted but not reflected. We do not see the air, and yet we feel it.”<br /><br />“That’s all very well, Hammond, but these are inanimate substances. Glass does not breathe, air does not breathe. This thing has a heart that palpitates—a will that moves it—lungs that play, and inspire and respire.”<br /><br />“You forget the strange phenomena of which we have so often heard of late,” answered the Doctor, gravely. “At the meetings called ‘spirit circles,’ invisible hands have been thrust into the hands of those persons round the table—warm, fleshly hands that seemed to pulsate with mortal life.”<br />“What? Do you think, then, that this thing is—”<br /><br />“I don’t know what it is,” was the solemn reply; “but please the gods I will, with your assistance, thoroughly investigate it.”<br /><br />We watched together, smoking many pipes, all night long, by the bedside of the unearthly being that tossed and panted until it was apparently wearied out. Then we learned by the low, regular breathing that it slept.<br /><br />The next morning the house was all astir. The boarders congregated on the landing outside my room, and Hammond and myself were lions. We had to answer a thousand questions as to the state of our extraordinary prisoner, for as yet not one person in the house except ourselves could be induced to set foot in the apartment.<br /><br />The creature was awake. This was evidenced by the convulsive manner in which the bedclothes were moved in its efforts to escape. There was something truly terrible in beholding, as it were, those secondhand indications of the terrible writhings and agonized struggles for liberty which themselves were invisible.<br /><br />Hammond and myself had racked our brains during the long night to discover some means by which we might realize the shape and general appearance of the Enigma. As well as we could make out by passing our hands over the creature’s form, its outlines and lineaments were human. There was a mouth; a round, smooth head without hair; a nose, which, however, was little elevated above the cheeks; and its hands and feet felt like those of a boy. At first we thought of placing the being on a smooth surface and tracing its outline with chalk, as shoemakers trace the outline of the foot. This plan was given up as being of no value. Such an outline would give not the slightest idea of its conformation.<br /><br />A happy thought struck me. We would take a cast of it in plaster of Paris. This would give us the solid figure, and satisfy all our wishes. But how to do it? The movements of the creature would disturb the setting of the plastic covering, and distort the mold. Another thought. Why not give it chloroform? It had respiratory organs—that was evident by its breathing. Once reduced to a state of insensibility, we could do with it what we would. Doctor X—— was sent for; and after the worthy physician had recovered from the first shock of amazement, he proceeded to administer the chloroform.<br /><br />In three minutes afterward we were enabled to remove the fetters from the creature’s body, and a well-known modeler of this city was busily engaged in covering the invisible form with the moist clay. In five minutes more we had a mold, and before evening a rough facsimile of the mystery. It was shaped like a man—distorted, uncouth, and horrible, but still a man. It was small, not over four feet and some inches in height, and its limbs revealed a muscular development that was unparalleled. Its face surpassed in hideousness anything I had ever seen.<br /><br />Gustave Doré, or Callot, or Tony Johannot, never conceived anything so horrible. There is a face in one of the latter’s illustrations to “Un Voyage où il vous plaira,” which somewhat approaches the countenance of this creature, but does not equal it. It was the physiognomy of what I should have fancied a ghoul to be. It looked as if it was capable of feeding on human flesh.<br /><br />Having satisfied our curiosity, and bound everyone in the house to secrecy, it became a question what was to be done with our Enigma. It was impossible that we should keep such a horror in our house; it was equally impossible that such an awful being should be let loose upon the world. I confess that I would have gladly voted for the creature’s destruction. But who would shoulder the responsibility? Who would undertake the execution of this horrible semblance of a human being? Day after day this question was deliberated gravely. The boarders all left the house. Mrs. Moffat was in despair, and threatened Hammond and myself with all sorts of legal penalties if we did not remove the Horror. Our answer was, “We will go if you like, but we decline taking this creature with us. Remove it yourself if you please. It appeared in your house. On you the responsibility rests.”<br /><br />To this there was, of course, no answer. Mrs. Moffat could not obtain for love or money a person who would even approach the Mystery.<br /><br />The most singular part of the transaction was that we were entirely ignorant of what the creature habitually fed on. Everything in the way of nutriment that we could think of was placed before it, but was never touched. It was awful to stand by, day after day, and see the clothes toss, and hear the hard breathing, and know that it was starving.<br /><br />Ten, twelve days, a fortnight passed, and it still lived. The pulsations of the heart, however, were daily growing fainter, and had now nearly ceased altogether. It was evident that the creature was dying for want of sustenance. While this terrible life struggle was going on, I felt miserable. I could not sleep of nights. Horrible as the creature was, it was pitiful to think of the pangs it was suffering.<br />At last it died. Hammond and I found it cold and stiff one morning in the bed. The heart had ceased to beat, the lungs to inspire. We hastened to bury it in the garden. It was a strange funeral, the dropping of that viewless corpse into the damp hole. The cast of its form I gave to Dr. X — who keeps it in his museum in Tenth Street.<br /><br />As I am on the eve of a long journey from which I may not return, I have drawn up this narrative of an event the most singular that has ever come to my knowledge.<br /><br />NOTE. —It was rumored that the proprietors of a well-known museum in this city had made arrangements with Dr. X—— to exhibit to the public the singular cast which Mr. Escott deposited with him. So extraordinary a history cannot fail to attract universal attention.<br /><br /><br /><br /><div><div style="text-align: center;">Like Andrew Barger's Facebook page for new announcements: <a href="https://www.facebook.com/AuthorAndrewBarger/">https://www.facebook.com/AuthorAndrewBarger/</a></div><br /><br /><div>#WhatWasIt #BestHorrorShortStories #FitzJamesOBrien #HorrorStories #ClassicHorror</div></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-56364890349847051392023-10-07T16:42:00.008-04:002023-10-07T16:49:10.325-04:00Scary Short Story - The Legend of Sleepy Hollow - by Washington Irving<p style="text-align: center;"> <span style="text-align: center;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjecVlBrtuFeEkft4DNTneFs65rCh19NHDJj0GtKwHpfExYsfzSdIBSYKNqCcsJV4OPeDnoelW_UtEjg5TEMHpzbGhhjOLr93nZaCFM8bECT2dooTS9UedVKVIVeFdpHBwClbdntjvTmtZ1/s1600/220px-Irving-Washington-LOC.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="313" data-original-width="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjecVlBrtuFeEkft4DNTneFs65rCh19NHDJj0GtKwHpfExYsfzSdIBSYKNqCcsJV4OPeDnoelW_UtEjg5TEMHpzbGhhjOLr93nZaCFM8bECT2dooTS9UedVKVIVeFdpHBwClbdntjvTmtZ1/s1600/220px-Irving-Washington-LOC.jpg" /></a></p><div align="center" class="MsoNormal" style="text-align: center;"><b><span style="color: black; font-family: "times"; font-size: 13.5pt;">The Legend of Sleepy Hollow</span></b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div align="center" class="MsoNormal" style="text-align: center;"><b><span style="color: black; font-family: "times"; font-size: 13.5pt;">by</span></b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div align="center" class="MsoNormal" style="text-align: center;"><b><span style="color: black; font-family: "times"; font-size: 13.5pt;">Washington Irving</span></b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">“The Legend of Sleepy Hollow” is one of the most popular scary short stories for the first half of the nineteenth century given its continuing run in popular culture 200+ years later and the amount of commentary it has received; so much so that I included it in <a href="http://www.andrewbarger.com/bestghoststories1800.html"><span style="color: blue;">Phantasmal: The Best Ghost Short Stories 1800-1849</span></a>. It was published in Irving’s <i>The Sketch Book of Geoffrey Crayon</i> in 1820. Sir Walter Scott used his influence to popularize it in London. Irving lived a number of years in Europe and spent time with Scott in London, which prompted William Thackeray to remark that Irving was “the first ambassador whom the New World of Letters sent to the Old.” Nearly 200 years after its publication, the common perception is that the headless horseman theme was an entirely original figment of Washington Irving’s imagination.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was actually derived from Irish and German legends. In the former, a headless horseman is painted as a quick rider who races others but is not malevolent. This legend is alluded to by Washington Irving in the story when Brom Bones offers “to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.” In the German legend, an elderly man is forced to ride on the back of the headless horseman’s steed and is later thrown off a bridge into a brook. Similarly, in the story Irving tells of old Brouwer who met the horseman one night and was made to ride on his steed. “[T]hey galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the treetops with a clap of thunder.”<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Irving was the first to transpose these legends into a written story, which included his excellent characters and his unique twist. In sum, Irving brought the legends to life in only the way that he could, with ample comedy sprinkled about.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This does not sit well with some modern supernatural writers. H. P. Lovecraft is an example. To be sure, there was no room for comedic effect in the horror tales of Lovecraft. To him, humor spoiled horror. The kicker is that Lovecraft’s main flaw in his short tales is his lack of character generation, to which Washington Irving excelled through comedic effect. If Lovecraft is to be believed, “The Legend of Sleepy Hollow” has no place in this collection. After revisiting this tale I consider Lovecraft to be dead wrong. That is one of many reasons why “The Legend of Sleepy Hollow” is planted firmly among the other sequoia trees of literature found in my anthology.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This is the most comedic of the scary ghost stories that I have collected, yet the end is terrifyingly effective because of its great characters. We want to know about “the fate of poor Icabod”; he with his pointy elbows that stick out like grasshoppers’ while riding Gunpowder, his old plough horse. We care whether he makes it back to the blooming lass that is Katrina Van Tassel with his saddle slipping and the headless horseman bearing down. That is when Irving has us and we are at his supernatural mercy.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Only in rare instances does the comedic effect work in a scary ghost story and “The Legend of Sleepy Hollow” is a shining jack-o’-lantern example of when it does. Before you is one of the first supernatural tales with great characters penned that was penned in the English language. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbq7lGC3bZXrY8Rz35XHGTIjFOFL32p-8fkls4hpUxGfYRuhyphenhyphenGlOW8PdohE53ZmpTLKnx2m3oLUZNtI5PzjzyQz1KoxtiJG96_X67qh5PMZ-PW5SUqOjqjFEyohJquud27zOC7yGrlcOj/s1600/9781933747330+Front+Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="912" data-original-width="592" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbq7lGC3bZXrY8Rz35XHGTIjFOFL32p-8fkls4hpUxGfYRuhyphenhyphenGlOW8PdohE53ZmpTLKnx2m3oLUZNtI5PzjzyQz1KoxtiJG96_X67qh5PMZ-PW5SUqOjqjFEyohJquud27zOC7yGrlcOj/s320/9781933747330+Front+Cover.jpg" width="207" /></a></div><div align="center" class="MsoNormal" style="text-align: center;"><span style="color: blue; font-family: "times"; font-size: 13.5pt;"></span><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><br /></div><div align="center" class="MsoNormal" style="text-align: center;"><b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><a href="http://www.andrewbarger.com/bestghoststories1800.html"><span style="color: blue; font-size: 18pt;">The Legend of Sleepy Hollow</span></a></span></b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div align="center" class="MsoNormal" style="text-align: center;"><b><span style="color: black; font-family: "times"; font-size: 18pt;">(1820)</span></b><span style="color: black; font-family: "times"; font-size: 13.5pt;"><o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">A pleasing land of drowsy head it was, <o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Of dreams that wave before the half-shut eye; <o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">And of gay castles in the clouds that pass, <o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">For ever flushing round a summer sky.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"> Castle of Indolence. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">IN THE BOSOM OF one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail, and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This name was given it, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about three miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail, or tapping of a woodpecker, is almost the only sound that ever breaks in upon the uniform tranquillity.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut trees that shades one side of the valley. I had wandered into it at noon-time, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around, and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of SLEEPY HOLLOW, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighbouring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a high German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighbourhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across-the valley than in any other part of the country, and the night-mare, with her whole nine fold, seems to make it the favourite scene of her gambols. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk, hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church that is at no great distance.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege, that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of The Headless Horseman of Sleepy Hollow.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It is remarkable, that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative—to dream dreams, and see apparitions.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">I mention this peaceful spot with all possible laud; for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New-York, that population, manners, and customs, remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbour, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">In this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, “tarried,” in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weathercock perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">His school-house was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window-shutters; so that though a thief might get in with perfect ease, he would find some embarrassment in getting out;—an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eelpot. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The schoolhouse stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupil’s voices, conning over their lessons, might be heard of a drowsy summer’s day, like the hum of a beehive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command; or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, that ever bore in mind the golden maxim, “spare the rod and spoil the child.” —Ichabod Crane’s scholars certainly were not spoiled.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">I would riot have it imagined, however, that he was one of those cruel potentates of the school, who joy in the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burthen off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little, tough, wrong-headed, broad skirted Dutch urchin, who sulked and swelled and grew dogged and sullen beneath the birch. All this he called “doing his duty by their parents;” and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that “he would remember it and thank him for it the longest day he had to live.”<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">When school hours were over, he was even the companion and playmate of the larger boys; and on holyday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewifes for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers, whose children he instructed. With these he lived successively a week at a time, thus going the rounds of the neighbourhood, with all his worldly effects tied up in a cotton handkerchief.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">That all this might not be too onerous on the purses of his rustic patrons, who are apt to consider the costs of schooling a grievous burthen, and schoolmasters as mere drones, he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labours of their farms; helped to make hay; mended the fences; took the horses to water; drove the cows from pasture; and cut wood for the winter fire.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">He laid aside, too, all the dominant dignity and absolute sway, with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favour in the eyes of the mothers, by petting the children, particularly the youngest; and like the lion bold, which whilome so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together. In addition to his other vocations, he was the singing-master of the neighbourhood, and picked up many bright shillings by instructing the young folks in psalmody. <o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was a matter of no little vanity to him on Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation, and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the mill-pond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little make-shifts, in that ingenious way which is commonly denominated “by hook and by crook,” the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labour of head-work, to have a wonderful easy life of it.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The schoolmaster is generally a man of some importance in the female circle of a rural neighbourhood; being considered a kind of idle gentleman-like personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farm-house, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver tea-pot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overrun the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent mill-pond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s History of New-England Witchcraft, in which, by the way, he most firmly and potently believed.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather’s direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will from the hill side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl; or the sudden rustling in the thicket, of birds frightened from their roost.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch’s token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing Psalm tunes;—and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, “in linked sweetness long drawn out,” floating from the distant hill, or along the dusky road.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and sputtering along the hearth, and listen to their marvellous tales of ghosts, and goblins, and haunted fields and haunted brooks, and haunted bridges and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars, and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night!—With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window!—How often was he appalled by some shrub covered with snow, which like a sheeted spectre beset his very path!—How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him!—and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the galloping Hessian on one of his nightly scourings!<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">All these, however, were mere terrors of the night, phantoms of the mind, that walk in darkness: and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet day-light put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man, than ghosts, goblins, and the whole race of witches put together; and that was—a woman.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy-cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam; the tempting stomacher of the olden time, and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod Crane had a soft and foolish heart toward the sex; and it is not to be wondered at, that so tempting a morsel soon found favour in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within these, every thing was snug, happy, and well conditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His strong-hold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks, in which the Dutch farmers are so fond of nestling.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">A great elm-tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water, in a little well, formed of a barrel; and then stole sparkling away through the grass, to a neighbouring brook, that babbled along among alders and dwarf willows. Hard by the farm-house was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; and rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings, or buried in their bosoms, and others, swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Sleek, unwieldy porkers were grunting in the repose and abundance of their pens, from whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farm-yard, and guinea-fowls fretting about it like ill-tempered housewives, with their peevish, discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior, and a fine gentleman; clapping his burnished wings and crowing in the pride and gladness of his heart—sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The pedagogue’s mouth watered, as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind’s eye, he pictured to himself every roasting pig running about, with a pudding in its belly, and an apple in its mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey, but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savoury sausages; and even bright chanticleer himself, lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burthened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee—or the Lord knows where!<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">When he entered the house, the conquest of his heart was complete. It was one of those spacious farm-houses, with high-ridged, but lowly-sloping roofs built in the style handed down from the first Dutch settlers. The low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighbouring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wonderful Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Here, rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar, gave him a peep into the best parlour, where the claw-footed chairs, and dark mahogany tables, shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock-oranges and conch shells decorated the mantelpiece; strings of various coloured birds’ eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he, had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had any thing but giants, enchanters, fiery dragons, and such like easily conquered adversaries, to contend with; and had to make his way merely through gates of iron and brass, and walls of adamant to the castle-keep, where the lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie, and then the lady gave him her hand as a matter of course.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were for ever presenting new difficulties and impediments, and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart; keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Among these, the most formidable was a burley, roaring, roistering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rung with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">He was foremost at all races and cock-fights, and with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish good-humour at bottom. He had three or four boon companions of his own stamp, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather, he was distinguished by a fur cap, surmounted with a flaunting fox’s tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks, and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, “Ay, there goes Brom Bones and his gang!” The neighbours looked upon him with a mixture of awe, admiration, and good-will; and when any madcap prank, or rustic brawl occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries, and though his amorous toyings were something like the gentle caresses and endearments of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel’s paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, “sparking,” within, all other suitors passed by in despair, and carried the war into other quarters.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Such was the formidable rival with whom Ichabod Crane had to contend, and considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack —yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk!—he was as erect, and carried his head as high as ever.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">To have taken the field openly against his rival, would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently-insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farm-house; not that he had any thing to apprehend from the meddlesome interference of parents, which is so often a stumbling block in the path of lovers. Bait Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and like a reasonable man, and an excellent father, let her have her way in every thing.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">His notable little wife, too, had enough to do to attend to her housekeeping and manage the poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning wheel at one end of the piazza, honest Bait would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favourable to the lover’s eloquence.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for a man must battle for his fortress at every door and window. He that wins a thousand common hearts, is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined: his horse was no longer seen tied at the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare, and settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights errant of yore—by single combat; but Ichabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard the boast of Bones, that he would “double the schoolmaster up, and put him on a shelf;” and he was too wary to give him an opportunity. There was something extremely provoking in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod became the object of whimsical persecution to Bones, and his gang of rough riders. They harried his hitherto peaceful domains; smoked out his singing-school, by stopping up the chimney; broke into the schoolhouse at night, in spite of its formidable fastenings of withe and window-stakes, and turned every thing topsy-turvy; so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod’s, to instruct her in psalmody.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">In this way, matters went on for some time, without producing any material effect on the relative situations of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool from whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails, behind the throne, a constant terror to evil doers; while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins; such as half-munched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper game-cocks. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the school-room. It was suddenly interrupted by the appearance of a negro in tow-cloth jacket and trowsers, a round crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school-door with an invitation to Ichabod to attend a merry-making, or “quilting frolic,” to be held that evening at Mynheer Van Tassel’s; and having delivered his message with that air of importance, and effort at fine language, which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering away up the hollow, full of the importance and hurry of his mission.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">All was now bustle and hubbub in the late quiet school-room. The scholars were hurried through their lessons, without stopping at trifles; those who were nimble, skipped over half with impunity, and those who were tardy, had a smart application now and then in the rear, to quicken their speed, or help them over a tall word. Books were flung aside, without being put away on the shelves; inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time; bursting forth like a legion of young imps, yelping and racketing about the green, in joy at their early emancipation.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The gallant Ichabod now spent at least an extra half-hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his looks by a bit of broken looking-glass, that hung up in the school-house. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and thus gallantly mounted, issued forth like a knight errant in quest of adventures.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from his name, which was Gunpowder. He had, in fact, been a favourite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a sceptre, and as the horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called, and the skirts of his black coat fluttered out almost to the horse’s tail. Such was the appearance of Ichabod and his steed, as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighbouring stubble field.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered chirping and frolicking, from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cockrobin, the favourite game of stripling sportsmen, with its loud querulous note, and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker, with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red-tipt wings and yellow-tipt tail, and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding, and bobbing, and bowing, and pretending to be on good terms with every songster of the grove.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples, some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty-pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields, breathing the odour of the bee-hive, and as he beheld them, soft anticipations stole over his mind of dainty slapjacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Thus feeding his mind with many sweet thoughts and “sugared suppositions,” he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down into the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shadow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid-heaven.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was toward evening that Ichabod arrived at the castle of the Heer Van Tassel, which he found thronged with the pride and flower of the adjacent country. Old farmers, a spare leathern-faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk, withered little dames, in close crimped caps, long-waisted gowns, homespun petticoats, with scissors and pincushions, and gay calico pockets hanging on the outside. Buxom lasses, almost as antiquated as their mothers, excepting where a straw hat, a fine riband, or perhaps a white frock, gave symptoms of city innovations. The sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eelskin for the purpose, it being esteemed throughout the country, as a potent nourisher and strengthener of the hair.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Brom Bones, however, was the hero of the scene, having come to the gathering on his favourite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks which kept the rider in constant risk of his neck, for he held a tractable well broken horse as unworthy of a lad of spirit.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlour of Van Tassel’s mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country teatable, in the sumptuous time of autumn. Such heaped-up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty dough-nut, the tender oly-koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly tea-pot sending up its clouds of vapour from the midst—Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating, as some men’s do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendour. Then, he thought, how soon he’d turn his back upon the old school-house; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Old Baltus Van Tassel moved about among his guests with a face dilated with content and good-humour, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to “fall to, and help themselves.”<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro, who had been the itinerant orchestra of the neighbourhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped away on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought St. Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who, having gathered, of all ages and sizes, from the farm and the neighbourhood, stood forming a pyramid of shining black faces at every door and window; gazing with delight at the scene; rolling their white eye-balls, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? the lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with Old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawling out long stories about the war.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This neighbourhood, at the time of which I am speaking, was one of those highly favoured places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding, and infested with refugees, cow-boys, and all kind of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of Whiteplains, being an excellent master of defence, parried a musket-ball with a small-sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt; in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighbourhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, long-settled retreats; but are trampled under foot, by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap, and turn themselves in their graves, before their surviving friends have travelled away from the neighbourhood: so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel’s, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighbourhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favourite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patroling the country; and it is said, tethered his horse nightly among the graves in the churchyard.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The sequestered situation of this church seems always to have made it a favourite haunt of troubled spirits. It stands on a knoll, surrounded by locust trees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity, beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the day-time; but occasioned a fearful darkness at night. Such was one of the favourite haunts of the headless horseman, and the place where he was most frequently encountered.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">This story was immediately matched by a thrice marvellous adventure, of Brom Bones, who made light of the galloping Hessian as an arrant jockey. He affirmed, that on returning one night from the neighbouring village of Sing-Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">All these tales, told in that drowsy under tone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sunk deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favourite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter, until they gradually died away—and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a tete-a-tete with the heiress, fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chapfallen —Oh, these women! these women! Could that girl have been playing off any of her coquettish tricks?—Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival?—Heaven only knows, not I!—Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady’s heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks, roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was the very witching time of night that Ichabod, heavy-hearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farm-house away among the hills—but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog from a neighbouring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">All the stories of ghosts and goblins that he had heard in the afternoon, now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighbourhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It was connected with the tragical story of the unfortunate Andre, who had been taken prisoner hard by; and was universally known by the name of Major Andre’s tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill-starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered: it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused, and ceased whistling; but on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan—his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley’s Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge, was the severest trial. It was at this identical spot that the unfortunate Andre was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the school-boy who has to pass it alone after dark.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">As he approached the stream, his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot; it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder-bushes.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forwards, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents—“Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and shutting his eyes, broke forth with involuntary fervour into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound, stood at once in the middle of the road.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the galloping Hessian, now quickened his steed, in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind—the other did the same. His heart began to sink within him; he endeavoured to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">There was something in the moody and dogged silence of this pertinacious companion, that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck, on perceiving that he was headless! but his horror was still more increased, on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping, by a sudden movement, to give his companion the slip—but the spectre started full jump with him. Away, then, they dashed, through thick and thin; stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong down hill to the left. This road leads through a sandy hollow, shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story and just beyond swells the green knoll on which stands the whitewashed church.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">As yet the panic of the steed had given his unskillful rider an apparent advantage in the chase; but just as he had got half-way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavoured to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind—for it was his Sunday saddle; but this was no time for petty fears: the goblin was hard on his haunches; and, (unskillful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.<o:p></o:p></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprung upon the bridge; he thundered over the resounding planks; he gained the opposite side, and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavoured to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash—he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast—dinner-hour came, but no Ichabod. The boys assembled at the school-house, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church, was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper, as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small-clothes; a rusty razor; a book of psalm tunes full of dog’s ears; and a broken pitchpipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather’s History of Witchcraft, a New-England Almanac, and a book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted, by several fruitless attempts to make a copy of verses in honour of the heiress of Van Tassel.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">These magic books and the poetic scrawl were forthwith consigned to the names by Hans Van Ripper; who, from that time forward, determined to send his children no more to school; observing, that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter’s pay but a day or two before, he must have had about his person at the time of his disappearance.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others, were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion, that Ichabod had been carried off by the galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head any more about him; the school was removed to a different quarter of the Hollow, and another pedagogue reigned in his stead.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">It is true, an old farmer, who had been down to New-York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighbourhood partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time; had been admitted to the bar; turned politician; electioneered; written for the newspapers; and finally, had been made a Justice of the Ten Pound Court. <o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Brom Bones, too, who, shortly after his rival’s disappearance, conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">The old country wives, however, who are the best judges of these matters, maintain to this day, that Ichabod was spirited away by supernatural means; and it is a favourite story often told about the neighbourhood round the winter evening fire. The bridge became more than ever an object of superstitious awe; and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The schoolhouse being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy Psalm tune among the tranquil solitudes of Sleepy Hollow.<o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">Like my Facebook Page: <a href="http://www.facebook.com/AuthorAndrewBarger/"><span style="color: blue;">http://www.facebook.com/AuthorAndrewBarger/</span></a><o:p></o:p></span></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div><div class="MsoNormal"><span style="color: black; font-family: "times"; font-size: 13.5pt;">#LegendofSleppyHollow #HalloweenStories #HolloweenStories #scaryshortstories #classichorror #irvingghoststory<o:p></o:p></span></div><div><span style="color: black; font-family: "times"; font-size: 13.5pt;"><br /></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-8974409029031859012023-09-29T16:08:00.000-04:002023-09-29T16:08:02.009-04:00Coffins for Sale on Amazon!<p style="text-align: center;"><b> Coffins Delivered to Your Door</b></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8aBvirgTj_ocHAeh8g-ZG4GXAgX_yMlyGdxFm6hvPz_uNjsnYspPzwBOe8PJGvdfDh0kjuWMpOPNFPh8x3QQ2Q57dKjdQe8vfe8BnYSAZpf-7k0fuuwYrdEwMdLBQxdpbLM95SsSJeJCcnbG6Uvknlt-i2BEeBOMB3w0o42I7RaiDNoQjQofaC5gw_tu3/s798/Amazon%20Coffin.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="562" data-original-width="798" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8aBvirgTj_ocHAeh8g-ZG4GXAgX_yMlyGdxFm6hvPz_uNjsnYspPzwBOe8PJGvdfDh0kjuWMpOPNFPh8x3QQ2Q57dKjdQe8vfe8BnYSAZpf-7k0fuuwYrdEwMdLBQxdpbLM95SsSJeJCcnbG6Uvknlt-i2BEeBOMB3w0o42I7RaiDNoQjQofaC5gw_tu3/s320/Amazon%20Coffin.png" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div>Just searched Amazon to see if it offered coffins, and little to my surprise, the world's largest online retailer offers coffins. And they are shipped right to your door. One would think the shipping costs alone would make it prohibitive, but not with Amazon. The site offers free delivery to your house. Imagine the size of the box alone. There has to be a scary short story here.<p></p><p>For $7,180 you can get your very own coffin delivered to your door with not a minute to spare. The "<a href="https://amzn.to/3PB1FuS">TWW Coffin Elegant Style Coffin</a>" is "Half-Opening" and "100 percent Environmentally Friendly." The coffin has a 5 star rating. I wonder who has tried it out? The review states:</p><div class="a-row" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; width: 680px;"><a class="a-size-base a-link-normal review-title a-color-base review-title-content a-text-bold" data-hook="review-title" href="https://www.amazon.com/gp/customer-reviews/R3QRKZ5UU8M5YM/ref=cm_cr_dp_d_rvw_ttl?ie=UTF8&ASIN=B08NFBX3R4" style="box-sizing: border-box; color: #0f1111; font-weight: 700 !important; line-height: 20px !important; text-decoration-line: none;"><i class="a-icon a-icon-star a-star-5 review-rating" data-hook="review-star-rating" style="background-image: url("https://m.media-amazon.com/images/S/sash/6dUGEhUS6xmUcyj.png"); background-position: -2px -2px; background-repeat: no-repeat; background-size: 512px 512px; box-sizing: border-box; display: inline-block; height: 18px; position: relative; vertical-align: text-top; width: 80px;"><span class="a-icon-alt" style="box-sizing: border-box; clip-path: circle(0px); display: block; font-size: inherit; height: 18px; left: auto; line-height: normal; opacity: 0; overflow: hidden; position: absolute; top: auto; width: 80px;">5.0 out of 5 stars</span></i><span class="a-letter-space" style="box-sizing: border-box; display: inline-block; width: 0.385em;"></span> <span style="box-sizing: border-box;">No complaints from grandma</span></a></div><p><span class="a-size-base a-color-secondary review-date" data-hook="review-date" style="background-color: white; box-sizing: border-box; color: rgb(86, 89, 89) !important; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; line-height: 20px !important;">Reviewed in the United States on June 25, 2023</span></p><div class="a-row a-spacing-mini review-data review-format-strip" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; margin-bottom: 4px !important; width: 680px;"><span class="a-color-secondary" data-hook="format-strip-linkless" style="box-sizing: border-box; color: rgb(86, 89, 89) !important;">Color: Orange</span></div><div class="a-row a-spacing-small review-data" style="background-color: white; box-sizing: border-box; color: #0f1111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; margin-bottom: 8px !important; width: 680px;"><span class="a-size-base review-text" data-hook="review-body" style="box-sizing: border-box; line-height: 20px !important;">Didn't hear any complaining after we put her in</span></div><p>The elegant coffin is described by the seller as "The Best Gift for Loved Ones." As for my loved ones, I do not believe they would enjoy getting a coffin from me, even as a gift. Just saying.</p><p>The description states that it can be used "for storing the favorite toys, food, books, living room supplies, bathroom supplies, etc." This needs no comment.</p><p>So, if one of your loved ones is in need of a coffin, you can get free shipping right to their front door.</p><p><br /></p><p>#coffins #amazoncoffin #freecoffindelivery</p><p> </p><p><br /></p><p><br /></p><p><br /></p><p><br /></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-12305754345829781262023-09-29T15:44:00.003-04:002023-09-29T15:44:43.820-04:00Scary Stories of Being Buried Alive by Edgar Allan Poe<p> </p><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrtvZzXpGKr4oYP_ZqxTro5fHJpGajBNN4hTXZnw-9CJCyLMmvASKoTYpujZmamPkwCdOxRAIPzI4U2BHZ2rWtIRSspCvR6nixDJPOs5cyq1PtjwT0b4hGPKPM6_ZUda0gutL8bbfLMl4/s1600/Alarm+Coffin.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrtvZzXpGKr4oYP_ZqxTro5fHJpGajBNN4hTXZnw-9CJCyLMmvASKoTYpujZmamPkwCdOxRAIPzI4U2BHZ2rWtIRSspCvR6nixDJPOs5cyq1PtjwT0b4hGPKPM6_ZUda0gutL8bbfLMl4/s400/Alarm+Coffin.jpg" width="325" /></a><br /><div style="text-align: center;"><br /></div><br /><br /><div style="text-align: center;"><b>Buried Alive!</b></div><br /><br />In the nineteenth century many had a fear of being buried alive. There were reports of people being in a near-death state and being pronounced dead by hack doctors of the day. Atlas Obscura published a nice article about some of the contraptions invented so people could alert those above ground that they were still alive in their coffin.<br /><br /><a href="http://www.atlasobscura.com/articles/users-guide-to-definitive-death">http://www.atlasobscura.com/articles/users-guide-to-definitive-death</a><br /><br /><br /><br /><br /><br /><br /><br /><br />Of course <a href="http://www.andrewbarger.com/index.html" target="_blank">Edgar Allan Poe</a>, being . . . well . . . Edgar Allan Poe, could not resist playing on these fears. In 1844, only months after the above patent issued on November 15, 1843, he wrote "The Premature Burial" and published it in the <i>Philadelphia Dollar Newspaper</i>. Enjoy!<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/s1600/poe1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="345" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/s320/poe1.jpg" width="245" /></a></div><br /><br /><div class="indenttxt" style="padding: 0px 3em; text-align: center;"><div style="font-size: 32px; font-weight: bold; padding-bottom: 0.5em;">ORIGINAL STORIES.</div><div class="ornline">———————————————</div><div style="padding-bottom: 0.5em; padding-top: 0.5em;">[Written for the Philadelphia Dollar Newspaper.]</div><h1 class="txtttl" style="font-size: 24px; font-weight: normal;"><a href="http://www.andrewbarger.com/edgarallanpoeshortstories.html" target="_blank">THE PREMATURE BURIAL.</a></h1><div class="ornline">——</div><div class="nofeed" style="padding: 0px;">BY EDGAR A. POE, ESQ., AUTHOR OF THE POPULAR PRIZE STORY, “THE GOLD-BUG,” &c.</div><div class="ornline">——</div></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">There are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend, or to disgust. They are with propriety handled, only when the severity and majesty of Truth sanctify and sustain them. We thrill, for example, with the most intense of “pleasurable pain,” over the accounts of the Passage of the Beresina, of the Earthquake at Lisbon, of the Plague at London, of the Massacre of St. Bartholomew, or of the stifling of the hundred and twenty-three prisoners in the Black Hole at Calcutta. But, in these accounts, it is the fact — it is the reality — it is the history which excites. As inventions, we should regard them with simple abhorrence.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">I have mentioned some few of the more prominent and august calamities upon record; but, in these, it is the extent, not less than the character of the calamity, which so vividly impresses the fancy. I need not remind the reader that, from the long and weird catalogue of human miseries, I might have selected many individual instances more replete with essential suffering than any of these vast generalities of disaster. The true wretchedness, indeed — the ultimate woe — is particular, not diffuse. That the ghastly extremes of agony are endured by man the unit, and never by man the mass — for this let us thank a merciful God!</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">To be buried while alive, is, beyond question, the most terrific of these extremes which has ever fallen to the lot of mere mortality. That it has frequently, very frequently, so fallen, will scarcely be denied by those who think. The boundaries which divide Life from Death, are at best shadowy and vague. Who shall say where the one ends, and where the other begins? We know that there are diseases in which occur total cessations of all the apparent functions of vitality, and yet in which these cessations are merely suspensions, properly so called. They are only temporary pauses in the incomprehensible mechanism. A certain period elapses, and some unseen mysterious principle again sets in motion the magic pinions and the wizard wheels. The silver cord was not forever loosed, nor the golden bowl irreparably broken. But where, meantime, was the soul?</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Apart, however, from the inevitable conclusion, <i>à priori</i>, that such causes must produce such effects — that the well known occurrence of such cases of suspended animation must naturally give rise, now and then, to premature interments — apart from this consideration, we have the direct testimony of medical and ordinary experience, to prove that a vast number of such interments have actually taken place. I might refer, at once, if necessary, to a hundred well authenticated instances. One of very remarkable character, and of which the circumstances may be fresh in the memory of some of my readers, occurred, not very long ago, in the neighboring city of Baltimore, where it occasioned a painful, intense, and widely extended excitement. The wife of one of the most respectable citizens — a lawyer of eminence and a member of Congress — was seized with a sudden and unaccountable illness, which completely baffled the skill of her physicians. After much suffering she died, or was supposed to die. No one suspected, indeed, or had reason to suspect, that she was not actually dead. She presented all the ordinary appearances of death. The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lustreless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity. The funeral, in short, was hastened, on account of the rapid advance of what was supposed to be decomposition.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The lady was deposited in her family vault, which, for three subsequent years, was undisturbed. At the expiration of this term, it was opened for the reception of a sarcophagus; — but, alas! how fearful a shock awaited the husband, who, personally, threw open the door. As its portals swung outwardly back, some white-apparelled object fell rattling within his arms. It was the skeleton of his wife in her yet unmoulded shroud.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">A careful investigation rendered it evident that she had revived within two days after her entombment — that her struggles within the coffin had caused it to fall from a ledge, or shelf, to the floor, where it was so broken as to permit her escape. A lamp which had been accidentally left, full of oil, within the tomb, was found empty; it might have been exhausted, however, by evaporation. On the uppermost of the steps which led down into the dread chamber, was a large fragment of the coffin, with which, it seemed that she had endeavored to arrest attention, by striking the iron door. While thus occupied, she probably swooned, or possibly died, through sheer terror; and, in falling, her shroud became entangled in some iron-work which projected interiorly. Thus she remained, and thus she rotted, erect.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">In the year 1810, a case of living inhumation happened in France, attended with circumstances which go far to warrant the assertion that truth is, indeed, stranger than fiction. The heroine of the story was a Mademoiselle Victorine Lafourcade, a young girl of illustrious family, of wealth, and of great personal beauty. Among her numerous suitors was Julian Bossuet, a poor <i>litterateur</i>, or journalist, of Paris. His talents, and general amiability, had recommended him to the notice of the heiress, by whom he seems to have been truly beloved; but her pride of birth decided her, finally, to reject him, and to wed a Monsieur Rénelle, a banker, and a diplomatist of some eminence. After marriage, however, this gentleman neglected, and, perhaps, even more positively ill-treated her. Having passed with him some wretched years, she died, — at least her condition so closely resembled death as to deceive every one who saw her. She was buried — not in a vault — but in an ordinary grave in the village of her nativity. Filled with despair, and still inflamed by the memory of a profound attachment, the lover journeys from the capital to the remote province in which the village lies, with the romantic purpose of disinterring the corpse, and possessing himself of its luxuriant tresses. He reaches the grave. At midnight he unearths the coffin, opens it, and is in the act of detaching the hair, when he is arrested by the unclosing of the beloved eyes. In fact, the lady had been buried alive. Vitality had not altogether departed; and she was aroused, by the caresses of her lover, from the lethargy which had been mistaken for death. He bore her frantically to his lodgings in the village. He employed certain powerful restoratives suggested by no little medical learning. In fine, she revived. She recognized her preserver. She remained with him until, by slow degrees, she fully recovered her original health. Her woman’s heart was not adamant, and this last lesson of love sufficed to soften it. She bestowed it upon Bossuet. She returned no more to her husband, but concealing from him her resurrection, fled, with her lover, to America. Twenty years afterwards, the two returned to France, in the persuasion that time had so greatly altered the lady’s appearance, that her friends would be unable to recognize her. They were mistaken, however; for, at the first meeting, Monsieur Rénelle did actually recognize and make claim to his wife. This claim she resisted; and a judicial tribunal sustained her in her resistance; deciding that the peculiar circumstances, with the long lapse of years, had extinguished, not only equitably but legally, the authority of the husband.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The “Chirurgical Journal” of Leipsic — a periodical, of high authority and merit, which some American bookseller would do well to translate and republish — records, in a late number, a very distressing event of the character in question.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">An officer of artillery, a man of gigantic stature and of robust health, being thrown from an unmanageable horse, received a very severe contusion upon the head, which rendered him insensible at once; the skull was slightly fractured; but no immediate danger was apprehended. Trepanning was accomplished successfully. He was bled, and many other of the ordinary means of relief were adopted. Gradually, however, he fell into a more and more hopeless state of stupor; and, finally, it was thought that he died.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The weather was warm; and he was buried, with indecent haste, in one of the public cemeteries. His funeral took place on Thursday. On the Sunday following, the grounds of the cemetery were, as usual, much thronged with visiters; and, about noon, an intense excitement was created by the declaration of a peasant that, while sitting upon the grave of the officer, he had distinctly felt a commotion of the earth, as if occasioned by some one struggling beneath. At first little attention was paid to the man’s asseveration; but his evident terror, and the dogged obstinacy with which he persisted in his story, had, at length, their natural effect upon the crowd. Spades were hurriedly procured, and the grave, which was shamefully shallow, was, in a few minutes, so far thrown open that the head of its occupant appeared. He was then, seemingly, dead; but he sat nearly erect within his coffin, the lid of which, in his furious struggles, he had partially uplifted.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">He was forthwith conveyed to the nearest Hospital, and there pronounced to be still living, although in an asphytic condition. After some hours he revived, recognized individuals of his acquaintance; and, in broken sentences, spoke of his agonies in the grave.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">From what he related, it was clear that he must have been conscious of life for more than an hour, while inhumed, before lapsing into insensibility. The grave was carelessly and loosely filled with an exceedingly porous soil; and thus some air was necessarily admitted. He heard the footsteps of the crowd overhead, and endeavored to make himself heard in turn. It was the tumult within the grounds of the cemetery, he said, which appeared to awaken him from a deep sleep — but no sooner was he awake than he became fully aware of the awful horrors of his position.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">This patient, it is recorded, was doing well, and seemed to be in a fair way of ultimate recovery, but fell a victim to the quackeries of medical experiment. The galvanic battery was applied; and he suddenly expired in one of those ecstatic paroxysms which, occasionally, it superinduces.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The mention of the galvanic battery, nevertheless, recalls to my memory a well known and very extraordinary case in point, where its action proved the means of restoring to animation a young attorney of London who had been interred for two days. This occurred in 1821, and created, at the time, a very profound sensation wherever it was made the subject of converse.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The patient, Mr. Edward Stapleton, had died, apparently, of typhus fever, accompanied with some anomalous symptoms which had excited the curiosity of his medical attendants. Upon his seeming decease, his friends were requested to sanction a <i>post mortem</i> examination, but declined to permit it. As often happens when such refusals are made, the practitioners resolved to disinter the body and dissect it at leisure, in private. Arrangements were easily effected with some of the numerous corps of body-snatchers with which London abounds; and, upon the third night after the funeral, the supposed corpse was unearthed from a grave eight feet deep, and deposited in the operating chamber of one of the private hospitals.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">An incision of some extent had been actually made in the abdomen, when the fresh and undecayed appearance of the subject suggested an application of the battery. One experiment succeeded another, and the customary effects supervened, with nothing to characterize them in any respect, except, upon one or two occasions, a more than ordinary degree of life-likeness in the convulsive action.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">It grew late. The day was about to dawn; and it was thought expedient, at length, to proceed at once to the dissection. A student, however, was especially desirous of testing a theory of his own, and insisted upon applying the battery to one of the pectoral muscles. A rough gash was made, and a wire hastily brought in contact; when the patient, with a hurried but quite unconvulsive movement, arose from the table, stepped into the middle of the floor, gazed about him uneasily for a few seconds, and then — spoke. What he said was unintelligible; but words were uttered; the syllabification was distinct. Having spoken, he fell heavily to the floor.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">For some moments all were paralyzed with awe — but the urgency of the case soon restored them their presence of mind. It was seen that Mr. Stapleton was alive, although in a swoon. Upon exhibition of ether he revived and was rapidly restored to health, and to the society of his friends — from whom, however, all knowledge of his resuscitation was withheld, until a relapse was no longer to be apprehended. Their wonder — their rapturous astonishment — may be conceived.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The most thrilling peculiarity of this incident, nevertheless, is involved in what Mr. S. himself asserts. He declares that at no period was he altogether insensible — that, dully and confusedly, he was aware of every thing which happened to him, from the moment in which he was pronounced <i>dead</i> by his physicians, to that in which he fell swooning to the floor of the Hospital. “I am alive” were the uncomprehended words which, upon recognizing the locality of the dissecting-room, he had endeavored, in his extremity, to utter.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">It were an easy matter to multiply such histories as these — but I forbear — for, indeed, we have no need of such to establish the fact that premature interments occur. When we reflect how very rarely, from the nature of the case, we have it in our power to detect them, we must admit that they may <i>frequently</i> occur without our cognizance. Scarcely, in truth, is a graveyard ever encroached upon, for any purpose, to any great extent, that skeletons are not found in postures which suggest the most fearful of suspicions.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Fearful indeed the suspicion — but more fearful the doom! It may be asserted, without hesitation, that <i>no</i> event is so terribly well adapted to inspire the supremeness of bodily and of mental distress, as is burial before death. The unendurable oppression of the lungs — the stifling fumes from the damp earth — the clinging of the death garments — the rigid embrace of the narrow house — the blackness of the absolute Night — the silence like a sea that overwhelms — the unseen but palpable presence of the Conqueror Worm — these things, with thoughts of the air and grass above, with memory of dear friends who would fly to save us if but informed of our fate, and with consciousness that of this fate they can <i>never</i> be informed — that our hopeless portion is that of the really dead — these considerations, I say, carry into the heart, which still palpitates, a degree of appalling and intolerable horror from which the most daring imagination must recoil. We know of nothing so agonizing upon Earth — we can dream of nothing half so hideous in the realms of the nethermost Hell. And thus all narratives upon this topic have an interest profound; an interest, nevertheless, which, through the sacred awe of the topic itself, very properly and very peculiarly depends upon our conviction of the <i>truth</i>of the matter narrated. What I have now to tell, is of my own actual knowledge — of my own positive and personal experience.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">For several years I had been subject to attacks of the singular disorder which physicians have agreed to term catalepsy, in default of a more definitive title. Although both the immediate and the predisposing causes, and even the actual diagnosis, of this disease, are still mysteries, its obvious and apparent character is sufficiently well understood. Its variations seem to be chiefly of degree. Sometimes the patient lies, for a day only, or even for a shorter period, in a species of exaggerated lethargy. He is senseless and externally motionless; but the pulsation of the heart is still faintly perceptible; some traces of warmth remain; a slight color lingers within the centre of the cheek; and, upon application of a mirror to the lips, we can detect a torpid, unequal, and vacillating action of the lungs. Then again the duration of the trance is for weeks — even for months; while the closest scrutiny, and the most rigorous medical tests, fail to establish any material distinction between the state of the sufferer and what we conceive of absolute death. Very usually, he is saved from premature interment solely by the knowledge of his friends that he has been previously subject to catalepsy, by the consequent suspicion excited, and, above all, by the non-appearance of decay. The advances of the malady are, luckily, gradual. The first manifestations, although marked, are unequivocal. The fits grow successively more and more distinctive, and endure each for a longer term than the preceding. In this lies the principal security from inhumation. The unfortunate whose <i>first</i> attack should be of the extreme character which is occasionally seen, would almost inevitably be consigned alive to the tomb.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">My own case differed in no important particular from those mentioned in medical books. Sometimes, without any apparent cause, I sank, little by little, into a condition of hemi-syncope, or half swoon; and, in this condition, without pain, without ability to stir, or, strictly speaking, to think, but with a dull lethargic consciousness of life and of the presence of those who surrounded my bed, I remained, until the crisis of the disease restored me, suddenly, to perfect sensation. At other times I was quickly and impetuously smitten. I grew sick, and numb, and chilly, and dizzy, and so fell prostrate at once. Then, for weeks, all was void, and black, and silent, and Nothing became the universe. Total annihilation could be no more. From these latter attacks I awoke, however, with a gradation slow in proportion to the suddenness of the seizure. Just as the day dawns to the friendless and houseless beggar who roams the streets throughout the long desolate winter night — just so tardily — just so wearily — just so cheerily came back the light of the Soul to me.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Apart from the tendency to trance, however, my general health appeared to be good; nor could I perceive that it was at all affected by the one prevalent malady — unless, indeed, an idiosyncrasy in my ordinary <i>sleep</i> may be looked upon as superinduced. Upon awaking from slumber, I could never gain, at once, thorough possession of my senses, and always remained, for many minutes, in much bewilderment and perplexity; — the mental faculties in general, but the memory in especial, being in a condition of absolute abeyance.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">In all that I endured there was no physical suffering, but of moral distress an infinitude. My fancy grew charnel. I talked “of worms, of tombs and epitaphs.” I was lost in reveries of death, and the idea of premature burial held continual possession of my brain. The ghastly Danger to which I was subjected, haunted me day and night. In the former, the torture of <span class="pgloc" style="color: #006401; font-weight: bold;">[column 3:]</span> meditation was excessive — in the latter, supreme. When the grim Darkness overspread the Earth, then, with very [[every]] horror of thought, I shook — shook like the quivering plumes upon the hearse. When Nature could endure wakefulness no longer, it was with a struggle that I consented to sleep — for I shuddered to reflect that, upon awaking, I might find myself the tenant of a grave. And when, finally, I sank into slumber, it was only to rush at once into a world of phantasms, above which, with vast, sable, overshadowing wing, hovered, predominant, the one sepulchral Idea.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">From the innumerable images of gloom which thus oppressed me in dreams, I select for record but a solitary vision. Methought I was immersed in a cataleptic trance of more than usual duration and profundity. Suddenly there came an icy hand upon my forehead, and an impatient, gibbering voice whispered the word “Arise!” within my ear.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">I sat erect. The darkness was total. I could not see the figure of him who had aroused me. I could call to mind neither the period at which I had fallen into the trance, nor the locality in which I then lay. While I remained motionless, and busied in endeavors to collect my thoughts, the cold hand grasped me fiercely by the wrist, shaking it petulantly, while the gibbering voice said again:</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“Arise! did I not bid thee arise?”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“And who,” I demanded, “art thou?”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“I am called <i>Shadow</i> in the regions which I inhabit,” replied the voice mournfully; “I was mortal, but am fiend. I was merciless, but am pitiful. Thou dost feel that I shudder. My teeth chatter as I speak, yet it is not with the chilliness of the night — of the night without end. But this hideousness is insufferable. How canst <i>thou</i> tranquilly sleep? <i>I</i> cannot rest for the cry of these great agonies. These sights are more than I can bear. Get thee up! Come with me into the outer Night, and let me unfold to thee the graves. Is not this a spectacle of woe? — Behold!”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">I looked; and the unseen figure, which still grasped me by the wrist, had caused to be thrown open the graves of all mankind; and from each issued the faint phosphoric radiance of decay, so that I could see into the innermost recesses, and there view the shrouded bodies in their sad and solemn slumbers with the worm. But, alas! the real sleepers were fewer, by many millions, than those who slumbered not at all; and there was a feeble struggling; and there was a general sad unrest; and, from out the depths of the countless pits, there came a melancholy rustling from the garments of the buried. And, of those who seemed tranquilly to repose, I saw that a vast number had changed, in a greater or less degree, the rigid and uneasy position in which they had originally been entombed. And the voice again said to me, as I gazed:</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“Is it not — oh! is it <i>not</i> a pitiful sight?” but, before I could find words to reply, the figure had ceased to grasp my wrist, the phosphoric lights expired, and the graves were closed with a sudden violence, while from out them arose a tumult of despairing cries, saying again — “Is it not — oh, God! is it <i>not</i> a very pitiful sight?”</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Phantasies such as these, presenting themselves at night, extended their terrific influence far into my waking hours. My nerves became thoroughly unstrung, and I fell a prey to perpetual Horror. I hesitated to ride, or to walk, or to indulge in any exercise that would carry me from home. In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I doubted the care, the fidelity of my dearest friends. I dreaded that, in some trance of more than customary duration, they might be prevailed upon to regard me as irrecoverable. I even went so far as to fear that, as I occasioned much trouble, they might be glad to consider any very protracted attack as sufficient excuse for getting rid of me altogether. It was in vain they endeavored to reassure me by the most solemn promises. I exacted the most sacred oaths that under no circumstances they would bury me until decomposition had so materially advanced as to render further preservation impossible. And, even then, my mortal terrors would listen to no reason — would accept no consolation. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within. The slightest pressure upon a long lever that extended far into the tomb would cause the iron portals to fly back. There were arrangements also for the free admission of air and light, and convenient receptacles for food and water, within immediate reach of the coffin intended for my reception. This coffin was warmly and softly padded, and was provided with a lid, fashioned upon the principle of the vault-door, with the addition of springs so contrived that the feeblest movement of the body would be sufficient to set it at liberty. Besides all this, there was suspended from the roof of the tomb, a large bell, the rope of which, it was designed, should extend through a hole in the coffin, and so be fastened to one of the hands of the corpse. But, alas! what avails the vigilance against the Destiny of man? Not even these well contrived securities suffice to save from the uttermost agonies of living inhumation, a wretch to these agonies foredoomed!</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">There arrived an epoch — as often before there had arrived — in which I found myself emerging from total unconsciousness into the first feeble and indefinite sense of existence. Slowly — with a tortoise gradation — approached the faint gray dawn of the psychal day. A torpid uneasiness. An apathetic endurance of dull pain. No care — no hope — no effort. Then, after a long interval, a ringing in the ears; then, after a lapse still longer, a pricking or tingling sensation in the extremities; then a seemingly eternal period of pleasurable acquiescence, during which the awakening feelings are struggling into thought; then a brief re-sinking into non-entity; then a sudden recovery. At length, the slight quivering of an eyelid, and, immediately thereupon, an electric shock of a terror, deadly and indefinite, which sends the blood in torrents from the temples to the heart. And now the first positive effort to think. And now the first endeavor to remember. And now a partial and evanescent success. And now the memory has so far regained its dominion that, in some measure, I am cognizant of my state. I feel that I am not awaking from ordinary sleep. I recollect that I have been subject to catalepsy. And now, at last, as if by the rush of an ocean, my shuddering spirit is overwhelmed by the one grim Danger — by the one spectral and ever-prevalent Idea.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">For some minutes after this fancy possessed me, I remained without motion. And why? I could not summon courage to move. I dared not make the effort which was to satisfy me of my fate — and yet there was something at my heart which whispered me <i>it was sure</i>. Despair — such as no other species of wretchedness ever calls into being — despair alone urged me, after long irresolution, to uplift the heavy lids of my eyes. I uplifted them. It was dark — all dark. I knew that the fit was over. I knew that the crisis of my disorder had long passed. I knew that I had now fully recovered the use of my visual faculties — and yet it was dark — all dark — the intense and utter raylessness of the Night that endureth for evermore.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">I endeavored to shriek; and my lips and my parched tongue moved convulsively together in <span class="pgloc" style="color: #006401; font-weight: bold;">[column 4:]</span> the attempt — but no voice issued from the cavernous lungs, which, oppressed as if by the weight of some incumbent mountain, gasped and palpitated, with the heart, at every elaborate and struggling inspiration.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The movement of the jaws, in this effort to cry aloud, showed me that they were bound up, as is usual with the dead. I felt, too, that I lay upon some hard substance; and by something similar my sides were, also, closely compressed. So far, I had not ventured to stir any of my limbs — but now I violently threw up my arms, which had been lying at length, with the wrists crossed. They struck a solid wooden substance, which extended above my person at an elevation of not more than six inches from my face. I could no longer doubt that I reposed within a coffin at last.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">And now, amid all my infinite miseries, came sweetly the cherub Hope — for I thought of my precautions. I writhed, and made spasmodic exertions to force open the lid: it would not move. I felt my wrists for the bell-rope: it was not to be found. And now the Comforter fled forever, and a still sterner Despair reigned triumphant; for I could not help perceiving the absence of the paddings which I had so carefully prepared — and then, too, there came suddenly to my nostrils the strong peculiar odor of moist earth. The conclusion was irresistible. I was <i>not</i> within the vault. I had fallen into a trance while absent from home — while among strangers — when, or how, I could not remember — and it was they who had buried me as a dog — nailed up in some common coffin — and thrust, deep, deep, and forever, into some ordinary and nameless <i>grave</i>.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">As this awful conviction forced itself, thus, into the innermost chambers of my soul, I once again struggled to cry aloud. And in this second endeavor I succeeded. A long, wild, and continuous shriek, or yell, of agony, resounded through the realms of the subterrene Night.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“Hillo! hillo, there!” said a gruff voice in reply.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“What the devil’s the matter now?” said a second.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“Get out o’ that!” said a third.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">“What do you mean by yawling in that ere kind of style, like a cattymount?” said a fourth; and hereupon I was seized and shaken without ceremony, for several minutes, by a junto of very rough-looking individuals. They did not arouse me from my slumber — for I was wide awake when I screamed — but they restored me to the full possession of my memory.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">This adventure occurred near Richmond, in Virginia. Accompanied by a friend, I had proceeded, upon a gunning expedition, some miles down the banks of the James River. Night approached, and we were overtaken by a storm. The cabin of a small sloop lying at anchor in the stream, and laden with garden mould, afforded us the only available shelter. We made the best of it, and passed the night on board. I slept in one of the only two berths in the vessel — and the berths of a sloop of sixty or seventy tons, need scarcely be described. That which I occupied had no bedding of any kind. Its extreme width was eighteen inches. The distance of its bottom from the deck overhead, was precisely the same. I found it a matter of exceeding difficulty to squeeze myself in. Nevertheless, I slept soundly; and the whole of my vision — for it was no dream, and no nightmare — arose naturally from the circumstances of my position — from my ordinary bias of thought — and from the difficulty, to which I have alluded, of collecting my senses, and especially of regaining my memory, for a long time after awaking from slumber. The men who shook me were the crew of the sloop, and some laborers engaged to unload it. From the load itself came the earthly smell. The bandage about the jaws was a silk handkerchief in which I had bound up my head, in default of my customary nightcap.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">The tortures endured, however, were indubitably quite equal, for the time, to those of actual sepulture. They were fearfully — they were inconceivably hideous; but out of Evil proceeded Good; for their very excess wrought in my spirit an inevitable revulsion. My soul acquired tone — acquired temper. I went abroad. I took vigorous exercise. I breathed the free air of Heaven. I thought upon other subjects than Death. I discarded my medical books. “Buchan” I burned. I read no “Night Thoughts” — no fustian about church-yards — no bugaboo tales — <i>such as this</i>. In short I became a new man, and lived a man’s life. From that memorable night, I dismissed forever my charnel apprehensions, and with them vanished the cataleptic disorder, of which, perhaps, they had been less the consequence than the cause.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">There are moments when, even to the sober eye of Reason, the world of our sad Humanity may assume the semblance of a Hell — but the intellect of man is no Carathis, to explore with impunity its every cavern. Alas! the grim legion of sepulchral terrors cannot be regarded as altogether fanciful — but, like the Demons in whose company Afrasiab made his voyage down the Oxus, they must sleep, or they will devour us — they must be suffered to slumber, or we perish.</div><div class="flind4" style="text-align: justify; text-indent: 1.5em;"><br /></div><div class="flind4" style="text-align: justify; text-indent: 1.5em;">Please visit me at <a href="http://www.AndrewBarger.com">www.AndrewBarger.com</a></div><br /><br /><br />#BuriedAlive #PrematureBurial #EscapeCoffin #EdgarAllanPoe #HorrorStories #ScaryShortStoriesUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-86860750855872102852023-08-11T19:29:00.002-04:002023-08-11T19:29:40.743-04:00Review of Something Wicked This Way Comes<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgmFGLZ0mv493-3jat-qLkkaoI346ZXl1I8JJI0ai4JlK2AqNb-Ln0OZr8vJMXyupcbyeypsbkJhDyOQtYdi5qV4lwYwS5PPUMbafahrXf6mjOFjPHdXJskbS0moX6Rv8z0t0nwOrLTmYYSEOe5MmuDzuVtANaKW9oDSkVFdf2qdQmBE2qtbj4Xm3M4XIs1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="399" data-original-width="241" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgmFGLZ0mv493-3jat-qLkkaoI346ZXl1I8JJI0ai4JlK2AqNb-Ln0OZr8vJMXyupcbyeypsbkJhDyOQtYdi5qV4lwYwS5PPUMbafahrXf6mjOFjPHdXJskbS0moX6Rv8z0t0nwOrLTmYYSEOe5MmuDzuVtANaKW9oDSkVFdf2qdQmBE2qtbj4Xm3M4XIs1" width="145" /></a></p><p style="text-align: center;"><span style="text-align: left;"><br /></span></p><p style="text-align: center;"><span style="text-align: left;">On June 5, 2012, Ray Bradbury passed away.</span></p><div><p>To his millions of readers, he will live on through his myriad short stories and a few novels that are destined to be classics. The first is <a href="https://amzn.to/3OEyAye">Fahrenheit 451</a>, a nineteenth century classic that warns of the dangers of censorship and the banning of books. The second Bradbury classic is <a href="https://amzn.to/447gvOI">Something Wicked This Way Comes</a>, with a title no less intriguing than the first. It has its wicked and scary moments, to be sure.</p><p>In SWTWC Bradbury has given the world a fiendish tale reflected through the eyes of two young boys and their wonderment about a traveling circus. At times the metaphors, the similes, the personifications are overwritten; but mostly they sing across this dark field of a novel, soaring over flapping circus tents and the bizarre inside them. Though lesser known than the decade older “Fahrenheit 451,” SWTWC is a classic that will be read for decades to come. There have also been a few movies, too.</p><p>Even Robert Smith of The Cure has been playing a new song about the death of his brother that heavily uses the title of the book. The title is "I Can Never Say Goodbye."</p><span style="line-height: 18.4px;">Ray Bradbury isn’t dead. He lives on and <i>plays </i>on. Long live Ray Bradbury.</span></div><div><span style="line-height: 18.4px;"><br /></span></div><div><span style="line-height: 18.4px;">#SomethingWickedThisWayComes #RayBradbury #Bradbury #Fahrenheit451 #SomethingWickedReview</span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-76952243962060888702023-05-12T12:55:00.002-04:002023-05-12T12:55:28.582-04:00The Mines of Falun by ETA Hoffmann<p style="text-align: center;"> <iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/gpj2PV95i1M" width="320" youtube-src-id="gpj2PV95i1M"></iframe></p><div style="text-align: center;"><br /><div class="separator" style="clear: both;"><br /></div></div><p></p><div>Ernst T.A. Hoffmann (1776-1822), one of the earliest progenitors of scary supernatural stories, wrote the excellent <a href="http://books.google.com/books?id=0bm2AAAAIAAJ&pg=PA182&dq=%22mines+of+falun%22&hl=en&ei=Zfh4TsitO4GEtgfEgLWWDA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDAQ6AEwAA#v=onepage&q=%22mines%20of%20falun%22&f=false" target="_blank">The Mines of Falun</a>. I pegged it as #17 in the greatest ghost stories for the first half of the nineteenth century. It was first published in 1819 and is set in the storied mines of Falun, Sweden. Many scary stories link the mines to the supernatural and a rumored tunnel to the center of the earth.</div><p></p><div>While in my estimation this is Hoffmann's greatest ghost tale, it is not his most original. He admits in <i>Die Serapion Bretheren</i>, Vol. 1, of 1819, that it involves a "well-known <i>thema </i>of a miner at Falun." Regardless, it is the first ghost story I have found in a mine and is well written right to its horrific ending.</div><div><br /></div><div>What ghost storied did I like better than The Mines of Falun? Read <a href="https://amzn.to/3M2TNAe">The Best Ghost Stories 1800-1849</a> and find out.</div><div><br /></div><div><br /></div><div>#MinesofFalun #BestGhostStories #GhostStories #MineGhostStories #ClassicGhostStories #ETAHoffmann</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-91653242388968923522023-04-15T09:09:00.008-04:002023-04-15T09:09:56.603-04:00Lydia Ashbaugh the Witch - A Witch Short Story of 1836 by William Darby<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLccNe9UR9XupJmuSNklkmUhBkHXgLCbVlmRz8K87ZWswIsiCm0T7qBHzFyK2-4B-VU59um9ZuBaTOnamP-1nWa0aVGYpRjCiEfKK1k0gA02frAcUDW_anjP2k7aaWGfceIDF_3l6NOZU84wVcHjlLAf5Pi2cs2KYdbQElnfzs8pfSZbwiX1ewx34o9A/s2876/Lydia%20Ashbaugh%203d%20cover.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2876" data-original-width="2100" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLccNe9UR9XupJmuSNklkmUhBkHXgLCbVlmRz8K87ZWswIsiCm0T7qBHzFyK2-4B-VU59um9ZuBaTOnamP-1nWa0aVGYpRjCiEfKK1k0gA02frAcUDW_anjP2k7aaWGfceIDF_3l6NOZU84wVcHjlLAf5Pi2cs2KYdbQElnfzs8pfSZbwiX1ewx34o9A/s320/Lydia%20Ashbaugh%203d%20cover.png" width="234" /></a></div><p></p><p style="text-align: center;"><b><a href="https://amzn.to/3MOqOST">Lydia Ashbaugh the Witch</a></b></p><p style="text-align: center;"><b>by William Darby</b></p><blockquote><p>America's first great witch story.</p></blockquote><blockquote><p>--<a href="http://andrewbarger.com">Andrew Barger</a></p></blockquote><p>Available for preorder on Amazon Kindle now (Launching on Friday) is "Lydia Ashbaugh the Witch." It is a fantastic witch short story that I found when editing <i><a href="https://amzn.to/41xcIt5">Witchcraft Classic: Best Witch Short Stories 1800-1849</a></i>. </p><p>This classic American witch story of 1836 is the sorrowful tale of how Lydia Ashbaugh became a witch. Set in the beautiful mountains of Pennsylvania, its storyline and plot twists place it in high regard. I give a length introduction at the start of the book, including about the author who published under a penname.</p><p>“Lydia Ashbaugh” was originally published in the <i>Saturday Evening Post</i> and shortly thereafter in <i>Atkinson’s Casket</i>. It appeared the year after Nathaniel Hawthorne published "Young Goodman Brown," and excels in every category over Hawthorne's most famous witch short story. Read "<a href="https://amzn.to/3MOqOST">Lydia Ashbaugh</a>" tonight.</p><p><br /></p><p>#LydiaAshbaugh #witchstories #bestwitchstories #bestwitchshortstories #witchtales #classicwitchstory #williamdarby</p><p><br /></p><div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-18860323953311315402023-04-13T15:17:00.006-04:002023-04-13T15:17:40.259-04:00Ephemera on Edward Bulwer-Lytton's Scary Ghost Stories<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxQ1DrwUIL3_LtlE8_0Bp1HcVu0iNAtOnIIHseVvxsHQaRoDXriKw-XOB3PG07nb-Ns1-X4HLcwiQcM3PqMhxcVQX2QiUmLEW33NSpVM58tN2Ha1A5HLO2ntAZIogheZMIY1iXhU0-YU/s1600/Edward-Bulwer-Lytton+Photo.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="300" data-original-width="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioxQ1DrwUIL3_LtlE8_0Bp1HcVu0iNAtOnIIHseVvxsHQaRoDXriKw-XOB3PG07nb-Ns1-X4HLcwiQcM3PqMhxcVQX2QiUmLEW33NSpVM58tN2Ha1A5HLO2ntAZIogheZMIY1iXhU0-YU/s1600/Edward-Bulwer-Lytton+Photo.jpg" /></a></p><div><h2 style="text-align: center;"><span style="font-size: medium; text-align: justify;">Edward Bulwer-Lytton</span></h2><div style="text-align: justify;">Edward Bulwer-Lytton (1803-1873) is known in supernatural circles for penning one of the greatest ghost stories of the nineteenth century, "The Haunted and Haunters." It was published in 1857 and is included in <a href="https://andrewbarger.com/bestghostshortstories1850.html">Phantasms: Best Ghost Short Stories 1850-1899</a>. H.P. Lovecraft called it "one of the best short haunted house tales ever." But enough about "The Haunted and Haunters."</div></div><div style="text-align: center;"><br /></div><div><div style="text-align: justify;">Bulwer-Lytton's <i>second </i>best ghost story is <a href="http://books.google.com/books?id=9yxKAAAAMAAJ&pg=PA387&dq=%22monos+and+daimonos%22&as_brr=1&ei=Mh2lSoCcOYzIMYq0jI4I#v=onepage&q=%22monos%20and%20daimonos%22&f=false" target="_blank">Monos and Daimonos</a>. It was published in 1830. The horror story involves a shipwreck, a murder and . . . well . . . a relentless ghost set out for revenge. I hope you enjoy it! <span style="text-align: left;">The </span><a href="http://www.amazon.com/Best-Ghost-Stories-1800-1849-ebook/dp/B005CDVB1M/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1315947696&sr=1-3" style="text-align: left;">Best Ghost Stories</a><span style="text-align: left;"> 1800-1849: A Classic Ghost Anthology.</span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><span style="text-align: left;">#</span>EdwardBulwerLytton #hauntedhunters #hauntedandhunters #monosdaimonos #monosanddaimonos #bestghoststories #bestghostshortstories #ghoststories #ghostshortstories<span style="text-align: left;"> </span></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-40505425933726203422023-04-02T13:04:00.002-04:002023-04-02T13:04:23.119-04:00Edgar Allan Poe Vampire Story - A Few Thoughts<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/s450/poe1.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="450" data-original-width="345" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo_t0_xququSfxx0-ZP1qfH_PFkUCcSC4u57YI6IhDt9BqGQrVhdyp5OIRsjoLDnHfEmJVi6Qjdhkq4mKMPSYs4G5Pd5WAU9LOYprS3FgKrFkpRZXmsyg0Hnrbd2lSFkDK6v9oKxPEevI/w186-h243/poe1.jpg" width="186" /></a></p><p style="text-align: center;"><b>Edgar Allan Poe (1809-1849)</b></p><p><a href="http://www.andrewbarger.com/index.html" style="font-family: georgia, "times new roman", serif;" target="_blank">Edgar Allan Poe</a><span style="font-family: georgia, "times new roman", serif;"> was the undisputed king of the early scary short story. He was ten when John Polidori published the first vampire story ("The Vampyre") in the English language. That groundbreaking story was followed a few months later by "<a href="https://www.andrewbarger.com/bestvampirestories1800.html">The Black Vampyre</a>," which was published anonymously by Robert Sands, valedictorian of Columbia University. </span><span style="font-family: georgia, "times new roman", serif;">Both caused quite a stir in the literary community and among readers at large due to their depraved horror. Many people thought Lord Byron wrote Polidori's tale. Lord Byron had to make a statement in the papers that he was not the author. </span><span style="font-family: georgia, "times new roman", serif; text-align: justify;">Both of these vintage vampire stories, with detailed background information, in </span><a href="http://www.andrewbarger.com/bestvampirestories1800.html" style="font-family: georgia, "times new roman", serif; text-align: justify;">The Best Vampire Stories 1800-1849</a><span style="font-family: georgia, "times new roman", serif; text-align: justify;"> They are a must read for vampire aficionados. The latter tale launched a</span><span style="font-family: georgia, "times new roman", serif; text-align: justify;"> </span><a href="https://en.wikipedia.org/wiki/The_Black_Vampyre:_A_Legend_of_St._Domingo" style="font-family: georgia, "times new roman", serif; text-align: justify;">vampire Wikipedia page</a><span style="font-family: georgia, "times new roman", serif; text-align: justify;"> </span><span style="font-family: georgia, "times new roman", serif; text-align: justify;">on the story itself given its groundbreaking firsts in vampire lore.</span></p><div><span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-align: justify; text-indent: 0.25in;">But what about an Edgar Allan Poe vampire story? Surely Poe heard of these early stories and likely read one or both when he got older. Did he respond in kind with his own vampire tale? Sorry to disappoint, but from my research Poe does not appear to have penned a vampire story. </span><span style="text-align: justify; text-indent: 0.25in;">If a reader has to stretch their imagination to determine if a character is a vampire, then it is likely <i>not</i> a vampire. After all, a vampire is what a vampire does.</span></span></div><div style="text-align: justify;"><br /></div><div><span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-align: justify; text-indent: 0.25in;">Teeth play a telling role (as does the presence of blood) in many vampire tales.</span><span style="text-align: justify; text-indent: 0.25in;"> </span></span><span style="font-family: georgia, "times new roman", serif;">The ponderous Poe dissertations that seek to attribute the protagonist’s lust for teeth to a vampire fixation in “Berenice” have felt chompy. A tooth fixation is not a blood fixation. Still, </span><span style="font-family: georgia, "times new roman", serif; text-align: justify; text-indent: 0.25in;">a number of anthologist have placed Poe’s “Ligeia” in their collections with hopes that if the tale is included in a vampire anthology, it will somehow be transmogrified, shapeshifted if you will, into a vampire story. </span><span style="font-family: georgia, "times new roman", serif;">A Poe story listed in the Table of Contents for an anthology boosts sales. Nevertheless, in the case of vampire anthologies, Poe’s inclusion is misdirected. Yet what a out "Ligeia?"</span></div><div><span style="font-family: georgia, "times new roman", serif; text-align: justify; text-indent: 0.25in;"><br /></span></div><div><span style="font-family: georgia, "times new roman", serif; text-align: justify; text-indent: 0.25in;">**Spoiler Alert** When Ligeia dies and is subsequently brought back to life through Rowena’s body, the unnamed protagonist touches her and she moves away, again displaying no lust for blood. Before her death, Rowena is given a cup of reddish liquid that could easily be wine or a potion concocted by the protagonist. There is no evidence that anyone’s blood was spilt. The only other hint of vampirism comes when Rowena’s lips part on her deathbed to display a line of “pearly teeth.” If she was a vampire we would learn of long teeth or sharp teeth, but that is not the case.</span></div><div><span style="font-family: "georgia" , "times new roman" , serif; text-align: justify; text-indent: 0.25in;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;">Poe’s only passing references to vampires were in his poems. “Tamerlane” references a vampire-bat and “To Helen” calls out vampire-winged panels. Articles about the vampire motif in “The Fall of the House of Usher” have been disorganized and unconvincing. There is no hint that Roderick Usher was a vampire. Essays about a volitional vampire in “Morella” have . . . well . . . sucked. </span><br /><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiNGvXpDMAAUsJP8gqVdfYx6lRjTn45twHXoxyiacKjZaxJHThcODa7be1NtXIzDT-Av1hyphenhyphenavli9OkEIogKc5OvT1m63UMRmQTila9kcScgwgzigxG_lq6TIoC4OgktiQ6UIL8ShrFAtc/s1600/Best+Vampire+Stories+Front+Cover+with+Award+Sticker.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1060" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiNGvXpDMAAUsJP8gqVdfYx6lRjTn45twHXoxyiacKjZaxJHThcODa7be1NtXIzDT-Av1hyphenhyphenavli9OkEIogKc5OvT1m63UMRmQTila9kcScgwgzigxG_lq6TIoC4OgktiQ6UIL8ShrFAtc/s320/Best+Vampire+Stories+Front+Cover+with+Award+Sticker.jpg" width="211" /></a></div><div style="text-align: justify;"><br /></div></div><div><span style="font-family: "georgia" , "times new roman" , serif;">Yes, it would be nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. Read these important scary vampire tales in <a href="http://amzn.to/2xPfPBO" target="_blank">BlooDeath: The Best Vampire Short Stories 1800-1849</a>.</span><br /><br /></div><div></div><br /><div style="-webkit-text-stroke-width: 0px; font-family: Times; margin: 0px;">#EdgarAllanPoeVampire #PoeVampireStory #Ligeia #PoeVampireTale #PoeVampireStory #BestVampireStories #DidPoeWriteAVampireStory #EdgarAllanPoeVampireStory #EdgarAllenPoeVampireStory</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-38713838059446673642023-03-25T15:54:00.001-04:002023-03-25T15:54:17.724-04:00New Witch Story Anthology is On Sale Now - Witchcraft Classics: Best Witch Short Stories 1800-1849<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtptUsutyKrF0dic1wAnIiGJWeeC_7uLIq1XRGQyTLR7zsBEWnVMP81JEZ1xKSAai3e0iuYDMCjmhDkYCMIderaUehARQwbDoRTC0bo4IlGEB1hz5eP-Qlf25tp-rMfKMQmgvGF5Tmy61vJ7cqlXzK8hnuxBFQqgB_Lq6JTYyUKRV2wvihSSpJ0-TFRw/s2876/3d%20cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2876" data-original-width="2100" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtptUsutyKrF0dic1wAnIiGJWeeC_7uLIq1XRGQyTLR7zsBEWnVMP81JEZ1xKSAai3e0iuYDMCjmhDkYCMIderaUehARQwbDoRTC0bo4IlGEB1hz5eP-Qlf25tp-rMfKMQmgvGF5Tmy61vJ7cqlXzK8hnuxBFQqgB_Lq6JTYyUKRV2wvihSSpJ0-TFRw/s320/3d%20cover.png" width="234" /></a></div><p></p><p style="text-align: center;"><b><span style="font-family: georgia;">Witchcraft Classics: Best Witch Short Stories 1800-1849</span></b></p><p><span style="font-family: georgia;">My latest scary anthology is now live and available for download or purchase.</span></p><p style="text-align: center;"><b><span style="font-family: georgia;">Hardback or Paperback Book</span></b></p><div class="paragraph" style="background-color: white; color: #666666; letter-spacing: 3px; line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px; text-align: center;"><div class="paragraph" style="line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><span style="font-family: georgia;"><span style="font-size: small;"><a href="https://amzn.to/3TcdOYs" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">amazon.com</a> </span><span style="font-size: small;"><a href="https://www.barnesandnoble.com/w/witchcraft-classics-nathaniel-hawthorne/1143179544?ean=9781933747682" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">Barnes & Noble</a> <a href="https://www.walmart.com/ip/Best-Short-Stories-Witchcraft-Classics-Best-Witch-Short-Stories-1800-1849-Series-9-Paperback-9781933747682/3973356964">Walmart</a></span><br /><br /></span></div><div class="paragraph" style="line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><span style="font-family: georgia;"><br /></span></div><div class="paragraph" style="line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><span style="color: black; letter-spacing: normal; text-align: left;"><b><span style="font-family: georgia;">E-Book</span></b></span></div><div class="paragraph" style="line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><span style="color: black; letter-spacing: normal; text-align: left;"><b><span style="font-family: georgia;"><br /></span></b></span></div><div class="paragraph" style="line-height: 14px; margin: 0px; overflow-wrap: break-word; padding: 0px;"><span style="font-family: georgia;"> <a href="https://books.apple.com/us/book/witchcraft-classics-best-witch-short-stories-1800-1849/id6445841583">Apple Books</a> <a href="https://amzn.to/3Y3R91j" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">Kindle</a> <a href="https://www.kobo.com/us/en/ebook/witchcraft-classics-best-witch-short-stories-1800-1849" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">Kobo</a> <a href="https://play.google.com/store/books/details?id=PhywEAAAQBAJ&pli=1" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">Google Books</a> <a href="https://www.barnesandnoble.com/w/witchcraft-classics-andrew-barger/1143106133?ean=2940166019769" style="color: #2b2b2b; transition: color 200ms ease-in 0s;">Nook</a></span></div><div><br /></div></div><p><b><span style="font-family: georgia;">Stories Revealed!</span></b></p><p><span style="font-family: georgia;">These are the great witch stories I picked for the anthology.</span></p><p></p><p><span style="font-family: georgia;">*The Hollow of the Three Hills (1830) by Nathaniel Hawthorne</span></p><p><span style="font-family: georgia;">*The Marvelous Legend of Tom Connor’s Cat (1847) by Samuel Lover</span></p><p><span style="font-family: georgia;">*The Witch Caprusche (1845) by Elizabeth Ellet</span></p><p><span style="font-family: georgia;">*The Brownie of the Black Haggs (1827) by James Hogg</span></p><p><span style="font-family: georgia;">*Lydia Ashbaugh, the Witch (1836) by William Darby</span></p><p><span style="font-family: georgia;">*Young Goodman Brown (1835) by Nathaniel Hawthorne</span></p><p><span style="font-family: georgia;">*Viy (1835) by Nikolai Gogol</span></p><p><span style="font-family: georgia;">Buy: <a href="https://andrewbarger.com/bestwitchshortstories1800.html">Witchcraft Classics: Best Witch Short Stories 1800-1849</a> today!</span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;">#BestWitchStories #ClassicWitchStories #BestWitchShortStories #ClassicWitchShortStories #WitchBook #NewWitchBook #WitchAnthology #WitchCollection #GreatestWitchStories #GreatestWitchShortStories #WitchcraftStories</span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-30394225797210969412023-03-06T13:33:00.000-05:002023-03-06T13:33:05.017-05:00Short Biography on Edgar Allan Poe and His Scary Life<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgds337EULwNY2w0bU1NLwlnqxc04yKM-kzXriOq642_s5k6_bXhOG2SSgLtvvlPw1uj24hiJP-0mcbLEgQJdSo34V69rVXcEoeeDa75echr8icE6uwTiF45j3TipZTgho452oReQXeA_E/s1600/Edgar+Allan+Poe.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="450" data-original-width="345" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgds337EULwNY2w0bU1NLwlnqxc04yKM-kzXriOq642_s5k6_bXhOG2SSgLtvvlPw1uj24hiJP-0mcbLEgQJdSo34V69rVXcEoeeDa75echr8icE6uwTiF45j3TipZTgho452oReQXeA_E/w153-h200/Edgar+Allan+Poe.jpg" width="153" /></a></p><div align="center" class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: center;"><b><span style="font-family: "Bookman Old Style"; font-size: 14pt;">Edgar Allan Poe: </span></b><b><span style="font-family: "Bookman Old Style"; font-size: 14pt;">An Appreciation</span></b></div><div align="center" class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: center;"><b><span style="font-family: "Bookman Old Style"; font-size: 14pt;">by</span></b></div><div align="center" class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: center;"><b><span style="font-family: "Bookman Old Style"; font-size: 14pt;">William Heath Robinson</span></b></div><div align="center" class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: center;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">C</span><span style="font-family: "Bookman Old Style";">aught from some unhappy master whom unmerciful Disaster<br />Followed fast and followed faster till his songs one burden bore–<br />Till the dirges of his Hope that melancholy burden bore<br /> Of “never–never more!”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">This stanza from “The Raven” was recommended by James Russell Lowell as an inscription upon the Baltimore monument which marks the resting place of <a href="http://www.andrewbarger.com/edgarallanpoecompleteworks.html" target="_blank">Edgar Allan Poe</a>, the most interesting and original figure in American letters. And, to signify that peculiar musical quality of Poe’s genius which inthralls every reader, Mr. Lowell suggested this additional verse, from the “Haunted Palace”:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">And all with pearl and ruby glowing<br /> Was the fair palace door,<br />Through which came flowing, flowing, flowing,<br /> And sparkling ever more,<br />A troop of Echoes, whose sweet duty<br /> Was but to sing,<br />In voices of surpassing beauty,<br /> The wit and wisdom of their king.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Born in poverty at Boston, January 19 1809, dying under painful circumstances at Baltimore, October 7, 1849, his whole literary career of scarcely fifteen years a pitiful struggle for mere subsistence, his memory malignantly misrepresented by his earliest biographer, Griswold, how completely has truth at last routed falsehood and how magnificently has Poe come into his own, For “The Raven,” first published in 1845, and, within a few months, read, recited and parodied wherever the English language was spoken, the half-starved poet received $10! Less than a year later his brother poet, N. P. Willis, issued this touching appeal to the admirers of genius on behalf of the neglected author, his dying wife and her devoted mother, then living under very straitened circumstances in a little cottage at Fordham, N. Y.:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“Here is one of the finest scholars, one of the most original men of genius, and one of the most industrious of the literary profession of our country, whose temporary suspension of labor, from bodily illness, drops him immediately to a level with the common objects of public charity. There is no intermediate stopping-place, no respectful shelter, where, with the delicacy due to genius and culture, he might secure aid, till, with returning health, he would resume his labors, and his unmortified sense of independence.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">And this was the tribute paid by the American public to the master who had given to it such tales of conjuring charm, of witchery and mystery as “The Fall of the House of Usher” and “Ligeia”; such fascinating hoaxes as “The Unparalleled Adventure of Hans Pfaall,” “MS. Found in a Bottle,” “A Descent Into a Maelstrom” and “The Balloon Hoax”; such tales of conscience as “William Wilson,” “The Black Cat” and “The Tell-tale Heart,” wherein the retributions of remorse are portrayed with an awful fidelity; such tales of natural beauty as “The Island of the Fay” and “The Domain of Arnheim”; such marvellous studies in ratiocination as the “Gold-bug,” “The Murders in the Rue Morgue,” “The Purloined Letter” and “The Mystery of Marie Roget,” the latter, a recital of fact, demonstrating the author’s wonderful capability of correctly analyzing the mysteries of the human mind; such tales of illusion and banter as “The Premature Burial” and “The System of Dr. Tarr and Professor Fether”; such bits of extravaganza as “The Devil in the Belfry” and “The Angel of the Odd”; such tales of adventure as “The Narrative of Arthur Gordon Pym”; such papers of keen criticism and review as won for Poe the enthusiastic admiration of Charles Dickens, although they made him many enemies among the over-puffed minor American writers so mercilessly exposed by him; such poems of beauty and melody as “The Bells,” “The Haunted Palace,” “Tamerlane,” “The City in the Sea” and “The Raven.” What delight for the jaded senses of the reader is this enchanted domain of wonder-pieces! What an atmosphere of beauty, music, color! What resources of imagination, construction, analysis and absolute art! One might almost sympathize with Sarah Helen Whitman, who, confessing to a half faith in the old superstition of the significance of anagrams, found, in the transposed letters of Edgar Poe’s name, the words “a God-peer.” His mind, she says, was indeed a “Haunted Palace,” echoing to the footfalls of angels and demons.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“No man,” Poe himself wrote, “has recorded, no man has dared to record, the wonders of his inner life.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">In these twentieth century days-of lavish recognition-artistic, popular and material-of genius, what rewards might not a Poe claim!<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Edgar’s father, a son of General David Poe, the American revolutionary patriot and friend of Lafayette, had married Mrs. Hopkins, an English actress, and, the match meeting with parental disapproval, had himself taken to the stage as a profession. Notwithstanding Mrs. Poe’s beauty and talent the young couple had a sorry struggle for existence. When Edgar, at the age of two years, was orphaned, the family was in the utmost destitution. Apparently the future poet was to be cast upon the world homeless and friendless. But fate decreed that a few glimmers of sunshine were to illumine his life, for the little fellow was adopted by John Allan, a wealthy merchant of Richmond, Va. A brother and sister, the remaining children, were cared for by others.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">In his new home Edgar found all the luxury and advantages money could provide. He was petted, spoiled and shown off to strangers. In Mrs. Allan he found all the affection a childless wife could bestow. Mr. Allan took much pride in the captivating, precocious lad. At the age of five the boy recited, with fine effect, passages of English poetry to the visitors at the Allan house.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">From his eighth to his thirteenth year he attended the Manor House school, at Stoke-Newington, a suburb of London. It was the Rev. Dr. Bransby, head of the school, whom Poe so quaintly portrayed in “William Wilson.” Returning to Richmond in 1820 Edgar was sent to the school of Professor Joseph H. Clarke. He proved an apt pupil. Years afterward Professor Clarke thus wrote:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“While the other boys wrote mere mechanical verses, Poe wrote genuine poetry; the boy was a born poet. As a scholar he was ambitious to excel. He was remarkable for self-respect, without haughtiness. He had a sensitive and tender heart and would do anything for a friend. His nature was entirely free from selfishness.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">At the age of seventeen Poe entered the University of Virginia at Charlottesville. He left that institution after one session. Official records prove that he was not expelled. On the contrary, he gained a creditable record as a student, although it is admitted that he contracted debts and had “an ungovernable passion for card-playing.” These debts may have led to his quarrel with Mr. Allan which eventually compelled him to make his own way in the world.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Early in 1827 Poe made his first literary venture. He induced Calvin Thomas, a poor and youthful printer, to publish a small volume of his verses under the title “Tamerlane and Other Poems.” In 1829 we find Poe in Baltimore with another manuscript volume of verses, which was soon published. Its title was “Al Aaraaf, Tamerlane and Other Poems.” Neither of these ventures seems to have attracted much attention.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Soon after Mrs. Allan’s death, which occurred in 1829, Poe, through the aid of Mr. Allan, secured admission to the United States Military Academy at West Point. Any glamour which may have attached to cadet life in Poe’s eyes was speedily lost, for discipline at West Point was never so severe nor were the accommodations ever so poor. Poe’s bent was more and more toward literature. Life at the academy daily became increasingly distasteful. Soon he began to purposely neglect his studies and to disregard his duties, his aim being to secure his dismissal from the United States service. In this he succeeded. On March 7, 1831, Poe found himself free. Mr. Allan’s second marriage had thrown the lad on his own resources. His literary career was to begin.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Poe’s first genuine victory was won in 1833, when he was the successful competitor for a prize of $100 offered by a Baltimore periodical for the best prose story. “A MSS. Found in a Bottle” was the winning tale. Poe had submitted six stories in a volume. “Our only difficulty,” says Mr. Latrobe, one of the judges, “was in selecting from the rich contents of the volume.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">During the fifteen years of his literary life Poe was connected with various newspapers and magazines in Richmond, Philadelphia and New York. He was faithful, punctual, industrious, thorough. N. P. Willis, who for some time employed Poe as critic and sub-editor on the <i>Evening Mirror</i>, wrote thus:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“With the highest admiration for Poe’s genius, and a willingness to let it alone for more than ordinary irregularity, we were led by common report to expect a very capricious attention to his duties, and occasionally a scene of violence and difficulty. Time went on, however, and he was invariably punctual and industrious. We saw but one presentiment of the man-a quiet, patient, industrious and most gentlemanly person.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“We heard, from one who knew him well (what should be stated in all mention of his lamentable irregularities), that with a single glass of wine his whole nature was reversed, the demon became uppermost, and, though none of the usual signs of intoxication were visible, his will was palpably insane. In this reversed character, we repeat, it was never our chance to meet him.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">On September 22, 1835, Poe married his cousin, Virginia Clemm, in Baltimore. She had barely turned thirteen years, Poe himself was but twenty-six. He then was a resident of Richmond and a regular contributor to the “Southern Literary Messenger.” It was not until a year later that the bride and her widowed mother followed him thither.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Poe’s devotion to his child-wife was one of the most beautiful features of his life. Many of his famous poetic productions were inspired by her beauty and charm. Consumption had marked her for its victim, and the constant efforts of husband and mother were to secure for her all the comfort and happiness their slender means permitted. Virginia died January 30, 1847, when but twenty-five years of age. A friend of the family pictures the death-bed scene–mother and husband trying to impart warmth to her by chafing her hands and her feet, while her pet cat was suffered to nestle upon her bosom for the sake of added warmth.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">These verses from “Annabel Lee,” written by Poe in 1849, the last year of his life, tell of his sorrow at the loss of his child-wife:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">I was a child and </span><em><span style="font-family: "Bookman Old Style";">she</span></em><span style="font-family: "Bookman Old Style";"> was a child,<br /> In a kingdom by the sea;<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">But we loved with </span><em><span style="font-family: "Bookman Old Style";">a</span></em><span style="font-family: "Bookman Old Style";"> love that was more than love—<br /> I and my Annabel Lee;<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">With a love that the winged seraphs of heaven<br /> Coveted her and me.<br />And this was the reason that, long ago;<br /> In this kingdom by the sea.<br />A wind blew out of a cloud, chilling<br /> My beautiful Annabel Lee;<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><span style="font-family: "Bookman Old Style";">So that her high-born kinsmen came<br /> And bore her away from me,<br />To shut her up in a sepulchre<br /> In this kingdom by the sea,<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Poe was connected at various times and in various capacities with the <i>Southern Literary Messenger</i> in Richmond, Va.; <i>Graham’s Magazine</i> and the <i>Gentleman’s Magazine</i> in Philadelphia.; the <i>Evening Mirror</i>, the <i>Broadway Journal</i>, and <i>Godey’s Lady’s Book</i> in New York. Everywhere Poe’s life was one of unremitting toil. No tales and poems were ever produced at a greater cost of brain and spirit.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Poe’s initial salary with the <i>Southern Literary Messenger</i>, to which he contributed the first drafts of a number of his best-known tales, was $10 a week! Two years later his salary was but $600 a year. Even in 1844, when his literary reputation was established securely, he wrote to a friend expressing his pleasure because a magazine to which he was to contribute had agreed to pay him $20 monthly for two pages of criticism.<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Those were discouraging times in American literature, but Poe never lost faith. He was finally to triumph wherever pre-eminent talents win admirers. His genius has had no better description than in this stanza from William Winter’s poem, read at the dedication exercises of the Actors’ Monument to Poe, May 4, 1885, in New York:<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">“He was the voice of beauty and of woe,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Passion and mystery and the dread unknown;</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";"> Pure as the mountains of perpetual snow,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Cold as the icy winds that round them moan,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";"> Dark as the eaves wherein earth’s thunders groan,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">Wild as the tempests of the upper sky,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";"> Sweet as the faint, far-off celestial tone of angel whispers, fluttering from on high,</span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><span style="font-family: "Bookman Old Style";">And tender as love’s tear when youth and beauty die.”<o:p></o:p></span></div><div class="MsoNormal" style="margin: 0in 0in 0.0001pt; text-align: justify;"><br /></div><span style="font-family: "Bookman Old Style";">In the two and a half score years that have elapsed since Poe’s death he has come fully into his own. For a while Griswold’s malignant misrepresentations colored the public estimate of Poe as man and as writer. But, thanks to J. H. Ingram, W. F. Gill, Eugene Didier, Sarah Helen Whitman and others these scandals have been dispelled and Poe is seen as he actually was-not as a man without failings, it is true, but as the finest and most original genius in American letters. As the years go on his fame increases. His works have been translated into many foreign languages. His is a household name in France and England-in fact, the latter nation has often uttered the reproach that Poe’s own country has been slow to appreciate him. But that reproach, if it ever was warranted, certainly is untrue.</span><br /><span style="font-family: "Bookman Old Style";"><br /><div style="text-align: center;">***</div><br /></span><span style="font-family: Bookman Old Style;"><span>William Heath Robinson (1872-1944), English cartoonist and illustrator, published the above short Poe biography in 1900. Below is the cover for <a href="http://amzn.to/2wxMDiX" target="_blank">Coffee with Poe: A Novel of Edgar Allan Poe's Life</a> where I being Poe to life using his actual letters to his contemporaries and many loves.</span></span><br /><span style="font-family: Bookman Old Style;"><span><br /></span></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxLDXYA5QfFCRTYIVEvYv-JJi5MJ3GChtEaKwc1iZhwLQn_ZbnTHETAjFYf_Tfp89i-Ty9jhhl2kvct8LVnFrxHLJEX9PBRg_1lTT9xNAkcjO5mTHVoX-RKKc7rE6eZSH2vL5gFOQwfXI/s1600/9781589611047_frontcover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="745" data-original-width="492" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxLDXYA5QfFCRTYIVEvYv-JJi5MJ3GChtEaKwc1iZhwLQn_ZbnTHETAjFYf_Tfp89i-Ty9jhhl2kvct8LVnFrxHLJEX9PBRg_1lTT9xNAkcjO5mTHVoX-RKKc7rE6eZSH2vL5gFOQwfXI/s320/9781589611047_frontcover.jpg" width="211" /></a></div><span style="font-family: Bookman Old Style;"><span><br /></span></span><span style="font-family: Bookman Old Style;"><span><br /></span></span><span style="font-family: Bookman Old Style;"><span><br /></span></span><div><span style="font-family: Bookman Old Style;"><span><br /></span></span></div><div><span style="font-family: Bookman Old Style;"><span>#PoeBiography #LifeofPoe #CoffeewithPoe #PoesLife #AndrewBarger #EdgarAllanPoeLife</span></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-60908927387440131942023-03-03T10:20:00.001-05:002023-03-03T10:20:16.048-05:00New Scary Witch Book Cover Reveal - Witchcraft Classics: Best Witch Short Stories 1800-1849 <p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifYhfMSt7RRlkaVnGHEVj34Rm6Apgu7Sr1uJitYGJIf-MFgZ3YhmtHlUu4JC4lpibpZgrZ3KJWYtyb1yZAaoyZc82kyIKBZiwTOLlp82nec06gSpyvcljXV5Yf8nBJWK7MNk1mavxvXvujBS-iRo2qjPapM6L3vXz56fwyTcAbPif5xfmlAxUoKpTb/s2876/3d%20cover.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2876" data-original-width="2100" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifYhfMSt7RRlkaVnGHEVj34Rm6Apgu7Sr1uJitYGJIf-MFgZ3YhmtHlUu4JC4lpibpZgrZ3KJWYtyb1yZAaoyZc82kyIKBZiwTOLlp82nec06gSpyvcljXV5Yf8nBJWK7MNk1mavxvXvujBS-iRo2qjPapM6L3vXz56fwyTcAbPif5xfmlAxUoKpTb/s320/3d%20cover.png" width="234" /></a></p><p></p><p style="text-align: center;"><b>Witchcraft Classics: Best Witch Short Stories 1800-1849</b></p>I am (witchy) excited to reveal the cover of the latest scary short story anthology that I have edited. This time I have explored, and uncovered, classic witch stories from the first half of the nineteenth century.<p></p><p>In the coming days I will reveal the stories I picked for the collection. Click here to preorder this <a href="https://amzn.to/3KUoKYD">witch book</a> that will be on sale on March 17, 2023!</p><p><br /></p><p>#BestWitchStories #ClassicWitchStories #BestWitchShortStories #ClassicWitchShortStories #WitchBook #NewWitchBook #WitchAnthology #WitchCollection</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-23417495945991979692023-03-02T14:45:00.004-05:002023-03-02T14:45:32.236-05:00A Story of Werewolf by Catherine Crowe - Overview by Andrew Barger<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9Jj6nIlz80lmppZbr99kQ-PxHCfryXXk4k1edb7INbHAkTH6KccQG920f_Ry6I0TJO-gSde_iG68PkLABGg-BCOsWUNqnNGzcxZjsKLh4yHW-4IaT3ytGIEhuiDtj-5zlgt3HQC5Tis/s1600/Catherine+Crowe.png" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="586" data-original-width="520" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX9Jj6nIlz80lmppZbr99kQ-PxHCfryXXk4k1edb7INbHAkTH6KccQG920f_Ry6I0TJO-gSde_iG68PkLABGg-BCOsWUNqnNGzcxZjsKLh4yHW-4IaT3ytGIEhuiDtj-5zlgt3HQC5Tis/w177-h200/Catherine+Crowe.png" width="177" /></a></p><div style="text-align: center;"><b>Catherine Crowe</b></div><div style="text-align: center;"><b>(1790-1872)</b></div><br /><div style="text-align: center;">Introduction</div><div style="text-align: center;">to</div><div style="text-align: center;"><b>A Story of a Weir-Wolf</b></div><br />Catherine Crowe arguably wrote the first werewolf short story by a female. It was republished in <a href="http://andrewbarger.com/bestwerewolfshortstories1800.html">The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology</a> for the first time nearly 175 years since its original publication. Crowe also wrote a few novels, with the <i>Adventures of Susan Hopley</i> being her most popular. Yet it is Crowe’s association with scary short stories for which she is remembered today.<br /><br />Two years after “A Story of a Weir-Wolf” appeared in the May 16th, 1846 (vol. III) issue of James Hogg’s magazine <i>Hogg’s Weekly Instructor</i>, Crowe published a collection she titled “The Night-Side of Nature, or Ghosts and Ghost-seers.” It is a solid compilation of supernatural short stories from real life events. Unfortunately, her werewolf story that begins “on a fine bright summer’s morning” was not contained in “The Night-Side of Nature” and was apparently never re-published by Crowe after it appeared in <i>Hogg’s Weekly Instructor</i>. Thankfully the story will live on. Like any werewolf, it shapeshifted. Less than a decade later, the author had a terrible bought of insanity.<div><br /></div><div>In 1854, at the age of 64, Crowe was found naked wandering the streets of Edinburgh. This is how Charles Dickens described the event on March 7, 1854.<br /><blockquote class="tr_bq" style="text-align: justify;">“Mrs Crowe has gone stark mad–and stark naked–on the spirit-rapping imposition. She was found t’other day in the street, clothed only in her chastity, a pocket-handkerchief and a visiting card. She had been informed, it appeared, by the spirits, that if she went out in that trim she would be invisible. She is now in a mad-house and, I fear, hopelessly insane. One of the curious manifestations of her disorder is that she can bear nothing black. There is a terrific business to be done, even when they are obliged to put coals on her fire.”</blockquote>In 1876—four years after Crowe’s death—William Forster produced a play called “The Weirwolf: A Tragedy” that he made clear was “from a story by Mrs. Crowe” in the printed script. This appears to be the first werewolf play taken from a werewolf story written by a female.</div><div><br /></div><div><br /></div><div>#CatherineCrowe #crowewerewolfstory #classicwerewolf short stories #firstwerewolfstorybyawoman #bestwerewolfstories</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3493107893604522823.post-46087448440709403082023-02-11T18:55:00.003-05:002023-02-11T18:55:47.285-05:00Review of "What Was It" by Fitz James O'Brien<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Veoup8oMR9iai4J2u3gTat4p7Xej-YlOosa81FC-dtUiVz4WpJMcNXOdsd-WF-3dpO0bgAbApTl-7UA04W70vpvXkGAfVso1Tk7kZBpR7bbXHoZ3C-WvViA3DGd4ErgQd5n_mpzvft8/s1600/Fitz_James_O%2527Brien_001.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Veoup8oMR9iai4J2u3gTat4p7Xej-YlOosa81FC-dtUiVz4WpJMcNXOdsd-WF-3dpO0bgAbApTl-7UA04W70vpvXkGAfVso1Tk7kZBpR7bbXHoZ3C-WvViA3DGd4ErgQd5n_mpzvft8/w147-h200/Fitz_James_O%2527Brien_001.jpg" width="147" /></a></p><div style="text-align: center;"><b>Fitz James O’Brien</b></div><div style="text-align: center;"><b>(1828-1862)</b></div><br /><br />A number of Irish horror writers appear in my horror short story anthology <a href="http://www.andrewbarger.com/besthorrorshortstories1850.html" target="_blank">The Best Horror Short Stories 1850-1849: A 6a66le Horror Anthology</a>. Fitz James O’Brien is one of them. He was born in Cork, Ireland. His father was an attorney and O’Brien later attended Dublin University where Joseph Le Fanu published many of his fantastic horror stories in <i>The Dublin University Magazine</i>. O’Brien subsequently moved to the United States where well-known publications like the <i>New York Times</i>, <i>Vanity Fair</i>, and <i>Harper’s Magazine</i> discovered his supernatural fiction.<br /><br />He was also a poet and wrote a number of poems in the scary short story genre including “The Gory Gnome” and “The Demon of the Gibbet.” In 1853, his first short story, “The Two-Skulls,” possessed elements of horror.<br /><br />The subsequent years 1858 and 1859 were watershed years for O’Brien’s fictional short stories in the horror and fantasy genres. His most popular was “The Diamond Lens” (1858), published in the <i>Atlantic Monthly</i>, which tells of a secret world found under a microscope. He also penned that same year “From Hand to Mouth,” which is a precursor to <i>Alice’s Adventures in Wonderland</i> (1865) in surrealistic fiction. In 1859 the <i>Atlantic Monthly</i> also printed O’Brien’s “The Wondersmith” where dolls are brought to life in a macabre fashion.<br /><br />That same year is when O’Brien published one of the best horror stories for the last half of the nineteenth century in “What Was it? A Mystery.” The short horror story employs the first use of invisibility in a horror story and perhaps the first in fiction. Invisibility would be used in the stories of many great authors.<br /><br />In 1881 Bram Stoker published “The Invisible Giant.” “What Was it?” also influenced Guy de Maupassant’s “Le Horla” (1886) and H. G. Wells’s The Invisible Man (1897), the popular author of the next story.<br /><br />“What Was It?” shows that the power of the unseen can be the most frightening of all. It is the second oldest story in this collection and plays its part in the annals of <a href="http://amzn.to/2zfkNXA" target="_blank">monster horror</a>.<br /><br />The story was a smashing success. As one editor put it, “Would you believe me, such an impression did this story make upon the American public, that inside of six week’s (sic) time, (20,000) twenty thousand letters came to the <i>Harpers’</i> (sic) office, full of queries and requests for further news.”<div><br /></div><div>“What Was It?” is set in New York on Twenty-sixth Street between Seventh and Eighth Avenues.<br /><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr3WbeP2PYSfloFhoHaNBtuHWJ9eqdJwt6C_tB-eNWk478SgqeOquzm8VD6oug0iRapUhfbys2_IKJVa8e17Y-qnaiIHi25zVqGWilqgCwZ2EM1hEHunJVmZfThRXzVbHfnFSY-5gyk6M/s320/BestHorror1850ebookfrontcover.jpg" width="213" /><span id="goog_257557884"></span><a href="https://draft.blogger.com/"></a><span id="goog_257557885"></span></div><br /><br /><div style="text-align: center;"><span style="font-size: large;"><b><a href="http://amzn.to/2zfkNXA" target="_blank">What Was It?</a></b></span></div><div style="text-align: center;"><span style="font-size: large;"><b>1859</b></span></div><br /><br /></div><div>Like Andrew Barger's Facebook page for new announcements: <a href="https://www.facebook.com/AuthorAndrewBarger/">https://www.facebook.com/AuthorAndrewBarger/</a><br /><br /><br /><div><br /></div><div>#WhatWasIt #BestHorrorShortStories #invisibility #whatwasitstory #invisiblehorror<br /></div></div>Unknownnoreply@blogger.com0