Did Edgar Allan Poe Write a Scary Werewolf Story?

 

Transformation: Best Werewolf Stories 1800-1849

Edgar Allan Poe (1809-1849) wrote scary stories in a number of supernatural genres. He did not invent the horror short story, but he took it to unbelievable heights. He was the first to invent a closed room murder mystery (The Murders in the Rue Morgue of 1841) and a founding father of science fiction short stories. Poe also was the first to take us inside the head of a crazy man in The Tell-Tale Heart of 1843.

Yet, Edgar Allan Poe failed to cover a few crucial genres in his short stories. For instance, he did not write a vampire or monster story. I have blogged on the former in the past. That is unfortunate as I am convinced that no one could have written a vampire story like Poe. What's more, zombie's had not been created in Poe's time.

Unfortunately, Poe also did not write a scary werewolf story, or any werewolf story for that matter. Below is a list of werewolf stories originally published in the English language during Poe's lifetime, which he may have read. They are found in Transformation: The Best Werewolf Short Stories 1800-1849:

1831 The Man-Wolf by Leitch Ritche (1800-1865)
1846 A Story of a Weir-Wolf by Catherine Crowe (1790-1872)
1828 The Wehr-Wolf: A Legend of the Limousin by Richard Thomson (1794-1865)
1839 The White Wolf of the Hartz Mountains by Captain Frederick Marryat (1792-1848)
1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages by Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)


#WerewolfStories #BestWerewolfStories #LycanStories #VintageWerewolf #WerewolfTales #VictorianWerewolfStories #PoeWerewolfStory #EdgarAllanPoeWerewolf

A Story of Werewolf by Catherine Crowe - Overview by Andrew Barger

Catherine Crowe

(1790-1872)

Introduction

to

A Story of a Weir-Wolf

Catherine Crowe arguably wrote the first werewolf short story by a female. It was republished in The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology for the first time nearly 175 years since its original publication. Crowe also wrote a few novels, with the Adventures of Susan Hopley being her most popular. Yet it is Crowe’s association with scary short stories for which she is remembered today.

Two years after “A Story of a Weir-Wolf” appeared in the May 16th, 1846 (vol. III) issue of James Hogg’s magazine Hogg’s Weekly Instructor, Crowe published a collection she titled “The Night-Side of Nature, or Ghosts and Ghost-seers.” It is a solid compilation of supernatural short stories from real life events. Unfortunately, her werewolf story that begins “on a fine bright summer’s morning” was not contained in “The Night-Side of Nature” and was apparently never re-published by Crowe after it appeared in Hogg’s Weekly Instructor. Thankfully the story will live on. Like any werewolf, it shapeshifted. Less than a decade later, the author had a terrible bought of insanity.

In 1854, at the age of 64, Crowe was found naked wandering the streets of Edinburgh. This is how Charles Dickens described the event on March 7, 1854.

“Mrs Crowe has gone stark mad–and stark naked–on the spirit-rapping imposition. She was found t’other day in the street, clothed only in her chastity, a pocket-handkerchief and a visiting card. She had been informed, it appeared, by the spirits, that if she went out in that trim she would be invisible. She is now in a mad-house and, I fear, hopelessly insane. One of the curious manifestations of her disorder is that she can bear nothing black. There is a terrific business to be done, even when they are obliged to put coals on her fire.”

In 1876—four years after Crowe’s death—William Forster produced a play called “The Weirwolf: A Tragedy” that he made clear was “from a story by Mrs. Crowe” in the printed script. This appears to be the first werewolf play taken from a werewolf story written by a female.

#CatherineCrowe #crowewerewolfstory #classicwerewolf short stories #firstwerewolfstorybyawoman #bestwerewolfstories

Edgar Allan Poe Werewolf Story?

Edgar Allan Poe (1809-1849) wrote scary stories in a number of supernatural genres. He did not invent the horror short story, but he took it to unbelievable heights. Poe penned ghost stories. He was the first to invent a closed room murder mystery (The Murders in the Rue Morgue of 1841) and a founding father of science fiction short stories. Poe also was the first to take us inside the head of a crazy man in The Tell-Tale Heart of 1843.

Yet, Edgar Allan Poe failed to cover a few crucial genres in his short stories. For instance, he did not write a vampire or monster story. I have blogged on the former in the past. That is unfortunate as I am convinced that no one could have written a vampire story like Poe. What's more, zombie's had not been created in Poe's time.

Unfortunately, Poe also did not write a werewolf story. Below is a list of werewolf stories originally published in the English language during Poe's lifetime, which he may have read. They are found in Transformation: The Best Werewolf Short Stories 1800-1849:

1831 The Man-Wolf by Leitch Ritche (1800-1865)
1846 A Story of a Weir-Wolf by Catherine Crowe (1790-1872)
1828 The Wehr-Wolf: A Legend of the Limousin by Richard Thomson (1794-1865)
1839 The White Wolf of the Hartz Mountains by Captain Frederick Marryat (1792-1848)
1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages by Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)

#WerewolfStories #BestWerewolfStories #LycanStories #VintageWerewolf #WerewolfTales #VictorianWerewolfStories #PoeWerewolfStory

Did Edgar Allan Poe Write a Werewolf Story? by Andrew Barger

 

Edgar Allan Poe (1809-1849) wrote scary stories in a number of supernatural genres. He did not invent the horror short story, but he took it to unbelievable heights. Poe penned ghost stories. He was the first to invent a closed room murder mystery (The Murders in the Rue Morgue of 1841) and a founding father of science fiction short stories. Poe also was the first to take us inside the head of a crazy man in The Tell-Tale Heart of 1843.

Yet Edgar Allan Poe failed to cover a few crucial genres in his short stories. For instance, he did not write a vampire or monster story. I have blogged on the former in the past. That is unfortunate as I am convinced that no one could have written a vampire story like Poe. What's more, zombie's had not been created in Poe's time. Unfortunately, Poe also did not write a werewolf story. If Poe did, it would certainly have risen to the level of one of the best werewolf short stories in the first half of the nineteenth century.

Below is a list of werewolf stories originally published in the English language during Poe's lifetime, which he may have read. They are found in the were anthology I edited: Transformation: The Best Werewolf Short Stories 1800-1849:

1831 The Man-Wolf by Leitch Ritche (1800-1865)
1846 A Story of a Weir-Wolf by Catherine Crowe (1790-1872)
1828 The Wehr-Wolf: A Legend of the Limousin by Richard Thomson (1794-1865)
1839 The White Wolf of the Hartz Mountains by Captain Frederick Marryat (1792-1848)
1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages by Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)

#WerewolfStories #BestWerewolfStories #ClassicWerewolfTales #BestTransformationStories #Werewolves #LycanStories #WerewolfTales

A BRIEF HISTORY OF VAMPIRES & WEREWOLVES IN IRELAND & THE UNITED KINGDOM (AND SOME OF EUROPE) on BOOK RIOT

Annika Barranti Klein has recently given a good overview article on Book Riot regarding the history of werewolves and vampires in the UK and Ireland.  https://bookriot.com/history-of-vampires-and-werewolves-in-ireland-and-the-uk/ It is apparent she has conducted her research (IMHO) as she refers to the book I edited and annotated: The Best Werewolf Short Stories 1800-1849. 

Transformation of the werewolf in literature made its greatest strides in the 19th century when the shape-shifting monster leaped from poetry to the short story. It happened when this shorter form of literature was morphing into darker shapes thanks in no small part to Edgar Allan Poe, Honoré de Balzac, E. T. A. Hoffmann, Nathaniel Hawthorne, Prosper Mérimée, James Hogg, and so many others in Europe and the United States

The fifty year period between 1800 and 1849 is truly the cradle of all werewolf short stories. For the first time in one anthology, Andrew Barger has compiled the best werewolf stories from this period. The stories are "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages," "The Man-Wolf," "A Story of a Weir-Wolf," "The Wehr-Wolf: A Legend of the Limousin," and "The White Wolf of the Hartz Mountains." It is believed that two of these fine stories have never been republished in over one hundred and fifty years since the original printing. Read the scary short stories of "The Best Werewolf Short Stories 1800-1849" tonight, just make sure it is not by the light of a full moon!"

#BestWerewolfStories #BestWerewolfBooks #BestWerewolfShortStories #AnnikaBarrantiKlein #AndrewBarger #ClassicWerewolves #Werewolves #UKWerewolves #IrishWerewolves

Who Was the First Woman to Write a Werewolf Story in English?

 

Who was the first female to write a werewolf short story in the English language? In researching my anthology Shifters: The Best Werewolf Short Stories 1800-1849 I uncovered a tale by Catherine Crowe (1790-1872). She called it "A Story of a Weir-Wolf" and published it in 1846. Despite the rather boring title, its a fine lycan tale.

At first she appears to be the first woman to write a werewolf story in the English language, but then I remembered that "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages" was attributed to Sutherland Menzies (1806-1883). That tale was published eight years before Crowe's story. There are some who believe Menzies was a pen-name for Mrs. Elizabeth Stone. If so, she was the first woman to pen a lycan story.

#FirstWerewolfStory #FemaleWerewolf #SutherlandMenzies #CatherineCroweWerewolf #BestWerewolfStories

Classic Werewolf Short Story Article by Janine Hatter

Janine Hatter is an early-career literary researcher at the University of Hull in the UK. Her recent article on nineteenth century werewolf short stories is insightful and worth a read.  She titled it LYCANTHROPIC LANDSCAPES: AN ECOGOTHIC READING OF NINETEENTH-CENTURY WEREWOLF SHORT STORIES, which is a bit of a mouthful. It widely cites the scary stories uncovered and annotated in The Best Werewolf Short Stories 1800-1849.

Abstract: "As a hybrid creature, being both human and animal, the werewolf is in a unique position to interact with both rural and urban landscapes – yet this relationship is critically neglected. This article utilises an EcoGothic perspective to interrogate how werewolves influence these settings, specifically examining tales published in the long nineteenth century because this era underwent significant environmental changes, such as the Industrial Revolution, the introduction of new plants and animals, and the extinction of native species. Authors utilized werewolves, and in particular the short story form, to examine the impact these changes had. This article postulates that werewolf literature is representative of a nostalgia for a bygone age as a direct reaction to Industrialisation; that werewolf literature is the most apt genre to demonstrate a conflict between the human world and the natural environment because of its hybrid state; that werewolves prefer nature in both their animal and human forms, indicating an affinity for this landscape; that nature returns this preferential treatment through subtly influencing the narrative and by claiming back human settlements; and that this harking back to a purer ‘natural’ landscape pre-figures our own ecological outlook."

Read the entire article: http://www.revenantjournal.com/contents/lycanthropic-landscapes-an-ecogothic-reading-of-nineteenth-century-werewolf-short-stories/#sthash.pEZSA2BO.dpbs

Check out the synopsis of the anthology: Transformation of the werewolf in literature made its greatest strides in the 19th century when the shape-shifting monster leaped from poetry to the short story. It happened when this shorter form of literature was morphing into darker shapes thanks in no small part to Edgar Allan Poe, Honoré de Balzac, E. T. A. Hoffmann, Nathaniel Hawthorne, Prosper Mérimée, James Hogg, and so many others in Europe and the United States.The fifty year period between 1800 and 1849 is truly the cradle of all werewolf short stories. For the first time in one anthology, Andrew Barger, award winning author of The Best Horror Short Stories 1800-1849: A Classic Horror Anthology, has compiled the best werewolf stories from this period.

1831The Man-Wolf - Leitch Ritche (1800-1865)
1846 A Story of a Weir-Wolf - Catherine Crowe (1790-1872)
1828 The Wehr-Wolf: A Legend of the Limousin - Richard Thomson (1794-1865)
1839 The White Wolf of the Hartz Mountains - Captain Frederick Marryat (1792-1848)
1838 Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages - Sutherland Menzies [Mrs. Elizabeth Stone] (1806-1883)

Reviews
WEREWOLFNEWS.COM: Barger's enthusiasm for the material is evident on every page: the commentary and the depth of the research which informs it . . ..

MIDWEST BOOK REVIEW: After an informed and informative introduction on the subject by Andrew Barger, five of these stories are presented in full, followed by a listing of short stories considered from 1800 to 1849, along with an index of Real Names. A seminal work of impressive scholarship, The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology is highly recommended reading for fantasy fans, and a valued addition to academic library Literary Studies reference collections.

#JanineHatter #BestWerewolfStories #AndrewBarger

Shifters: The Best Werewolf Short Stories 1800-1849 is a Gothic Readers Choice Award Winner

GOTHIC READERS CHOICE AWARD WINNER

By Gothic Readers Book Club on January 2, 2014

Although lycanthropy and shapeshifting legends have existed for countless centuries, werewolves are not considered a staple of the Gothic literary tradition. Editor Andrew Barger gives us evidence to the contrary with his collection of the best of the wolf stories from the early modern period. Many of these stories have not been republished in over 150 years. There are more than just ghosts and vampires lurking in the 1800s!

If You Like: Edgar Allan Poe, Honor de Balzac, E. T. A. Hoffmann, Nathaniel Hawthorne, Prosper Mrime, James Hogg.

Who Was the First Female to Write a Werewolf Short Story?

Who was the first female to write a werewolf short story in the English language? In researching my anthology Shifters: The Best Werewolf Short Stories 1800-1849 I uncovered a tale by Catherine Crowe (1790-1872). She called it "A Story of a Weir-Wolf" and published it in 1846. Despite the rather boring title, its a fine lycan tale that is scary at times. At first she appears to be the first woman to write a werewolf story in the English language, but them I remembered that "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages" was attributed to Sutherland Menzies (1806-1883). That tale was published eight years before Crowe's story. There are some who believe Menzies was a pen-name for Mrs. Elizabeth Stone. If so, she was the first woman to pen a lycan story.

Werewolf and Horror Anthology Smackdown

For those of you who track this blog, you know that in 2010 I edited two anthologies while working on a few short stories of my own. The first I started working on was The Best Horror Short Stories 1800-1849. Right in the middle of editing it I published The Best Werewolf Short Stories 1800-1849 from the tales I had read for the horror anthology (300+ found in the literary magazines of the day). I expected the werewolf book to attract a small, but specialized audience. The horror anthology I expected to reach a wider audience and sell more copies. I could not have been more wrong. Sales of the werewolf anthology quadrupled sales of the horror anthology in 2010. Yes, the horror book costs 20% more than the werewolf anthology: $12.98 to $10.98, respectively, as a result of the horror anthology containing over twice as many stories. This is because there were only a handful of werewolf short stories published in this time period, not for lack of quality, mind you. The horror anthology even has photos of the authors, unlike the werewolf anthology since photos for half the authors were unavailable. Despite all this, I was dead wrong on which would be the most popular. Quadrupled? Jeez. So much for an author trying to forecast book sales.

P.s. In the month of January anyone who likes my Facebook page (Andrew Barger's Official Facebook Page) will be included in a random drawing to win an autographed copy of The Best Werewolf Short Stories 1800-1849. Good luck!

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