Midwest Book Review of The Best Vampire Short Stories 1800-1849 is Posted

The Midwest Book Review has just published a glowing review of The Best Vampire Stories 1800-1849: A Classic Vampire Anthology - "an absolute 'must-have' for any aficionado of vampire literature, highly recommended."

The Unholy Compact Abjured Vampire Story by Charles Pigault-Lebrun )

The Unholy Compact Abjured was published by French novelist Charles Pigault-Lebrun (1753-1835) in 1825. This is a very early vampire story and was only the fourth published in the English language. "The Vampyre" by John Polidori in 1819, "The Black Vampyre" by Robert Sands also in 1819 and "Wake Not the Dead" by Ludwig Tieck in 1823 are the prior three and are included in The Best Vampire Stories 1800-1849: A Classic Vampire Anthology. "The Unholy Compact Adjured" is not, however, since it is rather flamboyant and fails to reach the level of character and story-line of the others. It is still worth a read on a dark night. 

Book Review of The Best Ghost Stories 1800-1849 Anthology

It's not often that I post a review of one of my books in its entirety. In fact, I never do. Nicola Manning, however, has recently published one of the most well thought out reviews of the best ghost stories anthology that I edited. I agree with her on most points (Washington Irving excepted). You can follow all her reviews on GoodReads. They are worth your time.

"Reason for Reading: I have a particular interest in the Gothic story and my favoured literature time period is the Victorian era, which admittedly doesn't start until 1837. But both the time frame of this book and the life works of the included authors does fall within my preferred historical reading period.

This is a fine collection of ghost stories. Andrew Barger has done an excellent job of combining the familiar with the obscure both in title and author selection. He has written an interesting, engaging introduction to the topic and his choices of stories. From this introduction the reader knows they have an editor who knows the literary time period and genre being presented. Preceding each story is an introduction by the editor with background information on the story and the author in relation to the particular story. This is invaluable reading and is a joy for the reader to have this contemporary insight before proceeding with the story. I always appreciate an anthology that introduces each story. Following the collection of nine stories, is a long list of stories from which Andrew Barger read to select those he called "best" for this collection. This would make a great reading list for the enthusiast! I found most of the stories very good, with several excellent, only a couple merely good and just one less than satisfying. Mr. Barger has several other books which look like they would make excellent reading. The stories included and my impressions:

1. Adventure of the German Student by Washington Irving - A depressed German student goes to "gay Paree" for his health, unfortunately it's just as the French Revolution gets underway. Sickened by the blood of the guillotine he becomes a recluse and dreams of a woman. One night as he takes a walk, the only time he'll ever leave his flat, he meets the woman of his dreams, and has an encounter that literally drives him insane. Good, even though I'm not a huge Irving fan. 3/5

2. The Old Maid in the Winding Sheet by Nathaniel Hawthorne - Two women who loved the same man who dies young make a pact to meet up again in the room of his deathbed, in the distant future. One to go on and make something of her life, the other to stay in the village, a recluse, following death. This was pretty creepy and I enjoyed it a lot. Hawthorne is hit and miss with me. I don't like his novels but his stories usually win me over, as did this. 4/5

3. A Night in a Haunted House by Anonymous - This was an ideal ghost story. A naysayer after hearing the story of a haunted house, from a parson no doubt, asks to spend the night in the abandoned house to prove there are no such things as ghosts, only overactive imaginations. Needless to say he has an eerie evening and becomes a believer. This is a long short story, clocking in at 30 pages and a very good read. Really two stories in one, first the parson's story and then the other man's story; I can imagine how it would have hit the sensibilities of the public at the time it was written (1848) being quite creepy and containing the classic qualities of both the ghost and Gothic story. For the modern reader it's not hard to guess the twist at the end fairly early into the second part of the story, but still it is an eerie, fun story and one I enjoyed a lot. A classic ghost story of this era (5/5)

4. The Story of the Spectral Ship by Wilhelm Hauff - A new-to-me author, here with a Flying Dutchman type of ghost ship story. The main characters are Muslim, making it rather unique for its time. A well-told eerie ghost tale. I'd love to read more of the author. (5/5)

5. The Tapestried Chamber by Sir Walter Scott - I wasn't looking forward to this story as Scott always brings to my mind his horrible historicals such as "Ivanhoe" and his wretched poetry. I didn't know he was a fan of this genre as well, so was pleasantly surprised at how much I enjoyed this classic tale of an upstanding military General spending the night in an haunted room. Tame by today's standard's but a disturbing story nevertheless. (5/5)

6. The Legend of Sleepy Hollow by Washington Irving - Everyone knows this tale from one source or another. I've read it before and didn't like. It is long, Irving's writing is too old-fashioned for me and I just don't find the story scary or creepy. It's been about 8 years, so I gave it another go, but found it just as boring as I previously always do. (2/5)

7. The Mask of the Red Death by Edgar Allan Poe - I've read Poe many times. This is classic! Extremely creepy, the images the words create in your mind are just impossible to render in visual media. It is very debatable whether this is a ghost story, though. I've never thought of it as such. The character, to me, here is Death, or Disease manifested, not a ghost. Nevertheless a fine story! 5/5

8. A Chapter in the History of a Tyrone Family by Joseph Sheridan Le Fanu - With one short story left to go I don't think it's too early to call this long short story the "piece de resistance" of this collection. A masterpiece of a story whose plot has been retold numerous times by now but as the original still manages to thrill and shock. The plot follows a theme used in Jane Eyre and yet pre-dates that classic by 8 years prompting the editor to include an afterword to this story alone that convincingly suggests Bronte "borrowed" from it. I'm not very familiar with Fanu's work but I would certainly like to explore him further! 5/5

9. The Deaf and Dumb Girl by Anonymous - This is another fine example of an eerie ghost story that tells the tale of a tragic used, spurned woman whose spirit waits for the return of her ruthless lover to exact revenge upon him. This is an obscure story the editor says has not been published since its original appearance in 1839. A chilling tale to end the volume with! 4/5"

The Vampire Arnod Short Story of 1849 Link and Descrpition

Not many vampire stories were published in the English language from 1800-1849. Those that were, however, are very interesting. One of them found during research for my vampire anthology is The Vampire Arnod published in 1849. The story did not make as the very best for this period, but it is still good. It appeared in The New Monthly Magazine on page 190 and tells of a scary man who lives in a village near Belgrade. I won't give away the plot of this very short horror story, but it's worth a read if you are into classic vampire stories. 

Novel About Edgar Allan Poe's Life - Coffee with Poe by Andrew Barger is Out

I am excited about The Raven, the new John Cusack movie about Edgar Allan Poe. It starts showing this Friday. In my view Poe does not get his props by the media. If you are interested in reading about his life from his own perspective, Coffee with Poe: A Novel of Edgar Allan Poe's Life, will take you there.

Coffee with Poe brings Edgar Allan Poe to life within its pages as never before. The book is filled with actual letters from his many romances and literary contemporaries. Orphaned at the age of two, Poe is raised by John Allan—his abusive foster father—who refuses to adopt him until he becomes straight-laced and businesslike. Poe, however, fancies poetry and young women. The contentious relationship culminates in a violent altercation, which causes Poe to leave his wealthy foster father’s home to make it as a writer. Poe tries desperately to get established as a writer but is ridiculed by the “Literati of New York.”

The Raven subsequently gains Poe renown in America yet he slips deeper into poverty, only making $15 off the poem’s entire publication history. Desperate for a motherly figure in his life, Poe marries his first cousin who is only thirteen. Poe lives his last years in abject poverty while suffering through the deaths of his foster mother, grandmother, and young wife. In a cemetery he becomes engaged to Helen Whitman, a dark poet who is addicted to ether, wears a small coffin about her neck, and conducts séances in her home. The engagement is soon broken off because of Poe’s drinking. In his final months his health is in a downward spiral. Poe disappears on a trip and is later found delirious and wearing another person’s clothes. He dies a few days later, whispering his final words: “God help my poor soul.”

 

To give us a historical fiction look at Edgar Allan Poe is great. The start where we are at his mom’s funeral gives a little insight into why he may write the way he does. It is very interesting the ideas the author has put into the story about Poe. I like the idea of detailing the life of Edgar Allan Poe into a historical fiction novel.” . . . “A great idea to give us some insight into why Poe may be the way he is.

Amazon Breakthrough Novel Award Expert Reviewer

Autographed Edition of The Best Vampire Stories 1800-1849 Being Offered on GoodReads

For those of you who read this blog I wanted to let you know that an autographed edition of The Best Vampire Stories 1800-1849: A Classic Vampire Anthology is being offered on GoodReads for the next month. Good luck and have a great (scary)weekend!

Did Edgar Allan Poe Write a Vampire Story?

Edgar Allan Poe was the undisputed king of the early horror story. He was ten when John Polidori published the first vampire story in the English language that was followed a few months later by "The Black Vampyre," which was published anonymously by Robert Sands in 1819. Both caused quite a stir in the literary community. Many people thought Lord Byron wrote Polidori's tale and "The Black Vampyre" was pinned on the valedictorian of Columbia. Both were published with background information in The Best Vampire Stories 1800-1849 and are a must read for vampire aficionados. 

Surely Edgar Allan Poe heard of these stories and likely read one or both when he got older. Did he respond in kind with his own vampire tale? Sorry to disappoint, but from my research Poe did not pen a vampire story. If a reader has to stretch their imagination to determine if a character is a vampire, then it is likely not a vampire. After all, a vampire is what a vampire does.

Teeth play a telling role (as does the presence of blood) in many vampire tales. Because of this a number of anthologist have placed Poe’s “Ligeia” in their collections with hopes that if the tale is included in a substantial number of vampire anthologies it will be transmogrified into a vampire story. **Spoiler Alert** When Ligeia dies and is subsequently brought back to life through Rowena’s body, the unnamed protagonist touches her and she moves away, again displaying no lust for blood. Before her death, Rowena is given a cup of reddish liquid that could easily be wine or a potion concocted by the protagonist. There is no evidence that anyone’s blood was spilt. The only other hint of vampirism comes when Rowena’s lips part on her deathbed to display a line of “pearly teeth.” If she was a vampire we would learn of long teeth or sharp teeth, but that is not the case.

Poe’s only slight references to vampires were in his poems. “Tamerlane” references a vampire-bat and “To Helen” calls out vampire-winged panels. Articles about the vampire motif in “The Fall of the House of Usher” have been disorganized and unconvincing. There is no hint that Roderick Usher was a vampire. Essays about a volitional vampire in “Morella” have . . . well . . . sucked. The ponderous dissertations that seek to attribute the protagonist’s lust for teeth to a vampire fixation in “Berenice” have felt chompy. A tooth fixation is not a blood fixation.

Yes, it would be nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. A Poe story listed in the Table of Contents for an anthology boosts sales. Nevertheless, in the case of vampire anthologies, Poe’s inclusion is misdirected.