Showing posts with label best horror short stories. Show all posts
Showing posts with label best horror short stories. Show all posts

Saturday, October 1, 2016

The Fiend of the Cooperage by Sir Arthur Conan Doyle

The Fiend of the Cooperage
by
Sir Arthur Conan Doyle

Sir Arthur Conan Doyle (1859-1930) in Hat

In 1897 Sir Arthur Conan Doyle published his best jungle story called “The Fiend of the Cooperage.” It is one of Sir Arthur Conan Doyle’s best horror stories along with “The Brazilian Cat.” The scary short story is also his only jungle horror tale. It's full of snappy dialogue a pervasive sense of hot, sticky dread.

As Richard Burton said in the November 14, 1908 issue of The Bellman’s Bookshelf, in reference to a Doyle collection that contained the scary horror story, “If you read these of an evening, as I did, the creeps are guaranteed. Whatever may be the wholesomeness of such attacks upon the nerves, a reviewer would not be just if he overlooked the cleverness with which a strange complication is managed and a quite unlooked for denouement sprung upon the expectant reader.”

While the reviews of Doyle’s 56 Sherlock Holmes tales are legion, much less focus has been placed on his horror stories. It’s sad that nearly 120 years after its publication, the scholarly reviews of “The Fiend of the Cooperage” are almost nonexistent. Not only does this jungle scary story need more visibility, it is one of the best horror short stories for the last half of the nineteenth century. That's why I place it at number 16 in my countdown of the best horror short stories for the last half of the nineteenth century.

Along with H. G. Wells’s “Pollock and the Porroh Man” found in Best Horror Short Stories 1850-1899: a Phantasmal Horror Anthology, this Doyle spine-tingler is one of the best horror stories set among the sticky palms of the jungle. It was published October 1, 1897 in The Manchester Weekly Times.

I like this story so much I annotated it and included them in the brackets sprinkled throughout the story. So sit back, have a “quinine cocktail”  and enjoy!



The Fiend of the Cooperage
1897


IT WAS NO easy matter to bring the Gamecock up to the island, for the river had swept down so much silt that the banks extended for many miles out into the Atlantic. The coast was hardly to be seen when the first white curl of the breakers warned us of our danger, and from there onwards we made our way very carefully under mainsail and jib, keeping the broken water well to the left, as is indicated on the chart.

More than once her bottom touched the sand (we were drawing something under six feet at the time), but we had always way enough and luck enough to carry us through. Finally, the water shoaled very rapidly, but they had sent a canoe from the factory, and the Krooboy pilot [The definition of Krooboy is a skilled African seamen typically from the coast of Liberia] brought us within two hundred yards of the island. Here we dropped our anchor, for the gestures of the negro indicated that we could not hope to get any farther.

The blue of the sea had changed to the brown of the river, and even under the shelter of the island the current was singing and swirling round our bows. The stream appeared to be in spate, for it was over the roots of the palm trees, and everywhere upon its muddy, greasy surface we could see logs of wood and debris of all sorts which had been carried down by the flood.

When I had assured myself that we swung securely at our moorings, I thought it best to begin watering at once, for the place looked as if it reeked with fever. The heavy river, the muddy, shining banks, the bright poisonous green of the jungle, the moist steam in the air, they were all so many danger signals to one who could read them. I sent the long-boat off, therefore, with two large hogsheads, which should be sufficient to last us until we made St. Paul de Loanda. For my own part I took the dinghy and rowed for the island, for I could see the Union Jack [British flag] fluttering above the palms to mark the position of the Armitage and Wilson’s trading station.

When I had cleared the grove, I could see the place, a long, low, whitewashed building, with a deep verandah in front, and an immense pile of palm oil barrels heaped upon either flank of it. A row of surf boats [Long narrow boats that ride low to the water] and canoes lay along the beach, and a single small jetty projected into the river. Two men in white suits with red cummerbunds [Wide bands] round their waists were waiting upon the end of it to receive me. One was a large portly fellow with a grayish beard. The other was slender and tall, with a pale, pinched face, which was half-concealed by a great mushroom-shaped hat.

“Very glad to see you,” said the latter, cordially. “I am Walker, the agent of Armitage and Wilson. Let me introduce Dr. Severall of the same company. It is not often we see a private yacht in these parts.”

“She’s the Gamecock,” I explained. “I’m owner and captain—Meldrum is the name.”

“Exploring?” he asked. “I’m a lepidopterist—a butterfly-catcher. I’ve been doing the west coast from Senegal downwards.”

“Good sport?” asked the doctor, turning a slow, yellow-shot eye upon me.

“I have forty cases full. We came in here to water, and also to see what you have in my line.”

These introductions and explanations had filled up the time whilst my two Krooboys were making the dinghy fast. Then I walked down the jetty with one of my new acquaintances upon either side, each plying me with questions, for they had seen no white man for months.

“What do we do?” said the Doctor, when I had begun asking questions in my turn. “Our business keeps us pretty busy, and in our leisure time we talk politics.”

“Yes, by the special mercy of Providence Severall is a rank Radical and I am a good stiff Unionist, and we talk Home Rule for two solid hours every evening.”

“And drink quinine cocktails,” said the Doctor. “We’re both pretty well salted now, but our normal temperature was about 103 last year. I shouldn’t, as an impartial adviser, recommend you to stay here very long unless you are collecting bacilli as well as butterflies. The mouth of the Ogowai River will never develop into a health resort.”

There is nothing finer than the way in which these outlying pickets of civilization distil a grim humor out of their desolate situation, and turn not only a bold, but a laughing face upon the chances which their lives may bring. Everywhere from Sierra Leone downwards I had found the same reeking swamps, the same isolated fever-racked communities and the same bad jokes. There is something approaching to the divine in that power of man to rise above his conditions and to use his mind for the purpose of mocking at the miseries of his body.

“Dinner will be ready in about half an hour, Captain Meldrum,” said the doctor. “Walker has gone in to see about it; he’s the housekeeper this week. Meanwhile, if you like, we’ll stroll round and I’ll show you the sights of the island.”

The sun had already sunk beneath the line of palm trees and the great arch of the heaven above our head was like the inside of the huge shell, shimmering with dainty pinks and delicate iridescence. No one who has not lived in a land where the weight and heat of a napkin become intolerable upon the knees can imagine the blessed relief which the coolness of evening brings along with it. In this sweeter and purer air the doctor and I walked round the little island, he pointing out the stores, and explaining the routine of his work.

“There’s a certain romance about the place,” said he, in answer to some remark of mine about the dullness of their lives. “We are living here just upon the edge of the great unknown. Up there,” he continued, pointing to the northeast, “Du Chaillu penetrated, and found the home of the gorilla. That is the Gaboon country—the land of the great apes. In this direction,” pointing to the southeast, “no one has been very far. The land which is drained by this river is practically unknown to Europeans. Every log which is carried past us by the current has come from an undiscovered country. I’ve often wished that I was a better botanist when I have seen the singular orchids and curious-looking plants which have been cast up on the eastern end of the island.”

The place which the Doctor indicated was a sloping brown beach, freely littered with the flotsam of the stream. At each end was a curved point, like a little natural breakwater, so that a small shallow bay was left between. This was full of floating vegetation, with a single huge splintered tree lying stranded in the middle of it, the current rippling against its high black side.

“These are all from up country,” said the Doctor. “They get caught in our little bay, and then when some extra freshet comes they are washed out again and carried out to sea.”

“What is the tree? “ I asked.

“Oh, some kind of teak I should imagine, but pretty rotten by the look of it. We get all sorts of big hardwood trees floating past here, to say nothing of the palms. Just come in here, will you?”

He led the way into a long building with an immense quantity of barrel staves and iron hoops littered about in it. “This is our cooperage,” [Place for making barrels] said he. “We have the staves sent out in bundles, and we put them together ourselves. Now, you don’t see anything particularly sinister about this building, do you?”

I looked round at the high corrugated iron roof, the white wooden walls, and the earthen floor. In one corner lay a mattress and a blanket. “I see nothing very alarming,” said I.

“And yet there’s something out of the common, too,” he remarked. “You see that bed? Well, I intend to sleep there tonight. I don’t want to buck, but I think it’s a bit of a test for nerve.”

“Why?”

“Oh, there have been some funny goings on. You were talking about the monotony of our lives, but I assure you that they are sometimes quite as exciting as we wish them to be. You’d better come back to the house now, for after sundown we begin to get the fever-fog up from the marshes. There, you can see it coming across the river.”

I looked and saw long tentacles of white vapor writhing out from among the thick green underwood and crawling at us over the broad swirling surface of the brown river. At the same time the air turned suddenly dank and cold.

“There’s the dinner gong,” said the doctor. “If this matter interests you I’ll tell you about it afterwards.”

It did interest me very much, for there was something earnest and subdued in his manner as he stood in the empty cooperage which appealed very forcibly to my imagination. He was a big, bluff, hearty man, this doctor, and yet I had detected a curious expression in his eyes as he glanced about him—an expression which I would not describe as one of fear, but rather that of a man who is alert and on his guard.

“By the way,” said I, as we returned to the house, “you have shown me the huts of a good many of your native assistants, but I have not seen any of the natives themselves.”

“They sleep in the hulk over yonder,” the doctor answered, pointing over to one of the banks.

“Indeed. I should not have thought in that case that they would need the huts.”

“Oh, they used the huts until quite recently. We’ve put them on the hulk until they recover their confidence a little. They were all half mad with fright, so we let them go, and nobody sleeps on the island except Walker and myself.”

“What frightened them?” I asked.

“Well, that brings us back to the same story. I suppose Walker has no objection to your hearing all about it. I don’t know why we should make any secret about it, though it is certainly a pretty bad business.”

He made no further allusion to it during the excellent dinner which had been prepared in my honor. It appeared that no sooner had the little white topsail of the Gamecock shown round Cape Lopez than these kind fellows had begun to prepare their famous pepper-pot—which is the pungent stew peculiar to the West Coast [Beef stew including potatoes, onions, chilies, sweet potatoes and coconut milk]—and to boil their yams and sweet potatoes. We sat down to as good a native dinner as one could wish, served by a smart Sierra Leone waiting boy. I was just remarking to myself that he at least had not shared in the general flight when, having laid the dessert and wine upon the table, he raised his hand to his turban.

“Anything else I do, Massa Walker?” he asked.

“No, I think that is all right, Moussa,” my host answered. “I am not feeling very well tonight, though, and I should much prefer if you would stay on the island.”

I saw a struggle between his fears and his duty upon the swarthy face of the African. His skin had turned of that livid purplish tint which stands for pallor in a negro, and his eyes looked furtively about him.

“No, no, Massa Walker,” he cried, at last, “ you better come to the hulk with me, sah. Look after you much better in the hulk, sah!”

“That won’t do, Moussa. White men don’t run away from the posts where they are placed.”
Again I saw the passionate struggle in the negro’s face, and again his fears prevailed.

“No use, Massa Walker, sah!” he cried. “S’elp me, I can’t do it. If it was yesterday or if it was tomorrow, but this is the third night, sah, an’ it’s more than I can face.”

Walker shrugged his shoulders.

“Off with you then!” said he. “When the mail-boat comes you can get back to Sierra Leone, for I’ll have no servant who deserts me when I need him most. I suppose this is all mystery to you, or has the doctor told you, Captain Meldrum?”

“I showed Captain Meldrum the cooperage, but I did not tell him anything,” said Dr. Severall. “You’re looking bad, Walker,” he added, glancing at his companion. “You have a strong touch coming on you.”

“Yes, I’ve had the shivers all day, and now my head is like a cannonball. I took ten grains of quinine, [Drug used to prevent and treat malaria] and my ears are singing like a kettle. But I want to sleep with you in the cooperage tonight.”

“No, no, my dear chap. I won’t hear of such a thing. You must get to bed at once, and I am sure Meldrum will excuse you. I shall sleep in the cooperage, and I promise you that I’ll be round with your medicine before breakfast.”

It was evident that Walker had been struck by one of those sudden and violent attacks of remittent fever which are the curse of the West Coast. His sallow cheeks were flushed and his eyes shining with fever, and suddenly as he sat there he began to croon out a song in the high-pitched voice of delirium.

“Come, come, we must get you to bed, old chap,” said the doctor, and with my aid he led his friend into his bedroom. There we undressed him, and presently, after taking a strong sedative, he settled down into a deep slumber.

“He’s right for the night,” said the doctor, as we sat down and filled our glasses once more.

“Sometimes it is my turn and sometimes his, but, fortunately, we have never been down together. I should have been sorry to be out of it tonight, for I have a little mystery to unravel. I told you that I intended to sleep in the cooperage.”

“Yes, you said so.”

“When I said sleep I meant watch, for there will be no sleep for me. We’ve had such a scare here that no native will stay after sundown, and I mean to find out tonight what the cause of it all may be. It has always been the custom for a native watchman to sleep in the cooperage, to prevent the barrel hoops being stolen. Well, six days ago the fellow who slept there disappeared, and we have never seen a trace of him since. It was certainly singular, for no canoe had been taken, and these waters are too full of crocodiles for any man to swim to shore. What became of the fellow, or how he could have left the island is a complete mystery. Walker and I were merely surprised, but the blacks were badly scared, and queer Voodoo tales began to get about amongst them. But the real stampede broke out three nights ago, when the new watchman in the cooperage also disappeared.”

“What became of him?” I asked.

“Well, we not only don’t know, but we can’t even give a guess which would fit the facts. The niggers swear there is a fiend in the cooperage who claims a man every third night. They wouldn’t stay in the island—nothing could persuade them. Even Moussa, who is a faithful boy, enough, would, as you have seen, leave his master in a fever rather than remain for the night. If we are to continue to run this place we must reassure our niggers, and I don’t know any better way of doing it than by putting in a night there myself. This is the third night, you see, so I suppose the thing is due, whatever it may be.”

“Have you no clue?” I asked. “Was there no mark of violence, no bloodstain, no footprints, nothing to give a hint as to what kind of danger you may have to meet?”

“Absolutely nothing. The man was gone and that was all. Last time it was old Ali, who has been wharf-tender here since the place was started. He was always as steady as a rock, and nothing but foul play would take him from his work.”

“Well,” said I, “I really don’t think that this is a one-man job. Your friend is full of laudanum, [Drink comprising alcohol and morphine] and come what might he can be of no assistance to you. You must let me stay and put in a night with you at the cooperage.”

“Well, now, that’s very good of you, Meldrum,” said he heartily, shaking my hand across the table. “It’s not a thing that I should have ventured to propose, for it is asking a good deal of a casual visitor, but if you really mean it—”

“Certainly I mean it. If you will excuse me a moment, I will hail the Gamecock and let them know that they need not expect me.”

As we came back from the other end of the little jetty we were both struck by the appearance of the night. A huge blue-black pile of clouds had built itself up upon the landward side, and the wind came from it in little hot pants, which beat upon our faces like the draught from a blast furnace. Under the jetty the river was swirling and hissing, tossing little white spurts of spray over the planking.

“Confound it!” said Doctor Severall. “We are likely to have a flood on the top of all our troubles. That rise in the river means heavy rain up-country, and when it once begins you never know how far it will go. We’ve had the island nearly covered before now. Well, we’ll just go and see that Walker is comfortable, and then if you like we’ll settle down in our quarters.”

The sick man was sunk in a profound slumber, and we left him with some crushed limes in a glass beside him in case he should awake with the thirst of fever upon him. Then we made our way through the unnatural gloom thrown by that menacing cloud. The river had risen so high that the little bay which I have described at the end of the island had become almost obliterated through the submerging of its flanking peninsula. The great raft of driftwood, with the huge black tree in the middle, was swaying up and down in the swollen current.

“That’s one good thing a flood will do for us,” said the doctor. “It carries away all the vegetable stuff which is brought down on the east end of the island. It came down with the  freshet the other day, and here it will stay until a flood sweeps it out into the main stream. Well, here’s our room, and here are some books, and here is my tobacco pouch, and we must try and put in the night as best we may.”

By the light of our single lantern the great lonely room looked very gaunt and dreary. Save for the piles of staves and heaps of hoops there was absolutely nothing in it, with the exception of the mattress for the doctor, which had been laid in the corner. We made a couple of seats and a table out of the staves, and settled down together for a long vigil.

Severall had brought a revolver for me, and was himself armed with a double-barreled shotgun. We loaded our weapons and laid them cocked within reach of our hands. The little circle of light and the black shadows arching over us were so melancholy that he went off to the house, and returned with two candles. One side of the cooperage was pierced, however, by several open windows, and it was only by screening our lights behind staves that we could prevent them from being extinguished.

The doctor, who appeared to be a man of iron nerves, had settled down to a book, but I observed that every now and then he laid it upon his knee, and took an earnest look all round him. For my part, although I tried once or twice to read, I found it impossible to concentrate my thoughts upon the book. They would always wander back to this great empty silent room, and to the sinister mystery which overshadowed it. I racked my brains for some possible theory which would explain the disappearance of these two men. There was the black fact that they were gone, and not the least tittle of evidence as to why or whither. And here we were waiting in the same place—waiting without an idea as to what we were waiting for. I was right in saying that it was not a one-man job. It was trying enough as it was, but no force upon earth would have kept me there without a comrade.

What an endless, tedious night it was! Outside we heard the lapping and gurgling of the great river, and the soughing of the rising wind. Within save for our breathing, the turning of the Doctor’s pages, and the high, shrill ping of an occasional mosquito there was a heavy silence.

Once my heart sprang into my mouth as Severall’s book suddenly fell to the ground and he sprang to his feet with his eyes on one of the windows.

“Did you see anything, Meldrum?”

“No. Did you?”

“Well, I had a vague sense of movement outside that window.” He caught up his gun and approached it. “No, there’s nothing to be seen, and yet I could have sworn that something passed slowly across it.”

“A palm leaf, perhaps,” said I, for the wind was growing stronger every instant.

“Very likely,” said he, and settled down to his book again, but his eyes were forever darting little suspicious glances up at the window. I watched it also, but all was quiet outside.

And then suddenly our thoughts were turned into a new direction by the bursting of the storm. A blinding flash was followed by a clap which shook the building. Again and again came the vivid white glare with thunder at the same instant, like the flash and roar of a monstrous piece of artillery.
And then down came the tropical rain, crashing and rattling on the corrugated iron roofing of the cooperage. The big hollow room boomed like a drum. From the darkness arose a strange mixture of noises, a gurgling, splashing, tinkling, bubbling, washing, dripping—every liquid sound that nature can produce from the thrashing and swishing of the rain to the deep steady boom of the river. Hour after hour the uproar grew louder and more sustained.

“My word,” said Severall, “we are going to have the father of all the floods this time. Well, here’s the dawn coming at last and that is a blessing. We’ve about exploded the third night superstition anyhow.”

A gray light was stealing through the room, and there was the day upon us in an instant. The rain had eased off, but the coffee-colored river was roaring past like a waterfall. Its power made me fear for the anchor of the Gamecock.

“I must get aboard,” said I. “If she drags she’ll never be able to beat up the river again.”

“The island is as good as a breakwater,” the doctor answered. “I can give you a cup of coffee if you will come up to the house.”

I was chilled and miserable, so the suggestion was a welcome one. We left the ill-omened cooperage with its mystery still unsolved, and we splashed our way up to the house.

“There’s the spirit lamp,” said Severall. “If you would just put a light to it, I will see how Walker feels this morning.”

He left me, but was back in an instant with a dreadful face. “He’s gone!” he cried hoarsely.

The words sent a shrill of horror through me. I stood with the lamp in my hand, glaring at him.

“Yes, he’s gone!” he repeated. “Come and look!”

I followed him without a word, and the first thing that I saw as I entered the bedroom was Walker himself lying huddled on his bed in the gray flannel sleeping suit in which I had helped to dress him on the night before. “Not dead, surely!” I gasped.

The doctor was terribly agitated. His hands were shaking like leaves in the wind. “He’s been dead some hours.”

“Was it fever?”

“Fever! Look at his foot!”

I glanced down and a cry of horror burst from my lips. One foot was not merely dislocated but was turned completely round in a most grotesque contortion.

“Good God!” I cried. “What can have done this?”

Severall had laid his hand upon the dead man’s chest. “Feel here,” he whispered.

I placed my hand at the same spot. There was no resistance. The body was absolutely soft and limp. It was like pressing a sawdust doll.

“The breastbone is gone,” said Severall in the same awed whisper. “He’s broken to bits. Thank God that he had the laudanum. You can see by his face that he died in his sleep.

“But who can have done this?”

“I’ve had about as much as I can stand,” said the doctor, wiping his forehead. “I don’t know that I’m a greater coward than my neighbors, but this gets beyond me. If you’re going out to the Gamecock —”

“Come on!” said I, and off we started. If we did not run it was because each of us wished to keep up the last shadow of his self-respect before the other.

It was dangerous in a light canoe on that swollen river, but we never paused to give the matter a thought. He bailing and I paddling we kept her above water, and gained the deck of the yacht. There, with two hundred yards of water between us and this cursed island, we felt that we were our own men once more.

“We’ll go back in an hour or so,” said he. “But we need a little time to steady ourselves. I wouldn’t have had the niggers see me as I was just now for a year’s salary.”

“I’ve told the steward to prepare breakfast. Then we shall go back,” said I. “But in God’s name, Doctor Severall, what do you make of it all.”

“It beats me—beats me clean. I’ve heard of Voodoo devilry, and I’ve laughed at it with the others. But that poor old Walker, a decent, God-fearing, nineteenth-century, Primrose-League [A conservative organization formed in Great Britain during 1883] Englishman, should go under like this without a whole bone in his body—it’s given me a shake, I won’t deny it. But look there, Meldrum, is that hand of yours mad or drunk, or what is it?”

Old Patterson, the oldest man of my crew, and as steady as the Pyramids, had been stationed in the bows with a boathook to fend off the drifting logs which came sweeping down with the current. Now he stood with crooked knees, glaring out in front of him, and one forefinger stabbing furiously at the air.

“Look at it!” he yelled. “Look at it!”

And at the same instant we saw it.

A huge black tree trunk was coming down the river, its broad glistening back just lapped by the water. And in front of it—about three feet in front—arching upwards like the figurehead of a ship, there hung a dreadful face, swaying slowly from side to side. It was flattened, malignant, as large as a small beer-barrel, of a faded fungoid color, but the neck which supported it was mottled with a dull yellow and black. As it flew past the Gamecock in the swirl of the waters I saw two immense coils roll up out of some great hollow in the tree, and the villainous head rose suddenly to the height of eight or ten feet, looking with dull, skin-covered eyes at the yacht. An instant later the tree had shot past us and was plunging with it horrible passenger towards the Atlantic.

“What was it?” I cried.

“It is our fiend of the cooperage,” said Dr. Severall, and he had become in an instant the same bluff, self-confident man that he had been before. “Yes, that is the devil who has been haunting our island.
It is the great python of the Gaboon.”

I thought of the stories which I had heard all down the coast of the monstrous constrictors of the interior, of the periodical appetite, and of the murderous effects of their deadly squeeze. Then it all took shape in my mind. There had been a freshet the week before. It had brought down this huge hollow tree with its hideous occupant. Who knows from what far distant tropical forest it may have come. It had been stranded on the little east bay of the island. The cooperage had been the nearest house. Twice with the return of its appetite it had carried off the watchman. Last night it had doubtless come again, when Severall had thought he saw something move at the window, but our lights had driven it away. It had writhed onwards and had slain poor Walker in his sleep.

“Why did it not carry him off?” I asked.

“The thunder and lightning must have scared the brute away. There’s your steward, Meldrum. The sooner we have breakfast and get back to the island the better, or some of those niggers might think that we had been frightened.”

Author - Andrew Barger - http://www.AndrewBarger.com

#FiendoftheCooperage #BestHorrorShortStories

Wednesday, November 24, 2010

List of the Top 40 Horror Short Stories from 1800-1849



Below is a rundown of what I believe to be the Top 40 scary short stories from 1800 to 1849. You will notice some familiar names and some that may be new. The Top 12 were recently published in my new book: The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. They include story backgrounds, annotations and photos of the author. I am also please to announced that for the first time the book is now available as a Kindle ebook for only $4.99. Just click The Best Horror Short Stories 1800-1849 Kindle ebook to be taken to the page. Enjoy and for those of you in the United States, Happy Thanksgiving!

40.     1839 Running the Gauntlet by Anonymous
39.     1823 The Mutiny by William Harrison Ainsworth
38.     1836 The Wedding Knell by Nathaniel Hawthorne
37.     1842 Ben Blower's Story; or How to Relish a Julep by Charles Feno Hoffman
36.     1827 The Bohemian by Anonymous
35.     1831 Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity by Richard Harris Barham
34.     1830 Confessions of a Reformed Ribbonman by William Carleton
33.     1820 The Field of Terror by Baron Friedrich Heinrich Karl De la Motte Fouquâe
32.     1837 Cousin Mattie by James Hogg
31.     1844 Rappaccini’s Daughter by Nathaniel Hawthorne
30.     1821  The Man in the Bell by William Maginn
29.     1836 The Legend of the Bell Rock by Captain Frederick Marryat
28.     1849 Hop-Frog by Edgar Allan Poe
27.     1832 Gabriel Lindsay by William Mudford
26.     1835 The Fiery Vault by Reithra
25.     1837 The Involuntary Experimentalist by Samuel Ferguson
24.     1831 The Lonely Man of the Ocean by Anonymous
23.     1843 Ko-rea-ran-neh-neh; or, The Flying Head by Charles Feno Hoffman
22.     1846 The Cask of Amontillado by Edgar Allan Poe
21.     1837 Dr. Heidegger's Experiment by Nathaniel Hawthorne
20.     1823 A Scots Mummy by James Hogg
19.     1835 The Story of the Greek Slave by Captain Frederick Marryat
18.     1843 The Black Cat by Edgar Allan Poe
17.     1834 The Singular Trial of Francis Ormiston by George Sloane
16.     1842 The Masque of the Red Death by Edgar Allan Poe
15.     1827 Le Revenant by Henry Thomson
14.     1841 A Descent into the Maelstrom by Edgar Allan Poe
13.     1830 The Elixir of Life by Honore de Balzac
12.     1836 The Old Man’s Tale About the Queer Client by Charles Dickens
11.     1817 The Deserted House by E.T. A. Hoffmann
10.     1836 The Minister’s Black Veil by Nathaniel Hawthorne
9.       1843 The Tell-Tale Heart by Edgar Allan Poe
8.       1828 The Severed Hand by Wilhelm Hauff
7.       1826 The Lighthouse by George Soane
6.       1842 The Pit and the Pendulum by Edgar Allan Poe
5.       1829 El Verdugo (The Executioner) by Honoré de Balzac
4.       1832 The Thunder-Struck and the Boxer by Samuel Warren
3.       1845 The Facts in the Case of M. Valdemar by Edgar Allan Poe
2.       1832 The Mysterious Mansion by Honoré de Balzac
1.       1839 The Fall of the House of Usher by Edgar Allan Poe


Thursday, November 18, 2010

Reveal for the #1 Best Horror Short Story 1800-1849

The reveal is finally here for the best horror short story of 1800-1849. I pick Edgar Allan Poe's "The Fall of the House of Usher" for the number one spot. This fantastic horror tale is one of the best for the entire century, let alone the first half. You can read my thoughts and background information on it in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. In a future post I will list all of the Top 40 horror short stories again just in case you missed them the first time. Enjoy!

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Thursday, November 11, 2010

Reveal for the 2nd Best Horror Short Story 1800-1849

For the second best short horror story of 1800-1849 I choose "The Mysterious Mansion" by Honore de Balzac (1799-1850). This horrific story of "entrapment" rises far above Edgar Allan Poe's best tale of a similar nature, "The Cask of Amontillado." You can read the story along with my annotations and story background in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology.

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Friday, November 5, 2010

Reveal for the 3rd Best Horror Short Story 1800-1849


I am down to the Final Three in my countdown of the Top 40 horror short stories from 1800-1849. I pick Edgar Allan Poe's "The Facts in the Case of M. Valdemar" as the third best horror tale for this period. You can read it along with my annotations and introduction in my newly published horror anthology. 

AmazonThe Best Horror Short Stories 1800-1849A Classic Horror Anthology

 Barnes & NobleThe Best Horror Short Stories 1800-1849A Classic Horror Anthology

Website: AndrewBarger.com

Monday, October 25, 2010

Review of The Best Horror Short Stories 1800-1849 at Bookgasm.com

The Halloween season is upon us and Bookgasm.com, one of the Web's best book review sites, has just published a review of The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Here is a snippet from the review: "Through his introduction and footnotes, Barger aims for readers both scholarly and casual, ensuring that the authors get their due while making the work accessible overall to the mainstream." Click to read the <a href="http://www.bookgasm.com/reviews/horror/the-best-horror-short-stories-1800-1849/

Reveal for the 4th Best Horror Short Story 1800-1849

Weighing in as the 4th best horror short story of 1800-1849 is The Thunder-Struck and the Boxer by Samuel Warren. This fine horror tale is included in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology with background information and annotations. P.S. Halloween is only 6 days away!

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Sunday, October 17, 2010

Part I of The Best Horror Short Stories Interview by Andrew Barger



This is part I of the ten question  interview I did for The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. I hope you find it interesting
 

Q1: Andrew, there are many horror anthologies out there. Why did you decide to edit a book of the best horror short stories from 1800-1849?
A1: In my view, classic horror anthologies have given us a disappointing selection of stories. Many times scant background information is provided about the horror stories and their authors. This is frustrating.

Q2: So the editors were light on horror short story content?
A2: In a number of ways. So to those editors of the gigantics, the colossals, the monstrous, the huge, the huger, the bigs, the really bigs, the even biggers—these portly books of collected horror—you have made my literary waistline bloated with quantity over quality. You have hardened my literary arteries. I was full when pushing back from your table only to be hungry a few hours later. The “greatest” horror anthologies have been greatly disappointing. I have spent time with the “fantastic” and was fantastically used. I have been calmed by the “terrifying” and under-whelmed by the “incredible.” The “mammoth” books have left me feeling wooly inside. [Smiles]

Q3: Are there any other reasons you compiled The Best Horror Short Stories 1800-1849?
A3: I have never seen one that addresses this 50 year period by itself. This is when the horror short story genre began thanks to Edgar Allan Poe, Nathaniel Hawthorne, Honoré de Balzac and so many others. I felt that the best stories of these great horror writers needed to be compared and that is best accomplished when they are put shoulder-to-shoulder. And part of it was my curiosity to see just how good—how groundbreaking—Poe was in telling his horror stories. I was also frustrated reading anthologies that do not disclose what horror stories were considered when compiling them. It’s like declaring a beauty pageant winner without showing the other contestants. I want to know what literary wheat got separated from the chaff. This would answer many questions for my inquisitive mind. Rare is the short horror story anthology that has shown the world what tales were actually considered in making the compilation. In this case I have tried to stem this tide of literary attrition. All of the short horror stories are listed that I reviewed for this anthology, along with their respective author and earliest publication date, if available.

Q4: How does this compare to the best werewolf short stories of 1800-1849 that you edited?
A4: There were only a handful of werewolf short stories published in the English language from 1800-1849. With the horror short stories I had exponentially more to pick from and picking the best was much harder.

Q5: How many horror short stories from the first half of the nineteenth century did you read?
A5: I read over 300 horror short stories. Many of the obscure ones came from key periodical magazines such as Blackwood’s and Atkinson’s Casket. My horror anthology includes background information for each story and photograph of the author. Annotations are included for difficult or antiquated terms.


Wednesday, October 13, 2010

Reveal for the 6th Best Horror Short Story 1800-1849

The Pit and the Pendulum by Edgar Allan Poe is picked as the 6th best horror story from 1800-1849. In my recent book: The Best Horror Short Stories 1800-1849: A Classic Horror Anthology you can read this horror tale along with my thoughts and annotations for difficult terms. Tomorrow I will post the next author in my countdown.

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Thursday, October 7, 2010

Reveal for the 7th Best Horror Short Story 1800-1849

The Lighthouse by George Soane is my pick for the 7th best horror short story for the period in question. It is the best lighthouse horror story for the first half of the nineteenth century. I say this knowing that Edgar Allan Poe never finished the lighthouse story he was penning at his death. My research did not uncover The Lighthouse by George Soane as being collected in any horror anthology. Where can you read it then? The best way is in the recent book I have edited, The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Tomorrow I will post the first review of the horror book. Cheers! 

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Thursday, September 30, 2010

Reveal for the 8th Best Horror Short Story 1800-1849

My pick for the 8th best horror short story from 1800-1849 is "The Severed Hand" by Wilhelm Hauff. You can read the Top 12 in my recently published The Best Horror Short Stories 1800-1849. The book is a classic horror anthology with photos of the authors, story background and annotations. Tomorrow I will post the creepy book trailer video for the anthology.

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Wednesday, September 29, 2010

Author of the 8th Best Horror Short Story 1800-1849 is Wilhelm Hauff

Back to my countdown of the Top 40 horror short stories from 1800-1849. The author of the 8th best horror story for this period is Wilhelm Hauff (1802-1827). Here is a photo of this German horror author who died much too young. Tomorrow I will post the title of his horror story.

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Friday, September 24, 2010

Reveal for the 9th Best Horror Short Story 1800-1849

I pick Edgar Allan Poe's The Tell-Tale Heart as the 9th best horror short story for the first half of the nineteenth century. Before I am finished with the countdown Poe will make three more appearances. For those of you interested in the great stories and poems of Poe, I edited Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems that is chock full of interesting information about America's most mysterious and haunting author of the early nineteenth century. Next week I will continue with the countdown.

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Thursday, September 23, 2010

Author of the 9th Best Horror Short Story 1800-1849 is Edgar Allan Poe

This is not the first time Edgar Allan Poe has appeared in my countdown of the Top 40 horror short stories from 1800-1849, but it is the first time he has appeared in the Top 10. It will not be his last. Tomorrow I will reveal which horror short story of his I place at the ninth best for this period. While you wait, you can check out the press release for the best horror stories book that I edited, which contains the Top 12 horror short stories for this period. It's called The Best Horror Short Stories 1800-1849: A  Classic Horror Anthology.

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Tuesday, September 21, 2010

Reveal for the 10th Best Horror Short Story 1800-1849

Yesterday I announced that Nathaniel Hawthorne was the author of what I believe to be the 10th best horror story for the first half of the nineteenth century. There has been speculation about just which one of his horror tales would be the first in the Top 10. I am happy to report that it is The Minister's Black Veil. If you want to read it in its entirety along with background information about the story, it (and 11 others) are contained in my new book: The Best Horror Short Stories 1800-1849. Here are some links where you can buy it.

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Friday, September 17, 2010

The 11th Best Horror Short Story from 1800-1849 is The Deserted House

Few people have read The Deserted House, which in my view is the best horror story ETA Hoffmann (1776-1822) ever wrote. I've included it in my collection of the 12 greatest: The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Next week I will begin counting down the Top 10 for this crucial period that serve as a foundation for our modern horror stories.

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Thursday, September 16, 2010

ETA Hoffmann is the Author of the 11th Best Horror Short Story 1800-1849

E.T.A. Hoffmann--the ground-breaking German author of ghost, fantasy and horror short stories--is the author of the 11th best horror short story for the first half of the nineteenth century. Tomorrow I will post the title of it as I continue to countdown the best horror stories for this vital period in the horror genre. The top 12 are contained in my horror book: The Best Horror Short Stories 1800-1849: A Classic Horror Anthology
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Thursday, September 9, 2010

List of Authors in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology

I am nearly finished with my countdown of the best horror stories from 1800-1849. I have published 40-13 and the final 12 stories are contained in my new book: The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Next I will start counting down these Top 12, but first I want to tease you a bit by listing the authors whose horror stories made the anthology:

Honore de Balzac
Charles Dickens (Surprise!)
E.T.A. Hoffmann
Nathaniel Hawthorne
Edgar Allan Poe (No surprise)
George Soane (Who?)
Samuel Warren

It's easy to see that some of these classic horror authors have multiple stories in the anthology. See if you can guess what horror stories by these authors made the Top 12 for the first half of the nineteenth century. Tomorrow I will list the countries where the authors are from. Enjoy.

Website: www.AndrewBarger.com

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