Saturday, April 15, 2023

Lydia Ashbaugh the Witch - A Witch Short Story of 1836 by William Darby

 

Lydia Ashbaugh the Witch

by William Darby

America's first great witch story.

--Andrew Barger

Available for preorder on Amazon Kindle now (Launching on Friday) is "Lydia Ashbaugh the Witch." It is a fantastic witch short story that I found when editing Witchcraft Classic: Best Witch Short Stories 1800-1849

This classic American witch story of 1836 is the sorrowful tale of how Lydia Ashbaugh became a witch. Set in the beautiful mountains of Pennsylvania, its storyline and plot twists place it in high regard. I give a length introduction at the start of the book, including about the author who published under a penname.

“Lydia Ashbaugh” was originally published in the Saturday Evening Post and shortly thereafter in Atkinson’s Casket. It appeared the year after Nathaniel Hawthorne published "Young Goodman Brown," and excels in every category over Hawthorne's most famous witch short story. Read "Lydia Ashbaugh" tonight.


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Thursday, April 13, 2023

Ephemera on Edward Bulwer-Lytton's Scary Ghost Stories

 

Edward Bulwer-Lytton

Edward Bulwer-Lytton (1803-1873) is known in supernatural circles for penning one of the greatest ghost stories of the nineteenth century, "The Haunted and Haunters." It was published in 1857 and is included in Phantasms: Best Ghost Short Stories 1850-1899. H.P. Lovecraft called it "one of the best short haunted house tales ever." But enough about "The Haunted and Haunters."

Bulwer-Lytton's second best ghost story is Monos and Daimonos. It was published in 1830. The horror story involves a shipwreck, a murder and . . . well . . . a relentless ghost set out for revenge. I hope you enjoy it! The Best Ghost Stories 1800-1849: A Classic Ghost Anthology.



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Sunday, April 2, 2023

Edgar Allan Poe Vampire Story - A Few Thoughts

Edgar Allan Poe (1809-1849)

Edgar Allan Poe was the undisputed king of the early scary short story. He was ten when John Polidori published the first vampire story ("The Vampyre") in the English language. That groundbreaking story was followed a few months later by "The Black Vampyre," which was published anonymously by Robert Sands, valedictorian of Columbia University. Both caused quite a stir in the literary community and among readers at large due to their depraved horror. Many people thought Lord Byron wrote Polidori's tale. Lord Byron had to make a statement in the papers that he was not the author. Both of these vintage vampire stories, with detailed background information, in The Best Vampire Stories 1800-1849 They are a must read for vampire aficionados. The latter tale launched a vampire Wikipedia page on the story itself given its groundbreaking firsts in vampire lore.

But what about an Edgar Allan Poe vampire story? Surely Poe heard of these early stories and likely read one or both when he got older. Did he respond in kind with his own vampire tale? Sorry to disappoint, but from my research Poe does not appear to have penned a vampire story. If a reader has to stretch their imagination to determine if a character is a vampire, then it is likely not a vampire. After all, a vampire is what a vampire does.

Teeth play a telling role (as does the presence of blood) in many vampire tales. The ponderous Poe dissertations that seek to attribute the protagonist’s lust for teeth to a vampire fixation in “Berenice” have felt chompy. A tooth fixation is not a blood fixation. Still, a number of anthologist have placed Poe’s “Ligeia” in their collections with hopes that if the tale is included in a vampire anthology, it will somehow be transmogrified, shapeshifted if you will, into a vampire story. A Poe story listed in the Table of Contents for an anthology boosts sales. Nevertheless, in the case of vampire anthologies, Poe’s inclusion is misdirected. Yet what a out "Ligeia?"

**Spoiler Alert** When Ligeia dies and is subsequently brought back to life through Rowena’s body, the unnamed protagonist touches her and she moves away, again displaying no lust for blood. Before her death, Rowena is given a cup of reddish liquid that could easily be wine or a potion concocted by the protagonist. There is no evidence that anyone’s blood was spilt. The only other hint of vampirism comes when Rowena’s lips part on her deathbed to display a line of “pearly teeth.” If she was a vampire we would learn of long teeth or sharp teeth, but that is not the case.

Poe’s only passing references to vampires were in his poems. “Tamerlane” references a vampire-bat and “To Helen” calls out vampire-winged panels. Articles about the vampire motif in “The Fall of the House of Usher” have been disorganized and unconvincing. There is no hint that Roderick Usher was a vampire. Essays about a volitional vampire in “Morella” have . . . well . . . sucked. 


Yes, it would be nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. Read these important scary vampire tales in BlooDeath: The Best Vampire Short Stories 1800-1849.


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