Top 10 Ghost Stories for the First Half of the 19th Century.
The Scary Short Stories Blog by award-winning author Andrew Barger where I discuss the scariest stories in the various supernatural genres. I emphasize classic scary short stories and provide insight into the origins of the stories and the authors behind them. Visit AndrewBarger.com to check out my books and to be scared.
Thursday, May 19, 2022
Best Scary Ghost Short Stories for the First Half of the Nineteenth Century - Top 10 List
Saturday, September 19, 2020
Best Ghost Short Stories 1850-1899 Interview with Andrew Barger
Andrew Barger Interview
Best Ghost Short Stories 1850-1899 Anthology
http://andrewbarger.com/bestghostshortstories1850.html
Q1. You have edited the best ghost short stories for the first half of the 19th century and now you are finishing off the century with your new ghost stories anthology?
A1. In the fantasy genre I wanted to start with the first modern form of short stories in the English language, which really began the first half of the 19th century. I published 6a66le: The Best Horror Short Stories 1800-1849, Shifters: The Best Werewolf Short Stories 1800-1849, Mesaerion: The Best Science Fiction Short Stories 1800-1849, Middle Unearthed: The Best Fantasy Short Stories 1800-1849 and Phantasmal: The Best Ghost Stories 1800-1849. Now I have moved on to the last half of the century with a collection of the best scary ghost stories.
Q2. Did you include background information on each story in the collection like your other anthologies?
A2. Yes. I can’t help it! I also include author photos, publication dates and a list of stories read at the end of the book.
Q3. What are some of the differences in the ghost short stories from the first to the last half of the century?
A3. The writing is at a higher level and, for the most part, the character generation is better. Also, for the first time in the century women began publishing in the ghost story genre. Mary Braddon, Rhoda Broughton, Catherine Crowe, Amelia Edwards, Mary Anne Evans (aka George Eliot), Florence Marryat (daughter of horror story writer Captain Frederick Marryat), Mary Louise Molesworth, Rosa Mulholland, Edith Nesbit, and many other women stood out as fine ghost story writers of the Victorian age.
Q4. Are any of the ghost stories in the anthology comedic? There are some funny ghost stories out there.
A4. Absolutely not. I have never liked funny ghost stories. The Legend of Sleepy Hollow is the exception. I want to be frightened in a ghost story. Boo!
Q5. Who are some of the more famous authors in the anthology?
A5. Joseph Le Fanu, M. R. James, Charles Dickens, Francis Marion Crawford, Rosa Mulholland, Bram Stoker, Edith Nesbit, Robert Chambers and Edward Bulwer-Lytton all have stories in the collection.
Q6. Do you have a favorite?
A6. “The Haunted and the Haunters” by Bulwer-Lytton is the foremost thing of its kind and, surprisingly, the oldest in the ghost short story anthology. It’s based on a true story and I include the actual letter telling about the haunted house in question. A guy decided to stay in the haunted house, but only with a “brace of pistols.” You will have to read the scary story to learn what happened.
Q7. Who were the most influential ghost short story writers in the back half of the 19th century?
A7. Certainly Joseph Le Fanu and M. R. James were first rate ghost short stories writers and the sheer number of stories they wrote in the genre exceeds nearly everyone else. When you look at it from the perspective of the author who supported others in the genre, Charles Dickens comes to the forefront. His “No. 1 Branch Line, The Signal Man” of 1866 sits firmly in the collection. As if his many ghost stories weren’t enough, Dickens fostered the literary careers of many talented supernatural authors by publishing them in his weekly magazine—All the Year Round, including Joseph Le Fanu, Wilkie Collins, Edward Bulwer-Lytton and Elizabeth Gaskell. M. R. James stood on the shoulders of Joseph Le Fanu and Fanu had his foundation in Charles Dickens.
Q8. Are there any stories by Henry James in the anthology?
A8. Henry James, on the other hand, was a proponent of the subtle ghost story. Enter the timid ghosts. As if filled by English sensibilities, they were rarely overt in their actions. They never jump out from behind the curtain and say “Boo!” Their presence was felt all the same yet in a more nuanced way than traditional ghost stories. James wrote cigar smoking, single malt scotch sipping tales. His “The Romance of Certain Old Clothes” (1868), “Sir Edmund Orme” (1892) and “The Friends of the Friends” (1896) are each well worth a read.
Q9. In Phantasmal: Best Ghost Short Stories 1800-1849 you gave an introduction titled “All Ghosts are Gray” where you drew attention to the lack of color in early ghost short stories. Does color play a role later in the century?
A9. Yes. Consider the color yellow, for instance. It morphed from the cheerful glow of flowering snapdragons and daffodils in the English countryside to one that forewarned of evil in Britain and the United States. It became a color to describe the sickly, instead of the happy. Yellow fever entered the vernacular and those outside of the African continent became fearful of the viral disease spread by female mosquitoes. This was especially true given the active slave trade in parts of America.
The color yellow soon became treated as a precursor to death thanks to writers in the supernatural community. By 1892, American Charlotte Perkins Gilman published her classic horror story “The Yellow Wallpaper.” In it the sickly colored wallpaper has a terrible effect on the occupant of the room. Three years later, fellow American Robert Chambers published his collection of short stories The King in Yellow that begged the overriding question “Have you found the yellow sign?” It contained the haunting ghost story “The Yellow Sign” (1895) included in this anthology and his treatment of the color in The King in Yellow has evolved into what is now referred to as the yellow mythos in supernatural literature.
Q10. Last question, how did ghosts change from the first to the last part of the century in question?
A10. The ghosts streaming from the pen of Dickens were highly communicative with the living. They were no longer stagnate beings of the spirit world who moved silently among the darkling corners of haunted houses, but rather interacted with the sorry lot of the living in ways never before seen in literature. In Phantasmal: Best Ghost Short Stories 1800-1849 there is an excellent story that was published anonymously titled “The Deaf and Dumb Girl” that is a fine example of how ghosts started out being rather innocuous.
#BestGhostStories #ClassicGhostStories #NineteenthCenturyGhostStories #AndrewBarger
Saturday, October 8, 2016
Best Ghost Short Stories 1850-1899 Anthology by Andrew Barger is Published!
October is the month for ghosts here on the scary short stories blog. That's why I'm happy to announce my latest anthology: Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology is now published! It contains the best ghost stories from the last half of the 19th century. It includes shocking tales from popular American and Victorian authors.
Andrew Barger (that would be me), award-winning author and editor of Phantasmal: Best Ghost Short Stories 1800-1849 and The Divine Dantes trilogy, has researched the finest ghost stories for the last half of the nineteenth century and combined them in one haunting collection. He has added his familiar scholarly touch by annotating the stories, providing story background information, author photos and a list of ghost stories considered to settle on the most frightening and well-written tales.
Victorians: Victors of the Ghost Story (2016) by Andrew Barger - Andrew sets the stage for this haunting ghost anthology.
The Upper Berth (1886) by Francis Marion Crawford - You will never think of cruising on a ship the same way after reading "The Upper Berth."
In Kropfsberg Keep (1895) by Ralph Adams Cram - A gothic setting yields a nightmare for a couple of "ghost hunters."
Lost Hearts (1895) by M. R. James - This early M. R. James classic ghost story is one of his best.
The Familiar (1872) by Joseph Le Fanu - Ever feel like you are being watched?
The Haunted Organist of Hurly Burly (1886) by Rosa Mulholland - You will never view an organ the same way again.
No. 1 Branch Line: The Signal Man (1865) by Charles Dickens - Are the nervous habits of a train tracks operator all in his mind?
Hurst of Hurstcote (1893) by Edith Nesbit - A moldering house and--of course--ghosts.
The Judge's House (1891) by Bram Stoker - The author of Dracula never disappoints.
The Yellow Sign (1895) by Robert Chambers - A painter sees someone watching him from a busy New York street.
The Haunted and the Haunters (1859) by Edward Bulwer-Lytton - The oldest and most haunting ghost short story in the anthology and one that H. P. Lovecraft deemed the best haunted house story ever.
I am deeply and horribly convinced, that there does exist beyond this a spiritual world--a system whose workings are generally in mercy hidden from us--a system which may be, and which is sometimes, partially and terribly revealed.
"The Familiar" 1872 by Joseph Sheridan Le Fanu
Buy today at Amazon: Best Ghost Short Stories 1850-1899
#BestGhostShortStories #BestGhostStoriesBook
Sunday, May 6, 2012
Book Review of The Best Ghost Stories 1800-1849 Anthology
It's not often that I post a review of one of my books in its entirety. In fact, I never do. Nicola Manning, however, has recently published one of the most well thought out reviews of the best ghost stories anthology that I edited. I agree with her on most points (Washington Irving excepted). You can follow all her reviews on GoodReads. They are worth your time. "Reason for Reading: I have a particular interest in the Gothic story and my favoured literature time period is the Victorian era, which admittedly doesn't start until 1837. But both the time frame of this book and the life works of the included authors does fall within my preferred historical reading period.This is a fine collection of ghost stories. Andrew Barger has done an excellent job of combining the familiar with the obscure both in title and author selection. He has written an interesting, engaging introduction to the topic and his choices of stories. From this introduction the reader knows they have an editor who knows the literary time period and genre being presented. Preceding each story is an introduction by the editor with background information on the story and the author in relation to the particular story. This is invaluable reading and is a joy for the reader to have this contemporary insight before proceeding with the story. I always appreciate an anthology that introduces each story. Following the collection of nine stories, is a long list of stories from which Andrew Barger read to select those he called "best" for this collection. This would make a great reading list for the enthusiast! I found most of the stories very good, with several excellent, only a couple merely good and just one less than satisfying. Mr. Barger has several other books which look like they would make excellent reading. The stories included and my impressions:1. Adventure of the German Student by Washington Irving - A depressed German student goes to "gay Paree" for his health, unfortunately it's just as the French Revolution gets underway. Sickened by the blood of the guillotine he becomes a recluse and dreams of a woman. One night as he takes a walk, the only time he'll ever leave his flat, he meets the woman of his dreams, and has an encounter that literally drives him insane. Good, even though I'm not a huge Irving fan. 3/52. The Old Maid in the Winding Sheet by Nathaniel Hawthorne - Two women who loved the same man who dies young make a pact to meet up again in the room of his deathbed, in the distant future. One to go on and make something of her life, the other to stay in the village, a recluse, following death. This was pretty creepy and I enjoyed it a lot. Hawthorne is hit and miss with me. I don't like his novels but his stories usually win me over, as did this. 4/53. A Night in a Haunted House by Anonymous - This was an ideal ghost story. A naysayer after hearing the story of a haunted house, from a parson no doubt, asks to spend the night in the abandoned house to prove there are no such things as ghosts, only overactive imaginations. Needless to say he has an eerie evening and becomes a believer. This is a long short story, clocking in at 30 pages and a very good read. Really two stories in one, first the parson's story and then the other man's story; I can imagine how it would have hit the sensibilities of the public at the time it was written (1848) being quite creepy and containing the classic qualities of both the ghost and Gothic story. For the modern reader it's not hard to guess the twist at the end fairly early into the second part of the story, but still it is an eerie, fun story and one I enjoyed a lot. A classic ghost story of this era (5/5)4. The Story of the Spectral Ship by Wilhelm Hauff - A new-to-me author, here with a Flying Dutchman type of ghost ship story. The main characters are Muslim, making it rather unique for its time. A well-told eerie ghost tale. I'd love to read more of the author. (5/5)5. The Tapestried Chamber by Sir Walter Scott - I wasn't looking forward to this story as Scott always brings to my mind his horrible historicals such as "Ivanhoe" and his wretched poetry. I didn't know he was a fan of this genre as well, so was pleasantly surprised at how much I enjoyed this classic tale of an upstanding military General spending the night in an haunted room. Tame by today's standard's but a disturbing story nevertheless. (5/5)6. The Legend of Sleepy Hollow by Washington Irving - Everyone knows this tale from one source or another. I've read it before and didn't like. It is long, Irving's writing is too old-fashioned for me and I just don't find the story scary or creepy. It's been about 8 years, so I gave it another go, but found it just as boring as I previously always do. (2/5)7. The Mask of the Red Death by Edgar Allan Poe - I've read Poe many times. This is classic! Extremely creepy, the images the words create in your mind are just impossible to render in visual media. It is very debatable whether this is a ghost story, though. I've never thought of it as such. The character, to me, here is Death, or Disease manifested, not a ghost. Nevertheless a fine story! 5/58. A Chapter in the History of a Tyrone Family by Joseph Sheridan Le Fanu - With one short story left to go I don't think it's too early to call this long short story the "piece de resistance" of this collection. A masterpiece of a story whose plot has been retold numerous times by now but as the original still manages to thrill and shock. The plot follows a theme used in Jane Eyre and yet pre-dates that classic by 8 years prompting the editor to include an afterword to this story alone that convincingly suggests Bronte "borrowed" from it. I'm not very familiar with Fanu's work but I would certainly like to explore him further! 5/59. The Deaf and Dumb Girl by Anonymous - This is another fine example of an eerie ghost story that tells the tale of a tragic used, spurned woman whose spirit waits for the return of her ruthless lover to exact revenge upon him. This is an obscure story the editor says has not been published since its original appearance in 1839. A chilling tale to end the volume with! 4/5"