Tuesday, June 14, 2011

Best Ghost Stories 1800-1849; Mary Burnet by James Hogg

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It's been awhile since I last posted scary ghost story 30, maybe too long. Without further delay I pick James Hogg's (1770-1835) Mary Burnet as the 29th best ghost story for the first half of the nineteenth century. The scary story is the classic case of an "innocent maiden" who is wronged and, well . . . I'll let you read for yourself what happens. 

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James Hogg, commonly known by his penname "The Ettrick Shepard," was self-educated. He eventually made his way out of the rustic life of country living in Scotland. He began writing short stories and articles for Blackwood's Edinburgh Magazine and befriended Sir Walter Scott. While Hogg's novels did not leave a deep mark on literature, his short stories were penned at a very high level. In my estimation he is greatly overlooked as a writer of horror and ghost stories in this important half century. Two of his stories made my list of the Top 40 horror short stories for the period in review, but none rose to the level of the top dozen that I include in The Best Horror Short Stories 1800-1849, which recently won a literary award. Hogg has a way with dialogue that takes one back to the old Scottish brogue and in the scary story of "Mary Burnet" he does not disappoint in this regard. 

Thursday, June 2, 2011

"Best Horror Short Stories 1800-1849" Finalist Award Winner in the Next Generation Indie Book Awards

Those of you who read my blog on a regular basis know that I recently published The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. The book was well received by the horror community and the reviews were favorable (some are posted below); so I entered it in a book contest to see how it would do against the big publisher and best selling authors.

I am pleased to let you know that the book was just selected as a finalist awards winner in the anthology category for the Next Generation Indie Book Awards. The physical book is annotated and sells for $12.99 at major online book retailers. The ebook is not annotated and can be had for $2.99, the price of a cup of coffee and it will entertain for hours. Even cheaper still, Amazon has just selected it as one of its best selling Kindle books and discounted it to only $.99 only as part of its "sunshine sale." Of course, there's not a lot of sunshine in this classic scary story horror book!

The Best Horror Short Stories 1800-1849 is a book for anyone who loves a classic horror story.

Thanks to Edgar Allan Poe, HonorĂ© de Balzac, Nathaniel Hawthorne and others, the first half of the nineteenth century is the cradle of all modern horror short stories. I read over 300 horror short stories and compiled the dozen best. A few have never been republished since they were first published in leading periodicals of the day such as Blackwood’s and Atkinson’s Casket.

At the back of the book I include a list of all short stories I considered along with their dates of publication and the author, when available. I even include background for each of the stories, author photos and annotations for difficult terminology.

 

‘The Best Horror Short Stories 1800-1849’ will likely become a best seller . . .What makes this collection (of truly terrifying tales!) so satisfying is the presence of a brief introduction before each story, sharing some comments about the writer and elements of the tale. Barger has once again whetted our appetites for fright, spent countless hours making these twelve stories accessible and available, and has provided in one book the best of the best of horror short stories. It is a winner.

GRADY HARP - AMAZON TOP TEN REVIEWER

 

Through his introduction and footnotes, Barger aims for readers both scholarly and casual, ensuring that the authors get their due while making the work accessible overall to the mainstream.

BOOKGASM

 

[a] top to bottom pick for anyone who appreciates where the best of horror came from.

MIDWEST BOOK REVIEW

Monday, May 23, 2011

Best Ghost Stories 1800-1849 Scary Story 30 is All Souls Eve by Joseph Stowe

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When researching scary stories for any fifty year period of the modern age, Halloween has to figure into the equation at some point. This is one of them. To fully understand the title of the ghost story I picked for spot 30 of the Top 40 for the first half of the nineteenth century, a background in how the Halloween name was derived is helpful.

It all starts with All Souls' Day, this is the traditional day when the living remember and pray for the souls of the dead. The day is still celebrated in parts of Europe and Mexico (Day of the Dead). Often food is left for the dead and candles lit in the windows so the ghosts can find their way. All Souls' Day is one of love and remembrance. Easy enough.

But then All Souls' Eve began to come into pagan fashion. On this night before All Souls' Day the evil dead return to earth. These ghosts are not out for a good meal, but to exact revenge. All Souls' Eve was also called Hallow Evening and eventually the words were put together to form Hallow'en. In one part of the legend, any person who came in contact with ghosts on Halloween, and left a piece of their clothing behind, would be sure to die.



That brings us to scary story 30, which is All Souls' Eve. Published in 1839 by Joseph Stowe in his collection titled The Rhine, Legends, Traditions, History from Cologne to Mainz. The ghost story is derived from German legend, and it is the first in the English language to address the clothing issue described above. Enjoy this congregation of the dead!


#allsoulseve #halloweenstories #vintagehalloweenstories #classichalloweentales #bestghoststories
        

Thursday, May 19, 2011

Best Ghost Stories 1800-1849 - Scary Story 31 is An Adventure Near Granville

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An Adventure Near Granville is one of the best ghost stories you have never read and it weighs in at spot 31 in my countdown of the Top 40 scary ghost stories for the 50 year period in review. It was published in George Soane's (1789-1860) collection of short stories "The Last Ball and Other Stories" in 1843. "An Adventure Near Granville" (more aptly titled "A Horror Near Granville") is a warning for anyone moving into a foreign old house. I hope you enjoy it.

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When considering scary ghost stories, I am convinced that George Soane is one of the most underrated ghost writers for the first half of the nineteenth century. Who on earth is George Soane? He was the son of the famous English architect, John Soane (1753-1837). George was the black sheep of the family. Much like Edgar Allan Poe, he shunned business and followed the arts. His family disowned him as a result. Yet George turned out to be an excellent short story writer. I picked his "Lucy Ellis" (also called "The Lighthouse") as one of the top dozen horror stories in The Best Horror Short Stories 1800-1849: A Classic Horror Anthology. Any of his stories in "The Last Ball"' are worth your time.   

Friday, May 6, 2011

Best Scary Ghost Story 33 from 1800-1849 Posted

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The next tale in my countdown of the Top 40 ghost stories for the first half of the nineteenth century is an anonymous story titled The Legend of Marseilles. This scary ghost story was first published in 1826 and was subsequently reprinted in a number of ghost anthologies. Without giving away too much, let's suffice it say that it proves not knowing when you are going to die is best.

Tuesday, May 3, 2011

Best Werewolf Stories 1800-1849 Book eBook Price Drop

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I've been feeling beastly as of late and as a result I've decided to drop the price of The Best Werewolf Short Stories 1800-1849: A Classic Werewolf Anthology to $.99. Buy this transformation of the werewolf book for a buck while you can. I hope you enjoy it!

Saturday, April 30, 2011

Best Ghost Stories 1800-1849, 33rd Best Scary Story

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I place The Death's Head in spot 33 of my countdown of the Top 40 ghost stories for the first half of the nineteenth century. Published anonymously in 1827, "The Death's Head"--this particular "species of phantasmagoria"--is perhaps the first short story that contains a talking skull. It also the only scary story in this countdown that involves ventriloquy. The scene where spirits are conjured is heart pounding horrific. I hope you enjoy it.   

Best Horror Stories 1800-1849 ebook Price Dropped to $.99 for a Limited Time

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I am in a horrific mood of late and as a result have just dropped the price of The Best Horror Short Stories 1800-1849: A Classic Horror Anthology to $.99 on: Best Horror Stories on Kindle Enjoy!

Best Ghost Stories 1800-1850 Scary Story 34 of the Countdown

It's time to get back to my countdown of the Top 40 scary ghost stories from 1800-1849. Some of you may be wondering when Edgar Allan Poe will make in appearance in the countdown. Well, you do not have to wait any longer. At spot 34 in the countdown is Poe's best ghost story--Ligeia. The tale was first published in the September 1838 issue of the American MuseumIn two volumes of the Broadway Journal that Poe gave to Sarah Helen Whitman, one of his fiancĂ©s, he noted a reference to “Ligeia” and “To Helen”: The poem which I sent you contained all the events of a dream which occurred to me soon after I knew you. Ligeia was also suggest by a dream. Observe the eyes in both tale & poem.

Poe gained ownership of the Broadway Journal for a three-month period (Oct. 25, 1845 – Jan. 3, 1846). It closed given financial troubles. As Poe proved time and time again throughout his life, he was a great literary artist and poor businessman. “Ligeia” is Poe at the height of his gothic powers. The narrator indulges in opium, the beautiful Ligeia dabbles in alchemy and her room is shaped like a pentagon. Best of all for our countdown, this tale ends in ghostly twist. Poe thought highly of it. You will be surprised to hear me say that (omitting one or two of my first efforts) I do not consider any one of my stories better than another. There is a vast variety of kinds and, in degree of value, these kinds vary–but each tale is equally good of its kind. The loftiest kind is that of the highest imagination– and, for this reason only, “Ligeia” may be called my best tale. In my view it was Edgar Allan Poe's best ghost story and perhaps his only ghost story. I argue that "Morella" is not a ghost story and neither is the creature in "The Masque of the Red Death," but rather a monster foretelling doom.
  

Best Ghost Stories 1800-1849 Countdown - Scary Story 35 Link

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As the author of the fictional Edgar Allan Poe biography Coffee with Poe and editor of Edgar Allan Poe Annotated Short Stories and Poems, I am sometimes asked if Poe had a favorite ghost story. Truth be told, Poe was quiet clear on his favorite ghost story--or at least his favorite by an American, which I believe is a dig at Charles Dickens and his bias toward British literature. It is by William Gilmore Simms and is titled: Murder Will Out. I don't, however, agree with Poe since I have placed it in spot 35 in my Top 40 countdown of the scariest ghost stories from 1800-1849. This is what Poe had to say about it in his review (published posthumously in 1850) of Simm's collection of short stories: "The Wigwam and the Cabin."


     All the tales in this collection have merit, and the first has merit of a very peculiar kind. “Grayling, or Murder will Out,” is the title. The story was well received in England, but on this fact no opinion can be safely based. “The Athenæum,” we believe, or some other of the London weekly critical journals, having its attention called (no doubt through personal influence) to Carey & Hart’s beautiful annual “The Gift,” found it convenient, in the course of its notice, to speak at length of some one particular article, and “Murder Will Out” probably arrested the attention of the sub-editor who was employed in so trivial a task as the patting on the head an American book — arrested his attention first from its title, (murder being a taking theme with a cockney,) and secondly, from its details of southern forest scenery. Large quotations were made, as a matter of course, and very ample commendation bestowed — the whole criticism proving nothing, in our opinion, but that the critic had not read a single syllable of the story. The critique, however, had at least the good effect of calling American attention to the fact that an American might possibly do a decent thing, (provided the possibility were first admitted by the British sub-editors,) and the result was first, that many persons read, and secondly, that all persons admired the “excellent story in ‘The Gift’ that had actually been called ‘readable’ by one of the English newspapers.”

Now had “Murder Will Out” been a much worse story than was ever written by Professor Ingraham, still, under the circumstances, we patriotic and independent Americans would have declared it inimitable; but, by some species of odd accident, it happened to deserve all that the British sub-sub had condescended to say of it, on the strength of a guess as to what it was all about. It is really an admirable tale, nobly conceived and skilfully carried into execution — the best ghost-story ever written by an American — for we presume that this is the ultimate extent of commendation to which we, as an humble American, dare go.

The other stories of the volume do credit to the author’s abilities, and display their peculiarities in a strong light, but there is no one of them so good as “Murder Will Out.”

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